Closets Without Walls, 1550-1800

Total Page:16

File Type:pdf, Size:1020Kb

Closets Without Walls, 1550-1800 aPPenDix Closets without Walls, 1550– 1800 This archive of 205 printed closets and cabinets has been assembled with reference to Early English Books Online, Eighteenth- Century Collec- tions Online, and the British Library catalog. Where closet or cabinet is in bold, the word refers to the space of the text itself. 1550– 1599 (4) 1569 Thecloset of counsells conteining the advice of divers philosophers 1573 The treasurie of commodious conceits and hidden secrets. commonly called, the good huswiues closet of prouision, for the health of her houshold 1591 The Christian manscloset 1596 Psalmes of confession found in the cabinet of the most excellent King of Portinga 1600– 1649 (21) 1608 A closet for ladies and gentlewomen 1612 The goldencabinet of true treasure: containing the summe of morall philosophie 1616 The richcabinet furnished with varietie of excellent discriptions 1620 Audi filia, or a richcabinet full of spirituall ievvells 1630 The chyrugianscloset 1632 Two spare keyes to the Jesuites cabinet 210 aPPendix 1637 Curiosities: or, the cabinet of nature 1639 The ladiescabinet opened 1640 Jocabella, or a cabinet of conceit 1641 Cupids cabinet unlock’t 1642 A true narration of the surprizall of sundry cavaliers being sent from Nottingham to Oxford, as they were lodged at Brackley and also of a cabinet 1644 Ruperts sumpter, and private cabinet rifled The kings cabinet- counsell The key to the kings cabinet- counsell 1645 The Kingscabinet opened A key to the Kings cabinet A satyr, occasioned by the author’s survey of a scandalous pamphlet intituled, the King’s cabanet opened 1646 The Irishcabinet : or His Majesties secret papers The Lord George Digby’s cabinet and Dr Goff’s negotiations To a vertuous and judicious lady who (for the exercise of her devotion) built a closet 1648 A key to the cabinet of the Parliament, by their remembrancer 1650– 1699 (61) 1651 Five treatises of the philosophers stone. Two of Alphonso King of Portugall, as it was written with his own hand, and taken out of his closset A closet for ladies and gentlewomen Approved medicines of little cost, to preserve health and also to cure those that are sick provided for the souldiers knap- sack, and the country mans closet Delights for ladies to adorn their persons, tables, closets and distillatories 1652 A rich closet of physical secrets 1653 The treasury of hidden secrets commonly called the good huswives closet of provision for the health of her houshold 1655 The Queens closet opened Queen Elizabeths closset of physical secrets Three sermons preached by the reverend, and learned, Dr. Richard Stuart, Dean of St. Pauls, afterwards Dean of Westminster, and clerk of the closset to the late King Charles closets withoUt walls, 1550–1800 211 1657 Herbert’s devotions, or, a companion for a Christian containing, meditations & prayers, fitted for all conditions, persons, times and places either for the church, closet, shop, chamber, or bed The expert doctors dispensatory the whole art of physick restored to practice: the apothecaries shop and chyrurgions closet open’d Catholique divinity: or, the most solid and sententious expressions of the primitive doctors of the Church . by Dr. Stuart, dean of St. Pauls, afterwards dean of Westminster, and clerk of the closet to the late K. Charles 1658 A wise virgins lamp burning . and found in her closet after her death Rare verities, the cabinet of Venus unlocked, and her secrets laid open Rich cabinet with variety of inventions in several arts and siences 1660 The two tables, or, the exercise of a good conscience towards God, ourselves and others, to be hung up in parlors, chambers, and closets A choice banquet of witty jests, rare fancies, and pleasant novels fitted for all the lovers of wit, mirth and eloquence: being an addition to Archee’s jests, taken out of his closet A New- Years- gift for women, being a true looking- glass which they seldome have in their own closets 1661 Golden remains or three sermons of the most learned and pious R. Stuart. D.D Dean of Westminster, and clerk of the closet to his late Majesty King Charles the I 1660 The devils cabinet- councell discovered, or the mistery and iniquity of the good old cause 1662 A brief rule of life directing how to manage it according to the principles both of piety & prudence . which may likewise be used in the closet by those that want such helps 1665 The privie key of heaven, or, twenty arguments for closet- prayer 1666 Enter into thy closet 1669 The closet of the eminently learned Sir Kenelme Digbie Kt. opened The Jesuites intrigues with the private instructions of that society to their emissaries: the first, translated out of a book 212 aPPendix privately printed at Paris: the