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MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
WILLIAM LEONARD Interviewer
TRANSCRIPT—WILLIAM LEONARD Interviewee: WILLIAM LEONARD Interviewer: SAMUEL BAKER Interview Date: March 25th, 2013 Location: The Citadel, Capers Hall, Charleston, South Carolina Length: 1 hour, 38 minutes, and 15 seconds SAMUEL BAKER: Hello, good afternoon. Today is March 25th, and we’re here at The Citadel for the Veteran’s History Project. And today I’m going to be interviewing Mr. William Leonard. Would you want to start off by telling us about your childhood here in Charleston beforehand? WILLIAM LEONARD: Let’s start by that I guess. I was born in Charleston, 97 Tradd Street, in May 17th, 1925. I was born into a family, two sisters, older sisters, and one brother, and I was the youngest in the family. And my mother was from the old, one of the old families of Charleston. And my father was what we call a maverick in Charleston. He was a fella that was born in Alabama—Birmingham, Alabama—and he came here when he was two years old in 19—in 1896. And he was never a Charlestonian. But he married into a Charleston family so that made him be, be, in. He always—my father doesn’t like Charlestonians. SB: Very well, fair enough. WL: But anyway, made him a little [bit of an] outsider. I went to local schools. And ended up by going to a school in Mt. Pleasant because they started a new school over there, and they had girls in there, and I was 16 years old and was quite interested in girls. Graduated from over there in 1943, and immediately my father put me in The Citadel. -
Pat Benatar & Neil Giraldo and Melissa Etheridge Announce Co-Headlining Performance at Bethel Woods on August 25Th Tickets On-Sale Friday April 19Th at 10 AM
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] Pat Benatar & Neil Giraldo and Melissa Etheridge Announce Co-Headlining Performance at Bethel Woods on August 25th Tickets on-sale Friday April 19th at 10 AM April 15, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Pat Benatar & Neil Giraldo and Melissa Etheridge will perform at the historic site on August 25th as part of the center’s Season of Song and Celebration – yearlong programming dedicated to commemorating the 50th anniversary of the greatest festival of all time. Tickets go on-sale Friday, April 19th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Pat Benatar and Neil Giraldo have been making music together for four decades. The pair met each other in 1979 for the first time in a small rehearsal room at SIR Studios in New York City. Pat Benatar’s staggering vocals and take-no-prisoners attitude, along with Neil Giraldo’s trailblazing artistry as a guitarist, producer, and songwriter forged the undeniable chemistry and unique sound that created some of rocks most memorable hits including “We Belong,” “Invincible,” “Love Is A Battlefield,” “Promises In The Dark,” “We Live For Love.” Together they have created two multi-platinum, five platinum and three gold albums, as well as nineteen Top 40 hits. They have sold over thirty million records worldwide and have won an unprecedented four consecutive Grammy awards. -
AOTC Press Kit 03.19.21
AHEAD OF THE CURVE – Press Kit TRT: 97 minutes US 2020 - English For all press inquiries, please contact: Cinetic Sunshine Sachs Christelle Randall US - East US - West UK / Europe / Canada Emilie Spiegel Lauren Schwartz [email protected] [email protected] [email protected] Natasha Malholtra Meghan Kasel [email protected] [email protected] Key Release Dates: Opening at the IFC Center (New York) on May 28 and Laemmle Santa Monica (Los Angeles) on June 1 Available on VOD and DVD June 1 LOGLINE With a lucky run at the track and chutzpah for days, Franco Stevens launched Curve, the best-selling lesbian magazine ever published. When Franco learns that Curve is failing, she turns to today’s queer activists to determine her path forward. SHORT SYNOPSIS With a fist full of credit cards, a lucky run at the horse track and chutzpah for days, Franco Stevens launched Curve, the best-selling lesbian lifestyle magazine ever published. AHEAD OF THE CURVE traces the power of lesbian visibility and community from the early ‘90s to the present day through the story of Franco’s founding of Curve magazine. Decades later, as her legacy faces extinction and she reassesses her life after a disabling injury, she sets out to understand work being led by queer Women of Color today. The film features Andrea Pino-Silva, Kim Katrin, Denice Frohman, Amber Hikes, Jewlle Gomeez, Melissa Etheridge, and Lea DeLaria, and the score is composed by the legendary Meshell Ndegeocello. LONG SYNOPSIS AHEAD OF THE CURVE is the story of one of the most influential women in lesbian history most people have never heard of and the impact her work continues to have today. -
Student Voices
