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Blues Notes September 2018
VOLUME TWENTY-THREE, NUMBER NINE • SEPTEMBER 2018 The Jimmys on the River City Star M U S I C F E S T I VA L FREE, ALL AGES OUTDOOR FESTIVAL Sunday, September 30th 7 OAKS HEADQUARTERS Sunday, September 23 from 4 PM to 6 PM 13304 West Center Road, Omaha www.rivercitystar.com for tix and info Food trucks will be on site, please no outside food or drink. 2PM: GATES OPEN 3PM: SEBASTIAN LANE 4:15PM: ALASTAIR GREENE 6PM: THE DANIELLE NICOLE BAND 7:45PM: ELEKTRIC VOODOO 9PM: FIREWORKS! Tuesday, Sept. 11th Sunday, Sept. 16th @ 5 pm — HURRICANE RUTH — TAS CRU Wednesday, Sept. 12th @ 6 pm • Zoo Bar, Lincoln @ 6 pm Friday, Sept 14th @ 5:30 pm • The B Bar, Omaha BLUES BEATLES ($5 cover) Thursday, Sept. 20th @ 6 pm Wednesday, Sept. 12th LAURA RAIN AND @ 6 pm THE CAESARS HURRICANE RUTH ($5 cover) Chrome Sunday, Sept. 30th Sunday, Sept. 30th @ 5 pm @ 5 pm ROCKIN’ JOHNNY BURGIN WEBB WILDER ($5 cover) Lounge 8552 Park Drive, Omaha 402-339-8660 The Blues Society of Omaha Presents RUSTEMBERFEST Legendary Thursday Blues Matinees and more All shows 6 pm unless noted otherwise Saturday, Sept. 8th Thurs. Sept. 6th ...................................................Renee Austin ($10) atat 1-291-29 DragwayDragway Thurs. Sept. 13th ............Mary Jo Curry and Tombstone Bullet ($10) Thurs. Sept. 20th ...........................................Reverend Raven & the Pacific Junction, IA Chain Smokin’ Altar Boys ($10) Thurs. Sept. 27th .................................The Zac Harmon Band ($12) BSO presents Thurs. Oct. 4th .................................. Biscuit Miller and the Mix ($10) Hector Anchondo (5 pm) Thurs. Oct. 11th .....................Orphan Jon and the Abandoned ($10) Thurs. -
John Campbell a Man and His Blues Mp3, Flac, Wma
John Campbell A Man And His Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: A Man And His Blues Country: Germany Style: Louisiana Blues MP3 version RAR size: 1807 mb FLAC version RAR size: 1932 mb WMA version RAR size: 1511 mb Rating: 4.6 Votes: 955 Other Formats: ASF AC3 MOD MP3 AA MP2 ASF Tracklist 1 Going To Dallas 3:36 2 Bad Night Blues 4:15 3 Judgement Day 5:15 4 Bluebird 4:26 5 Deep River Rag 3:01 6 Texas Country Boy 3:10 7 Sittin' Here Thinkin' 6:41 8 Sunnyland Train 4:51 9 White Lightnin' 5:50 Companies, etc. Phonographic Copyright (p) – Crosscut Records Copyright (c) – Crosscut Records Manufactured By – Optimal Media Production – A926853 Recorded At – Splice Of Life Studio Credits Acoustic Guitar, Electric Guitar – Ronnie Earl (tracks: 3, 7, 8) Acoustic Guitar, Vocals – John Campbell Drums – Per Hanson (tracks: 3, 6, 9) Harmonica – Jerry Portnoy (tracks: 3, 6) Producer – Ronnie Earl Vocals – Darrell Nulisch (tracks: 3) Notes Recorded April 18/19, 1988 at Splice Of Life Studios, Brighton, Massachusetts Issued in standard jewel case, black tray, with a 4-page booklet. ℗ & © 1988 CrossCut Records Different disc (see image) from A Man And His Blues, but same matrix Barcode and Other Identifiers Barcode (Text): 4 014924 110192 Barcode: 4014924110192 Mastering SID Code: ifpi L574 Mould SID Code: IFPI 9721 Matrix / Runout: A926853-01 Matrix / Runout: manufactured by optimal media production Rights Society: GEMA Label Code: LC 08059 SPARS Code: AAD Other versions Category Artist Title (Format) Label Category Country Year A Man And His Blues Crosscut CCR 1019 John Campbell CCR 1019 Germany 1988 (LP, Album) Records A Man And His Blues Crosscut CCD 11019 John Campbell CCD 11019 Germany 1994 (CD, Album) Records A Man And His Blues Blue Wolf BWCD 111 John Campbell BWCD 111 Norway 1994 (CD, Album) Records Inc. -
Volume 44 Number 4 Oct Nov Dec 2018
