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BATMAN Vs SUPERMAN What Would Superman Drive, What Should Batman Drive and Where Could Wonder Woman Store Her Outfit?
WIN A PULSAR BRUCE WAYNE’S JEEP WATCH PEUGEOT ADD FUEL OFFERS WORTH DUCHESS OF CAMBRIDGE PLAYS TENNIS £145 SHORTLISTED FOR NEWSPRESS MAGAZINE OF THE YEAR BATMAN vs SUPERMAN What would Superman drive, what should Batman drive and where could Wonder Woman store her outfit? Your magazine featuring the stars, their cars and more... freecarmag.co.uk 1 FUELLED BY FUN This ISSUEweek 30 / 2016 Batman vs Superman: Dawn of Justice. We don’t understand why there are a couple of superheroes slugging it out like a wrestling bout, with Wonder Woman watching disapprovingly. However, we are looking forward to making sense of it all very soon at the local multiplex. We’ve got a superhero of our own Free Car Mag, or possibly Margaret, but we are too frightened to call her that. Well she’s more than qualified to tell other superheroes and even super villains what to drive. There is still time to win yourself a brilliant Pulsar watch. All you have to do is sign up to get notification of the latest issue. If you have already signed up, then you are already in with a chance. Tell all your friends and family, because we don’t spam you with nonsense, or pass your details on. We are good like that. 4 News Events Celebs – Made in Chelsea We are also doing very well at the moment. Shortlisted as and Duchess of Cambridge Consumer Magazine and Editor of the Year in the Newspress 6 Batman vs Superman Awards after only being around for a year, it has taken a real 8 Supercars for Superheroes superhuman effort I can tell you. -
The Crusader Monthll,J Nelijsletter
THE CRUSADER MONTHLL,J NELIJSLETTER ROBERT F. WILLIAMS, EDITOR -IN EXILE- VoL . ~ - No. 9 MAY 1968 Afro-Americans & Slick John Kennedy Government of the United States is no government T~E of the Afro-Americans at all. The slick John Ken- nedy gang is operating one of the greatest sham govern- ment in the entire world. Afro-Americans and fair minded Od > ~- O THE wN«< /l~USL . lF Yov~Re EyER IN NE60, CALL ME AT whites must be gullible indeed to believe that the racist, KKK dominated so-called U.S. Government is concerned with the welfare and human rights of colored people. The colored people of the USA must bring themselves to realize that taken integration is a slick manuever to check the restlessness of an oppressed people fast becoming infect ed with the germ of total resistance policy developing among all of the oppressed peoples of the world. Token integration means nothing to the masses. Even an idiot should be able to see that so-called Token integration is no more than window dressing designed to lull the poor downtrodden Afro-American to sleep and to make the out side world think that the racist, savage USA is a fountainhead of social justice and democracy. The Afro-American in the USA is facing his greatest crisis since chattel slavery. All forms of violence and underhanded methods o.f extermination are being stepped up against our people. Contrary to what the "big daddies" and their "good nigras" would have us believe about all of the phoney progress they claim the race is making, the True status of the Afro-Ameri- can is s#eadily on the down turn. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
English and French-Speaking Legislation Intended to Diminish the Rights Requiring Workers Contribute to Their Own Television Channels Throughout Canada
Join The Stand Up, Fight Back Campaign! IATSE Political Action Committee Voucher for Credit/Debit Card Deductions I hereby authorize the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States Political Action Committee, hereinafter called the IATSE-PAC to initiate a deduction from my credit card. This authorization is to remain in full force and effect until the IATSE-PAC has received written notification from me of its termination in such time and in such manner as to afford the parties a reasonable opportunity to act on it. Check one: President’s Club ($40.00/month) Leader’s Club ($20.00/month) Activist’s Club ($10.00/month) Choose one: Or authorize a monthly contribution of $________ Mastercard Discover Authorize a one-time contribution of $________($10.00 minimum) VISA American Express Card #: _____________________________________ Expiration Date (MM/YY): ____/____ Card Security Code: ______ Employee Signature_______________________________ Date________________ Last 4 Digits of SSN___________ Local Number_____________ ET Print Name_____________________________________Email______________________________________ Phone Number________________________ Home Address_______________________________________ City ____________________________ State/Zip Code _____________________________ Billing Address_________________________ City_________________ State/Zip Code______________ Occupation/Employer_____________________ This Authorization is voluntarily made based on my specific -
Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Chris Ware's Jimmy Corrigan
