Catalog General
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Twyla Tharp Th Anniversary Tour
Friday, October 16, 2015, 8pm Saturday, October 17, 2015, 8pm Sunday, October 18, 2015, 3pm Zellerbach Hall Twyla Tharp D?th Anniversary Tour r o d a n a f A n e v u R Daniel Baker, Ramona Kelley, Nicholas Coppula, and Eva Trapp in Preludes and Fugues Choreography by Twyla Tharp Costumes and Scenics by Santo Loquasto Lighting by James F. Ingalls The Company John Selya Rika Okamoto Matthew Dibble Ron Todorowski Daniel Baker Amy Ruggiero Ramona Kelley Nicholas Coppula Eva Trapp Savannah Lowery Reed Tankersley Kaitlyn Gilliland Eric Otto These performances are made possible, in part, by an Anonymous Patron Sponsor and by Patron Sponsors Lynn Feintech and Anthony Bernhardt, Rockridge Market Hall, and Gail and Daniel Rubinfeld. Cal Performances’ – season is sponsored by Wells Fargo. PROGRAM Twyla Tharp D?th Anniversary Tour “Simply put, Preludes and Fugues is the world as it ought to be, Yowzie as it is. The Fanfares celebrate both.”—Twyla Tharp, 2015 PROGRAM First Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers The Practical Trumpet Society Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company Antiphonal Fanfare for the Great Hall by John Zorn. Used by arrangement with Hips Road. PAUSE Preludes and Fugues Dedicated to Richard Burke (Bay Area première) Choreography Twyla Tharp Music Johann Sebastian Bach Musical Performers David Korevaar and Angela Hewitt Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company The Well-Tempered Clavier : Volume 1 recorded by MSR Records; Volume 2 recorded by Hyperi on Records Ltd. INTERMISSION PLAYBILL PROGRAM Second Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers American Brass Quintet Costumes Santo Loquasto Lighting James F. -
Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
Community Rallies for Furloughed Workers
VERO BEACH WABASSO BEACHSIDE @HometownNewsIndianRiver @hometownnewsirc @HometownNewsIRC Vol. 16, No. 23 www.HometownNewsTC.com Friday, Feb. 1, 2019 PLANNING A TRIP? GOLF GROCERY LOCALES PET OF THE WEEK ‘Touring with the Townies’ Find out the best way to features reader-submitted photos Our golf guru went to this shop for your favorite Meet two and a half year old from travels. Let’s see how many year's PGA Merchandise ingredients. Stella, a mix breed tabby. places we can go! Send in your show in Orlando. Read about picture or questions to his trip! [email protected] TAKE US WITH YOU GOLF 16 COOKING 18 PET OF THE WEEK 7 Defend and dominate Centennial celebration turns artsy By MIKE WINIKOFF [email protected] VERO BEACH — Celebrations of the Vero Beach Centennial took a decidedly artistic turn in January. The Vero Beach Centennial Art and Poster Competition and Show featured posters created by young artists in thirteen schools: Gifford Middle, Osceola Magnet, Citrus Elementary, St. Helen Catholic School, Rosewood Elementary, Vero Beach Elementary, Liberty Elementary, Storm Grove Middle, Vero Beach Fresh- man Learning Center, Indian River Char- ter High School, Masters Academy, Glen- dale Elementary, and St. Edwards School. Each school submitted three entries Anthony Inswasty/staff photographer that were displayed at the Vero Beach Museum of Art. The Vero Beach Art Club The Vero Beach High School girls varsity basketball team won their home game announced the winners at a Jan. 4 recep- against rival school Sebastian River on Saturday, January 26 by a score of tion. Winners were Shelby Muir, Brooke 46-31.Lady Indian Cheyenne Marshall (No. -
Damn Yankees Program.Pdf
GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409. -
AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act
