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Abc Friends Salutes Four Corners
UpdateDecember 2016 Vol 24, No. 3 Thrice Yearly Newsletter ABC FRIENDS SALUTES FOUR CORNERS t the Annual Award questions of the medical profession. Presentation for Broadcasting Even in her illness, Liz was still the AExcellence on Friday 25th relentless investigative reporter. November, ABC Friends (National) It is these qualities, along with recognised the extraordinary persistence, patience, integrity, contribution of Four Corners to curiosity, thoroughness, balance and Australian life and investigative compassion, the hallmarks of great journalism of the highest quality journalism, that have undoubtedly over the past 55 years. Throughout been a thorn in the side of politicians those 55 years, Four Corners has of all persuasions, and those in consistently and with commendable positions of power and authority courage shone a light into many who have been under the relentless dark places in our national life, and microscope of a Four Corners has, without any doubt, investigation. Very recent examples changed Australia for the come to mind: “Broken Homes” better. The final program examined our totally inadequate and for 2016, A Sense of misnamed Child Protection System; Self, was no exception. and her persistent search for the “The Forgotten Children” painfully Liz Jackson, multi-award best medical options with her documented the evaporation of hope winning journalist with Four partner Martin Butler, displaying amongst refugee children under Corners for 30 years, laid exceptional courage, honesty and detention on Nauru; “Australia’s bare her private and family professionalism. In so doing, she Shame”, in graphic detail, showed life in documenting her struggle with taught us all how to be better patients, the onset of Parkinson’s Disease better carers, and to ask the right Continued on Page 4. -
Lemmy Kilmister: Dogged Insolence in the Face of Mounting Opposition to the Contrary
Lemmy Kilmister: Dogged Insolence in the Face of Mounting Opposition to the Contrary www.slickstermagazine.com /lemmy-kilmister-dogged-insolence-face-mounting-opposition-contrary/ Joe Mitchell In 2013, at the age of 67, rock icon Lemmy Kilmister, best known for his work as the leader of thrash metal progenitors, Motörhead, had a cardioverter defibrillator implanted in his chest. Though his notorious drug usage had been restricted since the early 90s when he began suffering from diabetes and hypertension, he refused to completely give up drinking and smoking after the procedure. It did make him reduce his alcohol intake. He finally gave up his “daily bottle of Jack Daniel’s” habit that he’d had since the mid-70s. Still, he readily admitted he had could not completely give up alcohol and cigarettes . He called this refusal, “Dogged insolence in the face of mounting opposition to the contrary.” That phrase may well distill not only Kilmister’s life, but the entire philosophy of Rock ‘n’ Roll as well. More than two years later, just days after being diagnosed with an aggressive form of cancer, Kilmister died at about 4:00 p.m. Pacific Time in his two- bedroom apartment not far from his favorite hang-out, the Rainbow Bar & Grill, on Sunset Boulevard, where he was often enthralled in the playing of a particular video game. When Kilmister became too ill to leave his apartment, the owners of the Rainbow had the game moved to his home so he could continue to play it. It is said that Kilmister died sitting upright in a stool in front of the machine. -
PUNK/ASKĒSIS by Robert Kenneth Richardson a Dissertation
PUNK/ASKĒSIS By Robert Kenneth Richardson A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Program in American Studies MAY 2014 © Copyright by Robert Richardson, 2014 All Rights Reserved © Copyright by Robert Richardson, 2014 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of Robert Richardson find it satisfactory and recommend that it be accepted. ___________________________________ Carol Siegel, Ph.D., Chair ___________________________________ Thomas Vernon Reed, Ph.D. ___________________________________ Kristin Arola, Ph.D. ii ACKNOWLEDGEMENTS “Laws are like sausages,” Otto von Bismarck once famously said. “It is better not to see them being made.” To laws and sausages, I would add the dissertation. But, they do get made. I am grateful for the support and guidance I have received during this process from Carol Siegel, my chair and friend, who continues to inspire me with her deep sense of humanity, her astute insights into a broad range of academic theory and her relentless commitment through her life and work to making what can only be described as a profoundly positive contribution to the nurturing and nourishing of young talent. I would also like to thank T.V. Reed who, as the Director of American Studies, was instrumental in my ending up in this program in the first place and Kristin Arola who, without hesitation or reservation, kindly agreed to sign on to the committee at T.V.’s request, and who very quickly put me on to a piece of theory that would became one of the analytical cornerstones of this work and my thinking about it. -