Chris Ware’s Jimmy Corrigan Chris Ware’s Jimmy Corrigan : Honing the Hybridity of the Graphic Novel By DJ Dycus Chris Ware’s Jimmy Corrigan : Honing the Hybridity of the Graphic Novel, by DJ Dycus This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by DJ Dycus All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3527-7, ISBN (13): 978-1-4438-3527-5 For my girls: T, A, O, and M TABLE OF CONTENTS List of Figures............................................................................................. ix CHAPTER ONE .............................................................................................. 1 INTRODUCTION TO COMICS The Fundamental Nature of this Thing Called Comics What’s in a Name? Broad Overview of Comics’ Historical Development Brief Survey of Recent Criticism Conclusion CHAPTER TWO ........................................................................................... 33 COMICS ’ PLACE WITHIN THE ARTISTIC LANDSCAPE Introduction Comics’ Relationship to Literature The Relationship of Comics to Film Comics’ Relationship to the Visual Arts Conclusion CHAPTER THREE ........................................................................................ 73 CHRIS WARE AND JIMMY CORRIGAN : AN INTRODUCTION Introduction Chris Ware’s Background and Beginnings in Comics Cartooning versus Drawing The Tone of Chris Ware’s Work Symbolism in Jimmy Corrigan Ware’s Use of Color Chris Ware’s Visual Design Chris Ware’s Use of the Past The Pacing of Ware’s Comics Conclusion viii Table of Contents CHAPTER FOUR ....................................................................................... -
Brendan Lacy M.Arch Thesis.Indb
The Green Scare: Radical environmental activism and the invention of “eco-terror- ism” in American superhero comics from 1970 to 1990 by Brendan James Lacy A thesis presented to the University of Waterloo in fulfi llment of the thesis requirement for the degree of Master of Architecture Waterloo, Ontario, Canada, 2021 © Brendan James Lacy 2021 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required fi nal revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract American environmentalism became a recognizable social move- ment in the 1960s. In the following two decades the movement evolved to represent a diverse set of philosophies and developed new protest methods. In the early 1990s law enforcement and govern- ment offi cials in America, with support from extraction industries, created an image of the radical environmental movement as danger- ous “eco-terrorists.” Th e concept was deployed in an eff ort to de-val- ue the environmental movement’s position at a time of heightened environmental consciousness. With the concept in place members of the movement became easier to detain and the public easier to deter through political repression. Th e concept of “eco-terrorism” enters popular media relatively quickly indicated by the proliferation of superhero comics in the ear- ly 1990s that present villainous environmental activists as “eco-ter- rorists.” Th is imagery contrasts comics from 1970 which depicted superheroes as working alongside activists for the betterment of the world. -
How to Draw Superman Logo
How to Draw Superman Logo Easy Fast "Look! Up in thee sky! It's a bird! It's a plane! No, it's Superman!" Those words are well known to superhero fans around the world. Since his debut in DC's Action Comics #1 in 1938, Superman has perhaps become the world's best loved superhero. Sometimes called "the big blue boy scout," this American icon is known for always doing the right thing and making sacrifices to save people in danger. He appeared in print and radio media at a time when the American people longed for a hero - they were in the midst of the Great Depression and soon to be drawn into the war that was raging in Europe. Superman is an "every man" - he is an orphan, a refugee, a poor boy from the country, and a blue collar worker trying to make it in the big city. Superman was sent away from the planet Krypton, which was destroyed by the greed of the people who inhabited it. Superman derives his powers from the Earth's bright sun and disguises himself as "mild mannered Clark Kent, reporter for the Daily Planet." His iconic logo has been said to be the shield of the House of El, his biological family on his home world. Other works have said that the "S" shape stands for "Superman" or for hope in the language of Krypton. Whatever the meaning of this piece of pop art history, you can draw your very own Superman logo. All you need is a piece of paper and something with which to draw. -
“What Is Saving Your Life?” May 10