second, lately found in manuscript in a Jesuites closet Cabinet of choice jewels or, a box of precious ointment 1670 The kings psalter . also prayers for every day of the week, beginning with the letters of the name of our soveraign lord King Charles; and other observable varieties, fit either for the school, or for the closet The queen- like closet; or, rich cabinet stored with all manner of rare receipts for preserving, candying & cookery 1671 Closet- prayer a Christian- duty 1672 A companion to the temple and closet The ladies delight: or, a rich closet of choice experiments & curiosities 1674 An introduction to a devout life containing especially, a prudent method for spiritual closet- exercises A supplement to the queen- like closet 1675 Every woman her own midwife, or, a compleat cabinet opened for child- bearing women 1680 A true picture of the much honoured & reverend Mr. John . for the closets of his friends 1681 The paper which was seized in the E. of Shaftsbury’s closet The two associations one subscribed by CLVI members of the House of Commons in the year 1643: the other seized in the closet of the Earl of Shaftsbury Love’s perpetual almanack . from a manuscript found in cupid’s cabinet 1682 The addresses importing an abhorrence of an association, pretended to have been seized in the E of Shaftsbury’s closet 1684 Dunton’s remains, or, the dying pastour’s last legacy to his friends and parishioners comprehending these following treatises . closet employment A brief rule of life being a second part of the guide to heaven . which may likewise be used in the closet by those that want such helps A guide to scattered flocks, or, a closet companion for such as want the comfort 1685 A provocation to good works written in an epistle to an old man of a very cumbersome estate to perswade the easing himself of part of it by some eminent act of charity . but have no better way for it then conveying such a book into their hands or closets closets withoUt walls, 1550–1800 213 Modern curiosities of art & nature extracted out of the cabinets of the most eminent personages of the French court 1686 The accomplish’d sea- mans delight containing : . Theclosset of magnetical miracles unlocked Markham’s faithful farrier wherein the depth of his skill is laid open . found in the authors closet since his decease 1687 The common- prayer- book the best companion in the house and closet The accomplished ladies rich closet of rarities 1688 A certain rule, to find out how many honest men there are in this nation . proper to be set up in all schools, shops, parlours, chambers, or closets An index to the Indian closset A short and plain way to the faith and church composed many years since by . Mr. Richard Hudleston . found in his closet after his decease 1689 Prayers in the closet for the use of all devout Christians 1690 An address given in to the late King James . the original whereof was found in the late King James closet 1691 A discourse of closet (or secret) prayer from Matt. VI 6 1692 Prayers in the closet Thecabinet open’d, Or the secret history of the amours of Madam de Maintenon, with the French King, translated from the French copy Closet- devotions to a devout and worthy reception of the Lord’s Supper 1693 Of closet- prayer: a sermon preach’d before the Queen at White- Hall 1694 The poor man’s help and young mans guide containing . prayer publick in the congregation, private in the family, secret in the closet 1695 The duties of the closet 1696 The experience of Gods gracious dealing with Mrs. Elizabeth White . found in her closet after her decease 1700– 1749 (39) 1700 England’s choice cabinet of rarities; or the famous Mr. Wadham’s last golden legacy 1701 A cabinet of choice jewels 214 aPPendix 1704 A rich cabinet of modern curiosities containing many natural and artificial conclusions 1706 The accomplish’d Lady’s Delight beautifying, and cookery containing I. the art of preserving and candying fruits & flowers . , II. the physical cabinet 1707 The phenix volume one . no where to be found but in the closets of the curious The second volume of the phenix or, a revival of scarce and valuable pieces no where to be found but in the closets of the curious 1709 The poor man’s help, and young man’s guide containing . I. prayer publick in the congregation, private in the family, secret in the closet 1710 The compleat english and french vermin- killer: . directions for gardiners & the prizes of workmens labour being a rich cabinet of modern curiosities A coppy of verses writt in a common prayer book presented to a lady in 1644 upon her building a closet for her books 1711 Aristotle’s last legacy: or, his golden cabinet of secrets opened 1714 England’s mournful monument: or, the pious, glorious and everlasting example; of our late, good & gracious sovereign Lady Queen Anne: .
