Lux Perpetua

For Solo Soprano Saxophone and Orchestra (2011(2011))))

Kathryn Salfelder

Kon Brio Music (ASCAP) www.kathrynsalfelder.com Program Listing:

Lux Perpetua Kathryn Salfelder (1987- ) I. Introit II. Refractions III. Reflections IV. Shadows V. Glimmers VI. Elegy

Program Note:

"There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing; there was light and high beauty forever beyond its reach." - J.R.R. Tolkien

Lux Perpetua explores light’s many facets in six continuous movements, performed without pause. The first and final movements offer emotional reflections on hope in a time of sorrow. The inner four movements focus on light's physical properties and how they are perceived by the human eye.

The first movement, Introit , (from the Latin introitus, or "entrance") references the opening movement of a Requiem Mass. The title of this work, Lux Perpetua, is derived from the standard requiem text "...et lux perpetua luceat eis" (...and may perpetual light shine upon them). The subsequent two movements are a musical journey into optics. In Refractions , a change in speed constitutes a change in direction, resulting in ascending/descending patterns and abrupt shifts in motivic ideas. In Reflections, the ‘mirror image’ is exemplified through melodic techniques of retrograde and inversion.

The fourth movement, Shadows, explores the timbral colors of the saxophone including the use of multiphonics, in which the soloist performs multiple pitches simultaneously. In Glimmers , dashes of light, like paintbrush strokes of brilliance, shimmer across the texture in the violins and upper winds. These high voices quote Asola's 16th century motet, O Vos Omnes : "O all ye who pass by, attend and see, if there be any sorrow like my sorrow." Elegy, the final movement of the work, was actually the beginning of my creative process, and it contains the very first notes I composed after a year hiatus in my writing. Its final bars re-establish the opening cello motive from the Introit, but in a new register with a decidedly different aura.

With heartfelt thanks to David Alan Miller, Timothy McAllister and the Albany Symphony, I dedicate this work in memory of my mother, my best friend, Elizabeth J. Salfelder (1948-2011). She is deeply missed, forever loved, and always present in my heart and in my music.

Instrumentation

2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons

2 Horns in F 2 Trumpets in C

Timpani

Solo Soprano Saxophone

Strings

To the Conductor:

Accidentals remain in effect for the duration of the measure at the octave in which they occur. They are sometimes rewritten within a measure for clarity.

Notes in parentheses ( ) in the solo part may be omitted.

Dotted slurs indicate phrasing

Performance time: c. 14 minutes

Commissioned by the Albany (NY) Symphony

First Performance: October 22, 2011, Troy Savings Bank Music Hall, Troy, NY.

Albany Symphony, David Alan Miller, conductor Timothy McAllister, soprano saxophone Transposed Score

Commissioned by the Albany (NY) Symphony Orchestra Lux Perpetua To my Mom, Elizabeth Salfelder (1948-2011), with Love and Thanks Kathryn Salfelder (b. 1987) Grave I. Introit q = 52 Flute 1       2       

Oboe 1      2       

Clarinet in A 1      2       

Bassoon 1       2        

Horn in F 1       2       

Trumpet in C 1      2       

(med-hard mallets)  Timpani                        ppp ppp

Grave q = 52 Solo Soprano      Saxophone       

(  ) div. a 2                                 Violin I ppp 3 ppp 3

(  )                   ppp

3 div. a 2                                       3 3 3 3 Violin II ppp (  )                  ppp

Viola            div. a 2 espress.                             Violoncello pp  pp

espress.                           pp pp

Contrabass              

Copyright © 2011 Kon Brio Music (ASCAP). International Copyright secured. All Rights Reserved. Copying or reproducing this publication in whole or in part violates the Federal Copyright Law 2 Lux Perpetua 9 6 q = 56  Timp.             pp

Sop. Sax.         3                 Vln. I 3 n ppp                 n ppp                          3 3 3 3 3 3 Vln. II (  ) n ppp               ppp n div. a 2         Vla. p           p div. a 3 div. a 2                       Vc. p pp p               p pp p Cb.            p

