DOCSLIB.ORG

Chromeo Debuts “Bad Decision”

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CHROMEO DEBUTS “BAD DECISION” PERFORMING “MUST’VE BEEN” WITH DRAM ON THE TONIGHT SHOW STARRING JIMMY FALLON FIFTH STUDIO ALBUM HEAD OVER HEELS OUT JUNE 15 HOLLYWOOD PALLADIUM DATE ADDED TO WORLD TOUR WATCH/POST: https://www.youtube.com/watch?v=FcybEZdiIVQ BUY/STREAM: https://Chromeo.lnk.to/BD Chromeo debuts a new track today: listen to “Bad Decision” here. The song is the latest release from their highly anticipated forthcoming album Head Over Heels, out June 15 on Big Beat/Atlantic Records and available for pre-order here. Furthermore, tonight the band performs the Head Over Heels lead single “Must’ve Been” on The Tonight Show Starring Jimmy Fallon alongside DRAM, legendary funk guitarist Jesse Johnson and The Roots. Safe to say the late-night airwaves are in for a funk extravaganza. Head Over Heels, recorded over the past two years at Chromeo’s Los Angeles studio, is the group’s most collaborative effort to date. Bridging generations and sub-genres like only the Funklordz could, it features guest vocals from The-Dream, Stefflon Don, French Montana and Amber Mark, among others, plus musical contributions from neo-soul legend Raphael Saadiq, 2000s R&B mastermind Rodney Jerkins, D’Angelo collaborator Pino Palladino, Nuyorican jazz ensemble Onyx Collective and more. Far reaching and expansive, Head Over Heels is Dave 1 and P-Thugg’s heartfelt love letter to the funk, soul and R&B that has influenced them since their teenage years. “Bad Decision” follows the single “Must’ve Been” featuring DRAM— released a month ago and already streamed close to 5 million times — as well as “Juice”, which The Guardian calls “a jaunty, electro-funk mega-banger,” and “Bedroom Calling” featuring The-Dream, which Billboard lauds as “quite honestly one of the best Chromeo songs we’ve heard in years.” After a sold-out West Coast run and a smashing set on Coachella’s main stage, the band is adding a headline show in LA at the Hollywood Palladium on August 10. Until then, catch the Funklordz in the U.K. and Europe at the end of May, in New York and all over the East Coast in June, and crushing all major festivals: Bonnaroo, Lollapalooza, Osheaga, Primavera Sound and more. Tickets are on sale now—visit chromeo.net for more info. Chromeo is the iconic duo of Montreal natives and high school best friends Dave 1 (David Macklovitch) and P-Thugg (Patrick Gemayel). The group rose to prominence with their seminal 2007 release Fancy Footwork, heralding the dawn of the ‘80s electro-funk revival. CHROMEO—HEAD OVER HEELS 1. Must’ve Been (featuring DRAM) 2. Don’t Sleep (featuring French Montana and Stefflon Don) 3. One Track Mind 4. Count Me Out 5. Bad Decision 6. Right Back Home To You (Interlude) 7. Just Friends (featuring Amber Mark) 8. Juice 9. Slumming It 10. Bedroom Calling pt. 1 11. Bedroom Calling pt. 2 (featuring The-Dream) 12. Room Service CHROMEO LIVE May 24 London, U.K. XOYO May 25 London, U.K. All Points East May 26 Paris, France Elysee Montmartre May 28 Berlin, Germany Festsaal Kreuzberg May 29 Brussels, Belgium AB Ballroom May 30 Amsterdam, The Netherlands Melkweg Max June 1 Barcelona, Spain Primavera Sound June 8 Manchester, TN Bonnaroo June 11 Washington, D.C. 9:30 Club* June 12 Washington, D.C. 9:30 Club* June 14 Dover, DE Firefly Festival June 15 New York, NY Terminal 5* June 18 Boston, MA House of Blues* June 19 Philadelphia, PA The Fillmore* June 21 Columbus, OH Newport Music Hall* June 22 Royal Oak, MI Royal Oak Music Theatre* June 21-24 Rothbury, MI Electric Forest June 25 Minneapolis, MN First Avenue* June 26 Kansas City, MO CrossroadsKC† June 28 Morrison, CO Red Rocks‡ June 28-July 1 Rothbury, MI Electric Forest July 3 Toronto, ON Danforth Music Hall* July 4 Toronto, ON Danforth Music Hall* July 5 Quebec City Festival D’Ete July 7 Ottawa, ON Ottawa Blues Fest July 20 Byron Bay, Australia Splendour in the Grass July 21 Melbourne, Australia Max Watt's House of Music July 22 Sydney, Australia The Metro Theatre August 3 Montreal, QC Osehaga Music & Arts Festival August 5 Chicago, IL Lollapalooza August 7 Ogden, UT Ogden Twilight August 10 Los Angeles, CA Hollywood Palladium August 10-12 San Francisco, CA Outside Lands August 31-September 2 Seattle, WA Bumbershoot September 7 Vancouver, BC Skookum Festival *with Pomo †with The Glitch Mob, Elohim ‡with The Glitch Mob, Elohim and Kittens Follow Chromeo: https://facebook.com/chromeo https://instagram.com/chromeo https://twitter.com/Chromeo https://www.youtube.com/user/chromeo https://soundcloud.com/chromeo For more information, please contact Reid Kutrow or Carla Sacks at Sacks & Co., 212.741.1000, [email protected] or [email protected] Jordan Danielle Frazes at Big Beat/Atlantic Records, [email protected] For DRAM, please contact Jason Davis at [email protected] .
Recommended publications
  • Sheets to Lull To

