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Min-Woo Bang
MIN-WOO BANG Background: 1971 Born: Seoul, Korea 1990 Migrated to Australia 1993 Diploma of Fine Arts, National Art School, Sydney 1999 Bachelor of Visual Art (Hon) and Master of Visual Art, Sydney College of the Arts, Sydney Solo Exhibitions: 1997 ‘Self Portraits’, James Harvey Gallery, Sydney 1998 ‘Self Portraits’, James Harvey Gallery, Sydney 1999 ‘Self Portrait in the Age of Appropriation’, Gallery 4A, Sydney 2000 ‘New Paintings’, James Harvey Gallery, Sydney 2001 ‘New Paintings’, Campsie Central Library, Sydney 2004 ‘Emerald City’, Tap Gallery, Sydney 2005 ‘Emerald City II’, Washhouse Gallery, Sydney 2005 ‘Journey’, Rex-Livingston Art Dealer, Sydney 2006 ‘Landscapes’, Jackman Gallery, Melbourne 2006 ‘Landscape and Myth’, Rex-Livingston Art Dealer, Sydney 2007 ‘New Beginnings’, Rex-Livingston Art Dealer, Sydney 2008 ‘The Whisper of Trees’, Rex-Livingston Art Dealer, Sydney 2009 ‘Mystic Landscape’, Wagner Art Gallery, Sydney 2010 ‘Mystic Landscapes II’ LK Contemporary Gallery, Perth 2011 'New Works' Gallery One, Southport, QLD 2011 'The Shadow of Light' Wagner Art Gallery, Sydney 2012 ‘Mystic Landscape’, Muk Muk Fine Art, Darwin, NT 2012 ‘Mystic Landscape’, Muk Muk Fine Art, Alice Springs, NT 2012 ‘Revisit’, Wagner Art Gallery, Sydney 2013 ‘Feeling the Landscape’, Linton and Kay Galleries, Perth 2013 ‘Homage to Landscape’, Sydney Contemporary 13 & Wagner Art Gallery, Sydney 2014 ‘Beyond the Landscape’, Melbourne Art Fair; Wagner Art Gallery, Sydney 2015 ‘Sky Memoir’, Linton and Kay Galleries, Perth Awards: 1992 Waverley Art Prize (People’s -
Sebastian Di Mauro
Sebastian Di Mauro BORN Innisfail, Queensland, Australia ACADEMIC QUALIFICATIONS 2014-2015 Doctor of Philosophy, Griffith University 1993-1996 Master of Arts (Visual Arts), Monash University 1990-1991 Graduate Diploma of Arts, (Visual Arts), Monash University 1987 Bachelor of Arts, Queensland College of Art, Brisbane 1981-1983 Diploma of Teaching, Brisbane College of Advanced Education SOLO EXHIBITIONS 2019 GREENBACK MARS Gallery, Melbourne, Victoria 2019 GREENBACK, Onespace Gallery, Brisbane, Queensland 2014 Surf ‘n’ Turf, Gold Coast City Art Gallery, Gold Coast 2010 Scuta, Dianne Tanzer Gallery, Melbourne 2009 Footnotes of a verdurous tale, Sebastian Di Mauro 1987-2009, QUT Art Museum, Brisbane Scuta, Sullivan+Strumpf Fine Art, Sydney 2008 Evergreen, Dianne Tanzer Gallery, Melbourne 2007 Lasciare, Victorian Tapestry Workshop Gallery, Melbourne Archimedes’ Bath, Sullivan + Strumpf Fine Art, Sydney Suburban Abstractions 4, Mackay Artspace, Mackay Suburban Abstractions 3, Gladstone Regional Art Gallery, Gladstone 2006 Float, Dianne Tanzer Gallery, Melbourne 2005 Suburban Abstractions 2, Bundaberg Arts Centre, Bundaberg UAM Project Show: Catherine Brown, Denise Green, Sebastian Di Mauro and Tom Risley, University Art Museum, University of Queensland, Brisbane the grass is greener, Newcastle Regional Gallery, Newcastle 2004 Suburban Abstractions: Lifts Project, National Gallery of Australia, Canberra Suburban Abstractions: Roots, Dianne Tanzer Gallery, Melbourne Pivot, Umbrella Studios, Townsville Turf Sweet, Maroondah Art Gallery, Ringwood, -
SEBASTIAN DI MAURO B
SEBASTIAN DI MAURO b. 1955 |Lives and works in Delaware, USA 2015 Doctor of Philosophy, Griffith University, QLD 1996 Master of Arts (Visual Arts), Monash University, VIC 1991 Graduate Diploma of Arts (Visual Arts), Monash University, VIC 1987 Bachelor of Arts, Queensland College of Arts, Brisbane, QLD 1983 Diploma of Teaching, Brisbane College of Advanced Education, QLD SOLO EXHIBITIONS 2021 Throw, Bundaberg Regional Art Gallery, Bundaberg, QLD 2019 GREENBACK, MARS Gallery, Melbourne, VIC 2019 GREENBACK, Onespace Gallery, Brisbane, QLD 2014 Surf ‘n’ Turf, Gold Coast City Art Gallery, Gold Coast, QLD 2010 Scuta, Dianne Tanzer Gallery, Melbourne, VIC 2009 Footnotes of a verdurous tale, Sebastian Di Mauro 1987-2009, QUT Art Museum, Brisbane, QLD Scuta, Sullivan+Strumpf Fine Art, Sydney, NSW 2008 Evergreen, Dianne Tanzer Gallery, Melbourne, VIC 2007 Lasciare, Victorian Tapestry Workshop Gallery, Melbourne, VIC Archimedes’ Bath, Sullivan+Strumpf Fine Art, Sydney, NSW Suburban Abstractions 4, Artspace Mackay, Mackay, QLD Suburban Abstractions 3, Gladstone Regional Art Gallery, QLD 2006 Float, Dianne Tanzer Gallery, Melbourne, VIC 2005 Suburban Abstractions 2, Bundaberg Arts Centre, Bundaberg, QLD UAM Project Show Catherine Brown, Denise Green, Sebastian Di Mauro and Tom Risley, University of Queensland Art Museum, Brisbane, QLD the grass is greener, Newcastle Regional Gallery, Newcastle, NSW Suburban Abstractions: Lifts Project, National Gallery of Australian, 2004 Canberra, ACT Suburban Abstractions: Roots, Dianne Tanzer Gallery, Melbourne, -
