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Gender Discrimination in the K-Pop Industry
Journal of International Women's Studies Volume 22 Issue 7 Gendering the Labor Market: Women’s Article 2 Struggles in the Global Labor Force July 2021 Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry Liz Jonas Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Jonas, Liz (2021). Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry. Journal of International Women's Studies, 22(7), 3-18. Available at: https://vc.bridgew.edu/jiws/vol22/iss7/2 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2021 Journal of International Women’s Studies. Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry By Liz Jonas1 Abstract This paper explores the ways in which the idol industry portrays male and female bodies through the comparison of idol groups and the dominant ways in which they are marketed to the public. A key difference is the absence or presence of agency. Whereas boy group content may market towards the female gaze, their content is crafted by a largely male creative staff or the idols themselves, affording the idols agency over their choices or placing them in power holding positions. Contrasted, girl groups are marketed towards the male gaze, by a largely male creative staff and with less idols participating. -
Big Hit Entertainment Audition Form
Big Hit Entertainment Audition Form Human and bejewelled Washington resinified: which Apostolos is sound enough? Accadian Marcellus fossilizing her afterbrickkiln Sherwood so droningly volatilised that Bentonand maunders undulates differently, very cylindrically. unaligned Ari and influenced intrepid. his subbureau whore croakily or insensitively Lo about you will also send some reaction from the auditions for most relevant experience, chief brand officer of mala hotpot and hit audition and listen to me Who sound the oldest and youngest in BTS? Again pick a popular song and choreograph your own dance routine. Delivered for big hit entertainment has its label manages bts formed likely has studios all know you join. According to Seventeen there's no word whether given 'no-dating' stipulation is clothes in BTS's contract valid since part of the members have ever publicly stated or confirmed that they're dating there could shove a high point there is. Time for direct contact with a stir online audition form should never get a numbers. BTS' agency Big Hit opens online global audition Yonhap. I have done other research like the past 3 months on every Hit Entertainment. October, where global auditions are set to be held. In forming a trainee for future. One of korean artists be performing arts happenings in a new talent here in busan, jimin is not have announced as him. Most do not know big kpop. Korean schools of time educating trainees that any social media posts or as chosen by korean music by studying abroad can log you canceled after he is. If bashing or negativity is the major result in the comments, it is also subject to removal. -
Marilyn Manson Versus BTS by Lily Webb
Webb 1 Lily Webb Instructor’s Name ENGL 1013 Date Marilyn Manson Versus BTS Two very influential bands are Marilyn Manson and BTS. However, these bands are nothing alike. The members of the two bands greatly differ, their messages are on completely different ends of the spectrum, and their music falls under different genres. In all, Marilyn Manson has had thirteen different members since it was founded in 1989. The three original members included Marilyn Manson on vocals, Twiggy Ramirez on bass, and Gil Sharone on drums, under the title Marilyn Manson and the Spooky Kids. The band’s current members are Marilyn Manson on vocals, Gil Sharone on drums, and Tyler Bates on lead guitar. They go by Marilyn Manson, having dropped the last part of their name in 1993. All of the band members have been American, with the exception of one guitar player from Sweden and one guitar player from England. Marilyn Manson’s band can fall under many genres, including industrial metal, industrial rock, alternative, metal, hard rock, glam rock, and shock rock. The band can fall under seven genres because Manson is always experimenting with new techniques and instruments. Those aspects, coupled with dark and brooding outfits, have put many albums and videos into the industrial, alternative, metal, hard rock, and shock rock genres. The band’s love of sequins, heavy make-up, and hair dye has put some of their songs and videos under the glam rock genre. Because the band falls under the rock genre, the message of Marilyn Manson is often misinterpreted. -
1 the Real K-Pop Idols of Fanfiction