    Sheets to Lull To

    Sheets to Lull To - Pratyaksh Gautam Lo-Fi? So, What’s Different? usic spawns countless genres, with new ones Most genres of music aim to grab your attention and Mpopping up by the dozens every few years. move you, or to make you move. Lo-fi established Among the genres to come to prominence in the last itself as a genre whose aim is to not draw too much few years, lo-fi stands out as one of the more “un- attention, as demonstrated by the title of the largest interesting” ones. It isn’t bizarre, avant-garde, nor is lo-fi live stream on the internet, ChilledCow’s 24x7 it dominating the top 40. It doesn’t have any artists “lo-fi hip hop radio - beats to relax/study to”. They’re who constantly make headlines for their fashion or repetitive, relaxed and laid-back beats, with rarely relationships. any comprehensible lyrics, to be played without It begs the much more “interesting” question, why needing to pay attention, as filler, think Phillip Glass is such a seemingly niche genre enjoying growing meets J Dilla. popularity? Simply put, lo-fi hip hop is this generation’s elevator Lo-fi, short for ‘low fidelity’ is a genre of music music, well suited for late-night study sesh’s, or drawing largely on hip-hop, with elements of other questionable activities best appreciated with sampling, classic old school drum machine sounds, a calm ambience. lo-fi has existed in some way or unquantised drums, slightly detuned synths, form for a long time, but has recently attracted a repetition, and repetition.
  • Midnight Special Songlist

    Midnight Special Songlist

    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence

    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence

    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
  • Set List Select Several Songs to Be Played at Your Event / Party

    Set List Select Several Songs to Be Played at Your Event / Party

    FORM: SET LIST SELECT SEVERAL SONGS TO BE PLAYED AT YOUR EVENT / PARTY SONGS YOU CAN EAT AND DRINK TO MEDLEYS SONGS YOU CAN DANCE TO ELO - Mr. Blue Sky Lykke Li - I follow Rivers St. Vincent - Digital Witness Elton John - Tiny Dancer Major Lazer – Lean On Stealers Wheel - Stuck in the Middle With You Beach Boys - God Only Knows Daft Punk Medley Adele - Rolling in the Deep Empire of the Sun - Walking On a Dream Mariah Carey - Fantasy Steely Dan - Hey Nineteen Belle and Sebastian - Your Covers Blown 90's R&B Medley Amy Winehouse - Valerie Feist - 1,2,3,4 Mark Morrison - Return of the Mack Steely Dan - Peg Black Keys - Gold On the Ceiling TLC Ariel Pink - Round + Round Feist - Sea Lion Woman Mark Ronson - Uptown Funk Stevie Nicks - Stand Back Bon Iver – Holocene Usher Beach Boys - God Only Knows Fleetwood Mac - Dreams Marvin Gaye - Ain't No Mountain High Enough Stevie Wonder - Higher Ground Bon Iver - Re: Stacks Montell Jordan Beck - Debra Fleetwood Mac - Never Going Back MGMT - Electric Feel Stevie Wonder - Sir Duke Bon Iver - Skinny Love Mark Morrison Beck - Where It’s At Fleetwood Mac - Say You Love Me Michael Jackson - Human Nature Stevie Wonder- Superstition Christopher Cross - Sailing Next Belle and Sebastian - Your Covers Blown Fleetwood Mac - You Make Lovin Fun Michael Jackson - Don’t Stop Til You Get Enough Supremes - You Can't Hurry Love David Bowie - Ziggy Stardust 80's Pop + New Wave Medley Billy Preston - Nothing From Nothing Frank Ocean – Lost Michael Jackson - Human Nature Talking Heads - Burning Down the House Eagles - Hotel California New Order Black Keys - Gold On the Ceiling Frankie Vailli - December 1963 (Oh What A Night) Michael Jackson - O The Wall Talking Heads - Girlfriend is Better ELO - Mr.
  • Annual American Composers Update