PETER ANDERSON Conceptual and Perceptual: the Early Artists’ Books of Robert Jacks1
77 PETER ANDERSON Conceptual and perceptual: the early artists’ books of Robert Jacks1 In 1980, the New York artists’ book distribution company Printed Matter Inc. released a catalogue promoting a select collection of some 200 titles, ‘artists’ books that are excellent representatives of the field’.2 The Heart collection was selected by the organisation’s staff and board from Printed Matter’s inventory of some 2500 titles and, as the introduction to the catalogue explained, the aim was to provide libraries, museums and collectors with a ‘seed collection encompassing the many facets of the artists’ book movement’. Included amongst the works in the Heart collection was Robert Jacks’s Color Book – Hand Stamped (1975), described briefly as ‘rubber-stamped grids with that endearing homemade quality’.3 Printed Matter began in 1976 as an artists’ book distribution company, with an initial inventory of just 450 titles. Also established that year was Franklin Furnace, a multi-arts venue that also had a focus on artists’ books and what were called ‘artist readings’. While initially selling artists’ books through its bookstore, Franklin Furnace later focused on the development of an artists’ book archive.4 An early, undated eight-page catalogue for the Franklin Furnace Bookstore listed a range of ‘book-like works by artists’, including five titles by Jacks: three rubber stamp books, the offset printed book Red Diagonals (1976) and ‘five envelopes, unbound rubber stamped’.5 Like the early Printed Matter catalogues, the Franklin Furnace catalogue listed prices for individual books, 78 T e La T obe Jou a No. 95 Ma c 2015 as well as offering ‘package deals’, with ‘literally everything’ in the catalogue available for US$1200. -
Emu Island: Modernism in Place 26 August — 19 November 2017
PenrithIan Milliss: Regional Gallery & Modernism in Sydney and InternationalThe Lewers Trends Bequest Emu Island: Modernism in Place 26 August — 19 November 2017 Emu Island: Modernism in Place Penrith Regional Gallery & The Lewers Bequest 1 Spring Exhibition Suite 26 August — 19 November 2017 Introduction 75 Years. A celebration of life, art and exhibition This year Penrith Regional Gallery & The Lewers Bequest celebrates 75 years of art practice and exhibition on this site. In 1942, Gerald Lewers purchased this property to use as an occasional residence while working nearby as manager of quarrying company Farley and Lewers. A decade later, the property became the family home of Gerald and Margo Lewers and their two daughters, Darani and Tanya. It was here the family pursued their individual practices as artists and welcomed many Sydney artists, architects, writers and intellectuals. At this site in Western Sydney, modernist thinking and art practice was nurtured and flourished. Upon the passing of Margo Lewers in 1978, the daughters of Margo and Gerald Lewers sought to honour their mother’s wish that the house and garden at Emu Plains be gifted to the people of Penrith along with artworks which today form the basis of the Gallery’s collection. Received by Penrith City Council in 1980, the Neville Wran led state government supported the gift with additional funds to create a purpose built gallery on site. Opened in 1981, the gallery supports a seasonal exhibition, education and public program. Please see our website for details penrithregionalgallery.org Cover: Frank Hinder Untitled c1945 pencil on paper 24.5 x 17.2 Gift of Frank Hinder, 1983 Penrith Regional Gallery & The Lewers Bequest Collection Copyright courtesy of the Estate of Frank Hinder Penrith Regional Gallery & The Lewers Bequest 2 Spring Exhibition Suite 26 August — 19 November 2017 Introduction Welcome to Penrith Regional Gallery & The of ten early career artists displays the on-going Lewers Bequest Spring Exhibition Program. -