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11 13  Timp.                espress. pp          Sop. Sax.             3 p   pp                         Vln. I n pp p pp                n pp p pp                       3 3 Vln. II n pp p pp         

                   Vla. n p mp                         n p mp                       Vc. n p mp                        n p mp Cb.                 n p Lux Perpetua 3

17 sim. 21       Timp.                                        mp   mf          Sop. Sax.            mp mf unis. intensely             Vln. I         mp mf 3 unis. div a 2 sul D intensely        Vln. II                    mp  mf   intensely                  Vla.       mf intensely                       mf intensely                    Vc. mf intensely              mf    intensely   Cb.            mf   

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22 sim. l.v.      Timp.                                                        3 3 5 3 5  Sop. Sax.                               mf    mp

div a 2                Vln. I mp  ff mp ff

             mp ff mp ff       Vln. II           poco a poco cresc.   unis. Vla.        poco a poco cresc. unis.       Vc.   poco a poco cresc.       Cb.    poco a poco cresc. 4 Lux Perpetua

25   Timp.                                            

5 3       3     Sop. Sax.                            3 poco a poco6 cresc. intensely unis.              Vln. I mp  ff f poco a poco cresc.

          mp ff   unis. Vln. II          (f)      Vla.        (f)     Vc.    (f)     Cb.     (f)

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27        Timp.                                     

           Sop. Sax.             3 3 3 (ff )

Vln. I         (ff )

Vln. II          (ff )

   Vla.         (ff )    Vc.      (ff )    Cb.       (ff ) Lux Perpetua 5 II. Refractions 28 a 2 q = 112     Fls.      f      Obs.          f       Cls.          f  secco  Timp.             ff

28 q = 112 3 5                    Sop. Sax.                                  6 5 ff 5

Vln. I       

Vln. II     

Vla.      

Vc.       

Cb.        

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p mf 35 1. 32             Fls.            mf ff mf  p mf   1.        Obs.                    mf mf ff      Cls.             mf ff with increasing desperation                                  Sop. Sax.                    6 Lux Perpetua

1. solo 38 40                     Fls.    f f 6 6      Obs.    f 1. solo                      Cls.        6 6 mf f f   6     Sop. Sax.                           5     5 5 fff   Vln. I          f  Vln. II          f        Vla.           f      Vc.               f Cb.       f  a 2 45 42           Fls.      f 1. solo          Obs.               f f        Cls.                      f  3          Sop. Sax.                           f                Vln. I                                     Vln. II                                                           Vla.                                       Vc.                       Cb.        Lux Perpetua 7

48 a 2 47          Fls.         mf ff mf ff           Obs.                       mf ff mf ff

             Cls.                mf ff mf ff

3 5               Sop. Sax.                                  6 6    5                 Vln. I                     Vln. II                        Vla.      

    Vc.    

Cb.     



50                Fls.                mf ff mf ff mf ff ffmf                  Obs.                                 mf ff mf ff mf ff ffmf                    Cls.                         mf ff mf ff mf ff ffmf

                                  Sop. Sax.              6 5 5 5  5 5 5 3 8 Lux Perpetua

 54 55      Fls.                mp   mf ff

     Obs.                   mp mf ff

intensely Cls.                 mp  ffmp ( ff )  ff ff

intensely Bsns.         ff 

intensely    Hns.             ffmp ( ff ) ff ff

C Tpts.     

 Timp.                f

55 6 6            Sop. Sax.                                       3 ff   6 3 3 3 3

intensely     Vln. I                ff ffmp ( ff )   ff intensely   Vln. II              ffmp    ff ff intensely             Vla.         ff ffmp  ff

intensely             Vc.           ffmp  ff ff

intensely Cb.       ff Lux Perpetua 9

 58   61       Fls.            mf ff

        Obs.            mf ff

   Cls.                      ffmp ( ff ) ff f  Bsns.           ffff

     Hns.                  ffmp ( ff )     ff f

C Tpts.     

 Timp.            

61 6   6 6           6       Sop. Sax.                         6     6 6 6 f

 Vln. I               ffmp ( ff ) f ff

 Vln. II               ffmp ( ff ) ff  f 

                Vla.      ffmp  f ff

                Vc.       ffmp  f ff

Cb.        ff 10 Lux Perpetua

a 2        62               Fls.              3 ff

Obs.    