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC ODEAN POPE PHIL MINTON SKETY SCOTT ROBINSON STEVE COHN KEIKO JONES MONTREAL JAZZ FESTIVAL 2018 INTERNATIONAL JAZZ NEWS CD REVIEWS BOOK REVIEWS DVD REVIEWS OBITUARIES Volume 44 Number 4 Oct Nov Dec 2018 New Releases on CNM Records POCKET ACES, CULL THE HEARD (CNM032) - OUT NOW. - Pocket Aces emerged from the jazz trio tradition; where each voice balances the others through contrast, and surprise. Although freely improvised, the music of Pocket Aces is consciously compositional, given to bouts of form, groove, and crafty melodies. Distillation of ideas with a premium on space and tone provides a strong coherence as the trio navigates the familiar and unfamiliar. HOFBAUER/ROSENTHANL QUARTET, HUMAN RESOURCES (CNM033) - RELEASE DATE NOV. 9 THE HOFBAUER/ROSENTHAL QUARTET, unites four imaginative improvisors from Boston’s eclectic jazz scene. There’s a non-hierarchal notion of the ensemble in this project, an ideal of equality and a selfless determination built into every musical inclination, as they unabashedly swing at the intersection between the clarity and control of bop and the brash freedom of the avant-garde. ERIC HOFBAUER QUARTET, PREHISTORIC JAZZ VOL. 4: REMINISCING IN TEMPO - OUT NOW. Reimagining of the rarely heard 1935 long form Duke Ellington composition. "It's a musical jungle gym for the guitar fan, a close listening to Hofbauer's note choices and abstract connections to the song's structure is absolutely required listening." - Paul Acquaro, Free Jazz Blog. All Albums on Bandcamp.com, Amazon.com or Erichofbauer.com - Visit erichofbauer.com for album details, audio samples, press and more. -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
2008 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2008 Smithsonian Folklife Festival CFCH Staff 2017 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical note.................................................................................................................. 2 Scope and Contents note................................................................................................ 2 Arrangement note............................................................................................................ 2 Introduction....................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Program Books, Festival Publications, and Ephemera, 2008................... 6 Series 2: Bhutan: Land of the Thunder Dragon....................................................... 7 Series 3: NASA: Fifty Years and Beyond............................................................. -
With Funding for Permanent Works on the Decline, Temporary Public Art
THE POWER OF PUBLIC ART REVIEW PUBLIC ART With funding for permanent works on | VOL. 24 NO. 1 • ISSUE 47 the decline, temporary public art installations | PUBLICARTREVIEW.ORG and creative reuse efforts are on the rise 34 —and they’re making a difference BY JEFF HUEBNER THIS PAGE: Michelle Acuff’s Surrogate is one of many works that have been installed in empty storefronts through the Tacoma Arts Commission’s Spaceworks program. OPPOSITE PAGE: Havel Ruck Projects turned a decrepit Houston house into Fifth Ward Jam. n late 2010, movers transported a small, While the newly developed park is permanent and con- tinues to be improved, the house is a temporary project that decrepit house from one part of Houston’s Fifth will be decommissioned in the fall of 2013. Yet although the Ward district to another, setting the condemned structure itself will disappear, its impact will remain. “What started out as a temporary art installation has created this new, domicile onto an open lot on Lyons Ave. By the wonderful gathering spot for the community, where we lack destinations,” says Fifth Ward CRC president Kathy Payton. following summer, Houston-based artists Dan Havel “It’s created a sense of destination and place.” and Dean Ruck were hard at work, reconstructing—or There’s no question that public art can help revitalize cit- ies and communities as well as enrich lives. But temporary rather deconstructing—the humble pink abode into projects, in distilling the characteristics and histories of spe- what Ruck calls a temporary “performative sculpture” cific places, spaces, and landscapes, can also continue to have spiritual and economic impact after they’re gone, perhaps that, among other things, mined the musical legacy effecting permanent change. -
Blueink Newsletter April 2016
