Rodney Crowell Diamonds & Dirt Mp3, Flac

Total Page：16

File Type：pdf, Size：1020Kb

Rodney Crowell Diamonds & Dirt mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Diamonds & Dirt Country: US Released: 2001 Style: Country MP3 version RAR size: 1877 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1286 mb Rating: 4.5 Votes: 969 Other Formats: MP3 AC3 XM AA MPC AAC MMF Tracklist Hide Credits Crazy Baby 1 3:07 Written-By – R. Crowell*, W. Jennings* I Couldn't Leave You If I Tried 2 3:19 Written-By – R. Crowell* She's Crazy For Leaving 3 3:17 Written-By – G. Clark*, R. Crowell* After All This Time 4 4:28 Written-By – R. Crowell* I Know You're Married 5 3:31 Written-By – R. Crowell* Above And Beyond (The Call Of Love) 6 2:29 Written-By – H. Howard* It's Such A Small World 7 3:22 Vocals [Duet] – Roseanne Cash*Written-By – R. Crowell* I Didn't Know I Could Lose You 8 3:21 Written-By – R. Crowell* Brand New Rag 9 3:08 Written-By – R. Crowell*, W. Jennings* The Last Waltz 10 5:21 Written-By – R. Crowell*, W. Jennings* Bonus Tracks I've Got My Pride But I Got To Feed The Kids 11 2:30 Written-By – R. Crowell* It's Lonely Out 12 3:41 Written-By – R. Crowell* Lies Don't Lie 13 3:04 Written-By – R. Crowell* Companies, etc. Copyright (c) – Sony Music Entertainment Inc. Phonographic Copyright (p) – Sony Music Entertainment Inc. Manufactured By – Columbia Records Credits Bass – Michael Rhodes Drums – Eddie Bayers, Russell Kunkel* Fiddle [Twin Fiddles] – Glen Duncan Fiddle, Mandolin – Mark O'Connor Guitar [Lead] – Steuart Smith Harmonica, Harmony Vocals – Preston Smith Harmony Vocals – Roseanne Cash*, Vince Gill, Vince Santoro Piano, Organ – Barry Beckett Producer – Tony Brown Producer, Rhythm Guitar – Rodney Crowell Reissue Producer – Bob Irwin Steel Guitar – Paul Franklin Notes Issued in card sleeve with stickered cover. Other versions Category Artist Title (Format) Label Category Country Year Rodney Diamonds & Dirt (CD, CK 44076 Columbia CK 44076 US 1988 Crowell Album) Rodney Diamonds & Dirt (LP, 460873 1 CBS 460873 1 UK 1988 Crowell Album) FC 44076, C Rodney Diamonds & Dirt (LP, Columbia, FC 44076, C US 1988 44076 Crowell Album, Car) Columbia 44076 Rodney Diamonds & Dirt (CD, CK 44076 Columbia CK 44076 US 1988 Crowell Album) Rodney Diamonds & Dirt (CD, CK-44076 Columbia CK-44076 Canada 1988 Crowell Album) Related Music albums to Diamonds & Dirt by Rodney Crowell Rodney Crowell - Let Freedom Ring Various - Southern Cookin' Rodney Crowell - Life Is Messy Rodney Crowell - Acoustic Classics Various - The Johnny Cash Music Festival 2011 Emmylou Harris And Rodney Crowell - The Traveling Kind Waylon Jennings - What Goes Around Comes Around Rodney Crowell - Here Come The 80's Rodney Crowell - Ain't Living Long Like This Emmylou Harris And Rodney Crowell - Old Yellow Moon.