      Cls.                    ff

Bsns.     

       Hns.              ff

1.                  C Tpts.                 3 f

(secco) Timp.         f ff

6 6                                                   Sop. Sax.             6 6 6 6 6 6 6 6 6 6 ff

Vln. I           ff

Vln. II               ff

        Vla.  ff

        Vc.  ff

     Cb.              f ff Lux Perpetua 11

III. Reflections 65 Tranquilo (q = 112)  Fls.      

1.solo sotto voce  Obs.      mp 1.legato 2.legato p Cls.                           p 

Bsns.       

p  Hns.       p

C Tpts.      

Timp.       

65 Tranquilo (q = 112) 3 3 3 Sop. Sax.                               p        Vln. I sul G div a 2 legato                 p sul G legato                  Vln. II div a 2 legato p                           submp p

div a 2 sul G        Vla. submp p           submp p div a 2           Vc. p

     

Cb.        12 Lux Perpetua

70 a 2  Fls.           mp p

(1.)           Obs.         p mp

    Cls.                                  mp legato Bsns.                        p mp  Hns.         mp

1. solo C Tpts.          mp

          Sop. Sax.                  6  6  6 6 3 mp sul D legato                  Vln. I mp p

        mp

           Vln. II mp sul G

        mp

       Vla. mp

       mp

           Vc. mp sul G            mp p

Cb.            p mp Lux Perpetua 13 mp 76 legato    Fls.        mp

mp Obs.         mp

  Cls.               

soli         Bsns.          mf

mp

Hns.            mp

C Tpts.       n 76                Sop. Sax.                        3 6 3  n mp legato                  Vln. I mp sul D legato sul A                         mp

sul D legato           mp Vln. II sul A legato           mp

legato               Vla. mp legato           mp

legato           Vc. mp legato            mp

Cb.         mp 14 Lux Perpetua

mf solo         84 delicato 81                    Fls.                mf mp   

1.    Obs.       p   mf

Cls.             mf     Bsns.      mf mf   Hns.               sub p mf p C Tpts.           p

84    delicato                           Sop. Sax.                              6 6 mf mp         Vln. I mf        mf

       Vln. II mf        mf

       Vla. mf

       mf

       Vc. mf        mf

Cb.         mf Lux Perpetua 15

                               86                                 Fls.                                                           

       Obs.   p 

1.  Cls.       p

Bsns.       

Hns.            

 C Tpts.            

                      Sop. Sax.                

 Vln. I      

Vln. II      

Vla.      

Vc.      

Cb.        16 Lux Perpetua

    delicato 91     92                  Fl. 1                     mp                           Fl. 2                

delicato                Ob. 1                     mp delicato            Ob. 2         mp

delicato                Cl. 1                mp delicato            Cl. 2             p mp

delicato                              Bsn. 1             mp

delicato Bsn. 2                             mp          

Hns.       2. straight mute  delicato C Tpts.                          p          92    Sop. Sax.        p unis.  Vln. I      mp

unis. Vln. II      mp

unis. Vla.      mp

Vc.     

delicato pizz                Cb.                     mp Lux Perpetua 17

95                                Fl. 1             mf                     Fl. 2       mf

                 Ob. 1             mf     Ob. 2       

                 Cl. 1             mf

Cl. 2            

   3     Bsn. 1                                   mf 

Bsn. 2                          mf  mp Hns.          mp 1. straight mute delicato              C Tpts.                                p       mp mf         Sop. Sax.        3 6 6 mf

  Vln. I    

Vln. II    

div a 2

Vla.         

unis. 3 Vc.                                mf   arco    Cb.                    mf 18 Lux Perpetua 99 legato          Fls.      f

Obs.           f legato Cl. 1           f legato Cl. 2           f

Bsn. 1        f

Bsn. 2        f

Hns.              f

C Tpts.       99                          Sop. Sax.                    f 6 6  3  6 legato     div a 2            Vln. I f legato           f

div a 2 legato           Vln. II f legato           f

div a 2 legato           Vla. f legato           f div a 2 legato           Vc. f legato            f

Cb.        f Lux Perpetua 19

106 104 a 2  Fls.        mp

Obs.      

legato 2.        Cls.        mp

legato Bsns.                mp  Hns.        mp

1. solo open  C Tpts.             mp 106   3        Sop. Sax.                       3 6   mp 6 

        Vln. I mp

                     mp

       Vln. II mp

      mp 

           Vla. mp

       mp

       Vc. mp

       mp

Cb.         mp 20 Lux Perpetua

109  Fls.       pp

Obs.     

