2020 Pro Bono Report
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SONG ACTIVITY – Beautiful Day by U2
SONG ACTIVITY – Beautiful Day by U2 Name: Group: Date: / / 1. Work in small groups. Read the definition for the word “resilient”. Discuss the questions. resilient /rɪˈzɪliənt/ adj 1 able to become strong, healthy or successful again after something bad happens. 2 able to return to an original shape after being pulled, stretched, pressed, bent, etc. Adapted from: https://www.merriam-webster.com/dictionary/resilient a. Can you think of a situation in your life when you or a person you know were resilient? Talk about it. b. What can teenagers do to develop resilience? c. What do you usually do when you are having a difficult day? 2. Work with a partner. You are going to listen to the song Beautiful Day, by U2. The words in the cloud are in the lyrics of the song. How do you associate them with a beautiful day? Discuss your ideas and take notes in the lines below. ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ 3. Now listen to the song. Were the words in Activity 2 associated to the idea of a beautiful day in the way you imagined? SONG ACTIVITY – Beautiful Day by U2 4. Listen to the song again. Check (✓) the alternative that best explains the lines in italics, in the context of the song. a. The heart is a bloom / Shoots up through the stony ground. [ ] Love is resilient and can overcome all difficulties. [ ] Love is blind to all problems and difficulties. b. The traffic is stuck / And you’re not moving anywhere. [ ] Traffic jams can ruin even the most beautiful day. -
A Short(Ish) Note About Music and Copyright
NorthLight Media Limited 94 Thorpe Park Road Peterborough PE3 6LJ 07768 261276 www.northlightmedia.co.uk A short(ish) note about music and copyright NorthLight Media does not normally use copyright-protected music in videos. Most music is protected by copyright, whether it’s U2’s Beautiful Day or Air on a G String by Bach. Bach won’t be too bothered by infringements of his copyright but the owners of the recording probably are. Bono takes a dim view of his songs being used without permission. Films shown at events Occasionally, we have produced a film that is to be shown to an audience at a one-off event, such as a school open evening. The showing of the film to an audience in the school hall is covered by the school’s performance licence – the one that permits the school to hold a disco on its premises. But including a copyrighted song in the film is still an infringement of copyright because the song has been copied without permission. Using a song that the school has bought, say on CD, might be a defence, but ultimately, other copies of the song now exist so copyright has been infringed by the film producer. The school playing the film that includes music it has paid for is unlikely to be prosecuted over the event. Videos used online (YouTube, Vimeo and other websites) When a video containing copyrighted music is posted on YouTube, the YouTube system usually picks it up straight away. The person or company uploading the video will be told that copyrighted content has been detected and that the video will either be blocked, restricted or have advertisements placed on it. -
Application for Pro Bono Counsel Certification
COLORADO SUPREME COURT Office of Attorney Registration 1300 Broadway, Suite 510 Denver, CO 80203 (303) 928-7800 Pro Bono Counsel Certification NAME: Please complete the information in item 1 as you wish it to appear within the official records of the Colorado Supreme Court. Name: (Last, First, Middle) Gender DATE OF BIRTH: MAILING ADDRESS: You are required to designate and update a mailing address and a business telephone number that will appear within and be published from the official records of the Colorado Supreme Court Attorney Registration Office. You will receive all printed communications at the address you indicate as your official address. If the indicated address is not the physical location or street address of your principal place of employment, then a physical address must also be given. Official Address: Business/Firm Name Street Suite P.O. Box City State Zip Code Phone Number Ext. Fax Number email Physical Address (if different from above): Street Suite P.O. Box City State Zip Code NATURE OF APPLICATION (check one): Initial Application Reapplication If this is a reapplication, please state reason(s) therefore. (e.g. left jurisdiction, change of limited practice status) ADMISSIONS TO PRACTICE LAW: Please list all jurisdictions in which you are licensed to practice law. Include your bar or attorney number, date of admission and/or other personal identifier, from that licensing entity. If you are admitted under a name that is different from the name indicated in item 1, please provide the name under which you are admitted. Use additional paper if necessary. Please use correct postal abbreviations to list jurisdictions. -
Instruction Booklet
Customer Support Note: Please do not contact Customer Support for hints/codes/cheats. Internet: http://www.activision.com/support Our support section of the web has the most up-to-date information available. We update the support pages daily, so please check here first for solutions. If you cannot find an answer to your issue, you can submit a question/incident to us using the online support form. A response may take anywhere from 24–72 hours depending on the volume of messages we receive and the nature of your problem. Note: All support is handled in English only. Phone: (800) 225-6588 Phone support is available from 7:00am to 7:00pm (Pacific Time) every day of the week. Please see the Limited Warranty contained within our Software License Agreement for warranty replacements. Our support representatives will help you determine if a replacement is necessary. If a replacement is appropriate we will issue an RMA number to process your replacement. 84208260US Activision Publishing, Inc. P.O. Box 67713 Los Angeles, CA 90067 84208260US PRINTED IN USA INSTRUCTION BOOKLET PLEASE CAREFULLY READ THE SEPARATE HEALTH AND SAFETY PRECAUTIONS BOOKLET INCLUDED WITH THIS PRODUCT BEFORE WARNING - Repetitive Motion Injuries and Eyestrain ® USING YOUR NINTENDO HARDWARE SYSTEM, GAME CARD OR Playing video games can make your muscles, joints, skin or eyes hurt. Follow these instructions to avoid ACCESSORY. THIS BOOKLET CONTAINS IMPORTANT HEALTH AND problems such as tendinitis, carpal tunnel syndrome, skin irritation or eyestrain: SAFETY INFORMATION. • Avoid excessive play. Parents should monitor their children for appropriate play. • Take a 10 to 15 minute break every hour, even if you don’t think you need it. -