Copy Link

Recommended publications

CASH BOX (ISSN 0008-7289) Is Published Mississippi Mass Choir Weekly (Except Cbrishias Holidays) by Cash (LIBERTY) (MALACO) News 3 Box, 1 57 W
/i triean •"# m v? W Banehkind Jjki: CJiirll: Hosis Aijuj'/ersary Sped-j] STAFF BOX GEORGE ALBERT President and Publisher KEITH ALBERT CftStt Vice President/General Manager FRED L. GOODMAN Editor In Chief CAMILLE COMPASIO Director, Coin Machine Operations LEEJESKE New York Editor THE MUSIC TRADE MAGAZINE MARKETING LEON BELL Director, Los Angeles MARK WAGNER Director, Nashville KEN PIOTROWSKI (LA) EDITORIAL RANDY CLARK, Assoc. Ed. (LA) INSIDE THE BQX BRYAN DeVANEY, Assoc. Ed. (LA) BERNETTA GREEN (New York) COVER STORY STEVE GIUFFRIDA (Nashville) CORY CHESHIRE, Nashville Editor American BandstandTurns 40! GFEGORY S COOPER-Gospe((Nashvte) American Bandstand, the seminal rock 'n' roll dance show that debuted CHART RESEARCH CHERRY URESTI (LA) in 1952, will celebrate its anniversary with a star-studded television RAYMOND BALLARD (LA) MIA TROY (LA) special this week. Host Dick Clark will be joined by over 200 enter- COREY BELL (LA) JOHN GILLEN (LA) tainers, both Hive” and on tape, for the festivities. A salute to Clark is JOHN COSSIBOOM (Nash) CHRIS BERKEY (Nash) also included. PRODUCTION —see page 8 JIM GONZALEZ Art Director CIRCULATION L.A. Retailers React To Riot Losses NINATREGUB, Manager CYNTHIA BANTA The world will not soon forget the horrendous riots that ripped L.A. PUBLICATION OFFICES apart last week, as many stores were destroyed by looting and arson. NEW YORK 157 W.57th Street (Suite 503) New Record retailers, mostly chains, were unfortunately included in the Yoik, NY 10019 Phone: (212) 586-2640 devastation. M.R. Martinez reports on the damage, and looks to the Fax: (212) 582-2571 HOLLYWOOD V future.
[Show full text]
Rodney Crowell
As a self-employed performer and small business owner, I am unable to provide my traveling companions and collaborators with group health insurance. I simply can’t afford it. In fact, very few touring entities can. With 56,000 people making their living in the music business, 76% of us are self-employed, which leaves a large portion of our industry uninsured. When I ask most Nashville music industry insiders how much they know about Music Health Alliance, more often than not their answer is “not very much.” Most are surprised to learn that since the not-for-profit MHA was founded in 2013, over 5,600 people who earn their living in the music business have been connected by Music Health Alliance to life-changing healthcare resources, enabling access to doctors, medicine, health insurance and financial assistance in times of medical emergency. To date MHA has saved over $16 million dollars in medical bills and successfully reduced premiums. And these services are rendered by MHA entirely for free. If ever there was a friend to the middle class working musician and, for that matter, members of the day-to-day music business workforce, it is Music Health Alliance. The testimonials I’ve been privileged to hear in which MHA has walked uninsured music professionals through unimaginable health problems — brain tumors, ovarian cancer, end of life care, heart and liver transplants, traumatic brain injury, Parkinson’s Disease to helping working musicians and their families navigate the murky waters of health insurance — have made me a staunch supporter. While shooting a music video in downtown Nashville, the thought occurred to me that on weekends there must be hundreds of musicians working in the clubs lining either side of Broadway.
[Show full text]
Emmylou Harris and Rodney Crowell the Traveling Kind
Titelliste der Sendung “Country Special” vom 31.5.2015 EMMYLOU HARRIS AND RODNEY CROWELL THE TRAVELING KIND GRAM PARSONS/EMMYLOU HARRIS BRAND NEW HEARTACHE EMMYLOU HARRIS AND RODNEY CROWELL IF YOU LIVED HERE, YOU'D BE HOME BY NOW DOLLY PARTON/L. RONSTADT/EMMYLOU HARRIS WILDFLOWERS EMMYLOU HARRIS AND RODNEY CROWELL NO MEMORIES HANGING 'ROUND ROSANNE CASH WHEN THE MASTER CALLS THE ROLL EMMYLOU HARRIS AND RODNEY CROWELL BRING IT ON HOME TO MEMPHIS LUCINDA WILLIAMS I JUST WANTED TO SEE YOU SO BAD DOUG SEEGERS/EMMYLOU HARRIS SHE NORAH JONES IF THE LAW DON'T WANT YOU EMMYLOU HARRIS AND RODNEY CROWELL JUST PLEASING YOU MARK KNOPFLER/EMMYLOU HARRIS RED