Crime & Mystery Catalogue July 2020
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Episode 14: Mother’S Day Reads
Not Your Mother’s Library Transcript Episode 14: Mother’s Day Reads (Brief intro music) Leah: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Leah, one of your hosts. Rachel is also virtually here. This month, guys…this month we need to tweak the title a little bit, because we’re celebrating Mother’s Day! This episode will be all about our mothers’ favorite books, which means that for Rachel and I, this is our mother’s library. Rachel: Hi, everyone. It’s Rachel. As Leah pointed out, we are here to celebrate Mother’s Day. This year, the national holiday takes place on Sunday, May 10th, so be sure to create an artistic portrait out of noodles before that date hits. You know what else makes a great gift? Books! My mum is a mystery enthusiast. Give her a murder to solve, and she’ll be at her most content. She is actually in the process of writing her own series of cozies. For those who aren’t as familiar with what that means, cozies are a mystery subgenre. They focus more on the story, setting, and characters surrounding a whodunit than an in-depth criminal procedure or graphic depictions of violence. Think of M.C. Beaton’s “Agatha Raisin” or the TV show “Murder, She Wrote.” I’ve read the first few novels in mum’s series, which are currently on the road to publication, and they are flat-out really good. I realize that as her daughter I am partial, but I also used to be a copyeditor and have read some genuinely awful manuscripts, so I’m betting that experience balances out my bias. -
Louise Penny's September Newsletter
04/01/2016 Louise Penny Newsletter To view this email with images click here Louise Penny's September Newsletter Dear First name Bury your Dead US Edition "From the moment I picked your book up until I laid it down I was convulsed with laughter. Some day I intend reading it." Groucho Marx (18951977) This month's quote comes courtesy of my brother Doug who is supportive enough to know when I need to laugh. How has your August been? Can you believe it's September? Took me decades before I stopped feeling that I had to go back to school. And now I quite like September. It's a beautiful month here in Quebec. Still mild, but the leaves begin to turn, the nights close in a bit, the light grows deeper. Every now and then we can catch the scent of wood smoke in the air, as fires are lit. It's a very gentle month as we pass from summer into autumn. For those of us who like nothing better than sitting with a tea by the Click if you wish to order fireplace, September is a lovely time. Barnes & Noble.com Amazon.com I have to tell you, too, that this September is one of the most ABA American exciting times in my life. Booksellers Association Still Life / En plein coeur French publication Bury your Dead Two books are being published this month. Including the very first UK, Canada and the one in French. It's called En plein coeur and is a translation of STILL Commonwealth LIFE. -
Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002
Pulp Fiction © Jami Bernard The A List: The National Society of Film Critics’ 100 Essential Films, 2002 When Quentin Tarantino traveled for the first time to Amsterdam and Paris, flush with the critical success of “Reservoir Dogs” and still piecing together the quilt of “Pulp Fiction,” he was tickled by the absence of any Quarter Pounders with Cheese on the European culinary scene, a casualty of the metric system. It was just the kind of thing that comes up among friends who are stoned or killing Harvey Keitel (left) and Quentin Tarantino attempt to resolve “The Bonnie Situation.” time. Later, when every nook and cranny Courtesy Library of Congress of “Pulp Fiction” had become quoted and quantified, this minor burger observation entered pop (something a new generation certainly related to through culture with a flourish as part of what fans call the video games, which are similarly structured). Travolta “Tarantinoverse.” gets to stare down Willis (whom he dismisses as “Punchy”), something that could only happen in a movie With its interlocking story structure, looping time frame, directed by an ardent fan of “Welcome Back Kotter.” In and electric jolts, “Pulp Fiction” uses the grammar of film each grouping, the alpha male is soon determined, and to explore the amusement park of the Tarantinoverse, a the scene involves appeasing him. (In the segment called stylized merging of the mundane with the unthinkable, “The Bonnie Situation,” for example, even the big crime all set in a 1970s time warp. Tarantino is the first of a boss is so inexplicably afraid of upsetting Bonnie, a night slacker generation to be idolized and deconstructed as nurse, that he sends in his top guy, played by Harvey Kei- much for his attitude, quirks, and knowledge of pop- tel, to keep from getting on her bad side.) culture arcana as for his output, which as of this writing has been Jack-Rabbit slim. -
Oscar-Winning 'Slumdog Millionaire:' a Boost for India's Global Image?