      Cl. 1                     pp p pp

Cl. 2                      pp p

Bsns.             pp

Hns.        p

C Tpts.       

6 3 3 3  Sop. Sax.                                         6   p               Vln. I pp

               pp

             Vln. II

    

      Vla.

    

           Vc. pp

        pp

Cb.         pp Lux Perpetua 21

113 114  Fls.       

Obs.       

Cl. 1       

Cl. 2            pp

Bsns.        

 Hns.       

C Tpts.       

3 114   Sop. Sax.                  pp ppp p

                   Vln. I pp p pp pp p pp

              pp p pp pp p pp

                    Vln. II pp pp p pp pp p pp

                                         pp n

       Vla. pp n

          pp n

Vc.       

Cb.         22 Lux Perpetua

Molto rubato IV. Shadows 119 q = 56 - 62 mf n   3  Sop. Sax.                                 n       mp   mf

 129 intense, bright ( ) 127 n  mf mf 3 3             Sop. Sax.                               3 3 3     n p warm, mellow  139 134                               Sop. Sax.                                     3   3 (p) pp mp  144 148 142 3          Sop. Sax.                        pp ppp mp unis. sul tasto  Vln. I          unis. n pp sul tasto div a 2 p Vln. II               pp     pp     p unis. sul tasto  Vla.          mp p   unis. sul tasto                Vc.     p mp Cb.         

 153 149         Sop. Sax.           p ppp

(sul tasto) div a 2                       Vln. I                       p   ppp   pp   (sul tasto) unis. delicato  div a 2   Vln. II                     pp ppp pp delicato div a 2                Vla.                  p ppp  pp delicato           Vc.              p ppp pp sul tasto Cb.          Lux Perpetua 23

155 allarg. Fls.           

Obs.          

Cls.          

      Bsns.                               f    

      Hns.                        p mf f   

C Tpts.          

       Timp.                                              f       allarg.                        Sop. Sax.              3 5 mf f fmp poco a poco ord. sim.  (ord.)       Vln. I                    f p 

(ord.) poco a poco ord. unis             Vln. II                                 f f p   fmp

poco a poco ord. (ord.)  unis.           Vla.                          p f

poco a poco ord. (ord.)

Vc.                     p f  

poco a poco ord. (ord.)  Cb.                     p f 24 Lux Perpetua V. Glimmers 160 q = 138    Fl. 1       mf

  Fl. 2     mf

Ob. 1       

Ob. 2       

 Cl. 1          mf

 Cl. 2            mf

  Bsns.                   f n

   Hns.                 f n

C Tpts.       

 Timp.            160 q = 138                                       Sop. Sax.                      (  ) 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3

 Vln. I      

Vln. II      

Vla.      

Vc.              n

Cb.               n Lux Perpetua 25

168 3 165              Fl. 1                 f 3 p 3             Fl. 2                f 3 p

3    Ob. 1                           p mf f 3 p

3     Ob. 2              p mf mp f mp f

3    Cl. 1                mp f mp f  Cl. 2          n mp

Bsn. 1            mp f mp    3  Bsn. 2                          mf 

mf  Hns.               mp 3 1. solo, straight mute  C Tpts.              f

Timp.         