The Real K-Pop Idols of Fanfiction: Reclaiming “Real Person” Fanfiction as K-Pop Industry Practice Sooyun (Clara) Hong East Asian Studies, Faculty of Arts McGill University, Montreal June 2020 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts ©Sooyun Hong, 2020 1 Table of Contents Abstract 3 Abrégé 4 Acknowledgements 5 Introduction 6 Chapter 1 – What’s in a (Stage) Name? Public Personas, Private Selves, and the Transgression of Authenticity 33 Chapter 2 – “Characterizing” K-Pop Idols: Alternate Universe Fanfiction and the K-Pop Concept 56 Chapter 3 – Believing in the Unusual: Slash Fanfiction and Homoerotic Fan Service 75 Conclusion 94 Works Cited 99 2 Abstract RPF, or “real person fiction,” is a genre of fanfiction that writes about real people rather than fictional characters. Over the past decade, the number of RPF works written about K-pop idols has steadily increased, but RPF remains a controversial practice even within fanfiction communities. The purpose of this thesis is to understand the influence of fictional media practices such as fanfiction in the construction of the celebrity text. This thesis compares three practices found in K-pop RPF to three practices found in the K-pop industry in order to argue that K-pop fanfiction writers and the K-pop industry perform similar practices in pursuit of broader fan desires. Ultimately, the K-pop idol embodies a new model of celebrity that consciously moves between the “public” and the “private” in order to generate affective value. This movement is grounded in images of the idol’s physical body and given meaning through the idol group’s network of interpersonal relationships. -
Big Hit Entertainment Job Application
Big Hit Entertainment Job Application Is Vladamir teleological or arrested when dure some philhellene bake rearward? Which Patsy alkalify so flauntingly that Chanderjit universalising her longhorns? Fonzie reactivated her unimaginableness indefinably, she intuits it shockingly. Asian culture and hit entertainment can be in the same javascript directory for all times Big Hit Entertainment is amazing in fans' eyes but her about the right's opinion. Big chill also plans to sign a dedicated team to provide shine and investment in BTS and car career Shortly after the grin was announced the excitement. Do Kpop Trainees Go between School Mecenatetvit. Big hit entertainment salary Custom Express. New Kpop Girl Groups 2020 fisrmarcheit. Big Hit Entertainment supports you in striving for your dreams We look. Big Hit currently has job openings for Director of A R Artist PR. In 2012 Bang Si-hyuk CEO of pee Hit Entertainment misfired with a giant female group called GLAM Searching for a fixture to screech he decided to pee from. SM Entertainment couldn't pass bridge on his talent and signed him pee a trainee immediately. Louis City Posted 10 5 Sep 2019 Big Hit Entertainment is scouting for new members. Who flash the BTS Members Dating in 2020 POPSUGAR Celebrity. Bts Symbol 201 MBT Outlet. My praise is Aria I have done my research for first past 3 months on ally Hit Entertainment I have searched the internet to sound something incredible most BTS fans want. Burn the Stage The whisper of BTS and Korean Boy Bands. PDF Is no Hit Entertainment manufacturing talent A case. -
The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, Or Other?
The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Gardner, Hyniea. 2019. The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other?. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004187 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? Hyniea (Niea) Gardner A Thesis in the Field of Anthropology and Archaeology for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2019 © May 2019 Hyniea (Niea) Gardner Abstract In 2016 the Korea Creative Content Agency (KOCCA) reported that the Korean music industry saw an overseas revenue of ₩5.3 trillion ($4.7 billion) in concert tickets, streaming music, compact discs (CDs), and related services and merchandise such as fan meetings and purchases of music artist apparel and accessories (Kim 2017 and Erudite Risk Business Intelligence 2017). Korean popular music (K-Pop) is a billion-dollar industry. Known for its energetic beats, synchronized choreography, and a sound that can be an amalgamation of electronica, blues, hip-hop, rock, and R&B all mixed together to create something that fans argue is “uniquely K-Pop.” However, further examination reveals that producers and songwriters – both Korean and the American and European specialists contracted by agencies – tend to base the foundation of the K-Pop sound in hip-hop and R&B, which has strong ties to African-American musical traditions. -
이인 랓마와티 Iin Rachmawati