Recommended publications
  • Cabinet of Curiosities Ages 6 and up | 60 - 120 Min
    Cabinet of Curiosities ages 6 and up | 60 - 120 min. Background: During the transatlantic slave trade, which lasted for more than 300 years, 12–15 million people were forcibly migrated from Africa to the Western Hemisphere. An estimated 1.2–2.4 million people died en route, but the complete death toll is not documented. The slave trade to the United States began in 1581 in Florida and did not conclude until 1807, though illegal trading continued for nearly 60 more years. The nations that are home to the largest populations of people of African descent are Brazil (55 million), the United States (46 million), Haiti (10 million), and the Dominican Republic (9 million). There are also significant populations in many more countries including France, Mexico, Canada, and Italy. Link to video: https://www.youtube.com/watch?v=3NXC4Q_4JVg Inspiration: This virtual tour of Folayemi Wilson’s Eliza’s Peculiar Cabinet of Curiosities. (2016) at Lynden: https://lynden.tours/folayemi-wilson-elizas-peculiar- cabinet-of-curiosities/ Vocabulary Site-specific art is artwork created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork. Cabinets of curiosities were early precursors of museums, increasingly popular in 16th-century Europe. Viewed as symbols of socioeconomic or scholarly status, they contained collections of natural specimens, religious relics, historic artifacts, works of art, and other objects collected during travels abroad. Afrofuturism is a literary, musical, and artistic movement that explores the contested history, diverse realities and future possibilities of people of African descent. Common themes include science fiction, magic realism, interrogating historic narratives and questioning power relationships to reimagine the past and envision a better future.
    [Show full text]
  • Silver, Bells and Nautilus Shells: Royal Cabinets of Curiosity and Antiquarian Collecting
    Silver, Bells and Nautilus Shells: Royal cabinets of curiosity and antiquarian collecting Kathryn Jones Curator of Decorative Arts at Royal Collection Trust, London 98 In 1812 James Wyatt, architect to the Prince Regent, was The term Wunderkammer, usually translated as a given instructions to complete the Plate Closet in Carlton ‘Cabinet of Curiosities’, encompassed far more than the House, the Prince’s residence on Pall Mall. The plans traditional piece of furniture containing unusual works of included a large proportion of plate glass. James Wyatt art and items of natural history (fig 1). The concept of a noted this glass although expensive was ‘indispensably Wunderkammer was essentially born in the 16th century necessary, as it is intended that the Plate shall be seen as the princely courts of Europe became less peripatetic and as the Plate is chiefly if not entirely ornamental, and as humanist philosophy spread. The idea was to any glass but Plate [glass] therefore would cripple the create a collection to hold the sum of man’s knowledge. forms and perhaps the most ornamental parts would This was clarified by Francis Bacon in the 17th century 2 be the most injured.’1 The Plate Closet was to be a who stated that the first principle of a ruler was to gather place of wonder, where visitors would be surrounded by together a ‘most perfect and general library’ holding great treasures of wrought silver and gilt. George IV’s every branch of knowledge then published. Secondly a collections, particularly of silver for the Wunderkammer, prince should create a spacious and wonderful garden to show an interest in an area of collecting that was largely contain plants and fauna ‘so that you may have in small unfashionable in the early-nineteenth century and compass a model of universal nature made private’.