168 3                        Sop. Sax.                          3 3 3 3 3 3 3 3 3 3 3 p mf div a 3 unis. 3         Vln. I                           f 3 3 3 3 3 mp f

3 3   Vln. II                     3 f 3

Vla.            mp f mp pizz  3 Vc.                        mf 

Cb.          26 Lux Perpetua

3 3 170  3          Fl. 1              f 3 3 3 3 3          Fl. 2              f 3 3

3 3 3 Ob. 1                       3 3 f 3   Ob. 2          mp f

3 3     Cl. 1            mp f mp f

3   Cl. 2         mp f  Bsn. 1        f mp f mp f mp f

   Bsn. 2                 

1. Hns.          3 3 3 3 3        C Tpts.                   

Timp.      

3 3     Sop. Sax.            p mf p mf

unis 3  div a 3   3 3 3 3        Vln. I                             mp f   3 f mp f 3 3 3 3 3      Vln. II                                           3 3 3  3 3 3 3

Vla.          f mp f mp f mp f

 Vc.                

Cb.       Lux Perpetua 27

174 176 3    Fl. 1              pp

 3 Fl. 2               pp 3   Ob. 1              pp

3 Ob. 2             mp f pp  3 Cl. 1            mp f pp

3 Cl. 2           pp

Bsn. 1           mp f mf

3    Bsn. 2                        mf

Hns.         mf 

3 3 3 3 3     C Tpts.                            f 3 3 3 2. solo pp straight mute

Timp.         176                   Sop. Sax.                 3 3 3 3 3 3 3 3 f unis. 3 3 3 3    Vln. I                               3 3 f 3

Vln. II             3   mf

Vla.           mp f mf arco 3 Vc.                       mf

Cb.          mf 28 Lux Perpetua

178 3        Fl. 1              3 mf p mf mp ff 3       Fl. 2               3 mf p mf mp ff 3 3           Ob. 1                3 mf p f p mf mp ff 3    3 Ob. 2                      3  mf p f p mf mp ff 3       Cl. 1              3 mf p mf mp ff 3    Cl. 2                 mf p 3 mp ff mf 3 3      Bsn. 1                 f 3 3 Bsn. 2                         f 3   Hns.                        3  f 3 C Tpts.                        3 mf p f 3 Timp.              mf

                3     ( )             Sop. Sax.                               3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

 3 Vln. I                 mf f 3    Vln. II               mp ff 3    Vla.             mp ff   3 Vc.                f   3 Cb.                   f Lux Perpetua 29 183

leggiero 3                            Fl. 1                       f 3 3 3 3 3 3 3 3 3 3 3 3 3 leggiero                        Fl. 2                 3 3 3 3 3 3 3 3 3 3 3 f leggiero 3 3 3    3 3   Ob. 1                                f 3 leggiero 3 3 3 3 3 3 Ob. 2                                   f leggiero 3  3                                Cl. 1                     f 3 leggiero3 3 3 3 3 3 3 3 3 3 3 3   3                  Cl. 2                        3 3 3 3 3 3 3 3 f

Bsn. 1        

Bsn. 2          a 2 cantabile Hns.       mf f cantabile open  C Tpts.               mfmf f

 Timp.            f 183

Sop. Sax.      

leggiero 3 3 3 3 3 3          Vln. I                                             3 3 3 3 3 3 3 leggiero 3 3 3 Vln. II                         f 3 3

pizz leggiero 3 3 3 3 arco  3       Vla.                              3 f

Vc.       

Cb.         30 Lux Perpetua

3 189 187                   Fl. 1                           3 3 3 3 3 p                    Fl. 2                          3 3 3 3 3 3 3 3 3

3   Ob. 1                    3 submf f sub p

3 3 Ob. 2                     submf f

3                  Cl. 1                   3 3 3 3 sub p                 Cl. 2                           3 3 3 3 3 3 3 3 p

Bsn. 1              mf f

Bsn. 2               mf f

Hns.               f mf

C Tpts.               mf f

Timp.            189            Sop. Sax.                                 3 3 3 3 sub 3 3 3 mf f p 3 3 3    3 Vln. I                                        3  3 

3 3 3 3 3 Vln. II                               3  3   Vla.                             3 

Vc.          

Cb.            Lux Perpetua 31

193 191      Fl. 1       p  Fl. 2      p

Ob. 1           p

3 3 3 3 Ob. 2              p       p      Cl. 1       p

Cl. 2           p       Bsn. 1                       pp

Bsn. 2        

 Hns.     

straight mutes 3 3 3       C Tpts.                  p 3  3

Timp.        