    Annual American Composers Update

    SAI COMPOSERS BUREAU ANNUAL AMERICAN thCOMPOSERS 70 UPDATE by Steve Cohen SAI Philanthropies, Inc. Winter 2019 Digital Exclusive • SAI Alumna/Patroness ANNUAL AMERICAN • • Friend of the Arts th • • • National Arts Associate COMPOSERS UPDATE • • • • Honorary Member 70 • • • • • Member Laureate Dear Reader, to members of SAI, through their annual updates and sharing but also to libraries of information with other composers. Our igma Alpha Iota Philanthropies and schools. This reports link composers to one another, is pleased to bring you the magazine is listed in to performers eager to program and newest Composers Bureau the MUSIC INDEX, commission new music, to students who SUpdate, the 70th in a stream which includes a crave music that is fresh and new. of annual reports from the field. separate entry for The SAI Composers Bureau is a Composers are hard at work, having each composer in the project of SAI Philanthropies, Inc., the success in getting premieres, second “American Composer Update: Premieres, charitable arm of Sigma Alpha Iota. It is a and third performances, recordings, and Performances, Publications, Recordings, privilege to support American composers publications. News tells of commissions and News.” In addition, information in the by publicizing their work. So, to all who and opportunities. The IAMA premieres issue is used to update the information use the Composers Bureau Update, know at the 2018 SAI National Convention are on the SAI Composers Bureau website that this is a part of SAI’s core mission: to here—works by Steve Cohen, Richard with direct links to composers’ webpages, encourage, nurture, and support the art Crosby, and Bonnie Janofsky.
  • 2011 MTV Video Music Awards”

    2011 MTV Video Music Awards”

    Here are the nominees for the “2011 MTV Video Music Awards”: VIDEO OF THE YEAR Adele Tyler, The Creator Title: Rolling In The Deep Title: Yonkers Album: 21 Album: Goblin Director: Sam Brown Director: Wolf Haley Label: XL/Columbia Label: XL Recordings Production Company: Flynn Production Company: Happy Place Producer: Hannah Chandler Producer: Tara Razavi Katy Perry Bruno Mars Title: Firework Title: Grenade Album: Teenage Dream Album: Doo-Wops and Hooligans Director: Dave Meyers Director: Nabil Elderkin Label: Capitol Label: Elektra Production Company: Radical Media Production Company: Little Minx/RSA Producers: Robert Bray, Danny Lockwood Producer: Anne Johnson Beastie Boys Title: Make Some Noise Album: Hot Sauce Committee Part Two Director: Adam Yauch Label: Capitol Records Production Company: Directors Bureau Producer: Samantha Storr BEST FEMALE VIDEO Adele Katy Perry Title: Rolling In The Deep Title: Firework Album: 21 Album: Teenage Dream Director: Sam Brown Director: Dave Meyers Label: XL/Columbia Label: Capitol Production Company: Flynn Production Company: Radical Media Producers: Hannah Chandler Producers: Robert Bray, Danny Lockwood Beyonce Nicki Minaj Title: Run The World (Girls) Title: Super Bass Album: 4 Album: Pink Friday Director: Francis Lawrence Director: Sanaa Hamri Label: Parkwood Entertainment/Columbia Label: Young Money/Cash Money Records Production Company: DNA Production Company: 305 Films Producer: Justin Diener Producers: Kimberly S. Stuckwisch, Michelle Larkin & Keith "KB" Brown Lady GaGa Title: Born This Way Album: Born This Way Director: Nick Knight, Haus of Gaga Label: Streamline/Interscope/Konlive Production Company: Factory Films, Ltd. Producers: Nicole Ehrlich, Steven Johnson BEST MALE VIDEO Cee Lo Green Eminem feat. Rihanna Title: F*** You Title: Love The Way You Lie Album: The Lady Killer Album: Recovery Director: Matt Stawski Director: Joseph Kahn Label: Elektra Label: Aftermath Records Production Company: Refused TV Production Company: H.S.I.
  • African American Sheet Music Collection, Circa 1880-1960