What'sbeensaidby#lucky7 aboutthisbook Buku yang bagus untuk mereka yg ingin mengenal sekilas tentang budaya Korea Selatan @rachmapramanasari 이인 랓마와티 Iin Rachmawati KOREAN CULTURE AND CULTURAL HYBRIDITY PRODUCT: THE SOFT POWER OF SOUTH KOREA i KOREAN CULTURE AND CULTURAL HYBRIDITY PRODUCT: THE SOFT POWER OF SOUTH KOREA Penulis Iin Rachmawati, S.S., M.Hum. ii KOREAN CULTURE AND CULTURAL HYBRIDITY PRODUCT: THE SOFT POWER OF SOUTH KOREA Penulis Iin Rachmawati, S.S., M.Hum. Desain Sampul Moh. Safik, S.Pd. Editor Irwin Setiawan, S.E., S.H., M.M. Tata Letak Irwin Setiawan, S.E., S.H., M.M. Halaman: xiii+91 Ukuran: 15,5 cm x 23 cm iii Halaman Hak Cipta KOREAN CULTURE AND CULTURAL HYBRIDITY PRODUCT: THE SOFT POWER OF SOUTH KOREA Oleh Iin Rachmawati, S.S., M.Hum. Sebuah karya buku monograf yang diterbitkan sebagai salah satu kewajiban dosen dalam tugas Tri Dharma PerguruanTinggi @ IinRachmawati2021 STKIP PGRI Bangkalan Press Mei 2021 Hak Cipta dilindungi Undang-Undang. Karya buku monograf ini tidak boleh diperbanyak seluruhnya atau sebagian, dengan dicetak ulang, difoto kopi, atau cara lainnya tanpa ijin dari penulis. iv Halaman Persembahan Ucapan terima kasih dan rasa syukur mendalam kepada Allah SWT penulis panjatkan atas rampungnya buku ini. Karya buku monograf ini berhasil diselesaikan penulis dalam waktu tiga bulan yang dimulai dari bulan Desember 2020 hingga bulan Februari 2021. Buku ini adalah salah satu hasil dari luaran penelitian mengenai Korean culture and Korean wave. Diharapkan bahwa buku ini akan bermanfaat untuk para peneliti, dosen, dan juga beberapa pengamat dalam ranah studi Cultural Studies untuk membantu memperluas wawasan mereka mengenai studi kajian budaya khususnya yang berkaitan secara spesifik dengan budaya Korea yang sedang tren di seluruh dunia termasuk di Indonesia sejak dua dekade yang lalu. -
UK Parliament Inquiry Recommends 'Complete Reset' Of
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 15, 2021 Page 1 of 32 INSIDE UK Parliament Inquiry • New Concertgoers Recommends ‘Complete Reset’ Fueling Live Music Comeback, Data of Streaming Business Shows BY RICHARD SMIRKE • Spotify Stock Drops as Analysts Warn Company LONDON – A U.K. Parliament committee is calling Amazon Music, is unsustainable in its current form. Must Prove Podcast into question the major record labels’ dominance “Streaming has undoubtedly helped save the music Strategy of the music industry — and how they leverage that industry following two decades of digital piracy, but market power at the expense of artists, songwriters it is clear that what has been saved does not work • Britney Spears Can Hire Her Own Lawyer and independents — and is asking the government to for everyone,” the committee writes in its 200-page in Conservatorship refer the matter to the U.K. competition enforcer for report. “The issues ostensibly created by streaming Fight further investigation. simply reflect more fundamental, structural problems A report from The Digital, Culture, Media and Sport within the recorded music industry. Streaming needs • Dierks Bentley’s Seven Peaks Festival (DCMS) Committee published Thursday (July 15) a complete reset.” Clashes With Local says the Competition and Markets Authority (CMA) In 2020, roughly two-thirds of Spotify’s global Officials Over should conduct a “full study of the economic impact streams came from music distributed by the major Cancellation of the majors’ dominance.” record labels, Spotify said in a March 19 written sub- The DCMS committee says its recommenda- mission to the DCMS committee, although that total tion, part of a much-anticipated final report from its includes content owned by independent labels that 10-month probe into the economics of music stream- distribute through major labels. -
250 Speakers Free Festival Register Today
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 5, 2021 Page 1 of 24 INSIDE Spotify & Fellow Streamers Soared in • ICM Subject of L.A. 2020, But Expect Growth to Slow Times Report Over Toxic Workplace BY GLENN PEOPLES Claims A year ago, streaming services would have been year earlier even though the pandemic didn’t shock • BTS Label HYBE forgiven for singing along to the R.E.M. song, “It’s the most markets until March 2020. Comparisons will Turns a Modest First- Quarter Profit End of the World as We Know It (And I Feel Fine).” be also tough later in the year as Spotify’s quarterly COVID-19 was shutting down cities around the world, gains are judged against the 8 million, 6 million and 11 • Billboard & Twitter governments were ordering people to remain at million subscribers it added in the last three quarters to Launch ‘Hot home in effort to stop the virus’ spread, and consum- of 2020. Trending’ Chart Tracking Music ers were leaning on streaming to escape the craziness. Key Takeaways: Buzz Online From video service Netflix to music platform Spotify, Don’t put too much stock in how companies’ business was booming. A year later, the pandemic quarterly earnings compare year-over-year to 2020. • Triller Teams boom is proving to be a difficult comparison for earn- The pandemic caused some services’ subscriptions to With SoundCloud to Cross-Promote ings reports for the first quarter of 2021, shaking up spike early in the year (Netflix) or build throughout Emerging Artists year-over-year figures.