U2 3D Talent: Bono, the Edge, Larry Mullen, Adam Clayton. Directors
U2 3D Talent: Bono, The Edge, Larry Mullen, Adam Clayton. Directors: Mark Pellington and Catherine Owens Duration: 85 minutes Classification: G We rate it: 3 and a half stars. There’s no denying that Irish rock band U2 are probably still the biggest live musical act in the world, even after twenty-odd years of touring. Aside from maybe the great outdoor extravaganzas mounted during the 1970s and 80s by Pink Floyd, U2’s live gigs are renowned as dazzling, cutting-edge spectacles, as politically and ideologically provocative as they are musically engaging. Bono, the acknowledged master of making fame itself humanely useful, still struts his stuff as if he’s a 25-year- old, and the band that supports him is as skilled as rock bands get. To see this chart- topping foursome filmed playing before staggeringly large crowds in state-of-the-art digital 3D and surround sound is, admittedly, quite a spectacle. The peculiar thing, however, about sitting in a cinema and watching U2 3D is that throughout the experience, stunning as it is, one can’t help but reflect upon the fact that one is sitting in a darkened room watching film of a band playing live in front of crowds of a hundred thousand people. There’s something decidedly strange about sitting passively and observing (through the suitably nerdy polarising 3D glasses) this massive rock show, whose actual filmed audiences just don’t stop screaming and waving for a second. As one ruminatively chews one’s popcorn and sips one’s soft- drink, one can’t help but feel faintly left out, to say the least. -
Press Book from 01.07.2014 to 31.07.2014
Press Book from 01.07.2014 to 31.07.2014 Copyright Material. This may only be copied under the terms of a Newspaper Licensing Ireland agreement (www.newspaperlicensing.ie) or written publisher permission. -2- Table of Contents 16/07/2014 The Herald - National Edition: BONO'S PAL CELEBRATES ACCOLADE............................................................................................ 3 27/06/2014 Mullingar Advertiser: Building a Career in Country Music - IMRO music seminar............................................................ 4 08/07/2014 Irish Examiner: Club owner avoids jail...................................................................................................................5 01/08/2014 Irish Music Magazine: ENDA REILLY................................................................................................................................ 6 20/07/2014 Sunday Independent: Fair air play for Irish musicians.................................................................................................... 7 12/07/2014 Westmeath Examiner: Free seminar on 'Building a Career in Country Music'....................................................................8 30/07/2014 Irish Times - Business & Commercial Property: IMRO claims Radio Nova failed to pay €47,000 in musical royalties............................................ 10 08/07/2014 The Star: Jail order avoided....................................................................................................................... 11 29/07/2014 Evening Echo: -
AN IRISH DAVID by PAUL HARRIS CANTLE
BONO: AN IRISH DAVID by PAUL HARRIS CANTLE Thesis submitted to The Faculty of Theology in partial fulfillment of the requirements for the Degree of Master of Arts (Theology) Acadia University Spring Convocation 2013 © by PAUL HARRIS CANTLE, 2012 This thesis by PAUL HARRIS CANTLE was defended successfully in an oral examination on NOVEMBER 26, 2012. The examining committee for the thesis was: ________________________ Dr. Anna Robbins, Chair ________________________ Dr. Kevin Whetter, External Reader ________________________ Dr. Carol Anne Janzen, Internal Reader ________________________ Dr. William Brackney, Supervisor This thesis is accepted in its present form by the Division of Research and Graduate Studies as satisfying the thesis requirements for the degree Master of Arts (Theology). …………………………………………. ii" I, PAUL HARRIS CANTLE, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. ______________________________ Author ______________________________ Supervisor ______________________________ Date ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! iii" Table!of!Contents! " Abstract"........................................................................................................................................................"vi" Acknowledgements"................................................................................................................................"vii" -
Report of the Pro Bono Task Force October 2012