Welcome It is my pleasure to welcome you to AS YOU LIKE IT, the first production of our 50th anniversary season, and the first show in our Shakespearean act. Shakespeare’s plays have been a cornerstone of our work at CSC, and his writing continues to reflect and refract our triumphs and trials as individuals and collectively as a society. We inevitability turn to Shakespeare to express our despair, bewilderment, and delight. So, what better place to start our anniversary year than with the contemplative search for self and belonging in As You Like It. At the heart of this beautiful play is a speech that so perfectly encapsulates our mortality. All the world’s a stage, and we go through so many changes as we make our exits and our entrances. You will have noticed many changes for CSC. We have a new look, new membership opportunities, and are programming in a new way with more productions and a season that splits into what we have called “acts.” Each act focuses either on a playwright or on an era of work. It seemed appropriate to inaugurate this with a mini-season of Shakespeare, which continues with Fiasco Theater's TWELFTH NIGHT. Then there is Act II: Americans dedicated to work by American playwrights Terrence McNally (FIRE AND AIR) and Tennessee Williams (SUMMER AND SMOKE); very little of our repertoire has focused on classics written by Americans. This act also premieres a new play by Terrence McNally, as I feel that the word classic can also encapsulate the “bigger idea” and need not always be the work of a writer from the past. -
LIVE from LINCOLN CENTER “Falsettos” TCA Biographies ANDREW C. WILK Andrew C. Wilk Is a Multiple Emmy Award-Winning Producer
LIVE FROM LINCOLN CENTER “Falsettos” TCA Biographies ANDREW C. WILK Andrew C. Wilk is a multiple Emmy Award-winning producer and director whose career has encompassed leading roles in many areas of commercial and educational content. Since his arrival at Lincoln Center in 2011, he has served as executive producer of Live From Lincoln Center episodes ranging from classical music to dance to theatre. Prior to his work at Lincoln Center, Wilk served as Chief Creative Officer at Sony Music Entertainment, where he oversaw all visual content for Sony’s label groups and spearheaded Sony’s digital expansion. He also served as Founding Programmer and Executive Vice President of Programming and Production for the National Geographic Channel, where he launched the channel and developed its initial programming and scheduled and commissioned new programs, including specials with PBS and NBC. Wilk has won five Emmy Awards and received 15 nominations. Over the course of his career, he has produced or directed more than 1,000 television shows, ranging from children’s programming to news to commercial entertainment, in addition to continuing his work as a conductor of live music concerts. JAMES LAPINE James Lapine collaborated with Stephen Sondheim as author and director for Sunday in the Park With George; Into the Woods; Passion; and the multi-media revue Sondheim on Sondheim. He also directed Merrily We Roll Along as part of Encores at New York City Center. With William Finn, he has collaborated on March of the Falsettos and Falsettoland, later presented on Broadway as Falsettos and recently revived in 2016; A New Brain; Muscle; and Little Miss Sunshine. -
Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances. -
INTO the WOODS Stephen Sondheim (Music and Lyrics) and James Lapine (Book) Directed by Susi Damilano Music Director: Dave Dobrusky Choreography: Kimberly Richards
Press Release For immediate release May 2014 [email protected] Download Hi Res photos here INTO THE WOODS Stephen Sondheim (music and lyrics) and James Lapine (book) Directed by Susi Damilano Music Director: Dave Dobrusky Choreography: Kimberly Richards June 24th to September 6th Previews June 24 – June 27 at 8pm Tuesdays through Thursdays at 7pm, Fridays and Saturdays at 8pm Saturdays at 3pm and Sundays at 2pm (except 6/29) PRESS OPENING: Saturday, June 28th at 8pm San Francisco, CA (May 2014) – San Francisco Playhouse (Artistic Director Bill English & Producing Director Susi Damilano) concludes its provocative eleventh season with Into the Woods by Stephen Sondheim (music and lyrics) and James Lapine (book). What happens after “happily ever after?” Fractured fairy tales of a darker hue provide the context for Into the