    [Show full text]
  • CABINETS of CURIOSITY Rwunderkammers)
    CO -'''"7" _ ,~'~~" ' .__... _. - '''" ^^ . ....i . -- o cö O ü ÖO- Fold-out engraving of Ferrante Imperato's CABINETS OF CURIOSITY Dell'Historia Naturale, Naples 1599. filled with curios, they became rWUNDERKAMMERS) known as cabinets of curiosity. In German, these are known as By Melody Amsel-Arieli wunderkammers, wonder-rooms or kunstkammers, art-rooms. 'ho among us has not slipped a whorled shell, an aufumn Creating cabinets of curiosity leaf, or a shiny pebble info her pockef? We have became increasingly popular as collecfed fhe rare, fhe beaufiful, and the wondrous since printed engravings, which illus- fime immemorial. trated them, and catalogs, which w listed their contents, were circu- Beginning in the 15th century, European inquisitive minds, in- lated. A catalog that first appeared Europeans, aided by strides in cluding physicians, aristocrats, and in 1593, "Chiefest Rarities in the cartography, astronomy, and ship royalty, assembled collections of Publick Theater and Anatomie-Hall building, explored and mapped dis- these natural and unnatural speci- of the University of Leyden," reveals tant African, Asian, and American mens, religious relics, and objets the eclectic nature of a cabinet's shores. In their travels, they en- d'art for their personal pleasure, contents. Conceived as a educating countered astonishing varieties to reflect their wisdom, power, endeavor, its entranceway featured, of flora, fauna, art, culture, and and prestige. They arranged them along with other astounding ex- customs. Along with exciting ac- subjectively organized in cabinets, hibits, a pair of "Polonian" boots, counts of their adventures, they a term that originally described the "bristly Skin of a Brazilian also brought home some of their chambers rather than pieces of Beast," the snout of an unknown credible and incredible discoveries.
    [Show full text]
  • Chapter Eight Where Art and Nature Play: the Sarah Campbell Blaffer Foundation Curiosity Cabinet James Clifton
    CHAPTER EIGHT WHERE ART AND NATURE PLAY: THE SARAH CAMPBELL BLAFFER FOUNDATION CURIOSITY CABINET JAMES CLIFTON The Sarah Campbell Blaffer Foundation owns, develops, and manages a collection of early modern European art (from roughly 1500 to 1800), much of which has been exhibited in five dedicated galleries at the Museum of Fine Arts, Houston (MFAH) since 2000.1 Although the primary focus of the collection has always been on paintings, the foundation has since 2008 collected objects for a curiosity cabinet, beginning with an ebony writing desk (Schreibtisch) or house altar (Hausaltar) made in Augsburg in 1601, with paintings attributed to Anton Mozart (Fig. 8-1).2 In the sixteenth and seventeenth centuries, European princes, wealthy collectors, natural philosophers, and learned societies created so-called curiosity cabinets (or cabinets of curiosities), also known in German as Kunst- und Wunderkammern (chambers of art and wonder). Benefitting from the voyages of explorers and the development of international commerce networks that spanned the globe, they gathered intriguing, exotic, 1 On the history of the foundation and its collection, see James Clifton, “A History of the Sarah Campbell Blaffer Foundation,” in A Golden Age of European Art: Celebrating Fifty Years of the Sarah Campbell Blaffer Foundation, eds. James Clifton and Melina Kervandjian (Houston: The Sarah Campbell Blaffer Foundation, 2016), 11-41. 2 On the Schreibtisch, the Christian iconography of whose paintings is unusual, see James Clifton, “‘Verbum Domini manet in eternum’: Devotional Cabinets and Kunst- und Wunderkammern around 1600,” in The Primacy of the Image in Northern European Art, 1400-1700: Essays in Honor of Larry Silver, ed.
