The Culture of Contemporary Writers' Festivals
The Culture of Contemporary Writers’ Festivals Cori Stewart B.A. Visual Arts, Queensland University of Technology Graduate Diploma Culture and Media Policy, Griffith University B. A. Film, Media and Cultural Studies (Hons), Griffith University Creative Industries Faculty School of Creative Writing and Literary Studies, Drama, Film and TV Queensland University of Technology Submitted in full requirement for the degree of Doctor of Philosophy 2009 Key words Writers’ festivals, urban festivals, literature, authors, public intellectuals, media, celebrity culture, public culture, public sphere. ii Abstract This thesis examines the culture of contemporary writers’ festivals in an international context. In the last five decades writers’ festivals have emerged in cities across the world, and during this time they have expanded their literary discussions and debates to include numerous other topics of broad interest to society. To examine the expanded popularity and function of writers’ festivals, this thesis establishes a new vantage point for theorising the content now typically generated by these events using concepts in urban festivals and public culture research. Importantly, the new vantage point addresses the limitations of current commentary on writers’ festivals which routinely claim they trivialize literature, and more generally, contribute to the decline of public culture. The thesis presents two case studies: one on the Brisbane Writers Festival in Australia and the other on the International Festival of Authors in Toronto, Canada. The first case study, which focuses on the 2007 Brisbane Writers Festival, illustrates the many overlapping and often conflicting discourses as well as opinions productively discussed and debated at writers’ festivals. Key topic discussed and debated at the Festival include local topics about the host city—its history, literature and politics, as well as broader literary, political and celebrity culture topics.
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