Student Voices Spring 2018 Volume 22, Issue 1 Century Tower at Sunset Photograph by Melina Jimenez Spring 2018 Vol. 22 Iss. 1 2 Spring 2018 Vol. 22 Iss. 1 A Message from the Editor I hope you enjoy reading this edition. To all of the students who contributed your writing, thank you for sharing your amazing work with us! Also, thanks to Megan Forbes and the University of Florida Bookstore for arranging prizes for the winners, to the ELI instructors for supporting their students, and to our wonderful judges: Elia Guldan, Victoria Shelly, Debbie Sakalla, Shaina Crum, C’Andre Codner, Tiffany Frison, Tom Ratican, and Olga Moody for reading and evaluating the entries. Thanks everyone and keep writing! Christine Voigt WINNING PIECES First Place “They are…” by Martha Lucia Ramirez Vargas Second Place “I Do Not Forget My Identity” by Kelly Huizzi Honorable Mentions “Painting by Elias Lytton ‘Flowers Are God’s Way of Smiling’” by Stephanie Mejias Rondon “Child Labor” by Abeer Alqahtani “Hidden on the top of the mountain” by Sheila Hernandez 3 Spring 2018 Vol. 22 Iss. 1 First Place Winner They are… Martha Lucia Ramirez Vargas RW 51 Always warm welcome, They open their minds and hearts Also they become part of the pupil’s family, It is not another teaching, Each day the best, and better than the last one. Between tests, readings, presentations and questions, Guiding learners in foreign universe is not simple as ABC, But in their hearts, their passion for teaching: Keep alive the dream of their students. I will miss my professors and coaches, The grammar recommendations aloud by Zoe in each class, Scott’s patience with some abstract ideas and awesome photos for describing, The grammar dance from Debbie and her kind heart, The sweetest Lynn who support me in homesick times and has a beautiful smile. -
August 2012 Newsletter
August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th. -
(I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Ar
1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Arms Journey 1982 5 Yesterday The Beatles 1965 6 American Pie Don McLean 1972 7 Imagine John Lennon 1971 8 Jailhouse Rock Elvis Presley 1957 9 Ebony And Ivory Paul McCartney & Stevie Wonder 1982 10 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 11 Start Me Up Rolling Stones 1981 12 Centerfold J. Geils Band 1982 13 I Want To Hold Your Hand The Beatles 1964 14 I Love Rock And Roll Joan Jett & The Blackhearts 1982 15 Hotel California The Eagles 1977 16 Do You Believe In Love Huey Lewis & The News 1982 17 The House Of The Rising Sun The Animals 1964 18 Don't Talk To Strangers Rick Springfield 1982 19 Won't Get Fooled Again The Who 1971 20 867-5309/Jenny Tommy Tutone 1982 21 Bridge Over Troubled Water Simon & Garfunkel 1970 22 '65 Love Affair Paul Davis 1982 23 Help! The Beatles 1965 24 Don't Stop Believin' Journey 1981 25 Endless Love Diana Ross & Lionel Richie 1981 26 Brown Sugar Rolling Stones 1971 27 Let It Be The Beatles 1970 28 Free Bird Lynyrd Skynyrd 1975 29 Woman John Lennon 1981 30 Nights In White Satin Moody Blues 1972 31 She Loves You The Beatles 1964 32 The Sounds Of Silence Simon & Garfunkel 1966 33 The Twist Chubby Checker 1960 34 Jumpin' Jack Flash Rolling Stones 1968 35 Jessie's Girl Rick Springfield 1981 36 Born To Run Bruce Springsteen 1975 37 A Hard Day's Night The Beatles 1964 38 California Dreamin' The Mamas & The Papas 1966 39 Lola The Kinks 1970 40 Lights Journey 1978 41 Proud -
One Thousand Miles II
Word Count: 2,495 One Thousand Miles “Not fair,” I shout. “It’s always Doug.” Slamming the front door, I pull out my cell, hit autodial, and start walking. “Kim, it’s me, Darcy. Mom did it again—not going—can’t. She gave the car to Doug.” Kimmie shrieks, and I inch the phone away from my ear. “I know, I know. Can you believe it? He played the I’ve got a date card again. I’m sick of this crap, tired of begging. Today is the day. When I get my car, I’m gonna drive and drive—one thousand miles—and never look back.” *** Kim picks me up, and we drive in silence. She’s driven me too many places not to know I’m upset. The trip to Russelton is long, but it helps me collect my thoughts before the big purchase: driver’s license, money, Blue Book. “Pull in here,” I say, pointing to a gas station beside the road. She parks beside one of the pumps and scans the sprinkle of fields, trees, and homes along the road. “Is it safe?” “We’re not in the boonies,” I say, knowing the only place Kim feels safe is the mall. “My Aunt Shar lives here.” I point to a yellow two-story house with a garden in the front yard. “It’s where I babysit my cousin, Maddy.” “I still can’t believe you’re doing this without your mom,” she says, checking her lip gloss in the mirror. “Want me to stay?” “Nahhh, I’m fine.” Hopping from the car, I watch her drive away before trudging down the road. -
Drama Recommended Monologues