    [Show full text]
  • A Celebration of Shakespeare's Life and Works 1616-2016
    ‘So long lives this’: A Celebration of Shakespeare’s Life and Works 1616-2016. ‘So long lives this’: A Celebration of Shakespeare’s Life and Works 1616-2016 Thomas Fisher Rare Book Library, University of Toronto 25 January–28 May 2016. In answer to America’s “First Folio!” project, which will see copies of Shakespeare’s First Folio on display in museums, universities, public libraries, and at historical sites across the country, Canada’s largest and most comprehensive Rare Book Library, the Thomas Fisher Library of University of Toronto, has assembled the most ambitious display of Shakespeare- related books in Canada, an exhibition complemented by a glorious full-colour catalogue, sized to match the Fisher’s extra-tall First Folio. The exhibition is designed around the essays of the accompanying volume, which is to be especially commended for two lengthy chapters written by Scott Schofield, of Huron College, University of Western Ontario (formerly of University of Toronto). Working from unpublished notes shared by world famous Folger Fellow and Freeman of the Stationers’ Company, Peter W. M. Blayney, Schofield, in his first chapter, tells the history of the Jaggards: that of Isaac and William Jaggard, printers of Shakespeare’s First Folio (27–31); but, also, as importantly, of John, Elizabeth, and Dorothy Jaggard, the family collaborators of the business (31–34). He tells the story in a very accessible way, at first highlighting cut-outs of Plate 4 fromNova Reperta (1599–c. 1603), an engraving showing the interior of a printing house, before focusing in on specific Jaggard items displayed in cases of the exhibition (27–31).
    [Show full text]
  • Cabinet of Curiositites CALL for SUBMISSIONS
    CALL TO ARTISTS Submissions for The Peninsularium’s Cabinet of Curiosities Crab Devil is looking for works in all media to be considered for purchase and display with in the permanent installation of The Peninsularium’s (Floridiana) Cabinet of Curiosities. Crab Devil seeks to develop its collection of objects inspired by Florida’s kitsch, bizarre history, and fantastical lore. A precursor to the museum, the traditional Cabinet of Curiosities was either a display case or whole room dedicated to the presentation of curious items from home or abroad. Objects for the cabinet of curiosities should be extraordinary, bizarre, and unsettling 2D and 3D creations to be included in our contemporary Wunderkammer. SUBMISSION GUIDELINES: -The objects may reference any of the following and are encouraged to have mythical interpretations incorporated: geology, archaeology, ethnography, natural history, historic or religious relics, works of art, and antiquities. Shells, taxidermied animals, fins, beads, feathers, skeletons, and botanical specimens were among the objects collected. - Each artist will be allowed to submit a maximum of 5 pieces (complete and available for purchase) or 5 proposed pieces (plans including drawings, timeline for completion, and budget) to be considered. - Crab Devil’s budget for purchase or commission is $25-$2,500 per piece. Price your submissions accordingly. - Submissions may range in scale from a minimum of 1”x1”x1” to life-size scale models. (Crab Devil may request modifications to scale, to build diversity of sizes within the collection of objects for proposals, not completed works). Entry Format: - Entries must be formatted into ONE (1) PDF that includes all images and text, emailed to [email protected] with subject line: “FULL NAME, Cabinet of Curiosities Submission”.
    [Show full text]
  • The Life and Times of a Curiosity-Monger
    COMMENT BOOKS & ARTS Like Close, astronomer John MUSEUMS Dvorak hopscotches through eclipses in Mask of the Sun, but this is science his- tory rather than anecdote. The quotes he interweaves reveal the extraordinary The life and times of a pull the events have had on the human imagination. The writer Virginia Woolf, for instance, who had witnessed the 1927 curiosity-monger total solar eclipse in the north of England, wrote of it in her essay ‘The sun and the Henry Nicholls revels in a biography of Enlightenment fish’ the following year: “Show me the collector and Royal Society president Hans Sloane. eclipse, we say to the eye; let us see that strange spectacle again.” It’s a rich chronicle. Dvorak notes, for hat do bloodletting, slavery, instance, how in 1684 Increase Mather, journal editing and a silver penis the president of Harvard College in Cam- protector have in common? The bridge, Massachusetts, delayed the gradu- Weighteenth-century physician, collector and ation ceremony by ten days so that faculty president of the Royal Society Hans Sloane. PHOTOS.COM/GETTY members and students could reach Mar- In Collecting the World, historian James tha’s Vineyard off the state’s south coast Delbourgo charts Sloane’s rags-to-riches to see a total eclipse. (Mather, a Puritan transformation, from his birth in 1660 into minister, was less enlightened about the a family of domestic servants in the north Salem witch trials less than a decade later, of Ireland, to his death in 1753 as one of the refusing to condemn them.) We see how most influential figures in England.
