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Prospectus 2017-18
PROSPECTUS 2017 National School of Drama (an Autonomous institution of the Ministry of Culture, Govt. of India) Sikkim Theatre Training Centre Nepali Sahitya Parishad Bhawan Development Area Gangtok, Sikkim 737101 NATIONAL SCHOOL OF DRAMA Ph - 03592 201010 [email protected] http://sikkim.nsd.gov.in SIKKIM THEATRE TRAINING CENTRE 2 NSD 4 Former Chairpersons Directors & 6 NSD Chairman 7 NSD Director 9 Centre Incharge 10 NSD, STTC 11 Camp Director 12 Vision & Objectives 13 Subject of study 14 Syllabus 16 Epigrammatic Report From April 2016 to March 2017 20 List of Visiting Faculty 22 Admission Related Matters 24 General Information 26 Centre Festivals 28 Administrative & Technical Staff 30 Repertory Company 32 How to reach 2 NSD 4 Former Chairpersons Directors & 6 NSD Chairman 7 NSD Director 9 Centre Incharge 10 NSD, STTC 11 Camp Director 12 Vision & Objectives 13 Subject of study 14 Syllabus 16 Epigrammatic Report From April 2016 to March 2017 20 List of Visiting Faculty 22 Admission Related Matters 24 General Information 26 Centre Festivals 28 Administrative & Technical Staff 30 Repertory Company 32 How to reach NATIONAL SCHOOL OF DRAMA NEW DELHI The National School of Drama is one of the foremost theatre training institutions in the world and the only one of its kind in India. Established in 1959 as a constituent unit of the Sangeet Natak Akademi, the School became an independent entity in 1975 and was registered as an autonomous organization under the Societies Registration Act XXI of 1860, fully financed by the Ministry of Culture, Government of India. The School offers an intensive and comprehensive three-year course of training in theatre and the allied arts. -
Academy of Theatre Arts 1
ACADEMY OF THEATRE ARTS 1. Profile : The Academy of Theatre Arts was established in August, 2003. The University of Mumbai initiated this Academy keeping in mind the dearth of theatre training institutes in Mumbai, despite the city being the main centre of theatre activity in the country. The Academy has taken long stride at national and international level within a short span of twelve years and it has become one of the leading theatre training institutes in India. The Academy of Theatre Arts offers a two - year full time comprehensive Master’s degree course in theatre arts. This course is an integrated course based on the structures of the world renowned theatre training schools as well as rich traditional & modern theatre training practices of India. The subjects academy offers are:- Dramatic Literature and Theatre History ( Western, Eastern & Indian Drama ) Stage Craft and Theatre Technique ( Theatre Architecture, Set Design, Light Designing, Costume Design, Makeup & Music Design) Acting ( Body Movement, Rope Mallakhamb, Martial Art, Voice & Speech, Traditional and Modern Dances, Yoga, Various Styles & Schools of Acting. ) Production & Direction ( Designing of the Production, Production Process & Direction. ) Participation in Departmental Productions, Play Writing, Theatre Management and Art Administration. The course emphasizes the ratio of 40:60% for theory and practicals. The students are given ample opportunities to watch and study plays and interact with theatre personalities at various festivals, performances and seminars thereby exposing them to current theatre practices. Fieldwork and field projects are given adequate importance in the programming of the Academy. The students are encouraged to understand creative processes, organizational and administrative aspects as well as marketing values of theatre arts. -
Govind Singh Yadav,Vasant Kanetkar’
Subhadip Raha’s HASH ERNESTO TAG GUEVARA Playwright & Director: Subhadip Raha Group: Krishiv Creations, Pune Language: Hindi & English Duration: 1 hr 15 mins The Play Delhi based lecturer Rajashree and her sister arrive at a country side place to stay in a government guest house. This place is a guerrilla warzone. Rajashree is a self – styled political idealist sympathiser of the guerrillas. An alibi for her presence is that of a researcher pursuing a PhD related to the place. Her sister Sudha is a college girl without an ideology, but flamboyant and rebellious. She is told not to step out of the guest-house. The bored collegiate draws her sister into a discussion around political ideology, questions her leanings, compelling Rajshree to reveal her true purpose. She is an undercover scribe on a mission to uncover the police’s human rights violation for holding a guerrilla leader captive. She seeks permission to meet the leader in lieu of finding out his name. She enters the cell surprised on seeing the guerrilla who (it seems) is no one else, but – Che Guevara! He / his look alike engage and disrobe her ‘pseudo’ socio-political ideology, in conversation. Doubtful, she leaves the cell casually naming the captive leader as, Che Guevara to the police, returning to the guesthouse. Sub- inspector Sant gleefully reveals the captive’s identity, to be Che and gets beaten for no one believes him. Sudha too is shocked by the sting video. Rajashree reaches the police station to meet the leader and clear her doubts. Sant allows her a last chance while threatening her with death.