STAGGERWING EMMYLOU HARRIS AND RODNEY CROWELL YOU CAN'T SAY WE DIDN'T TRY SOLOMON BURKE/EMMYLOU HARRIS WE'RE GONNA HOLD ON EMMYLOU HARRIS/DON WILLIAMS IF I NEEDED YOU WILLIE NELSON AND MERLE HAGGARD IT'S ALL GOING TO POT WILLIE NELSON AND MERLE HAGGARD DJANGO AND JIMMIE JIMMIE RODGERS WAITING FOR A TRAIN BOB DYLAN MY BLUE EYED JANE WILLIE NELSON AND MERLE HAGGARD DON'T THINK TWICE, IT'S ALRIGHT ROSIE FLORES GIRL HAGGARD WILLIE NELSON AND MERLE HAGGARD UNFAIR WEATHER FRIEND BRUCE ROBISON WHAT WOULD WILLIE DO WILLIE NELSON AND MERLE HAGGARD/BOBBY BARE MISSING OL' JOHNNY CASH DJANGO REINHARDT NUAGES WILLIE NELSON AND MERLE HAGGARD ALICE IN HULALAND ASLEEP AT THE WHEEL/OLD CROW MEDICINE SHOW TIGER RAG POKEY LAFARGE SOMETHING IN THE WATER B.B. KING/WILLIE NELSON NIGHT LIFE WILLIE NELSON AND MERLE HAGGARD THE ONLY MAN WILDER THAN ME .
[Show full text]
Steve Earle & the Dukes Return with Guy March
STEVE EARLE & THE DUKES RETURN WITH GUY MARCH 29th, 2019 16-SONG SET COMPRISED OF SONGS WRITTEN BY THE LEGENDARY GUY CLARK ROLLING STONE COUNTRY PREMIERES “OLD FRIENDS” FEATURING EMMYLOU HARRIS, RODNEY CROWELL, TERRY ALLEN, JERRY JEFF WALKER, MICKEY RAPHAEL & MORE TO APPEAR AT THE SXSW MUSIC FESTIVAL NEXT WEEK “...a truly sublime homage.” - Stereogum Steve Earle & The Dukes are set to return with GUY on March 29th, 2019. A return to New West Records, the 16-song set is comprised of songs written by one of his two primary songwriting mentors, the legendary Guy Clark. GUY appears ten years after his Grammy Award winning album TOWNES, his tribute to his other songwriting mentor, Townes Van Zandt. Produced by Earle and recorded by his longtime production partner Ray Kennedy, GUY features his latest, and possibly best, incarnation of his backing band The Dukes including Kelley Looney on bass, Chris Masterson on guitar, Eleanor Whitmore on fiddle & mandolin, Ricky Ray Jackson on pedal steel guitar, and Brad Pemberton on drums & percussion. Today, Rolling Stone Country has premiered Earle’s version of Clark’s “Old Friends.” The closing track on GUY, the song features fellow Guy Clark cohorts Emmylou Harris, Rodney Crowell, Terry Allen, Jerry Jeff Walker, Mickey Raphael, Shawn Camp, Verlon Thompson, Gary Nicholson, and the photographer Jim McGuire. Rolling Stone says, “In the hands of Earle and his band the Dukes, ‘Old Friends’ is a solemn prayer, with Harris harmonizing with Earle on the opening verse.” Hear it HERE. NPR Music previously premiered the album’s first single and lead off track “Dublin Blues” along with a nearly 30-minute conversation between Earle and NPR’s Bob Boilen for an edition of All Songs Considered.
[Show full text]
Biography: Marshall Chapman
BIOGRAPHY: MARSHALL CHAPMAN SINGER, SONGWRITER, AND OUTLAW For five decades, Marshall Chapman has been an accomplished singer, songwriter, published author, and actor. Although her name isn’t as well known as others in the Outlaw era, she played an important role in the 1970s movement. Martha Marshall Chapman II — named after her paternal grandmother — was born on January 7, 1949, in Spartanburg, South Carolina, and she was always called Marshall. Chapman’s father was a wealthy textile-mill owner and her mother was active in local politics. When she was seven, she attended an Elvis Presley concert, and she became an instant fan of rock & roll. By high school, she was performing on the guitar. In 1967, she enrolled in Nashville’s Vanderbilt University at the urging of family friend Walter Forbes, a former RCA recording artist. At the songwriter Danny Flowers suggested she would be time, Chapman thought the Nashville music scene stuck singing other people’s songs unless she wrote was mostly made up of the traditional sounds her own, she picked up pencil and paper. of the Grand Ole Opry. But Forbes changed In 1976, she formed her own band and performed Chapman’s mind when he introduced her to such mostly her own songs. Her energy-packed shows Outlaw trailblazers as producer “Cowboy” Jack attracted a solo contract with CBS Records, which Clement and songwriter Kris Kristofferson. was in search of country acts with an Outlaw By the time she graduated in 1971, she had sound. joined a community of Outlaw artists who were Over the years, her thirteen albums have earned trying to make a living in the city.
