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Language Culture Or Portugal
Rhode Island College M.Ed. In TESL Program Country Informational Reports Produced by Graduate Students in the M.Ed. In TESL Program In the Feinstein School of Education and Human Development Country: Portugal Author: Nathan C. Couto Program Contact Person: Nancy Cloud ([email protected]) Language Culture of Portugal Created and Presented By: Nathan C. Couto General Geographic Information Portugal is located on the Iberian Peninsula in Southwestern Europe. It is bordered only by Spain and the Atlantic Ocean. Also part of Portugal are the 12 Azorean Islands and the Madeira Islands near the coast of Northern Africa. Population: 10,781,459 (2012 est.) Languages: Portuguese, Mirandese, Spanish Government: Republic with a parliament, prime minister and president General Educational Information on Literacy Educational Expenditure: 4.4% of GDP (2008) School Life Expectancy: ALL (male and female) 16 years in school Literacy Rates: (Definition: People 15 + who can read and write) Male: 96.9% Female: 93.6% Poverty and Strife It is important to note that population is mainly static or in decline 61% of total population lives in urban areas 15.3% Unemployment Rate (2012 est.) 18% Below Poverty Line (2006 data) Economic Strife as Country has high debt Racial Strife: The country is mostly homogenous Mediterranean European whites, however, there is no “racial data” kept by the government. Ethnic Racial Strife Continued In the urban areas of Portugal there are immigrants mainly from Africa, Brazil, and Eastern Europe In 2008 4.1% of resident population were immigrants When there was a sharp increase in immigration there was also a dramatic change in the nature of schooling in urban districts. -
Portugal 1 EL**
CULTUREGUIDE PORTUGAL SERIES 1 PRIMARY (K–6) Photo by Anna Dziubinska Anna by on Unsplash Photo PORTUGAL CULTUREGUIDE This unit is published by the International Outreach Program of the David M. Kennedy Center for International Studies at Brigham Young University as part of an effort to foster open cultural exchange within the educational community and to promote increased global understanding by providing meaningful cultural education tools. Curriculum Development Drew Cutler served as a representative of The Church of Jesus Christ of Latter-day Saints in northern Portugal. He was a 2001 Outreach participant majoring in international studies and Latin American studies. Editorial Staff Content Review Committee Victoria Blanchard, CultureGuide Jeff Ringer, director publications coordinator Cory Leonard, assistant director International Outreach David M. Kennedy Center Editorial Assistants Ana Loso, program coordinator Leticia Adams International Outreach Linsi Barker Frederick Williams, professor of Spanish Lisa Clark and Portuguese Carrie Coplen Mark Grover, Latin American librarian Michelle Duncan Brigham Young University Krista Empey Jill Fernald Adrianne Gardner Anvi Hoang Amber Marshall Christy Shepherd Ashley Spencer J. Lee Simons, editor Kennedy Center Publications For more information on the International Outreach program at Brigham Young University, contact International Outreach, 273 Herald R. Clark Building, PO Box 24537, Provo, UT 84604- 9951, (801) 422-3040, [email protected]. © 2004 International Outreach, David M. Kennedy Center for International Studies, Brigham Young University, Provo, UT 84602. Material contained in this packet may be reproduced for single teacher use in the classroom as needed to present the enclosed lessons; the packet is not to be reproduced and distributed to other teachers. -
Dissemination of Historical Time Series for The