Hawkwind More Serious Now NME - 27 November 1971
Hawkwind More Serious Now NME - 27 November 1971 Nik Turner: "When Silver Machine was a hit record, when we were getting success with big gigs, it was quite exciting... And then it stopped because our drummer was taking all his clothes off." Right now, Hawkwind (at Ewell Tech on Saturday and Hammersmith Town Hall on Thursday, Dec. 2) are probably more involved in their music than ever before. Said Nik Turner (alto sax): "Apart from our bass player, none of us had ever been in a group before. When we started it was just a loon. It was great just to be in a band. Now, after two years it doesn't seem to be a flash in the pan and we're taking the music more seriously. "Personally I'm surprised we've got so far., I never thought our music would appeal to anybody simply because we've never pandered to public taste never compromised and just played exactly what we wanted., By a happy accident people seem to be digging it... And the band has good reason to be satisfied with progress so far. A community band in the true sense of the word, Hawkwind have taken experimental music to its' outer limits and combined sound, colour and lights perhaps more effectively than any other band currently working in Britain. "Originally we just wanted to freak people out," said Dave Brock (guitar). "We used to portray different trips -you know, acid trips- and because of our own experiences knew exactly how to get through to people. Although we've got away from that, we still seem to freak people out. -
Billboard 1976-05-22
08120 NEWSPAPER SOUTH *J09 1331 JUL79 52 +.. 312 318270141214 SOUTHERN MUSIC PUB CO BB 6922 HOLLYWOOD BLVD LCS ANGELES CA 90028 The International Music -Record -Tape Newsweekly May 22, 1976 $1.50 A Billboard Publication v N.Y. Looms As Cut -Rate Mecca; BACK ON ANNUAL BASIS Shelf & Special Prices Plunge Amsterdam Picked By IS HOROWITZ, JIM MELANSON & STEPHEN TRAIMAN holding He characterizes them as IMIC-7 chain has been conditions. For 1977 NEW YORK -Records aren't yet Korvette ® By BOB KIRSCH being given away gratis here. but sales on huge segments of their stock "not too different" from what the thrusts and counter- thrusts by some at $3.64 for $6.98 product. chain has done in the past, but LOS ANGELES -Billboard's In- IMIC that saw a greater injection fig- of the largest area dealers continue Of perhaps even greater signifi- agrees that the extent of the $3.64 ternational Music Industry Confer- than ever before of non -industry to force prices down. cance is the drop by local Korvettes (Continued on page 16) ence (IMIC) returns to an annual ures into the panels and discussions, For two weeks running the giant stores of non -sale shelf prices to a basis next year following several figures from such industries as new standard of $4.99, a level being years of biannual conferences, with (Continued on page 12) matched by some of the Sam Goody Joyce Out With IMIC -7 set for Amsterdam, Hol- TV Time Tight stores and by the string of Alex- land. May 9 -12, 1977. -
Hawkwind December 5, 1973
HAWKWIND December 5, 1973 By John S. Blackman © John S. Blackman 2015 first draft: August 21, 1979 Last draft 12-15-15 1 * * * “The affirmation of self cannot take place without the negation, or abandonment of self.” – Joshu Sasaki Roshi “To become aware of the Self does not mean to be conscious of one’s own self; on the contrary, it means to have lost any hankering after the small self (ahamkāra) and, being lost to one’s self, to discover, recover, be the Self (atmān).” – Raimundo Panikkar, The Vedic Experience, p. 81 “Telepathy and the allied powers will only be understood when the natures of force, of emanations and radiations, and of energy currents, is better grasped. This is rapidly coming about as science penetrates more deeply into the arcana of energies and begins to work – as does the occultist – in the world of forces. It should also be borne in mind that it is only as the centres employed are consciously used