B L U E I N K APRIL 2016 Gator By the Bay Brings Musicians Together in Exciting Pairings Now in its 15th year, Gator By the Bay, May 5-8, 2016, has become a wildly popular San Diego festival tradition known for presenting an eclectic mix of musical styles and a fun- filled atmosphere. Wander among the festival’s seven stages and you can listen to everything from authentic Louisiana Cajun and Zydeco music to Chicago and West Coast Blues, from Latin to Rockabilly and Swing. In recent years, Gator By the Bay has also earned a stand-out reputation for bringing together stellar combinations of musicians in innovative mash-up performances, presenting musical groupings you won’t hear anywhere else. This year is no exception. On Saturday, May 7, San Diego’s own multiple gold guitarist Johnny Vernazza will share the Mardi Gras Stage with blues greats Roy Rogers and John Németh. Often lauded as the “Master of the Slide Guitar”, Roy Rogers’ distinctive style is instantly recognizable. He’s shared duets with such greats as John Lee Hooker and Allen Toussaint, and teamed up with the likes of Norton Buffalo and Ray Manzarek. Harmonica virtuoso, vocalist and songwriter John Németh has multiple Blues Music Awards nominations to his name, and his album, ‘Memphis Grease’, won Best Soul Blues Album at the 2015 Blues Music Awards. He has been nominated for the Blues Music Awards 2016 B.B. King Entertainer of the Year Award, to be given out on May 5. Other notable combined artists’ performances include Sugaray Rayford, Alabama Mike & the Drop Ins with harmonica master Rick Estrin and harmonica and guitar whiz-kid Jon Atkinson on Friday evening, May 6, and Jon Atkinson with Rick Estrin and Fabulous Thunderbird alumna Kim Wilson on Saturday, May 7. -
INSIDE THIS ISSUE: Performance Schedules and Blues News from The
June/July 2016 #219 $5.00 US New England’s only independent Blues newsletter mailing the schedules of our outstanding, hard working TheBlues Bands and BluesBlues Clubs to dedicated Blues Fans Audiencesince for 25 years. © ATB/TBA 2016 INSIDE THIS ISSUE: Performance schedules and Blues news from the most talented local New England Blues Bands and Blues Clubs and Blues Festivals! Is that enough Blues for you? • Eddie Scheer, vocalist and multi talented musician, leader of the Love Dogs, talks to Art Simas about how he balances life and his music. Promo photo by Ken Boege • Blues news from her point of view, from our intrepid Ex President. Karen “Sistah K” Nugent • A new Festival in Antrim, NH- Bluesberry Jam with Big Bill Morganfield! • North Atlantic Blues Festival • Westford, MA Blues “n” Brews Festival • Barnful of Blues Festival with Luther “Gtr. Jr.” Johnson & The Magic Rockers!! are all coming up, how lucky are we, right here in New England? photos by Diana Shonk Leader of the Love Dogs Fetches Happiness in Living with Fa m i l y, Friends which we do about 4 or 5 times a year, we played 4 or 5 songs a n d M us ic, that we have never played before. Someone might come up with an idea and we all make it happen.” Every Day In the beginning, when he was dreaming about putting a band together, Scheer said, “I was simply thinking about the By Art Simas people who I thought would fit my musical ideas well. And look what happened. It’s just amazing that we’re all still together after all this time. -
The Big Easy Revival & Fundraiser Silent Auction Catalog
The Big Easy Revival & Fundraiser Silent Auction Catalog August 1, 2021 Silent Auction Guidelines • Items listed in the catalog are subject to change without notice. • Some items may be purchased at any time during the auction at the “Buy It Now” price. • Auction Closes at 5:00 p.m. on Aug. 1, 2021. • We will text you if you win! • Item must be paid in full and picked up Aug. 1. • All sales final. Items sold “As Is.” • If not paid for by 6 p.m. then you forfeit, and the second highest bidder will be contacted. • Pay with CASH or credit card. THANK YOU for your support! The Big Easy Revival Silent Auction Item #1 Mexican Fiesta Delivered! Sponsored by: Gail Singer Photo for illustration purposes only and not representative of actual dinner. Description: Gather some friends for a dinner for six. Gail's mom's Mexican Chicken recipe as featured in the Blues Foundation cookbook, Spanish rice, black beans, tortillas, salad and all the toppings. Dessert will be cook's choice. All made from scratch and delivered warm. Just add tequila!! Delivery date to be determined with at least 2 weeks notice. Muy Delicioso! Value: $75 Starting Bid: $30 Minimum Bid Increment: $10 Buy it Now: $100 Auction held at The Big Easy on August 1, 2021 from 2-5pm The Big Easy Revival Silent Auction Item #2 Stevie Ray Vaughan Limited Edition Print Sponsored by: Tracy Anne Hart Info: I created a new limited edition print to celebrate doing live Seeing Stevie Ray events. It's an archival 11" X 17" print limited to 100 editions. -