3 3 3 193     3             Sop. Sax.                                       3 3 3 subpp 3 3 3 3 3 3 3 p 3 3 3      half        Vln. I                     pp 3 p

half 3 3 3 3  3 3 3   Vln. II                           pp 3   p half arco    Vla.                   3 pp 3 3 3  3 p pizz    Vc.                       pp

Cb.         32 Lux Perpetua

197 195      Fl. 1         mp mf

      Fl. 2     mp mf

  Ob. 1           mp (mf ) mf

Ob. 2              mp mf

     Cl. 1         mp mf

Cl. 2                mp mf

3 3 3  3 Bsns.                                       3 3  mp 3 3 mf mp   Hns.                   mf

C Tpts.        

(with hands, l. v.) 3 3 Timp.                          3 mp 3 197   3         3    Sop. Sax.                                   3 3 3 3 3 3   3 mf 3 3 mp mf 3 tutti          3      Vln. I                        mp mf 3 3 3 3 3 3

tutti 3  3  3 Vln. II                         mp mf  3 tutti                    Vla.                           mp 3 3 3 3 3 3 3 3 3 3 3 3 mf

Vc.       

Cb.          Lux Perpetua 33

203 200            Fl. 1     f         Fl. 2  

        Ob. 1         f

    Ob. 2    

   Cl. 1     

     Cl. 2   

3 3 3 3 3 3  3 Bsns.                                                         3 3 3 3 3 3 mf f 3

f   Hns.                 f

C Tpts.     

3 3 3  3 3 Timp.                                 3 mf 3 f 203 3 3 3   3    3                 Sop. Sax.                              3      3 3 3  3 3 3 3  f 3 3 3                   Vln. I             3 3 3 3 3 f

3 3 3 3 3    Vln. II                                 3 f

 3 3 3 3      Vla.                       3 3      3  f arco 3            Vc.      mf f

3   Cb.          f 34 Lux Perpetua

204 poco accel.  Fls.     

Obs.     

Cls.     

Bsns.                

    Hns.                      

C Tpts.     

(mallets, l.v.)  3 Timp.                      3  3  3 mf

poco accel. 3 3 3                               Sop. Sax.                     3 3 3 3 3 3 3 3 3 3 3 3 3

           Vln. I   

Vln. II            

    Vla.         

Vc.     

Cb.       Lux Perpetua 35

210

208 q = 168 (h. = 56)

Fls.        

Obs.       

Cls.       

    Bsns.             

    Hns.                         

open C Tpts.            f

 3 3 3 Timp.                                 3  f mp

210

q = 168 (h. = 56)                  Sop. Sax.                     3 3 3 3 3 3 3 f

             Vln. I         

     Vln. II                      

       Vla.                 

   Vc.        

   Cb.          36 Lux Perpetua

213                 Fl. 1             f            Fl. 2                 f      Ob. 1         f

Ob. 2              f           Cl. 1                  f

   Cl. 2                   f

      Bsn. 1      mf

Bsn. 2             mf cuivre a 2   Hns.              mfmf f     C Tpts.                      mf f  

Timp.      

Sop. Sax.     

                       Vln. I        mf              Vln. II             mf

           Vla.        mf

    Vc.     mf

    Cb.      mf Lux Perpetua 37 220 217                  Fl. 1            ff                  Fl. 2              ff          Ob. 1                 ff        Ob. 2                        ff          Cl. 1                  ff           Cl. 2                ff     Bsn. 1      f

Bsn. 2            f (a 2) (ord)  Hns.         

4 5 C Tpt. 1                 

C Tpt. 2            

Timp.         f 220              Sop. Sax.           f ff                       Vln. I  f

        Vln. II              f     Vla.       f     Vc.      f     Cb.       f 38 Lux Perpetua

221

Fls.        

Obs.       

Cls.       

   Bsn. 1            f

Bsn. 2         

4 4  Hns.                                      4 4 5 ff

5 3 3  3 C Tpt. 1                                    ff

4 5 3 3 C Tpt. 2                              ff

4 5 Timp.                        