that we have that carefully directed work which will be fruitful of results.” – Alice Bailey, Telepathy, p. 11 “. Jesus said that in heaven there is neither marriage, nor giving in marriage, because in the blissful state of union there is no sense of ‘otherness,’ or separation.” – Paul Foster Case, The Tarot , p.112 “Whoso knoweth himself knoweth his Lord.” – Ibn ‘Arabi * * * 2 HAWKWIND MD, DE and I drove from Santa Barbara to the Santa Monica Civic Auditorium on December 5, 1973, expecting little more than another good ol’ space-rock concert. I recall no particular omens while traveling down the coast that night, other than the enormous cumulus stacks parading like giant Aztec warriors across the sunset, looking every bit as if they were preparing for battle. -
Hawkwind, 1973
Hawkwind, 1973 Transcription of excerpts from interviews with David Roberts, Bruce Enzer and Will Stone (2018) David: It was 1973, I was 14 in the September. And it was to go and see Hawkwind, they were doing what they called The Space Ritual Tour. So Lemmy was still playing bass with them then. Had a hit single with Silver Machine. So I'd seen them on Top of the Pops and really wanted to see the band. Ian, who is a year older than me said, “We can go David, I’ll get some tickets.” And I remember he said, “We’ll go to the Beauchamp Hotel for a drink first.” Now I was only 14, so not only was it my first gig, but it was my first under age drink really. I remember him going up to the bar and buying me a bottle of Newcastle Brown in the Beauchamp Hotel. And I remember everybody outside of the Winter Gardens, there was a big, what I remember to be a very large crowd outside the Winter Gardens waiting for the doors to open. And that was a feature of going to the Winter Gardens then, was people would get there before the doors opened and would be waiting outside. And I remember feeling very excited about this, and a little scared. I then remember going in the hall and everybody, everybody sat down on the floor. It's effectively a dance hall, there were no seats in there, and everybody sat cross legged on the floor. And we got quite close up to the front. -
The Melbourne Punk Scene in Australia's Independent Music History
ANZCA09 Communication, Creativity and Global Citizenship. Brisbane, July 2009 The Melbourne Punk Scene in Australia’s Independent Music History Morgan Langdon La Trobe University [email protected] Morgan Langdon completed her Honours in Media Studies at La Trobe University. This paper is an excerpt from her thesis on the history of independent music culture in Melbourne. She plans to begin her PhD in 2010. Abstract The existence of independent music communities and culture within Australia’s major cities today is largely attributed to the introduction of punk in the late 1970s. Among the inner city youth, a tiny subculture emerged around this sprawling, haphazard style of music that was quickly dismissed by the major players in the Australian music industry as bereft of commercial possibilities. Left to its own devices, punk was forced to rely solely on the strength of the independent music network to release some of the most original music of the era and lay the foundations for a celebrated musical culture. This paper examines the factors that contributed to and influenced the early Australian punk scenes, focusing in particular on Melbourne between 1975 and 1981. It shows that the emergence and characteristics of independent music communities within individual cities can be attributed to the existence of certain factors and institutions, both external and internal to the city. Keywords Australian music history, subculture, punk, independent music. Introduction In 1986, the Australian Broadcasting Tribunal published the results of an inquiry into the importance of the broadcasting quota for local music content. Throughout this inquiry, investigations are made into the existence of a distinctly Australian “sound”. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Revolution Rock