[Show full text]
WEEKLY Ust 20136 14 157 8 1 16 29 3 4 5 241710 1811 1912 $2.80 Plus .20 GST $3.00 .\ 4 -\5 21 22 23 25 26 Volume 56 No
WEEKLY SUN NDN TUE SeptemberWED TN UFPI SAT ust 6 7 81 92 103 411 125 $2.80$3.00 plus .20 GST .\ 4 -\52 2 201322114 8 22152930231624172518 1926 VolumeAugust 15,56 No.1992 7 92.3.3(FATO 10"26.:61.74s::5;:1612vig°''25 2125°.9127 Thetheatrical Leslie look Spit at Treeo the music has industry.a new album with the same title -as Page their 7 No. 1 ALBUM BARENAKED LADIES Gordon YourMORRISSEYSINGLES Arsenal FareTHE SoundtrackRANKINThee Well FAMILY Love BOOMERANGSoundtrack BILLY RAY CYRUS Some Gave All COOL WORLD Mercury - CD 314 510 635-2-Q No.Soundtrack 1 HIT YOUSass REMINDDON'T Jordan HAVE ME TO AM I STILL THE SAME GIRL IN THIS LIFE Swing Out Sister Collin Raye IS IT REALLY LOVE ALL I WANT Toad The Wet Sprocket WEAR MY RING AROUND Dan Hilf YOUR NECK LEAP OF FAITH NOTHING BROKEN Ricky Van Shelton Bruce Springsteen BUTCeline MY HEARTDion ME AND MY BABY IT'S NO SECRET PLAYGROUNDTHIS USED TO - MadonnaBE MY Paul Overstreet Stan Meissner DO I HAVEBryan TO SAY Adams THE WORDS? HEY MISTER (I Need This Job) ROCK YOU GENTLY Warner Bros. Shakespear'sSTAY Sister ShenandoahLisaMY Brokop LOVE JenniferA SkydiggersPENNY Warnes MORE JESUSHEAVENGenesis HEINXS KNOWS SENT ME ConfederateMEXICANJESUS AND BANDITS RailroadMAMA BonnieCOMELITHIUM TO Raitt ME GUNSA.K.A.MINISTRY N' Psalm ROSES Brent Lee & The Outsiders Nirvana WHATSENTRodney KIND BY CrowellANGELS OF LOVE ?4,0/0 TempleTEMPLEUse Your OFOf IllusionTheTHE DOGDogI ArcSLOWLY Angels ALBUM7-,,,,,-.4,1.4,4115WeiSs PICK HIT PICK SONICDirty YOUTH Stacy Earl swing,,,sister ERASURE CALIFORNIASophie ENIDB.
[Show full text]
Gretchen Peters Bio.Pages
The title of Gretchen Peters’ new Hello Cruel World is a pun on the famed exit line — a joke that, like the lovely melodies and deliciously textured arrangements framing these 11 songs — sweetens this captivating music spun from a year of turmoil. The Grammy nominated singer-songwriter from Nashville calls Hello Cruel World her “most close-to-the-bone work, written at a time when I felt absolutely fearless about telling the truth.” Peters and her guest Rodney Crowell sing, “life is still a beautiful disaster,” on “Dark Angel.” But Peters keeps the accent on the “beautiful” throughout her ninth disc, with both her poetic language and the spare, evocative sounds she created in the studio to support her organic story-telling. Ultimately Hello Cruel World details the sheer triumph of survival and of finding strength, joy and growth in everyday life despite the challenges of our increasingly complex times. Her characters, like the broken-hearted narrator of “Natural Disaster” and the human target of “Woman On the Wheel,” don’t just search for fulfillment. They take risks to find it. And none, as the album’s title implies, are ready to either surrender or, to quote the poet Dylan Thomas, “go gentle into that good night.” Peters’ warm- honey voice softens the edge of desperation in numbers like the character study “Camille,” where a gently blown muted trumpet offers shadings of cool jazz, and in “ The Matador” the earthy maturity of her phrasing injects empathy — a quality that makes all of Peters’ songs ring consistently true — into a tale about the dark underbelly of love.