| Statistical Press Release | Lisboa, 20th October 2010 | Dissemination of historical time‐series for the Portuguese Escudo1 Banco de Portugal was created by a royal decree on 19 November 1846, as an issuing bank, entrusted with the “exclusive power to issue banknotes or bearer bonds in mainland Portugal”. After more than 160 years, during which three distinct monetary currencies have been adopted (real, escudo and euro), Banco de Portugal continues to guarantee the issue and putting into circulation of the national economy’s legal tender currency. It currently holds this function under the framework and operating regulations set out for the national central banks of the Eurosystem and the European System of Central Banks (ESCB), under the provisions of the Article 6 (1) of the Organic Law of the Banco de Portugal: “Under the provisions of Article 106 of the Treaty which institutes the European Community, Banco de Portugal issues banknotes, which are legal tender and have discharging power”. Under the provisions of Article 20 of the Organic Law “Banco de Portugal is the exchange rate authority of the Portuguese Republic” and, pursuant to the Article 13, “It is incumbent on Banco de Portugal the collection and compilation of monetary, financial, foreign exchange and balance of payments statistics, in particular within the scope of its co‐operation with the ECB”. In this framework, the Banco de Portugal has decided to collect all the information about the Escudo, available in various media, mostly on paper, and to make available to the public historical time‐series of the Escudo accompanied by metadata that contributes to a better understanding of its evolution since the late nineteenth century until the adoption of the euro by Portugal on 1 January 1999. -
Economic Bulletin
ECONOMIC BULLETIN OCT. 2020 BANCO DE PORTUGAL EUROSYSTEM ECONOMIC BULLETIN OCTOBER 2020 Lisboa, 2020 • www.bportugal.pt Economic Bulletin | October 2020 • Banco de Portugal Av. Almirante Reis, 71 | 1150-012 Lisboa • www.bportugal.pt • Edition Economics and Research Department • Design Communication and Museum Department | Design Unit • Translation International Relations Department | Translation Unit • ISSN (online) 2182-035x Contents I The Portuguese economy in the first half of 2020 | 5 1 Overview | 7 2 External environment | 11 3 Monetary and financial conditions | 20 4 Public finances | 28 5 Supply | 32 6 Demand | 39 Box 1 • Developments in economic activity in Portugal during the pandemic on a daily frequency | 44 7 Prices | 45 8 Balance of payments | 48 II Projections for the Portuguese economy in 2020 | 53 III Policies and consequences of the pandemic | 63 1 Introduction | 65 2 Policy responses by authorities | 66 2.1 Monetary policy measures during the pandemic crisis and their impacts | 66 2.2 Budgetary measures in Portugal in the pandemic crisis | 71 2.3 The “simplified layoff”: impact on firms’ liquidity and employment | 73 2.4 Measures to support corporate financing | 76 2.5 Moratoria on credit to households | 80 3 Sectoral structure and firms’ responses | 82 3.1 Teleworking in Portugal | 82 3.2 The productive structure in Portugal and the impact of the pandemic | 84 3.3 The impact of the pandemic on the tourism sector | 85 I The Portuguese economy in the first half of 2020 1 Overview 2 International environment 3 Monetary and financial conditions 4 Public finances 5 Supply 6 Demand 7 Prices 8 Balance of payments 1 Overview The novel coronavirus epidemic, which began in China at the end of 2019, spread during the first months of 2020 and soon became a pandemic. -
The Best of Portugal
The best of Portugal ABOUT The best of Portugal The highlights of Portugal's attractions are culture, gastronomy and wines, beaches, golf, history, variety of landscapes and above all the hospitality of the Portuguese people, considered to be affable, open and honest. LISBON AND PORTO Lisbon is the capital of Portugal and Porto is the second largest city, in the north of the country. They are both vibrant cities filled with history that retain a human dimension, with their historic districts, monuments and tile façades. Lisbon is known as the white city due to the sunlight that reflects off the River Tagus. Winner of the Travellers' Choice title in 2014 on TripAdvisor, for the second year running, it was also awarded Europe's Leading City Break Destination 2014 by the World Travel Awards. 2013 Turismo de Portugal. All rights reserved. 