Childhood Experience and the Image of Utopia the Broken Promise of Adorno’S Proustian Sublimations
Childhood experience and the image of utopia The broken promise of Adorno’s Proustian sublimations Matt F. Connell At least since Aristotle, various conceptions of culture adjustment, amounting to an uncritical internalization have valorized its pacifying role as an outlet for dan- of the reality which insists that the infant must only gerous impulses and tensions. Sigmund Freud belongs enjoy that which is socially sanctioned. Children must to this culture-as-catharsis tradition, and accordingly progressively give up earlier forms of happiness and radical intellectuals and artists have often been uneasy pleasure, which demand everything in an unsustainable with his concept of sublimation, nervous lest their blurring of the boundaries between subject and object, work be reduced to the drives channelled into it, and infant and adult, and male and female. Polymorphous worried that the domestication of explosive impulses pleasure gives way to reality, and, broken, we must renders art conformist. For this reason, Joel Whitebook learn to love it. Any remnants are disparaged as a suggests, ʻAdorno is led to reject the notion of sublim- perverse wrong turn, and the dashing of the promise ation.ʼ1 Certainly, Adorno does not mince his words: of a more universal happiness is dressed up as normal ʻArtists do not sublimate.… Rather, artists display maturation. Gratification is not only deferred and violent instincts, free-floating and yet colliding with altered, it is distorted and denied, for under advanced reality, marked by neurosis.ʼ2 As in the later Aesthetic capitalism aim-inhibition becomes total, and ʻthe diner Theory,3 Adorno prefers here the concept of expression must be satisfied with the menuʼ.6 to that of sublimation.
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