Bachelor of Creative Arts (Drama) Recommended Monologues 1 AUDITION PIECES – FEMALE THREE SISTERS by Anton Chekhov IRINA: Tell me, why is it I’m so happy today? Just as if I were sailing along in a boat with big white sails, and above me the wide, blue sky and in the sky great white birds floating around? You know, when I woke up this morning, and after I’d got up and washed, I suddenly felt as if everything in the world had become clear to me, and I knew the way I ought to live. I know it all now, my dear Ivan Romanych. Man must work by the sweat of his brow whatever his class, and that should make up the whole meaning and purpose of his life and happiness and contentment. Oh, how good it must be to be a workman, getting up with the sun and breaking stones by the roadside – or a shepherd – or a school-master teaching the children – or an engine-driver on the railway. Good Heavens! It’s better to be a mere ox or horse, and work, than the sort of young woman who wakes up at twelve, and drinks her coffee in bed, and then takes two hours dressing…How dreadful! You know how you long for a cool drink in hot weather? Well, that’s the way I long for work. And if I don’t get up early from now on and really work, you can refuse to be friends with me any more, Ivan Romanych. 2 HONOUR BY JOANNA MURRAY-SMITH SOPHIE: I wish—I wish I was more… Like you. -
Being Born at Home Is Natural: Care Rituals for Home Birth
THEMATIC ISSUE: HEALTH OF WOMAN AND CHILD RESEARCH Being born at home is natural: care rituals for home birth Natural nascer em casa: rituais de cuidado para o parto domiciliar Natural nacer en casa: rituales de cuidado para el parto en casa Lisie Alende PratesI, Marcella Simões TimmI, Laís Antunes WilhelmI, Luiza CremoneseI, Gabriela OliveiraI, Maria Denise SchimithI, Lúcia Beatriz ResselI I Universidade Federal de Santa Maria. Santa Maria, Rio Grande do Sul, Brazil. How to cite this article: Prates LA, Timm MS, Wilhelm LA, Cremonese L, Oliveira G, Schimith MD, et al. Being born at home is natural: care rituals for home birth. Rev Bras Enferm [Internet]. 2018;71(Suppl 3):1247-56. [Thematic Issue: Health of woman and child] DOI: http://dx.doi.org/10.1590/0034-7167-2017-0541 Submission: 08-06-2017 Approval: 11-18-2017 ABSTRACT Objective: To be aware of the care rituals developed by families when preparing for home birth during the gestational process. Method: Qualitative and ethnographic research developed with families during the gestational process. We adopted the observation- participation-refl ection model, and the analysis was performed according to ethnonursing.Results: Care rituals are related to the choice of home as a place for childbirth, being characterized as a family’s rite of separation to experience this process. Other care rituals involved the preparation of the family and the eldest child as well as the home, the body, and the mind of the pregnant woman, and the choice of destination of the placenta. Final considerations: We must understand the birth process beyond the biological perspective, considering women and their family as a whole, within a cultural context with their beliefs and values. -
Nowyes632475.Pdf
Published by PEACHTREE PUBLISHING COMPANY INC. 1700 Chattahoochee Avenue Atlanta, Georgia 30318-2112 www.peachtree-online.com Text © 2021 by Bill Harley Cover and interior illustrations © by Pierre-Emmanuel Lyet All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Edited by Vicky Holifield Cover design by Kate Gartner Interior design and composition by Adela Pons Printed in February 2021 by LSC Communications in Harrisonburg, VA in the United States of America. 10 9 8 7 6 5 4 3 2 1 First Edition ISBN 978-1-68263-247-5 Cataloging-in-Publication Data is available from the Library of Congress. BILL H ARLEY To Debbie Block in all ways, always —B. H. Chapter ONE “The barbecue ones,” Conor says. “I know,” Mari says for the fourth time. “I don’t like the other ones. Especially not the vinegar ones. They’re bad.” Conor is standing sideways to the rows of snacks, facing the aisle that leads away from the meat section. His head is down—he’s not looking at her. He never looks at her. He’s not looking at anything except his fingers, which are opening and closing like they’re on the inside of a puppet and the puppet is talking. But the puppet is silent. It’s the motion of the hand that fascinates him, that has always fascinated him. -
Ep #93: Widows Like Us: an Interview with Bevin Farrand Full Episode
Ep #93: Widows Like Us: An Interview with Bevin Farrand Full Episode Transcript With Your Host Krista St-Germain The Widowed Mom Podcast Ep #93: Widows Like Us: An Interview with Bevin Farrand Welcome to The Widowed Mom Podcast, episode 93, Widows Like Us: An Interview with Bevin Farrand. Welcome to The Widowed Mom Podcast, the only podcast that offers a proven process to help you work through your grief, to grow, evolve, and create a future you can truly look forward to. Here’s your host, Master Certified life coach, grief expert, widow, and mom, Krista St-Germain. Hey there. Welcome to another episode of the podcast. I know sometimes that most of us out there in Widowed Mom land feel like we’re on islands by ourselves and we don’t typically have a lot of other women to look to who have walked a similar walk, and it can just feel very isolating and lonely. And so I love the Widows Like Us interviews that I’ve done and what I hope is that when you listen to them, you hear other women who are relatable and get you, who inspire you, who help you see what’s possible for your life. Because if they can make the changes that they want to make, then the rest of us can too, right? So I’m excited to bring you this interview with a former client of mine, Bevin. I will not tell you too much about her. I’m just going to let the interview unfold, but I know that you’re going to love her.