ISAS Brief No. 98 – Date: 27 February 2009 469A Bukit Timah Road #07-01, Tower Block, Singapore 259770 Tel: 6516 6179 / 6516 4239 Fax: 6776 7505 / 6314 5447 Email: [email protected] Website: www.isas.nus.edu.sg Oscar-winning ‘Slumdog Millionaire’: A Boost for India’s Global Image? Bibek Debroy∗ Culture is difficult to define. This is more so in a large and heterogeneous country like India, where there is no common language and religion. There are sub-cultures within the country. Joseph Nye’s ‘soft power’ expression draws on a country’s cross-border cultural influences and is one enunciated with the American context in mind. Almost tautologically, soft power implies the existence of a relatively large country and the term is, therefore, now also being used for China and India. In the Indian case, most instances of practice of soft power are linked to language and literature (including Indians writing in English), music, dance, cuisine, fashion, entertainment and even sport, and there is no denying that this kind of cross-border influence has been increasing over time, with some trigger provided by the diaspora. The film and television industry’s influence is no less important. In the last few years, India has produced the largest number of feature films in the world, with 1,164 films produced in 2007. The United States came second with 453, Japan third with 407 and China fourth with 402. Ticket sales are higher for Bollywood than for Hollywood, though revenue figures are much higher for the latter. Indian film production is usually equated with Hindi-language Bollywood, often described as the largest film-producing centre in the world. -
Recommend Me a Movie on Netflix
Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve. -
Agatha Awards – Best First Novel the Agatha Awards, Named for Agatha
Agatha Awards – Best First Novel The Agatha Awards, named for Agatha Christie, are literary awards for mystery and crime writers who write in the cozy mystery subgenre. At an annual convention in Washington, D.C., the Agatha Awards are handed out by Malice Domestic Ltd, in six categories: Best Contemporary Novel; Best First Novel; Best Historical Novel; Best Short Story; Best Nonfiction; Best Children's/Young Adult Novel. Additionally, in some years the Poirot Award is presented to honor individuals other than writers who have made outstanding contributions to the mystery genre, but it is not an annual award. 2019 Winner: Tara Laskowski, One Night Gone Nominees: Connie Berry, A Dream of Death S. C. Perkins, Murder Once Removed Ang Pompano, When It’s Time for Leaving Grace Topping, Staging is Murder 2018 Winner: (Tie) Dianne Freeman, A Ladies Guide to Etiquette and Murder and Shari Randall, Curses, Boiled Again Nominees: Edwin Hill, Little Comfort Aimee Hix, What Doesn't Kill You Keenan Powell, Deadly Solution 2017 Winner: Kellye Garrett, Hollywood Homicide Nominees: Micki Browning, Adrift V.M. Burns, The Plot is Murder Laura Oles, Daughters of Bad Men Kathleen Valenti, Protocol 2016 Winner: Cynthia Kuhn, The Semester of Our Discontent Nominees: Marla Cooper, Terror in Taffeta Alexia Gordon, Murder in G Major Nadine Nettmann, Decanting a Murder Renee Patrick, Design for Dying 2015 Winner: Art Taylor, On the Road with Del and Louise Nominees: Tessa Arlen, Death of a Dishonorable Gentleman Cindy Brown, Macdeath Ellen Byron, Plantation Shudders Julianne Holmes, Just Killing Time 2014 Winner: Terrie Farley Moran, Well Read, Then Dead Nominees: Annette Dashoffy, Circle of Influence Sherry Harris, Tagged for Death Susan O'Brien, Finding Sky Tracy Weber, Murder Strikes a Pose 2013 Winner: Leslie Budewitz, Death Al Dente Nominees: Shelley Costa, You Cannoli Die Once Kendel Lynn, Board Stiff Liz Mugavero, Kneading to Die LynDee Walker, Front Page Fatality 2012 Winner: Susan M. -
Louise Penny's November Newsletter
04/01/2016 Louise Penny Newsletter To view this email with images click here Louise Penny's November Newsletter "Proofread carefully to see if you any words out." Author Unknown The Beautiful Mystery October US / Canada / UK Hope this finds you well, and happy and safe from disasters, natural or otherwise. What a dreadful storm we've seen wallop the northeast of the US and Canada. Thankfully we've been spared, but so many others have been hit so hard. October had been another hectic month around here and I suspect for you too. Does it ever settle down? I can get all caught up in work, and more than a little frazzled and frayed but on good days I can step back and realize this isn't a burden, this isn't a crisis, this isn't a problem, this is a blessing. My dream come true. Then I gather my wits, exhale and that weight lifts. Nothing changes, except how I view things. Burdens become blessings. On very, very good days, I remember to do my sums. And I have a Click if you wish to order lot of them to count. Barnes & Noble.com Amazon.com October was some month! Amazon.ca Amazon.co.uk THE BEAUTIFUL MYSTERY went into its seventh printing. ABA American Booksellers Association A TRICK OF THE LIGHT won the Anthony Award for best Crime Novel in the US. A Trick of the Light STILL LIFE was filmed. US / Canada / UK BOOK NINE (not the actual title) was 'finished' and sent to my agent. -
Constituting Brokeback Mountain(S): Rhetorical