[Show full text]
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE Media Contacts Heather Pease, Breckenridge Creative Arts 970 453 3187 ext 3 | [email protected] Nancy Rebek, NRPR 303 941 2527 | [email protected] BCA Presents THE TRAVELING KIND TOUR: EMMYLOU HARRIS & RODNEY CROWELL Friday, September 25, 2015 at 7:30 pm Tickets: $55, $75, $95 Riverwalk Center, Breckenridge BRECKENRIDGE, CO (June 22, 2015) – Breckenridge Creative Arts is proud to present country music legends Emmylou Harris and Rodney Crowell as part of The Traveling Kind tour on Friday, September 25, 2015 at 7:30 pm at the Riverwalk Center in Breckenridge. Tickets are priced at $55, $75 and $95 for gold circle seats (first four rows, center section) and are on sale now at the Riverwalk Center Ticket Office, by phone at 970-547-3100 or online at breckcreate.org. Emmylou Harris and Rodney Crowell’s second duet album—The Traveling Kind, produced by Joe Henry—is out now on Nonesuch Records. In celebration of the release, Harris and Crowell were featured in a live on-air performance on Sirius XM’s Outlaw Country, hosted by Elvis Costello. The duo is currently wrapping up a series of performances in the US before beginning their The Traveling Kind tour this fall. The Traveling Kind was selected as a First Listen by NPR Music, which said, “As they swap lines and leads between his reedy resilience and her gossamer vibrato, Harris and Crowell don’t just share the spotlight. They also share the weight of legacy, influence and lifelong artistic investment, bearing down when the emotional heft of a song calls for it, loosening up and growing playful when it doesn’t, and altogether lightening the load for each other.
[Show full text]
Gretchen Peters Is a Songwriters Writer - the Kind of Inspiring Artist and Writer We Strive to Be Like and One We Use As a Measuring Stick for Our Own Work
Gretchen Peters is a songwriters writer - the kind of inspiring artist and writer we strive to be like and one we use as a measuring stick for our own work. -Brandy Clark Beautiful, brave and poetic, "The Matador" literally inspires me to tears. Hand over my heart. - Rodney Crowell This is seasoned writing - full of a woman' s heart and soul - and short stories brought into song length. Full of beauty and real life from a grand voice... beautiful. -Darrell Scott The songs are timeless and true, and her mastery of melody and language is profound. It's an amazing and beautiful work of art, and people need to hear it. -Mary Gauthier Not a word is wasted, the imagery and poetry come together with her sublime voice and a concern for humanity. Her songwriting is the standard of excellence you set for yourself when approaching the art of making music. -Eliza Gilkyson The songs, as always, masterful---the singing and playing are inspired. Honored to get to make such great records with y'all. “The House On Auburn Street” would make Sandy Denny blush. - Will Kimbrough The song title that popped into my head while listening to Gretchen Peters’ new CD Hello Cruel World was Dylan’s “When I Paint My Masterpiece”. This is a brilliant collection of songs. - Jimmy LaFave One good song, these days, is a quiet revolution. An album full of great, truthful songs, is an apocalyptic event. Hail the apocalypse: Hello Cruel World. - Tom Russell I love Gretchen Peters. Love her work, love her live presence, love her songs.