“What Is Saving Your Life?” May 10, 2020 Psalm 31:1-5, 15-16 Westminster, Greenville Fifth Sunday of Easter Ben Dorr ********************************************************** A number of years ago, the pastor Scott Black Johnston was leading a Sunday School class for 7th graders. He was a guest participant, and the topic was something like “Ask the pastor any question you want”. So one of the teenagers asked: “Is Jesus the only way to salvation?” Scott said he would give them his answer to that question. But first, he wanted to ask them a different question. “What do you think Jesus wants to save you from?” he asked the class. One of the 7th graders said, “Hell.” And Scott says that while he believes the answer was honest, he was also a bit suspicious. Like that was the kind of answer that he imagined a 7th grader THOUGHT the pastor of the church was expecting…better give the “correct” answer, saved from hell, that’s what God does. So Scott reframed the question: “If God was on the ball, what would God save you from?” Like…right now? Suddenly, Scott says, the conversation got VERY interesting. 2 One young man offered up that God could really help by saving him from an upcoming math test. Then another classmate said, “Pressure.” And another said, “My parents’ expectations.” Then another member of the class, a shy kid, said—almost in a whisper: “Fear. I want God to save me from my fears.”1 ****** If you had been in that class, how would you have answered the question? Our Psalmist for today writes: “In you, O Lord, I seek refuge… Be a rock of refuge for me, a strong fortress to save me… Let your face shine upon your servant; save me in your steadfast love.” Save me…it’s a recurring request through the book of Psalms. -
Marvel Pop! List Popvinyls.Com
Marvel Pop! List PopVinyls.com Updated January 2, 2018 01 Thor 23 IM3 Iron Man 02 Loki 24 IM3 War Machine 03 Spider-man 25 IM3 Iron Patriot 03 B&W Spider-man (Fugitive) 25 Metallic IM3 Iron Patriot (HT) 03 Metallic Spider-man (SDCC ’11) 26 IM3 Deep Space Suit 03 Red/Black Spider-man (HT) 27 Phoenix (ECCC 13) 04 Iron Man 28 Logan 04 Blue Stealth Iron Man (R.I.CC 14) 29 Unmasked Deadpool (PX) 05 Wolverine 29 Unmasked XForce Deadpool (PX) 05 B&W Wolverine (Fugitive) 30 White Phoenix (Conquest Comics) 05 Classic Brown Wolverine (Zapp) 30 GITD White Phoenix (Conquest Comics) 05 XForce Wolverine (HT) 31 Red Hulk 06 Captain America 31 Metallic Red Hulk (SDCC 13) 06 B&W Captain America (Gemini) 32 Tony Stark (SDCC 13) 06 Metallic Captain America (SDCC ’11) 33 James Rhodes (SDCC 13) 06 Unmasked Captain America (Comikaze) 34 Peter Parker (Comikaze) 06 Metallic Unmasked Capt. America (PC) 35 Dark World Thor 07 Red Skull 35 B&W Dark World Thor (Gemini) 08 The Hulk 36 Dark World Loki 09 The Thing (Blue Eyes) 36 B&W Dark World Loki (Fugitive) 09 The Thing (Black Eyes) 36 Helmeted Loki 09 B&W Thing (Gemini) 36 B&W Helmeted Loki (HT) 09 Metallic The Thing (SDCC 11) 36 Frost Giant Loki (Fugitive/SDCC 14) 10 Captain America <Avengers> 36 GITD Frost Giant Loki (FT/SDCC 14) 11 Iron Man <Avengers> 37 Dark Elf 12 Thor <Avengers> 38 Helmeted Thor (HT) 13 The Hulk <Avengers> 39 Compound Hulk (Toy Anxiety) 14 Nick Fury <Avengers> 39 Metallic Compound Hulk (Toy Anxiety) 15 Amazing Spider-man 40 Unmasked Wolverine (Toytasktik) 15 GITD Spider-man (Gemini) 40 GITD Unmasked Wolverine (Toytastik) 15 GITD Spider-man (Japan Exc) 41 CA2 Captain America 15 Metallic Spider-man (SDCC 12) 41 CA2 B&W Captain America (BN) 16 Gold Helmet Loki (SDCC 12) 41 CA2 GITD Captain America (HT) 17 Dr. -
Net Proceeds from the Sale of Hero Allograft Are Donated to Charities Benefiting Children with Life-Threatening Medical Conditions
Net proceeds from the sale of Hero Allograft are donated to charities benefiting children with life-threatening medical conditions. San Diego’s Own Make-A-Wish Kid Had Wish Unveiled in Surprise Super-Hero Themed Ceremony! Local Company Spinal Elements Granted Wish in First-Ever San Diego Hero Event Carlsbad, CA – January 30, 2014 – Spinal Elements®, Inc., a San Diego- favorite color is blue. He loves the game Mindcraft and he also loves based spine technology company, unveiled and granted a very special nature and animals. Dogs are his favorite. When he goes to Atlantis he wish to a local Make-A-Wish Kid in a Super-Hero themed ceremony on wants to go on slides and swim with Dolphins, paraglide, swim in warm Wednesday, January 29th at the company’s Carlsbad headquarters. The water and fish and of course play in the arcade. His favorite place is celebration included a BatAdventure complete with a real live Batman Disneyland and his favorite Super Hero is Batman which he has on his and his Batmobile. The entire Spinal Elements staff planned this special night braces. He’s a good student, has many friends and is in the 3rd adventure that included a Bat Trail with a Bat Cave, a Damsel in Distress grade. and a Joker’s Hideout. Spinal Elements also granted the first-ever “Hero Cape” at the ceremony, beginning a Hero Event tradition for years to ABOUT SPINAL ELEMENTS’ HERO ALLOGRAFT: come. See print coverage here: Spinal Elements offers surgeons and hospitals across the country the http://www.utsandiego.com/news/2014/jan/30/tp-batkid-rides-again-in-carlsbad opportunity to pledge to use only allograft tissue from companies that do not profit from the transfer of that tissue whenever clinically feasible.