1/7 [email protected] Porto, which gave its name to a wine enjoyed all over the world, was elected Best European Destination in 2012, 2014 and 2017 and is one of the top 14 cities chosen by British Airways to visit. Previously, it was Number 2 on TripAdvisor’s 2013 Travellers' Choice list for emerging destinations in Europe. SUN AND SEA The Portuguese coast almost comprises a single beach 850km long, made more picturesque and beautiful by rocks dotted here and there, but with vast stretches of golden sand or small coves nestled in the cliffs. 2013 Turismo de Portugal. All rights reserved. 2/7 [email protected] The Algarve, the most popular destination for sun and sea in Portugal, was awarded the prize for the best beach destination in Europe in the 2013 and 2015 World Travel Awards. -
Folk Or Fake: the Notion of Authenticity in Portuguese Fado
1 Folk or Fake: The Notion of Authenticity in Portuguese Fado James Patrick Félix Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music March 2015 2 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement © 2015 The University of Leeds and James Patrick Félix The right of James Patrick Félix to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 3 Acknowledgements Para a minha mãe Anne Marie Félix, meu pai Amorim Carvalho Félix, minha esposa Denise Sara Bryan e minha filha Emma Maria Félix. This thesis would not have been possible without the assistance and support of a large number of individuals. I wish to extend my thanks first to my supervisory team of Professor Derek Scott and Professor Kevin Dawe, whose input, encouragement and advice helped keep things moving. I would also like to thank friends and colleagues at the University of Leeds, including Dr Karen Burland, Dr Lauren Redhead and Tenley Martin, whose conversations and suggestions allowed me to focus my thoughts and research in the right direction. I would also like to thank Professor Peter Johnson and Dr Liz Garnett at Birmingham Conservatoire who first helped me develop my interest in authenticity and folk music. -
Crime and Criminal Justice
Population and social conditions Statistics in focus 58/2010 Authors: Cynthia TAVARES, Geoffrey THOMAS Crime and Criminal Justice Recent work at European level to improve the In a few southern countries such as Portugal, comparability of the data makes it possible to Slovenia, Spain, Italy and Cyprus, crime rates have make some analysis of trends in crime and risen. There is also some indication among the criminal justice. Nordic Member States that, after a period of National sources of information about crime decreasing crime, the trend is now upwards. show considerable differences in approach and Underlying the total crime trends, there are coverage, which makes it necessary to exercise different tendencies for specific types of offence. caution in making direct comparisons between For the EU as a whole, police recorded instances of countries. domestic burglary and drug trafficking have Main findings remained virtually unchanged since 2005, while The total number of crimes recorded by the police violent crime (including robbery) and thefts of in the European Union is decreasing. Until 2002, motor vehicles have fallen. the trend was upwards. The countries where the The prison population rate (per head of population) decreases are most noticeable include the remains generally much higher in most countries in United Kingdom, the Netherlands and France. In the eastern part of the European Union than in the some of the new Member States, crime rates west, but it is gradually falling, while the prison peaked slightly later, but here also they are now populations have grown in some western Member falling. States such as Spain and the United Kingdom. -
Annual Report