The La Trobe Journal No. 95 March 2015 End Matter
Notes 115 Notes Des Cowley, Robert Heather and Anna public – books, serials, pamphlets, music Welch: Editors’ introduction scores – but also works published in 1 Johanna Drucker, The Century of Artists’ other formats such as CD and DVD. The Books, New York: Granary Books, 1995, p. 1 Northern Territory, Tasmania and Western Australia include web-based publications. Helen Cole: Public collections of artists’ books 10 trove.nla.gov.au in Australia 11 Noreen Grahame was the first gallerist in Australia to actively promote artists’ 1 Any discussion of artists’ books is dogged books. Her first major exhibition of by the question of definition. This article artists’ books was in 1991 and, at this adopts a broad definition that includes time, she encouraged artists represented unique works, limited and commercial by the gallery to create their first artists’ editions, codexes, altered books, book books for the show. She organised five objects and everything in-between. It does Artists’ Books and Multiples fairs in not include zines, however, as institutions generally treat these separately. Brisbane, in 1994, 1996, 1998, 2001 and 2 Noreen Grahame, ‘The gallerist’s 2007, and presented Australian artists’ perspective’, paper presented at ‘The books at the Sydney Works on Paper Trouble with Artists’ Books’, Siganto Fair and the London Artists’ Books Foundation seminar, State Library of Fair. In 1994 Grahame extended into Queensland, 4 May 2013. A podcast of the publishing catalogues and artists’ books. seminar is available at: www.slq.qld.gov. Her catalogues for exhibitions and artists’ au/_slqmedia/video_and_audio_content/ books fairs constitute the most important art-and-design/siganto-seminar, accessed 21 sources of documentation of artists’ books November 2014 in Australia of this time. -
Thesis Title
Creating a Scene: The Role of Artists’ Groups in the Development of Brisbane’s Art World 1940-1970 Judith Rhylle Hamilton Bachelor of Arts (Hons) University of Queensland Bachelor of Education (Arts and Crafts) Melbourne State College A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of English, Media Studies and Art History ii Abstract This study offers an analysis of Brisbane‘s art world through the lens of artists‘ groups operating in the city between 1940 and 1970. It argues that in the absence of more extensive or well-developed art institutions, artists‘ groups played a crucial role in the growth of Brisbane‘s art world. Rather than focusing on an examination of ideas about art or assuming the inherently ‗philistine‘ and ‗provincial‘ nature of Brisbane‘s art world, the thesis examines the nature of the city‘s main art institutions, including facilities for art education, the art market, conservation and collection of art, and writing about art. Compared to the larger Australian cities, these dimensions of the art world remained relatively underdeveloped in Brisbane, and it is in this context that groups such as the Royal Queensland Art Society, the Half Dozen Group of Artists, the Younger Artists‘ Group, Miya Studios, St Mary‘s Studio, and the Contemporary Art Society Queensland Branch provided critical forms of institutional support for artists. Brisbane‘s art world began to take shape in 1887 when the Queensland Art Society was founded, and in 1940, as the Royal Queensland Art Society, it was still providing guidance for a small art world struggling to define itself within the wider network of Australian art. -
Min-Woo BANG