Woods, which deconstructs the Brothers Grimm by way of “The Twilight Zone.” While the faces and names are familiar, Cinderella, Rapunzel, Little Red Riding Hood, Jack in the Beanstalk and company inhabit a sylvan neighborhood in which witches and bakers are next-door neighbors, handsome princes from once-parallel fables are competitive (and equally vain) brothers, and all the stories intersect through unexpected new plot twists. Stephen Sondheim and James Lapine’s beloved musical intertwines classic fairytales with a contemporary edge to tell stories of wishes granted and “the price” paid. Susi Damilano (Director), Dave Dobrusky (Music Director) and Kimberly Richards (Choreographer) will team up to bring a fresh twist to this familiar tale by adding a time-travelling boy, Ian DeVaynes to the Bay Area cast that features: Louis Parnell* (Narrator), Safiya Fredericks* (Witch), El Beh (Baker’s Wife), Keith Pinto* (Baker), Tim Homsley* (Jack), Joan Mankin* (Jack’s Mom), Monique Hafen* (Cinderella), Becka Fink (Cinderella’s Stepmom), identical twins, Lily and Michelle Drexler (Cinderella’s Stepsisters), Noelani Neal (Rapunzel), Corinne Proctor (Red), Ryan McCrary and Jeffrey Adams (Princes/Wolves) and John Paul Gonzales (Steward). -
Sondheim Puzzle
THEATRE Copyright Lighting &Sound America June 2010 http://www.lightingandsoundamerica.com/LSA.html THE SONDHEIM PUZZLE Assembling the pieces of Sondheim on Sondheim was a brain-teasing task By: David Barbour know what we’ll do/We’ll do a life and examining the pains, Stephen Sondheim was at the revue.” Show fans will recognize pleasures, and problems of writing for forefront of artists who reinvented the these lines from “Opening Doors,” the musical theatre. It’s filled with musical with a modernist sensibility. “Iin the Stephen Sondheim/George stimulating and/or revelatory nuggets What Picasso and cubism were to Furth musical Merrily We Roll Along . of information. A sequence combining painting, Sondheim is to the musical. They’re words that theatre people three totally different opening Sondheim on Sondheim helps to have taken to heart; ever since 1977’s numbers written for A Funny Thing explain why. Side by Side by Sondheim , revues Happened on the Way to the Forum Onstage, Sondheim on Sondheim based on the songwriter’s catalog opens a window on that show’s unfolds with such elegant simplicity have proliferated. Some, like Opening troubled out-of-town tryout. The that one might not guess that its Doors, are linked to events in juxtaposition of two closing numbers creation proved to be a brain-teasing Sondheim’s life; others, like Putting it from Company reveals how Sondheim challenge for the members of its Together and Marry Me a Little , place adjusted his work to fit changes in design team. In essence, they weren’t the songs in a loose narrative the show’s libretto. -
Pittsburgh CLO Thanks Its Many Community Partners Who Have Supported the 2013 Annual Pittsburgh CLO Thanks the Guild and Listing Is Complete As of 5/31/13
The Pittsburgh Keep a work-life balance. Civic Light Opera Association Keep ahead of health costs. OFFICERS Keep your head from spinning. Honorary Chairman of the Board Vice Presidents/ Vice President/Special Events Julie Andrews Education & Outreach Laurie M. Mushinsky Christine M. Kobus Chairman of the Board Gary R. Truitt Vice Presidents Joseph C. Guyaux G. Reynolds Clark Vice Presidents/Human Resources James R. Kane President Todd C. Moules William M. Lambert Charlene Petrelli Secretary Vice President/CLO Ambassadors Johanna G. O’Loughlin Vice Presidents/ Frederick C. Leech Long Range Planning Treasurer Vice Presidents/Audit Michael E. Bleier Edward T. Karlovich Timothy K. Zimmerman Alvaro Garcia-Tunon Joseph C. Guyaux Executive Director Emeritus Chairman of the Board Todd C. Moules Vice Presidents/Marketing Charles Gray Michael F. Walsh Vice Presidents/Budget & Finance Corporate Counsel Timothy K. Zimmerman Richard S. Hamilton James M. Doerfler John C. Williams, Jr. Vice Presidents/New Works Chairmen of the Board Emeritus Development & Funding Vice President/Cabaret Theater John C. Williams, Jr. William J. Copeland Daniel I. Booker Mark J. Minnaugh George A. Davidson, Jr. Vice President/ James E. Rohr Construction Center & Facilities Vice Presidents/Nominating Daniel I. Booker Floyd R. Ganassi Scott F. Neill Louis D. Astorino John E. Kosar Vice Presidents/Development Executive Producer Tony Bucci Vice Presidents/Production Van Kaplan Mark J. Minnaugh Helen Hanna Casey Ronald L. Violi Peter J. Germain William M. Lambert President DIRECTORS Neil H. Alexander Stacy Leshock Dee Edward T. Karlovich Mark J. Minnaugh Joann L. Tissue Michael E. Bleier Eric F. Dickerson Joseph M. Klaja Mildred E. -
George Furth
AND Norma and Sol Kugler PRESENT MUSIC & LYRICS BY Stephen Sondheim BOOK BY George Furth STARRING Aaron Tveit AND Jeannette Bayardelle Mara Davi Josh Franklin Ellen Harvey Rebecca Kuznick Kate Loprest James Ludwig Lauren Marcus Jane Pfitsch Zachary Prince Peter Reardon Nora Schell Lawrence E. Street SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Kristen Robinson Sara Jean Tosetti Brian Tovar Ed Chapman HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Liz Printz Renee Lutz Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg Matt Ross Public Relations MUSIC SUPERVISION BY MUSICAL DIRECTION BY Darren R. Cohen Dan Pardo CHOREOGRAPHED BY Jeffrey Page DIRECTED BY Julianne Boyd Sponsored in part by Carrie and David Schulman COMPANY is presented through a special arrangement with Music Theatre International (MTI). ORIGINALLY PRODUCED AND DIRECTED ON BROADWAY BY Harold Prince ORCHESTRATIONS BY Jonathan Tunick BOYD-QUINSON MAINSTAGE AUGUST 10—SEPTEMBER 10, 2017 TIME & PLACE 1970's New York City, Robert’s 35th birthday. CAST IN ORDER OF APPEARANCE Robert .....................................................................................................Aaron Tveit* Susan ...................................................................................................Kate Loprest* Peter ....................................................................................................Josh Franklin* Sarah ........................................................................................Jeannette -
THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR
Friday, August 13, 2021 | 7:30 PM Saturday, August 14, 2021 | 7:30 PM Livestreamed MANHATTAN SCHOOL OF MUSIC MUSICAL THEATRE Liza Gennaro, Associate Dean and Director THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR Original Broadway production of The Drowsy Chaperone produced by Kevin McCollum, Roy Miller, Bob Boyett, Stephanie McClelland, Barbara Freitag, and Jill Furman Friday, August 13, 2021 | 7:30 PM Saturday, August 14, 2021 | 7:30 PM Livestreamed MANHATTAN SCHOOL OF MUSIC MUSICAL THEATRE Liza Gennaro, Associate Dean and Director THE DROWSY CHAPERONE Music & Lyrics by Book by LISA LAMBERT and BOB MARTIN and GREG MORRISON DON MCKELLAR Original Broadway production of The Drowsy Chaperone produced by Kevin McCollum, Roy Miller, Bob Boyett, Stephanie McClelland, Barbara Freitag and Jill Furman Evan Pappas, Director Liza Gennaro, Choreographer David Loud, Music Director Dominique Fawn Hill, Costume Designer Nikiya Mathis, Wig, Hair, and Makeup Designer Kelley Shih, Lighting Designer Scott Stauffer, Sound Designer Megan P. G. Kolpin, Props Coordinator Angela F. Kiessel, Production Stage Manager Super Awesome Friends, Video Production Jim Glaub, Scott Lupi, Rebecca Prowler, Jensen Chambers, Johnny Milani The Drowsy Chaperone is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com STREAMING IS PRESENTED BY SPECIAL ARRANGEMENT WITH MUSIC THEATRE INTERNATIONAL (MTI) NEW YORK, NY. All authorized performance materials are also supplied by MTI. www.mtishows.com WELCOME FROM LIZA GENNARO, ASSOCIATE DEAN AND DIRECTOR OF MSM MUSICAL THEATRE I’m excited to welcome you to The Drowsy Chaperone, MSM Musical Theatre’s fourth virtual musical and our third collaboration with the video production team at Super Awesome Friends—Jim Glaub, Scott Lupi and Rebecca Prowler.