REVOLUTION ROCK A celebration of Brisbane’s music history 1942–2002 1.The Concept Abstract Based on research, there are about 209,000 live performers of music in Australia. Queensland accounts for 16% of this total, which is the third highest in Australia. The music industry contributed $266m to Australia’s gross product in 1995–96. REVOLUTION ROCK Attending live music concerts accounts for the majority of time spent by consumers on A celebration of Brisbane’s entertainment, closely followed by attending museums and galleries. music history 1942–2002 In one year in Australia there are: ★ 12 million attendances at public art galleries ★ 6.7 million admissions to live theatre Concept ★ 5 million admissions to musical theatre (including opera) Through collaboration with individual artists and the community, the Revolution Rock ★ 3.4 million attendances at dance performances project will examine key events in Brisbane’s social history which have galvanised residents ★ 4 million attendances at classical music concerts, and and artists to creative action in order to protect, preserve and enhance their cultural identity. ★ 19 million attendances at popular music concerts. Format Source: Australia Council Website Music Industry development and Brisbane’s future as a creative city. Revolution Rock is a multimedia project, which will include recording of oral history, film, (Flew et al. Nov 2001, QUT Creative Industries Research and Application Centre.) video and print media, live concert, exhibit, book and memorabilia, focussing on the Background Brisbane music phenomena from the 1940s to the present day. 5.1 Music has been identified as a major growth industry worldwide. The development of the Music industry provides significant wealth generating and export opportunities for Revolution Rock contents Brisbane, Queensland and Australian economies. -
Australian and International Posters
Collectors’ List No. 163, 2013 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke Street) Australian and Kensington (Sydney) NSW Ph: (02) 9663 4848; Fax: (02) 9663 4447 Email: [email protected] International Posters Web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY Australian Travel Established 1977 1. Home To Ballarat. “The City Beau ti ful”, 103a Anzac Parade, Kensington (Sydney) NSW c1926. Colour lithograph, 101.5 x 63.4cm. Repaired tears and creases to upper por tion and margins. Post: PO Box 93, Kensington NSW 2033, Australia Linen-backed. $3,900 Tel: (02) 9663 4848 • Fax: (02) 9663 4447 • Intl: (+61-2) Text includes “28th Jan to 4th Feb 1927. J.C. Kelsall, Email: [email protected] • Web: joseflebovicgallery.com Secretary. Ballarat Litho. & Co. Print.” MC545. Open: Wed to Fri 1-6pm, Sat 12-5pm, or by appointment • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. COLLECTORS’ LIST No. 163, 2013 Australian & International Posters On exhibition from Saturday, 27 April to Saturday, 8 June. All items will be illustrated on our website from 11 May. Prices are in Australian dollars and include GST. Exch. rates as at time of printing: AUD $1.00 = USD $1.04¢; UK £0.68p © Licence by VISCOPY AUSTRALIA 2013 LRN 5523 Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Takeaki Totsuka 2. Adelaide Calling, c1930s. Colour litho graph, 101.7 x 63.8cm. Minor dis colour ation, repaired tears, creases and missing portions. Our next list, Australian and Linen-backed. $5,500 International Photography, Text includes “Holiday attractions all the year round. -
Newsletter 1
What's on in History Compiled by Fiona Poulton Professional Historians Association (Victoria) Historically Speaking – Members’ Current Work History Week 2016 Tuesday 8 November, 16-23 October La Notte Restaurant, 140-146 Lygon St, Carlton This perennially popular event on the Historically Speaking calendar offers members an Discover the wonders of Victoria’s past this History Week! From fascinating walking tours and engaging discussions, to exhibitions and ‘history in opportunity to discuss achievements, issues, milestones and problems associated with the making’ events – there is something in store for everyone to enjoy. their work as historians. Join us to discover what projects your colleagues have been engaged in 2016 and share your own achievements. This History Week you can… » meet well-known lawyers, murderers, a slain police officer and robbery victims now at rest in Bell Street » explore the stories of early Victoria’s many wild colonial boys, including the St SAVE THE DATE – 4 December 2016 Kilda Gang, the Plenty Gang and the Kelly Gang » discuss the meaning and power of place in Australia’s historical narrative » commemorate the 60th anniversary of the Melbourne Olympics and step into the shoes of an Argus Newspaper sports journalist » be transported back to Marvellous Melbourne with one of Australia’s most influential historians » join makers from all of the Yarra Ranges to recreate a time when clothes were made to last » enjoy an online exhibition of stirrers with style and learn other stories of women leaders And much more! Visit http://historyweek.org.au/ for the full calendar of events. The University of Melbourne George W.