Min-Woo BANG Born in Seoul, Korea in 1971. Migrated to Australia in 1990. Diploma of Fine Arts, National Art School (1993) Sydney College of the Arts, Sydney University, BVA (Hon) & MVA (1994~1999). A director of Croydon Art Studio SOLO EXHBITIONS 2020 Lunar Year Lantern festival, 31 Jan to 9 Feb 2020 40 by 40 Project, 7 Mar to 25 March, Wagner Contemporary in Sydney Muswellbrook Art Prize Finalists exhibition, Muswellbrook Regional Art Centre John Leslie Art Prize Finalists exhibition, 18 July – 25 October 2020, Gippsland Art Gallery, Vic 2020 New Work, Linton & Kay Galleries, Perth 2020 Natural Impact, Wagner Contemporary, Sydney 2019 Chaotic Order, Manyung gallery, Malvern Vic 2018 'The immensity of Sky', Mitchell Fine Art, Brisbane, QLD 2018 High Land, Wagner Contemporary, Sydney 2017 'Natural World', Linton & Kay Galleries, Subiaco Perth WA 2016 'Storm in Paradise', Wagner Contemporary, Sydney 2015 'Sky Memoir II', Gallery One, Gold Coast, QLD 2015 'Sky Memoir', Linton & Kay galleries, Perth, WA 2015 Min-Woo Bang, Mitchell Fine Art (Sofitel Hotel), Brisbane, QLD 2014 Beyond the Landscape, Wagner Art Gallery, Sydney 2014 Beyond the Landscape, Melbourne Art Fair, Royal Exhibition Building, Melbourne 2013 Homage to Landscape, Wagner Art Gallery, Sydney 2013 "Homage to Landscape", Sydney Contemporary 13 Art Fair, Sydney 2013 Feeling for the Landscape, Gallery One, Gold Coast QLD 2013 Feeling for the Landscape, Linton & Kay Galleries, WA 2012 "Revisit", Wagner art gallery, Sydney 2012 Mystic Landscape, Muk Muk Fine Art, Darwin 2012 Mystic -
Margaret Loy Pula CV
Margaret Loy Pula Born: 1 January 1956 Tribe: Anmatyerre Area: Utopia, Central Australia Margaret Loy Pula hails from an incredibly distinguished artistic family. She is the daughter of well-known artist Kathleen Petyarre and the mother of Abie Loy Kemarre, also a rising star from the Utopia region. Both Abie and Margaret were taught to paint by Kathleen. Her aunties are the Petyarre sisters - Ada, Nancy, Myrtle, Violet, Jean and Gloria all of whom are established artists and whose works hang in collections both in Australia and overseas. Margaret was born “out bush” at Amaroo Station in Central Australia and grew up in the small outstations at Utopia, approx 230kms north of Alice Springs. Margaret has been exposed to art for most her life and lived for some time at Utopia where the art movement began with batik works. Margaret paints her fathers dreaming and the stories that she depicts include country, bush food and ceremonial designs. Her story is “Anatye” or bush potato dreaming which is portrayed using a series of finely detailed dots. Margaret spends most of her time in her homelands near Utopia, approx 230kms north of Alice Springs in Central Australia. Awards 2013 Winner, Muswellbrook Art Prize, NSW 2012 Winner, Waterhouse Natural History Art Prize, Adelaide. 2012 Second Prize, Outback Open Art Award, Broken Hill Regional Gallery. 2012 Highly Commended, Hawkesbury Art Prize, Sydney. 2012 Highly Commended, Bellingen Art Prize, Bellingen, New South Wales. 2012 Highly Commended, Alice Art Prize, Alice Springs. 2011 Winner, Paddington Art Prize, Sydney. 2011 Winner, Sunshine Coast Art Prize, Caloundra Regional Gallery. -
Dagmar Cyrulla
Dagmar Cyrulla EDUCATION 2005 Winter Collection, Port Jackson Press Australia, Melbourne Peter Walker Fine Art, Adelaide 2009 Masters of Fine Art by research, Monash University (Scholarship) Linden Post Card Prize, Linden Centre for Contemporary Arts, Melbourne 2004 Summer School at the New York Studio School, USA 2004 Salon Show, Montsalvat, Melbourne 2003 Drawing Marathon Graham Nickson – Adelaide Central School of Art, SA Salon des Refuses, Archibald Prize, Sydney 1996 Julian Ashton School of Art, Sydney Hidden Faces of the Archibald, Crown Casino, Melbourne 1987 Bachelor of Visual Arts, University of Western Sydney 2003 National Trust, S.H Ervine Gallery, Sydney Salon des Refusés (Archibald Prize), Melbourne SOLO EXHIBITIONS 2002 Art and Politics, Sydney Print Exchange 2016 Wagner Contemporary (September) “Moments” 2000 The Truly Intriguing Art Exhibition, Space Gallery, Melbourne 2015 Rubicon Ari Melbourne “ Amour et Vie” September 1988 Editions Unlimited, Broadway Artspace, Sydney 2015 Galerie Notre Dame France (April) 2014 Reflection Wagner Art Gallery NSW PRIZES & COMPETITIONS 2012 Book Launch and New work James Makin Gallery VIC 2017 Finalist, Rick Amor Self Portrait Prize 2011 Intimate Interiors, Gadfly Gallery, Perth 2017 Finalist, Korean Art Prize 2010 New Work, James Makin Gallery, Melbourne 2017 Winner, Manning Art Prize: Naked & Nude The Games People Play, Prospect Regional Gallery, Adelaide 2017 Finalist, Doug Moran Portrait Prize Masters Graduate exhibition. Monash University, Caulfield Campus, Melbourne 2017 Finalist, -