ANNUAL REPORT ACTIVITIES AND FINANCIAL STATEMENTS 2019 BANCO DE PORTUGAL EUROSYSTEM Lisboa, 2020 • www.bportugal.pt Annual Report | Activities and Financial Statements 2019 • Banco de Portugal Av. Almirante Reis, 71 | 1150-012 Lisboa • www.bportugal.pt • Edition Communication and Museum Department | Accounting Department • Design Communication and Museum Department | Design Unit • Translation International Relations Department | Translation Unit • ISBN (online) 978-989-678-729-5 • ISSN (online) 2182-6080 Contents Mission and values of Banco de Portugal | 5 Message by the Governor | 6 Management of Banco de Portugal | 10 I Activity | 19 Executive summary | 21 1 Monetary authority | 29 1.1 Monetary policy | 30 1.2 Asset management | 34 1.3 Payment systems and means | 36 Box 1 • Sustainability and sustainable finance | 43 Box 2 • Monetary policy in 2019 | 45 2 Financial stability | 48 2.1 Regulatory framework | 50 2.2 Stability of the Portuguese financial system | 52 2.3 Resolution | 63 2.4 Upholding the legality of the resolution and enforcement measures | 64 Box 3 • Banco de Portugal’s role in the prevention of money laundering and terrorist financing | 65 Box 4 • Transfer of the deposit guarantee function from the Mutual Agricultural Credit Guarantee Fund to the Deposit Guarantee Fund | 67 3 Knowledge creation and sharing | 69 3.1 Analyses, studies and statistics | 69 3.2 Conferences and seminars | 72 3.3 Communication and stakeholder management | 74 3.4 International cooperation | 81 4 Internal management | 84 4.1 Internal governance -
The Evolution of Public Expenditure: Portugal in the Ii Euro Area Context* 21
THE EVOLUTION OF PUBLIC EXPENDITURE: PORTUGAL IN THE II EURO AREA CONTEXT* 21 Jorge Correia da Cunha** | Cláudia Braz** Articles Abstract The objective of this article is to present the main aspects of the evolution of public expenditure in Portugal from 1995 to 2011. Developments in the current composition of the euro area are used as a benchmark. Primary expenditure in Portugal increased substantially up to 2010, particularly in the period 1995 - 2005. In terms of the economic classifi cation of expenditure, social benefi ts in cash, mostly pension expenditure, and, to a lesser extent, social benefi ts in kind and intermediate consumption were the main contributors to the strong growth in spending. The total expenditure to GDP ratio, however, was, throughout the period, below the euro area average and has shown a similar pattern of evolution in the recent years, when correcting for the impact of temporary measures and special factors in Portugal. However, Portugal as a euro area member state, despite its negligible increase in GDP per capita, recorded one of the highest increases in public spending as a percentage of GDP in the period under analysis. In 2011, its level of total public expenditure to GDP ratio was higher than in many other euro area countries, including several ones with substantially higher GDP per capita. This relationship is also refl ected in the four main types of expenditure by functional classifi cation (defence and security and public order, health, education and social protection). Portugal converged to the euro area average functional structure. A simple evaluation of effi ciency in the health sector shows a substantial improvement in health status indicators in Portugal between 1995 and 2010. -
African Art at the Portuguese Court, C. 1450-1521
African Art at the Portuguese Court, c. 1450-1521 By Mario Pereira A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History of Art and Architecture at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Mario Pereira VITA Mario Pereira was born in Boston, Massachusetts in 1973. He received a B.A. in Art History from Oberlin College in 1996 and a M.A. in Art History from the University of Chicago in 1997. His master’s thesis, “The Accademia degli Oziosi: Spanish Power and Neapolitan Culture in Southern Italy, c. 1600-50,” was written under the supervision of Ingrid D. Rowland and Thomas Cummins. Before coming to Brown, Mario worked as a free-lance editor for La Rivista dei Libri and served on the editorial staff of the New York Review of Books. He also worked on the curatorial staff of the Isabella Stewart Gardner Museum where he translated the exhibition catalogue Raphael, Cellini and a Renaissance Banker: The Patronage of Bindo Altoviti (Milan: Electa, 2003) and curated the exhibition Off the Wall: New Perspectives on Early Italian Art in the Gardner Museum (2004). While at Brown, Mario has received financial support from the Graduate School, the Department of History of Art and Architecture, and the Program in Renaissance and Early Modern Studies. From 2005-2006, he worked in the Department of Prints, Drawings and Photographs at the Museum of Art, Rhode Island School of Design. In 2007-2008, he received the J. M. Stuart Fellowship from the John Carter Brown Library and was the recipient of an Andrew W. -