    African American Sheet Music Collection, Circa 1880-1960

    African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful.
  • Rap in the Context of African-American Cultural Memory Levern G

    Rap in the Context of African-American Cultural Memory Levern G

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to
  • Artista - Titulo Estilo PAIS PVP Pedido

    Artista - Titulo Estilo PAIS PVP Pedido

    DESCUENTOS TIENDAS DE MUSICA 5 Unidades 3% CONSULTAR PRECIOS Y 10 Unidades 5% CONDICIONES DE DISTRIBUCION 20 Unidades 9% e-mail: [email protected] 30 Unidades 12% Tfno: (+34) 982 246 174 40 Unidades 15% LISTADO STOCK, actualizado 09 / 07 / 2021 50 Unidades 18% PRECIOS VALIDOS PARA PEDIDOS RECIBIDOS POR E-MAIL REFERENCIAS DISPONIBLES EN STOCK A FECHA DEL LISTADOPRECIOS CON EL 21% DE IVA YA INCLUÍDO Referencia Sello T Artista - Titulo Estilo PAIS PVP Pedido 3024-DJO1 3024 12" DJOSER - SECRET GREETING EP BASS NLD 14.20 AAL012 9300 12" EMOTIVE RESPONSE - EMOTIONS '96 TRANCE BEL 15.60 0011A 00A (USER) 12" UNKNOWN - UNTITLED TECHNO GBR 9.70 MICOL DANIELI - COLLUSION (BLACKSTEROID 030005V 030 12" TECHNO ITA 10.40 & GIORGIO GIGLI RMXS) SHINEDOE - SOUND TRAVELLING RMX LTD PURE040 100% PURE 10" T-MINIMAL NLD 9.60 (RIPPERTON RMX) BART SKILS & ANTON PIEETE - THE SHINNING PURE043 100% PURE 12" T-MINIMAL NLD 8.90 (REJECTED RMX) DISTRICT ONE AKA BART SKILS & AANTON PURE045 100% PURE 12" T-MINIMAL NLD 9.10 PIEETE - HANDSOME / ONE 2 ONE DJ MADSKILLZ - SAMBA LEGACY / OTHER PURE047 100% PURE 12" TECHNO NLD 9.00 PEOPLE RENATO COHEN - SUDDENLY FUNK (2000 AND PURE088 100% PURE 12" T-HOUSE NLD 9.40 ONE RMX) PURE099 100% PURE 12" JAY LUMEN - LONDON EP TECHNO NLD 10.30 DILO & FRANCO CINELLI - MATAMOSCAS EP 11AM002 11:00 A.M. 12" T-MINIMAL DEU 9.30 (KASPER & PAPOL RMX) FUNZION - HELADO EN GLOBOS EP (PAN POT 11AM003 11:00 A.M. 12" T-MINIMAL DEU 9.30 & FUNZION RMXS) 1605 MUSIC VARIOUS ARTISTS - EXIT PEOPLE REMIXES 1605VA002 12" TECHNO SVN 9.30 THERAPY (UMEK, MINIMINDS, DYNO, LOCO & JAM RMXS) E07 1881 REC.
  • AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet

    AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet

    NEW RELEASES WEA.COM ISSUE 18 SEPTEMBER 14 + SEPTEMBER 21, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date DV- En Vivo Desde Morelia 15 LAT 525832 BANDA MACHOS Años (DVD) $12.99 9/14/10 8/18/10 CD- FER 888109 BARLOWGIRL Our Journey…So Far $11.99 9/14/10 8/25/10 CD- NON 524138 CHATHAM, RHYS A Crimson Grail $16.98 9/14/10 8/25/10 CD- ATL 524647 CHROMEO Business Casual $13.99 9/14/10 8/25/10 CD- Business Casual (Deluxe ATL 524649 CHROMEO Edition) $18.98 9/14/10 8/25/10 Business Casual (White ATL A-524647 CHROMEO Colored Vinyl) $18.98 9/14/10 8/25/10 DV- Crossroads Guitar Festival RVW 525705 CLAPTON, ERIC 2004 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 DV- Crossroads Guitar Festival RVW 525708 CLAPTON, ERIC 2007 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 COLMAN, Shape Of Jazz To Come (180 ACG A-1317 ORNETTE Gram Vinyl) $24.98 9/14/10 8/25/10 REP A-524901 DEFTONES White Pony (2LP) $26.98 9/14/10 8/25/10 CD- RRR 177622 DRAGONFORCE Twilight Dementia (Live) $18.98 9/14/10 8/25/10 DV- LAT 525829 EL TRI Sinfonico (DVD) $12.99 9/14/10 8/18/10 JACKSON, MILT & HAWKINS, ACG A-1316 COLEMAN Bean Bags (180 Gram Vinyl) $24.98 9/14/10 8/25/10 CD- NON 287228 KREMER, GIDON
  • The Neptunes Have Oversize Lincoln Navigator

    The Neptunes Have Oversize Lincoln Navigator

    } THENERDM ENTALITY THHY6 AVffiJ AY-XA B*UNCT, LENITT hIglRF UhIKT S'N SYh*CA NM HUSTLTPB HATSF &R T'{H KING OF POP.I T WAS *h,l-Y A MATTERO F TIM€ gHF{3RgT I{K \IIRGII''I[AM E,4CHP R$SLJCTIONT EAM CALI-EDT F{€I \FPTU'XE$P tJTTi{ENRC LIg'\d?SO N'HI OLP Ah{& LKTTF{€IRO WTdg ?RANGgS *UNSS LSOSHS hNT'..IfC; I.,IART"BSY ETHAN BROWN IHARRELL wTLLIAMs HAs rHE EvENING MAppED our "lIsrrN," have been shockingly consistent hitmakers, racking up ahalf- "tonight |!|h" explains, we're gonna hang out with punks, dozen Top ro hits (and loads of Top 4os) in an arenawhererna' I skatersa nd brothers from the hood." He glances down jor players like Sean "Puffy" Combs and legendary hit men such at the freshly painted morel parking lot and climbs into his as Clive Davis often strike out. Moreover. the Neptunes have oversize Lincoln Navigator. "I can t hang with just one group of proved they can savea rtists from themseives,s pinning stalwart people." The z8-year-old producer-musician is the mirror im- stars in new directions. They transformed JayZ'shrstler-by- age of his inclusive social sphere-call it a ghetto-glam-bumpkin numbers "I Just Wanna Love U (Give It z Me)" inro a soulful look faded thrift-store jeans, tattered Rolling Stones baseball sing-along, remixed and rescued the Backstreet Boys' uninspiring cap, VersaceT -shirt and white Prada sneakers.A nd though he u.rth.- "The Call' and converted Mystlfal's clicired boory "rl'i wears a chunky diamond earring in one ear and a cartoonishly "Shake Ya Ass" into a brassv.
  • Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A

    Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A

    Williams, J. A. (2014). Theoretical Approaches to Quotation in Hip- Hop Recordings. Contemporary Music Review, 33(2), 188-209. https://doi.org/10.1080/07494467.2014.959276 Publisher's PDF, also known as Version of record Link to published version (if available): 10.1080/07494467.2014.959276 Link to publication record in Explore Bristol Research PDF-document University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ This article was downloaded by: [University of Bristol] On: 26 March 2015, At: 13:07 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Contemporary Music Review Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/gcmr20 Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A. Williams Published online: 28 Oct 2014. Click for updates To cite this article: Justin A. Williams (2014) Theoretical Approaches to Quotation in Hip-Hop Recordings, Contemporary Music Review, 33:2, 188-209, DOI: 10.1080/07494467.2014.959276 To link to this article: http://dx.doi.org/10.1080/07494467.2014.959276 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content.