Collections6.Pdf
University of Melbourne Issue 6, June 2010 COLLECTIONS University of Melbourne Collections Issue 6, June 2010 University of Melbourne Collections succeeds University of Melbourne Library Journal, published from 1993 to December 2005. University of Melbourne Collections is produced by the Cultural Collections Group and the Publications Team, University of Melbourne Library. Editor: Dr Belinda Nemec Assistant editor: Stephanie Jaehrling Design concept: 3 Deep Design Design implementation: Jacqueline Barnett Advisory committee: Shane Cahill, Dr Alison Inglis, Robyn Krause-Hale, Jock Murphy, Associate Professor Robyn Sloggett Published by the University Library University of Melbourne Victoria 3010 Australia Telephone (03) 8344 0269 Email [email protected] © The University of Melbourne 2010 ISSN 1835-6028 (Print) ISSN 1836-0408 (Online) All material appearing in this publication is copyright and cannot be reproduced without the written permission of the publisher and the relevant author. The views expressed herein are those of individuals and not necessarily those of the University of Melbourne. Note to contributors: Contributions relating to one or more of the cultural collections of the University of Melbourne are welcome. Please contact the editor, Belinda Nemec, on (03) 8344 0269 or [email protected]. For more information on the cultural collections see www.unimelb.edu.au/culturalcollections. Additional copies of University of Melbourne Collections are available for $20 plus postage and handling. Please contact the editor. Subscription to University of Melbourne Collections is one of the many benefits of membership of the Friends of the Baillieu Library, Grainger Museum Members and Members of the Ian Potter Museum of Art. See www.unimelb.edu.au/culturalcollections/ links/friends.html Front cover: Illustration from Violet Teague and Geraldine Rede, Night fall in the ti-tree (illustrated book, designed, illustrated, printed and hand-bound by the artists; colour woodcut; 32 pages, printed image 24.4 x 17.4 cm), London: Elkin Matthews, 1906. -
Cubism and Australian Art and Its Accompanying Book of the Same Title Explore the Impact of Cubism on Australian Artists from the 1920S to the Present Day
HEIDE EDUCATION RESOURCE Melinda Harper Untitled 2000 National Gallery of Victoria, Melbourne Purchased through the National Gallery of Victoria Foundation by Robert Gould, Benefactor, 2004 This Education Resource has been produced by Heide Museum of Modern Art to provide information to support education institution visits to the exhibition Cubism & Australian Art and as such is intended for their use only. Reproduction and communication is permitted for educational purposes only. No part of this education resource may be stored in a retrieval system, communicated or transmitted in any form or by any means. HEIDE EDUCATION RESOURCE Heide Education is committed to providing a stimulating and dynamic range of quality programs for learners and educators at all levels to complement that changing exhibition schedule. Programs range from introductory tours to intensive forums with artists and other arts professionals. Designed to broaden and enrich curriculum requirements, programs include immersive experiences and interactions with art in addition to hands-on creative artmaking workshops which respond to the local environs. Through inspiring programs and downloadable support resources our aim is to foster deeper appreciation, stimulate curiosity and provoke creative thinking. Heide offers intensive and inspiring professional development opportunities for educators, trainee teachers and senior students. Relevant links to VELS and the VCE are incorporated into each program with lectures, floor talks and workshops by educators, historians and critics. Exclusive professional development sessions to build the capacity and capability of your team can be planned for your staff and potentially include exhibition viewings, guest speakers, catering, and use of the Sidney Myer Education Centre. If you would like us to arrange a PD just for your group please contact the Education Coordinator to discuss your individual requirements.