LEGAL SERVICES CORPORATION REPORT OF THE PRO BONO TASK FORCE OCTOBER 2012 TABLE OF CONTENTS Executive Summary .................................................................................................. i I. Introduction: The Current Crisis in Legal Services ................................................. 1 II. Recommendations to the Legal Services Corporation and Its Grantees .............. 2 Recommendation 1: LSC Should Serve as an Information Clearinghouse and Source of Coordination and Technical Assistance to Help Grantees Develop Strong Pro Bono Programs ..................................................................................................2 1. Create an Association of Pro Bono Professionals Who Work at LSC-Funded Organizations ..........................................................................................3 2. Recommend that Congress Create a Pro Bono Innovation/Incubation Fund ...............3 3. Develop a Pro Bono Toolkit ...........................................................................................3 a. Evaluating Pro Bono Programs ..............................................................................4 b. Offering Volunteer Supports ..................................................................................5 c. Providing a Range of Pro Bono Opportunities to Engage All Segments of the Bar ...................................................................................................................5 1. Small Firm and Solo Practitioners ............................................................................... -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
X AMENDED COMPLAINT X JURISDICTION
Case 1:17-cv-01471-DLC Document 38 Filed 06/26/17 Page 1 of 11 THE LAW OFFICE OF THOMAS M. MULLANEY 489 5rH Avenue, 19rH FLooR New York, New York 10017 212-223-0800 Attorneys for Plaintiff Paul Rose UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEV/ YORK ---------x PAUL ROSE, Case No. : I :17 -cv-147 1 (DLC) Plaintiff, -against AMENDED COMPLAINT PAUL DAVID HEWSON p/k/a BONO, DAVID HOÌVELL EVANS p/k/a THE EDGE or EDGE, ADAM CLAYTON, LAURENCE JOSEPH MULLEN.TR., and UMG RECORDINGS, INC. Defendants X Plaintiff PAUL ROSE ("Plaintiff'or Rose), by his attorney, Thomas M. Mullaney, as and for his complaint against Defendants PAUL DAVID HEWSON p/k/a BONO, DAVID HOWELL EVANS p/k/a THE EDGE or EDGE, ADAM CLAYTON, LAURENCE JOSEPH MULLEN JR., and UMG RECORDINGS, INC., (collectively "Defendants"), alleges as follows: JURISDICTION AND VENUE 1. This is an action is brought and subject matter jurisdiction lies within this Court, pursuant to 28 U.S.C. Sections 1331 and 1338. This Court has federal question jurisdiction in this matter in that Plaintiff seeks damages and injunctive relief against Defendants under Sections 501,502,504 and 505 of the Copyright Act of 1976,17 U.S.C. Section 101 et seq. The Court has pendent jurisdiction over the claims asserted herein that arise under state law, including the claim for quantum meruit and unjust enrichment, in that such claims flow from a Case 1:17-cv-01471-DLC Document 38 Filed 06/26/17 Page 2 of 11 common nucleus of operative facts. -
Everything Old Is New Again: Dickens to Digital
Loyola of Los Angeles Law Review Volume 38 Number 1 Symposium—Intellectual Property at a Crossroads: The Use of the Past in Intellectual Article 2 Property Jurisprudence 9-1-2004 Everything Old Is New Again: Dickens to Digital Joseph J. Beard Follow this and additional works at: https://digitalcommons.lmu.edu/llr Part of the Law Commons Recommended Citation Joseph J. Beard, Everything Old Is New Again: Dickens to Digital, 38 Loy. L.A. L. Rev. 19 (2004). Available at: https://digitalcommons.lmu.edu/llr/vol38/iss1/2 This Symposium is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. EVERYTHING OLD IS NEW AGAIN:' DICKENS TO DIGITAL Joseph J.Beard* I. INTRODUCTION A newspaper article dated January 29th predicted that a new technological discovery, "[i]f introduced into this or any other country [would bring] an end to copyrights."'2 Was this new discovery some super-descrambler, an untraceable peer-to-peer system? No, it was "a new and extraordinary discovery made in Prussia by which printed works of any kind [could] be copied with perfect accuracy, and copies multiplied with no further expense than the cost of paper and press-work.",3 The January 29th in question was that of-1842! This incident demonstrates that when one contemplates contemporary technology/copyright issues, indeed "everything old is new again", and that perhaps there are lessons to be learned from days long gone. -
Application for Approval As a Qualifying Pro Bono Organization
APPLICATION FOR APPROVAL AS A QUALIFYING PRO BONO ORGANIZATION Regulation / Rule 3.21. Credit may also be earned through providing uncompensated pro bono legal representation to an indigent or near-indigent client or clients. To be eligible for credit, the matter must have been assigned to the Member by a court, a bar association, or a legal services or pro bono organization that has as its primary purpose the furnishing of such pro bono legal services and that has filed a statement with the LSBA MCLE Department. A Member providing such pro bono legal representation shall receive one (1) hour of CLE credit for each five (5) hours of pro bono representation, up to a maximum of three (3) hours of CLE credit for each calendar year. Please complete and return to: LSBA MCLE Department 601 St. Charles Ave. New Orleans, LA 70130-3404 For questions regarding the completion of this application form or pertaining to any of the MCLE requirements in Louisiana, please contact the MCLE Department toll free: (800) 421-5722; in New Orleans (504) 566-1600; via e-mail: [email protected]; or access our website: www.lsba.org/mcle Form 7A Rev. 10/2018 PART I CONTACT INFORMATION Organization Name: _____________________________________________________________________________________ Street Address: _____________________________________________________________________________________ Mailing Address: _____________________________________________________________________________________ Executive Director: _____________________________________________________________________________________