O Arqueólogo Português Série V
© DISTRIBUIÇÃO GRATUITA. NÃO É PERMITIDA A COMERCIALIZAÇÃO. © DISTRIBUIÇÃO GRATUITA. NÃO É PERMITIDA A COMERCIALIZAÇÃO. revista_OAP_10.indd 1 31/03/2017 00:40 Revista fundada em 1895 por José Leite de Vasconcelos © DISTRIBUIÇÃO GRATUITA. NÃO É PERMITIDA A COMERCIALIZAÇÃO. revista_OAP_10.indd 2 31/03/2017 00:40 Revista fundada em 1895 por José Leite de Vasconcelos © DISTRIBUIÇÃO GRATUITA. NÃO É PERMITIDA A COMERCIALIZAÇÃO. revista_OAP_10.indd 3 31/03/2017 00:40 SÉRIE V . VOLUME 4/5 MUSEU NACIONAL DE ARQUEOLOGIA IMPRENSA NACIONAL LISBOA, 2014-2015 © DISTRIBUIÇÃO GRATUITA. NÃO É PERMITIDA A COMERCIALIZAÇÃO. revista_OAP_10.indd 4 31/03/2017 00:40 SÉRIE V . VOLUME 4/5 MUSEU NACIONAL DE ARQUEOLOGIA IMPRENSA NACIONAL LISBOA, 2014-2015 © DISTRIBUIÇÃO GRATUITA. NÃO É PERMITIDA A COMERCIALIZAÇÃO. revista_OAP_10.indd 5 31/03/2017 00:40 DIRETOR António Carvalho COORDENAÇÃO Ana Ávila de Melo Lívia Cristina Coito CONSELHO EDITORIAL Prof. Doutor Armando Coelho F. da Silva – Universidade do Porto Prof. Doutor João Luís Cardoso – Universidade Aberta Prof. Doutor José d’Encarnação – Universidade de Coimbra Dr. Luís Raposo – Museu Nacional de Arqueologia Prof. Doutor Nuno Bicho – Universidade do Algarve Prof.ª Doutora Rosa Varela Gomes – Universidade Nova de Lisboa Prof. Doutor Victor S. Gonçalves – Universidade de Lisboa DESIGN GRÁFICO Artlandia PAGINAÇÃO Undo PRÉ -IMPRESSÃO E IMPRESSÃO Imprensa Nacional -Casa da Moeda TIRAGEM 1000 exemplares Impresso em abril de 2017 Periodicidade anual ISSN 0870 -094X Depósito legal n.º 3161/83 Solicita-se permuta – On prie l’échange – Exchange wanted – Tauschverkehr erwunscht – Sollicitiamo scambio As opiniões expressas em texto e imagens são da exclusiva responsabilidade dos seus respetivos autores, salvo quando devidamente assinalado. -
MA (Master of Arts) with Distinction in Scenography, at Central Saint Martins College of Arts and Design, the London Institute, London
CURRICULUM VITAE Alexandra Cruz - Architect NAME Alexandra Espinheira Pereira e Cruz BIRTH Lisbon, Portugal. February 13th 1973 CONTACT Lisbon, Portugal: Rua Capitão José Soares da Encarnação, nº 5, 3º 1170 – 073 Lisbon - Portugal tel. +(351) 96 9680259 Oslo, Norway: Brochmannsgt 3 0470 Oslo. Norway tel. +(47) 94845912 EMAIL [email protected] URL www.alexandracruz.net ACADEMIC QUALIFICATIONS | STUDIES 2000- 2001 MA (Master of Arts) with Distinction in Scenography, at Central Saint Martins College of Arts and Design, The London Institute, London. This MA involved an intercheange program at the School of Art and Design Zurich, University of Applied Sciences and Arts Zurich. 1992 - 1997 Graduation in Architecture from the Architecture University of Lisbon (FAUTL). Final grade point average of (15) fifteen and final classification of Good, (these marks are on a scale of 0 to 20) AWARDS 1997 Comendador Joaquim Matias - Award for the final project in the 5th year of the Architecture Graduation Degree by the Architecture University of Lisbon (FAUTL). Portugal. SEMINARS AND LECTURES 2005 Attended the International Conference Landscape and Architecture: Topology and Typology. A cycle of critical reflection and discussion on Landscape and Architecture, organised by the Fundação de Serralves. Oporto, Portugal. www.serralves.com/imagens/webmail/conf_2005/conferencia_landscape.htm 2005 Attended the International Conference Architecture and Art - Contemporary Museums. A cycle of critical reflection and discussion on the conception of exhibition spaces, organised by the Serralves Museum and the Portuguese Order of Architects. Oporto, Portugal. 2004 Attended the Architecture Seminar Formato - Architecture Editorial Policy. Organised by the Portuguese Order of Architects. Lisbon, Portugal. http://www.oa.pt 2001 Attended the International Seminar of Architecture Prototypo - City in Performance, in the scope of the Porto 2001 - European Capital of Culture.