    [Show full text]
  • The Alternative History of Peter the Great
    Playing Games The Alternative History of Peter the Great Inaugural Lecture delivered by Lindsey Hughes / School of Slavonic and East European Studies University College London 2000 Playing Games: The Alternative History of Peter the Great School of Slavonic and East European Studies University College London 2000 ' Playing Games: The Alternative History of Peter the Great Inaugural Lecture delivered by Lindsey Hughes Professor of Russian History, SSEES, University College London the School of Slavonic and East European Studies, 15 October 1998 PLAYING GAMES: THE ALTERNATIVE HISTORY OF PETER THE GREAT Lindsey Hughes Playing Games: The Alternative History of Peter the Great © School of Slavonic and East European Studies 2000 SSEES Occasional Papers No. 41 ISBN 0-903425-47-5 All rights reserved. No part of this publication may be stored in a retrieval system, or transmitted in any other form or by any means, electronic, mechanical, recording or otherwise, without the prior permission of the School of Slavonic and East European Studies Copies of this publication and others in the School’s refereed series of Occasional Papers can be obtained from the Director’s Office, SSEES, Senate House, Malet Street, London WC1E 7HU Tel: +44 (0)20 7862 8511. Fax: +44 (0)20 7862 8640 Internet: http://www.ssees.ac.uk/public.htm Printed in Great Britain by Quom Selective Repro Limited, Queens Road, Loughborough, Leicestershire LEI 1 1HH Contents Lecture Playing Games: The Alternative History of Peter the Great 1 Documents (I) Selected letters from Peter to
    [Show full text]
  • Painting As Blur: Landscapes in Paintings of the Dutch Interior Author(S): Amy Powell Source: Oxford Art Journal, Vol
    Painting as Blur: Landscapes in Paintings of the Dutch Interior Author(s): Amy Powell Source: Oxford Art Journal, Vol. 33, No. 2 (2010), pp. 145-166 Published by: Oxford University Press Stable URL: https://www.jstor.org/stable/40856512 Accessed: 01-05-2020 13:04 UTC REFERENCES Linked references are available on JSTOR for this article: https://www.jstor.org/stable/40856512?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to Oxford Art Journal This content downloaded from 85.72.204.160 on Fri, 01 May 2020 13:04:18 UTC All use subject to https://about.jstor.org/terms Painting as Blur: Landscapes in Paintings of the Dutch Interior Amy Powell 1. 'l'inénarrable compromission des oeuvres In his essay 'Function of the Studio' (1971), Daniel Buren calls the installation of manipulables' . Daniel Buren, 'Function of the the work of art in the museum an 'unspeakable compromise' - the Studio' (1971), repr. Museums by Artists (Art Metropole: Toronto, 1983), p. 54.
    [Show full text]
  • Meditation on Encyclopedias and the Obsession of Collecting
    A Meditation on Encyclopedias and the Obsession of Collecting I present to you herewith the Almighty Finger of God in the anatomy of a louse; in which you will find wonder piled upon wonder...here you will see in a fragment of a line the entire structure of the most ingeniously created animals of the whole universe, as if compressed into an abstract. Which ordinary persons, Sir, are capable of grasping this? Jan Swammerdam, 1678 Our word “encyclopedia” is derived from the Greek enkyklios paideia, “circle of learning,” springing from Plato’s Academy. Originally then, it referred to a system of education rather than actual volumes of collected educational material or information. The first truly encyclopedic book was Pliny’s Historia Naturalis, a gathering of knowledge organized into separate volumes, covering astronomy, meteorology, geography, anthropology, zoology, man, botany, metallurgy and fine arts, among other things. Later, followers of the Catholic Church developed a Christian framework for the organization of information, St. Augustine’s On the Trinity and City of God supplying an historical and theological methodology to subsequent early encyclopedists, and St. Jerome’s Chronicon on Illustrious Men providing the Church its first Christian historical and bibliographic encyclopedia. Later in the Middle Ages mechanical arts began to be included in encyclopedic works, with weaving, weaponry, and navigation described in Hugo of Saint Victor’s Didascalion (c. 1139.) In the early 1200’s Bartholomaeus Angelicus completed On the Properties of Things for ordinary people “simplicas et rudes,” and in 1244 Vincent of Beauvais completed his Speculum Majus. This enormous and important work served as the Western World’s principle encyclopedia for several hundred years.
