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The Enemy Is Among Us Pg3a
7 --------------^ The Enemy Is Among Us Pg3A THE ARTS AND ENTERTAINMENT SECTION OF THE DAILY NEXUS F o ir T h e W e : o f M a r c h 5 , ]L 9 9 2 HILLARY KAPLOWJTZ/Dtily N m Why Are These Guys Smiling? Because Their Acoustic Guitar Band is the Hottest Act at Local Clubs. As Los Guys, Jeremy Donaldson (left) and Harold Lee, Are Finding Success With a Stripped-Down Sound. Interview, pg:..fiA — 2A Thursday, March 5,1992 ■icore Generation Rap Burn This Examines Societal Angst he Dramatic Arts Department pre sents a searing T look at contempor- ary society tonight with the SAT • IvlAFf • premiere o f Lanford W il son’s controversial play A celebration of AIDS and B u m This. Directed by graduate stu Sexual Awareness dent Victoria Gilbert, B u m in Isla Vista This is a confrontational A piece dealing with the com plex issues of sex, ho mosexuality, violence, rela tionships and the stresses of the thirtysomething genera tion. According to Gilbert, the unique production fea tures something which will affect everyone in the audience. N “The play has to do with the inability o f the charac ters to maintain intimate re lationships,” as a result of the alienating society in which they live, she said. Each o f the characters is forced to deal with aliena ROGUE CHEDDAR tion on some level during the course o f the play. Because the play deals Miranda Holmes as Anna (left) and with adult themes and con Michael Sulprizio as Pale in B u rn This. -
Saint Mary's Houses Rare Bible
the Observer The Independent Newspaper Serving Notre Dame and Saint Mary’s Volume 45 : Issue 3 thursday, august 26, 2010 ndsmcobserver.com Eddy Street development progresses Home sweet home Students return, adjust from studying abroad Dame. By SAM STRYKER “It’s fun to see everyone News Writer again. Going abroad reminds me how important everyone is Senior Mike Taylor spent to me,” he said. last semester studying abroad Senior Steven Ouyang, who in Puebla, Mexico, and now spent the spring semester in that he’s back at Notre Dame, London, agreed but noted that he often finds himself subcon- being back at Notre Dame sciously speaking Spanish does have its restrictions. instead of his native language. “I miss being able to travel “Speaking Spanish all the to so many places easily and time was tough at first, but cheaply,” he said. once you get over that it really For senior Liz Morgan, who pays,” he said. “There will be returned from a semester in times now where I’ll start Athens, Greece, local trans- speaking and I’ll catch myself portation has actually proven because I’m speaking to be easier to use at Notre Spanish.” Dame than abroad. As students who have “I was glad to come back recently spent time studying and be able to drive around,” abroad shift back to campus she said. “It’s easier to trans- life at Notre Dame, they say port yourself here. It is nice their return to Notre Dame is not having to walk 30 minutes both exciting and a reminder to class.” of what they miss from their Sophomore Louis Medina, time abroad. -
Use and Influence of Amateur Musician Narratives in Film, 1981-2001
USE AND INFLUENCE OF AMATEUR MUSICIAN NARRATIVES IN FILM, 1981-2001 Colin Helb A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2009 Committee: Jeremy Wallach, Advisor Irina Stakhanova Graduate Faculty Representative Vivian Patraka Awad Imbrahim © 2009 Colin Helb All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This dissertation is an analytical survey of four amateur musician narratives created between 1981 and 2001. Unlike purportedly true, marketing-driven uses of amateur narratives, the four narratives chosen for this project are unabashed total fictions. Despite this, the films achieve levels of perceived “authenticity” by way of cultural value and influence. None of the narratives deal with amateur musicianship as a stage or step in an inherent progression towards professionalism, as seems a prerequisite for the recollections of the now professional. But all include narratives of amateur musicians struggling to make it against “insurmountable commercial odds” resulting from an artist’s gender, talent, ability, or identity. Despite this, none treat hegemonically dictated concepts of commercial success, wealth, fame, and stardom as the ultimate and/or desired goal of amateurism or semiprofessionalism. The films all present concepts of accomplishment in challenge of hegemonic notions of professional dominance and commercial success as markers of success. The four films, Ladies and Gentlemen, The Fabulous Stains (1981), Ishtar (1987), Half-Cocked (1995), and Hedwig and the Angry Inch (2001), are culturally representative of their respective eras, but have experienced lasting cultural influence in both filmmaking and music making. The films exist as prototypical examples of amateur musicians narratives, performance, and media common to the 20th Century “rise of the amateur” as found on the Internet, in realty programming, and marketing tragedies. -
Beyond Chops Beyond Chops!
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