[Show full text]
Austin City Limits Showcases Steve Earle & the Dukes: a Tribute to Guy Clark Joined by Special Guests Rodney Crowell, Joe El
Austin City Limits Showcases Steve Earle & The Dukes: A Tribute to Guy Clark Joined by Special Guests Rodney Crowell, Joe Ely, Terry Allen & Jo Harvey Allen Special Hour Premieres October 19 on PBS Austin, TX—October 18, 2019—Austin City Limits (ACL) presents a Season 45 highlight: Steve Earle & The Dukes spotlighting the songwriting legacy of the legendary Guy Clark. Americana stalwart Earle makes his fifth appearance on the ACL stage paying tribute to his mentor, the late Texas singer-songwriter and ACL Hall of Fame legend Guy Clark, in a heartwarming hour filled with choice classics and personal anecdotes. Performing a collection of gems from his acclaimed Clark tribute album Guy, Earle is accompanied by his five-piece band The Dukes, and special guests including Rodney Crowell, Joe Ely, Terry Allen and Jo Harvey Allen. The episode is capped with vintage clips from Clark’s own ACL appearances including his 1977 debut. The must-see hour premieres Saturday, October 19 at 8pm CT/9pm ET as part of ACL’s milestone Season 45. Providing viewers a front-row seat to the best in live performance for a remarkable 45 years, the program airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. Viewers can visit acltv.com for news regarding future tapings, episode schedules and select live stream updates. The show's official hashtag is #acltv. Steve Earle kicks off the hour appropriately singing “I wish I was in Austin...,” the infamous opening of Guy Clark’s “Dublin Blues.” In his signature bandana, the Americana maverick Earle showcases a true Texas icon in this moving hour, filled with entertaining stories and personal tales from Earle’s longtime relationship with one of his main songwriting influences.
[Show full text]
May 4-8 — Took a Toll
Walking Shoes Sore-footed country artist Granger Smith ad- mits his 100-mile Boot Walk — from Austin to Fort Hood May 4-8 — took a toll. “Wednesday was the worst,” he told Texas Music, “but my May ‘14 pain doesn’t compare to anything our soldiers extra go through. People pull up in their cars, and we never know what to expect. This year a combat vet pulled up and talked to us about his friend, who died in Iraq just two months news calendar releases q&a ago.” This marks the fourth year Smith — part- click here to read click here to read click here to read click here to read nering with the Boot Campaign — has hosted the five-day trek, aimed at providing financial From left, Doyle Bramhall II, Robert Randolph and Willie Nelson perform during the finale. (Scott Newton) assistance to military families using proceeds Double Trouble, famed UT football coach Dar- by Lickona and Royal by former UT football rell Royal and show creator Bill Arhos. During coach Mack Brown. Surrounded by family, the induction, the show’s longtime executive Royal’s wife, Edith Royal, accepted on the producer, Terry Lickona, called Nelson the coach’s behalf, stressing how much the music heart of Austin City Limits and Arhos its spirit, meant to Royal, who rarely missed a taping. both helping to make the show a musical insti- tution. With an introduction by actor and Texas native Matthew McConaughey, Nelson kicked off the night with a rousing rendition of “Whis- key River” and was soon joined onstage by extra Lyle Lovett and Emmylou Har- ris.
[Show full text]
Rodney-Crowell-No35.Pdf
ISSUE #35 MMUSICMAG.COM ISSUE #35 MMUSICMAG.COM Q&A D avid McClister RODNEY CROWELL For the veteran songwriter, patience is the key to creative success IN 2010, RODNEY CROWELL BEGAN for this album. I don’t write that way—I just the music that I love, that stands the test the album that would become Tarpaper make up songs for the sake of making up of time—Taj Mahal’s “Statesboro Blues” or Sky, recording half a dozen songs before songs. My mantra for songwriting is, “Be Howlin’ Wolf’s “How Many More Years” or getting sidetracked with other projects: Kin, still, be quiet, be patient—and the song Ray Charles’ “Hit the Road, Jack”—they’re a collection of songs he wrote with memoirist will tell you what it wants to be.” I just coax all performance. Those are not produced Mary Karr, and last year’s Grammy-winning those songs out of hiding. “Fever on the records, those are performed records. Old Yellow Moon, a collaboration with Bayou” lay dormant for 20 years, because Hank Williams’ records were not produced, longtime friend Emmylou Harris. “Those I didn’t have the last verse until I got into a they were performed. Tarpaper Sky is an beautiful women got my mind off my work,” conversation with somebody in the airport entirely performed record and I’m proud of laughs Crowell. The time away gave the who said “Franglais.” That Cajun French just that. It’ll be a long time before I reach the singer-songwriter a fresh perspective—and stomps on both English and French, and I level of Ray Charles, but I’m shooting for it 36 years after his first release, he’s optimistic thought that was what the last verse needed.
[Show full text]