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SIGNIFICATION CONCEPTS in GUDANG GARAM CIGARATTE ADVERTISEMENTS from the 80S, 90S, and 2000S

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SIGNIFICATION CONCEPTS in GUDANG GARAM CIGARATTE ADVERTISEMENTS from the 80S, 90S, and 2000S SIGNIFICATION CONCEPTS IN GUDANG GARAM CIGARATTE ADVERTISEMENTS FROM THE 80s, 90s, and 2000s 1Cempaka Maharani Alam, 2Raudya Tujzahra, 3Regina Ayu Harna Shindy, 4Tani Sintia Lestari 1,2,3,4 Faculty of Letters and Cultures, Gunadarma University 1,2,3,4 Jl. Margonda Raya No. 100, Depok 16424, Jawa Barat [email protected],2 [email protected],3 [email protected], [email protected] Abstract Advertising is one of the most effective and efficient tools since it combines audio and visual to display, describe, and demonstrate the advertised product in a short time. Gudang Garam television advertisements in 80s, 90s, 2000s are chosen to be analyzed since the three of which are considered to be the representatives of Gudang Garam cigarette advertisements in each decade. The aim of this research is to find out the signification concepts represented in Gudang Garam advertisements. Considering the nature of the source data, this research uses qualitative as method. The research employed semiotic approach and Stuart Hall’s Representation as tools of analysis. The results are the significations concept that is used in the the first advertisement aired in the 80s is the universality of Gudang Garam cigarette consumers. Meanwhile, in the second advertisement, the signification concept found is the masculinity of Gudang Garam consumers. However, the signification concept found in the third advertisement is the modernization image of Gudang Garam as a cigarette manufacturer. Keywords: representation, semiotics, signification, television advertisement INTRODUCTION Advertising is a way companies use to perfumes, cigarette advertisements in publicize and promote their products to the Indonesia cannot freely display their products public. According to Svetlana (2014), as regulated for the first time in Law No. 23 advertisement is the information distributed in Year 1992 on Health. Furthermore, in 1997, any way, in any form, or by any means, cigarette advertisements stop showing models addressed to an uncertain number of people who are smoking as a new regulation is set and aimed at attracting attention to the subject forth in Law No. 24 Year 1997 of of advertising, the establishment, or Broadcasting that explicitly mentions maintenance of interest in it and its promotion cigarettes, and states that commercial on the market. Thus, in advertising a product, broadcasts are prohibited from publishing advertisement is made so that the public advertisements that describe the use of know, recognize, remember, and then buy the cigarettes. advertised product by displaying the benefits, With the enforcement of the regulations, the usabilities, and the results of its usage. cigarette manufacturers are looking for other However, unlike the advertising of products and more creative ways to promote their such as instant noodles, juices, make ups, or products, one of which is by focusing on the Alam, Tujzahra, Shindy, Lestari, Signification Concepts in… 25 https://doi.org/10.35760/jll.2019.v7i1.1997 representation of their cigarette products and have the same picture. The third research is their target market. written by Seto Hidayat in 2012 entitled Youth Previously, a lot of research had been Culture Representation in A-Mild Cigarette Billboard conducted to analyze cigarette Advertisements “Go Ahead” Versions (A Semiotic advertisements. The three of these studies Analysis). The research aims to reveal how the were then used by researchers as references in representation of youth culture presented in this study. The first research is research on six the A-Mild of cigarette advertisements using British American tobacco print semiotic approach. Thus, the research showed advertisements in Nigeria entitled A Semiotic that youth was the main part of these Analysis of Selected British American Tobacco Print advertisements. It was described through Advertisements in Nigeria by Julianah Bola de picture role models and wordplays that used Adenjini in 2016. It seeks to identify the by the cigarette advertisers. cultural values reflected in the advertisement. The previous research findings above The cultural values identified are love for analyze similar topic which is the fashion, education, promotion of locally made representation of certain cigarette products, development of culture through advertisements. However, the researchers drama and agriculture. The paper concludes above are different from the researchers‟ by asserting that culture is a driving force for analysis because in this research, researchers successful multinational advertisements. are interested to analyze three versions of Gudang The second research is conducted