                 Sop. Sax.               ff ff fff     Vln. I         

    Vln. II       

    Vla.        

    Vc.       

    Cb.         Lux Perpetua 39

225 h = 56 VI. Elegy

Fls.     

Obs.    

Cls.               ffmp fff sffz

   Bsns.               ffmp fff sffz sffz

 Hns.             sffz ffmp fff

C Tpts.    

secco  Timp.            fff

225 h = 56      3     Sop. Sax.                       5 6 sfffz fff intensely   Vln. I           ff ffmp fff

intensely Vln. II            ff  ffmp fff

intensely   Vla.                 ff  ffmp fff

intensely       Vc.                ffmp fff ff

intensely Cb.        ff 40 Lux Perpetua

227  3               3      Sop. Sax.                      mf   5    p mp



230    Fls.             

  Obs.                Cls.                Bsns.              

   Hns.             

  C Tpts.              230 espress.          Sop. Sax.          pp p subpp

div. a 2 dolce     sim.                  Vln. I                          p     div. a 2 dolce     Vln. II                p  

div. a 2 dolce   sim.          Vla.                      p    dolce        Vc.               p

Cb.        Lux Perpetua 41

233 237

Fls.            

Obs.          

Cls.                 fpp

Bsns.             

 Hns.                                fpp p mp sfzp sfzp

C Tpts.           

Timp.             

233 237            Sop. Sax.        fpp p f

pp                          Vln. I                    p p mf fpp

p unis. div. a 2         Vln. II                        sfzp sfzp fpp p mf

    Vla.                            p mf sfzp sfzp fpp sim.    Vc.                  p mf sfzp sfzp fpp      Cb.                  p mf sfzp sfzp pp 42 Lux Perpetua

a 2

238        Fls.         f

1.        Obs.         f

f         Cls.              mp mf

mp mf       Bsns.              mf

a 2    Hns.                        f      C Tpts.                            solo  f 

Timp.          

          Sop. Sax.          mf

              Vln. I      

     Vln. II            

      Vla.             

Vc.          

Cb.            Lux Perpetua 43

242  Fls.     

(1.)   Obs.     

  Cls.          f p

  Bsns.             f p

 Hns.         

solo   C Tpts.        

Timp.         242    Sop. Sax.        f mf mp mf

   unis. (  )  Vln. I            f p f p mf p

unis. Vln. II       f mf

unis div a 2 Vla.            f mf

div a 2            Vc. f

        f mf

  Cb.        f mf 44 Lux Perpetua

248 246 1. Fls.               p

1. espress. (solo)  Obs.                      mp p

espress. 1. Cls.                          p mp

1.     Bsns.             p

1. Hns.               p

C Tpts.            

 Timp.             

248 espress.             Sop. Sax.               3 ( ) mp mp p

Vln. I            

Vln. II               mp

unis  Vla.                

espress.     1.                         Vc. mf mp 3 soli espress. 2. 3.                                 mp  Cb.               Lux Perpetua 45

253  251 (1.)               Fls.                p subpp ppp

(1.)          Obs.                    p subpp ppp

(1.)     Cls.                       2. p subpp ppp

p (1.)            Bsns.                      2. p subpp ppp 

1.  Hns.                  subpp ppp

C Tpts.           

Timp.             253  sotto voce, ethereal        Sop. Sax.           ( ) pp pp

espress.   div. a 2                         Vln. I p pp

espress.                         p pp espress.         Vln. II                p pp espress.      Vla.              p pp

tutti Vc.                     p subpp ppp

Cb.             46 Lux Perpetua

freely, ad lib if desired 257    Sop. Sax.           Vln. I    

 Vln. II    

 Vla.    

 Vc.    

 Cb.      



cantabile 260   Sop. Sax.      pp cantabile loco           Vln. I fp fpp pp

        fp fpp ppp

Vln. II           fp fpp ppp

     Vla.    fp fpp ppp

       Vc.    fp fpp ppp    Cb.           p pp ppp ...luceat eis. September 10, 2011 New Haven, CT