Ally, the Okla- Homa Story, (University of Oklahoma Press 1978), and Oklahoma: a History of Five Centuries (University of Oklahoma Press 1989)
Oklahoma History 750 The following information was excerpted from the work of Arrell Morgan Gibson, specifically, The Okla- homa Story, (University of Oklahoma Press 1978), and Oklahoma: A History of Five Centuries (University of Oklahoma Press 1989). Oklahoma: A History of the Sooner State (University of Oklahoma Press 1964) by Edwin C. McReynolds was also used, along with Muriel Wright’s A Guide to the Indian Tribes of Oklahoma (University of Oklahoma Press 1951), and Don G. Wyckoff’s Oklahoma Archeology: A 1981 Perspective (Uni- versity of Oklahoma, Archeological Survey 1981). • Additional information was provided by Jenk Jones Jr., Tulsa • David Hampton, Tulsa • Office of Archives and Records, Oklahoma Department of Librar- ies • Oklahoma Historical Society. Guide to Oklahoma Museums by David C. Hunt (University of Oklahoma Press, 1981) was used as a reference. 751 A Brief History of Oklahoma The Prehistoric Age Substantial evidence exists to demonstrate the first people were in Oklahoma approximately 11,000 years ago and more than 550 generations of Native Americans have lived here. More than 10,000 prehistoric sites are recorded for the state, and they are estimated to represent about 10 percent of the actual number, according to archaeologist Don G. Wyckoff. Some of these sites pertain to the lives of Oklahoma’s original settlers—the Wichita and Caddo, and perhaps such relative latecomers as the Kiowa Apache, Osage, Kiowa, and Comanche. All of these sites comprise an invaluable resource for learning about Oklahoma’s remarkable and diverse The Clovis people lived Native American heritage. in Oklahoma at the Given the distribution and ages of studies sites, Okla- homa was widely inhabited during prehistory. -
For Immediate Release Contact:Marnie Klein [email protected]
For Immediate Release Contact:Marnie Klein [email protected] Oceanside Theatre Company at The Brooks kicks off its 2018 Music Series on Sunday, April 22, with two American blues treasures: The Rick Holmstrom Band and Nathan James and The Rhythm Scratchers. The Brooks Theatre is located at 217 North Coast Highway, Oceanside, California. Doors open at 6:30 p.m. for happy hour. The show starts at 7:30 p.m. All seats are $25 and tickets are available online at www.oceansidetheatre.org. Holmstrom is an electric blues and rhythm and blues guitarist, singer and songwriter who has worked with musical legends such as Jimmy Rogers, Billy Boy Arnold, R.L. Burnside, Smokey Wilson, Johnny Dyer, William Clarke and Rod Piazza. Holmstrom is currently the bandleader for the great Mavis Staples and can be heard on her Grammy-winning album “You Are Not Alone.” Holmstrom has numerous studio recordings to his credit with his groundbreaking third album “Hydraulic Groove” peaking at No. 9 on the Billboard Top Blues Albums chart. Internationally acclaimed blues guitarist and Oceanside resident Nathan James is a well respected and experienced guitarist in his field, having created a musical identity with his handcrafted washboard guitar, mastery of the Piedmont finger style and passion for blues and American roots music. James has worked with such well known artists as Jamie Wood, Johnny Dyer, Kim Wilson, Pinetop Perkins, Janiva Magness, Rick Holmstrom, Mark Hummel, Gary Primich and blues veteran James Harman. With his trio, The Rhythm Scratchers, James forges a distinct sound that combines elements of 1920's acoustic blues, amplified juke joint hill country, and 1950's uptown blues mixed with 1960's soulful R&B.