by Garam cigarette advertisements from the 80s, Tazkiyatul Fikriyah A‟la in 2011 entitled A 90s and 2000s to seek the differences of how Semiotic Analysis on The A-Mild they represent their cigarette products Advertisement using Roland Barthes’ Theory. throughout the years. Roland Barthes The third research is written by Seto Hidayat semiotics theory has been used to analyze the in 2012 entitled Youth Culture Representation significations concepts that are represented in in A-Mild Cigarette Billboard Advertisements Gudang Garam advertisements. “Go Ahead” Versions (A Semiotic Barthes semiotic thought is highly used Analysis).The writer attempts to analyze the in media studies that focused on semiological connotation meanings of the verbal and non- analysis of various media such as verbal signs of A-Mild advertisements. In advertisements, films, music videos, and analyzing those advertisements, the writer magazines. Basically, Barthes extends Saussure‟s finds five signs in each version of signifier-signified by adding an additional advertisement which all of it have the same element to the process. He applied Saussure‟s verbal sign and different color, but not the notions of signification to visual analysis and picture. Only the third and the fourth picture cultural theory (Aiello, 2006). Barthes in 26 Journal of Language and Literature Volume 7 No 1 Juni 2019 “The photographic message” (1961/1977) and representation as the process by which “Rhetoric of the image” (1964/1977) uses a meaning is produced and exchanged between linguistic approach for the study of visual members of a culture through the use of communication, claiming that visual language, signs and images which stand for or signification can be articulated into the two represent things. Thus, representation can be separate levels of denotation and connotation. said as the link that connects concepts and The level of denotation corresponds to the languages with the ability to help us to relate literal meaning of an image, the immediate to objects, people and events of the real and meaning relating to what is objectively imaginary worlds. According to Hall, it is the represented the image. The level of practice of representation, constructed connotation corresponds to the symbolic or through signifying while the real world itself ideological meaning of an image, which does not convey meaning. Instead, meaning- corresponds to the meaning - or range of making relies two different but related possible meanings - inscribed by cultural systems of representation, which are concepts codes. The same denotative meaning can be and language. associated with different connotative Concepts are mental representations meanings, according to the historical and which are constructed from physical, material cultural context in which the message is objects that can be perceived by the senses produced and interpreted. Conversely, the (e.g. people or material objects, like chairs, same symbolic meaning can be expressed tables, and desks), or they may be abstract through different denotative meanings. things that cannot be directly seen, felt, or In “Mythologies” (1970/1990), Barthes touched of rather obscure and abstract things introduces an additional ideological layer to (e.g. concepts of war, death, friendship, or signification: myth. Whereas connotation is love). System of representation consists not of the ideological meaning that is attached to a individual concepts, but of different ways of specific sign, myth relates to ideological organizing, clustering, arranging and concepts that are evoked by a certain sign. classifying concepts, and of establishing These correspond to a worldview or “a complex relations between them (Hall, 1997). culture's way of thinking about something, a Concept of something can be known its way of conceptualizing or understanding it” meaning, but this meaning needs the second (Fiske, 1990; Aiello, 2006). system of representation to be communicated, This study also uses representation which is language. Language can include theory by Stuart Hall as a tool to analyze the written or spoken words, but it can also connection between signifying system and include visual images, gestures, body cultural concept. Hall (1997) describes language, music, or other stimuli such as Alam, Tujzahra, Shindy, Lestari, Signification Concepts in… 27 https://doi.org/10.35760/jll.2019.v7i1.1997 traffic lights (Hall, 1997). It is important to signification concepts that are represented in note that language is completely arbitrary, Gudang Garam advertisements. The often bearing little resemblance to the things researchers also use representation theory by to which they refer. The general term used for Stuart Hall as a tool to analyze the connection words, sounds, or images which carry between signifying system and cultural meaning is signs. In agreement with Hall, concept.
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