CONSTITUTING BROKEBACK MOUNTAIN(S): RHETORICAL STRATEGY IN THE LGBT MOVEMENT by JON B. HOFFMAN (Under the Direction of Christine Harold) ABSTRACT This project contributes to the study of modern social movements by analyzing two strands of rhetoric around the movie Brokeback Mountain and their implications for the LGBT movement. I identify the key distinction as one of rhetorical strategy as opposed to an ethical orientation for which Michael Warner has argued. Through close textual analysis, I outline the limits and possibilities of both assimilationist and integrationist rhetoric as strategic options for LGBT advocacy. I argue that rather than privileging one over the other, a more effective political discourse must be self-conscious of the strategic value of any given rhetoric. INDEX WORDS: Brokeback Mountain, Gay, Lesbian, LGBT, Rhetoric, Public Sphere CONSTITUTING BROKEBACK MOUNTAIN(S): RHETORICAL STRATEGY IN THE LGBT MOVEMENT by JON B. HOFFMAN B.A., Luther College, 2005 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Jon B. Hoffman Some Rights Reserved Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License CONSTITUTING BROKEBACK MOUNTAIN(S): RHETORICAL STRATEGY IN THE LGBT MOVEMENT by JON B. HOFFMAN Major Professor: Christine Harold Committee: John Murphy Vanessa Beasley Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2007 TABLE OF CONTENTS -
FILM 103L.01: Introduction to Film
University of Montana ScholarWorks at University of Montana Syllabi Course Syllabi Spring 2-1-2017 FILM 103L.01: Introduction to Film Bryan Bello The University Of Montana Follow this and additional works at: https://scholarworks.umt.edu/syllabi Let us know how access to this document benefits ou.y Recommended Citation Bello, Bryan, "FILM 103L.01: Introduction to Film" (2017). Syllabi. 4844. https://scholarworks.umt.edu/syllabi/4844 This Syllabus is brought to you for free and open access by the Course Syllabi at ScholarWorks at University of Montana. It has been accepted for inclusion in Syllabi by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Introduction to Film FILM 103 Professor: Bryan Bello Office hours: M & W 9-10:30 and by appointment in LA 128 Readings: Understanding Movies Readings on Moodle Assignments: Weekly essay quizzes or take home review essays, midterm exam, and in-class comprehensive final exam Course Goals/Objectives: This class requires the students to assess film from three different perspectives: 1) Aesthetics - Students will learn the conventions involved in putting together a film, and the aesthetic commitments involved in using these conventions. 2) Ethics - Many, if not most films, have at their center some ethical issue or dilemma. Students will learn to identify, characterize and write clearly about the filmic expressions of these dilemmas. 3) Politics of Film - Students will learn to be critical viewers of film and to look for the social significance in the apparently neutral image and in the medium itself. I. -
Louise Penny's April Newsletter
04/01/2016 Louise Penny Newsletter To view this email with images click here Louise Penny's April Newsletter "There is a balm in Gilead, to make the wounded whole…" The Balm in Gilead, A Spiritual How The Light Gets In THE LONG WAY HOME US / Canada / UK Finally I can show you the cover of THE LONG WAY HOME! Here it is I love this cover and, to add to my delight, it's actually a detail from a painting by one of my favorite artists. I wonder if any of you can name the artist and the title of the painting? I know we have not made it at all easy for you but the first person who can answer those questions will win a signed first edition Click if you wish to order hardcover of THE LONG WAY HOME, when it is published. Send Barnes & Noble.com your answers to: [email protected] Good luck! Amazon.com Amazon.ca I'll give you the answer, and the winners name, in the May Amazon.co.uk newsletter. ABA American Over on the Facebook page we had the fun of slowly revealing the Booksellers Association cover over four days, using short video clips. And then, on the final day, the full image. (IMBA) The Independent Mystery Booksellers If you click here you can see that final video via YouTube. There's Association some sound to it, so can you make sure your volume is turned up? The Beautiful Mystery US / Canada / UK The Long Way Home about the book And now I can also tell you something about THE LONG WAY HOME. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
Pulp Fiction – Mia & Vincent
PULP FICTION (Vincent takes out his pouch of tobacco and begins rolling himself a smoke as Mia gets a cigarette out of her pack. She sees Vincent rolling one and starts watching him. She then puts hers back in the pack) MIA: Could you um, roll me one of those cowboy? (As he finishes licking it) VINCENT: You can have this one, cowgirl. (He hands her the rolled smoke. She takes it, putting it to her lips. Out of nowhere appears a Zippo lighter in Vincent's hand. He lights it.) MIA: Thanks. VINCENT: Think nothing of it. (He begins rolling one for himself) MIA: So, Marsellus said you just got back from Amsterdam. VINCENT: Sure did. MIA: How long were you there? VINCENT: Just over three years. MIA: I go there about once a year to chill out for a month VINCENT: No kidding, I didn’t know that. MIA: Why would you? VINCENT: I heard you did a pilot. MIA: That was my fifteen minutes. VINCENT: What was it? MIA: It was a show about a team of female secret agents called "Fox Force Five." VINCENT: What? MIA: "Fox Force Five." Fox, as in we're a bunch of foxy chicks. Force, as in we're a force to be reckoned with. Five, as in there's one..two..three..four..five of us. There was a blonde one, Sommerset O'Neal, she was the leader. The Japanese fox was a kung fu master, the black girl was a demolition expert, the French fox' specialty was sex... VINCENT: What was your specialty? MIA: Knives.