    [Show full text]
  • From Icon to Art in the Netherlands Abstracts of Baltimore/Washington
    From Icon to Art in the Netherlands Abstracts of Baltimore/Washington Conference Papers Rogier van der Weyden: Sculpture and Painting in Early Netherlandish Art Chairs: Mark Tucker (Philadelphia Museum of Art), Lloyd DeWitt (Philadelphia Museum of Art) The Walters Art Museum, Graham Auditorium Thursday, November 9, 2006 New Findings on the Function of Rogier van der Weyden’s Philadelphia Crucifixion Mark S. Tucker, Philadelphia Museum of Art The two panels that together form the Philadelphia Crucifixion, long attributed by many scholars to Rogier van der Weyden, have until recently eluded any convincing identification with prevalent forms or display contexts. Technical and stylistic observations arising from the present study suggest, however, the panels’ origin in a specific tradition with which they had not previously been associated: paintings made for the wing exteriors of Netherlandish carved altarpieces. The identification of the Philadelphia panels as wings—and more specifically wings integral to a sculptural project—is supported by the occurrence of a combination of features of carpentry, scale, proportions, and pictorial style. The technical evidence of the panels’ having been altarpiece wings includes the original thinness of the oak panel stock, which is consistent with that specified traditionally for large wings. That the panels had imagery on their reverses and that they were elements of a carved altarpiece in particular is a horizontal row of original dowel holes that pass through the face of the panels near their bottom edges. Such dowelling, atypical of the construction, framing, or mounting of Netherlandish panel paintings, indicates the presence of an original engaged member spanning the reverse of the panel.
    [Show full text]
  • Carlo Farina's Capriccio Stravagante
    “Die Natur und Kunst zu betrachten”: Carlo Farina’s Capriccio stravagante (1627) and the Cultures of Collecting at the Court of Saxony Downloaded from Rebecca Cypess http://mq.oxfordjournals.org/ Like many noblemen of his time, Johann Georg I, Elector of Saxony from 1611 to 1656, was a collector. Official court records, together with accounts left by curious visitors, attest to the variety and richness of the collections that he inherited, enhanced, and expanded: individual rooms were devoted to books, live animals, stuffed animals, wine, armor, cos- tumes, and hunting gear. The Saxon collections focused especially on at Brandeis University library on December 11, 2012 practical tools rendered in artistic fashions, from rakes and picks to surgi- cal instruments, optical instruments, and naturally, musical instruments. At the heart of the collections at the Saxon court in Dresden was the Kunstkammer. Translated literally, the title denotes merely a room of art. But in the Dresden court and other German courts in the late Renaissance and early modern era, the meanings of the Kunstkammer for the practice and knowledge of the arts, humanities, and sciences were much more far-reaching. The Electoral Kunstkammer did indeed contain paintings that hung on walls, but it also housed a vast array of artifacts, novelties, and curiosities—some exhibiting distinctly Saxon origins and characters and others imported from exotic places abroad—that bore witness to human interaction with and mastery over nature.1 Philipp Hainhofer—an adviser to the court of Augsburg and himself a theorist and practitioner of the art of collecting—left two substantial descriptions of the Dresden collections in his travel diaries of 1617 and 1629;2 a statement in his diary of 1617 suggests that the exploration of the rela- tionship between man and the world around him was one of the primary focal points of the Kunstkammer.
    [Show full text]