Sandra's Book List

Total Page:16

File Type:pdf, Size:1020Kb

Sandra's Book List Sandra’s Assigned Books For The Past 33 Years 1985 A LATE DIVORCE (A.B.Yehoshua); TOO FAR TO GO (John Updike); BEING THERE (Jerzy Kosinski) 1986 CONTINENTAL DRIFT (Russell Banks); HOUSE OF THE SPIRITS (Isabel Allende); ACCIDENTAL TOURIST (Anne Tyler); or STONES FOR IBARRA (Harriet Doer) 1987 WHITE NOISE (Don DeLillo); DUBIN’S LIVES (Bernard Malamud); THE HANDMAID’S TALE (Margaret Atwood) 1988 A SUMMONS TO MEMPHIS (Peter Taylor) or THE WOMEN OF BREWSTER PLACE (Gloria Naylor); THE LONELY PASSION OF JUDITH HEARNE (Brian Moore); BELOVED (Toni Morrison) 1989 BONFIRE OF THE VANITIES (Tom Wolfe); LOVINGKINDNESS (Anne Roiphe); CROSSING TO SAFETY (Wallace Stegner) 1990 THE JOY LUCK CLUB (Amy Tan); BILLY BATHGATE (E.L.Doctorow); LOVE MEDICINE (Louise Ehrdrich) 1991 THE THINGS THEY CARRIED (Tim O’Brien); AFFLICTION (Russell Banks); FAMILY PICTURES (Sue Miller) 1992 BECAUSE IT IS BITTER, BECAUSE IT IS MY HEART (Joyce Carol Oats) RABBIT AT REST (John Updike); My SON’S STORY (NadineGordimer) 1993 PATRIMONY (Philip Roth); AT WEDDINGS AND WAKES (Alice McDermott) TALES OF THE MASTER RACE (Marci Hershman) 1994 BEFORE AND AFTER ( Rosellen Brown); THE REMAINS OF THE DAY (Kazuo Ishiguro); LIKE WATER FOR CHOCOLATE (Laura Esquivel) 1995 THE ROBBER BRIDE (Margaret Atwood); HAPPENSTANCE (CarolShields); THE SHIPPING NEWS ( E.Annie Proulx) 1996 THE STONE DIARIES (Carol Shields); SNOW FALLING ON CEDARS (David Guterson); LADDER OF YEARS (Anne Tyler) 1997 THE SHADOW MAN (Mary Gordon); I WAS AMELIA EARHART(Jane Mendelsohn); THE DISTINGUISHED GUEST (Sue Miller) 1998 ANGELA’S ASHES ( Frank McCourt); FLOATING IN MY MOTHER’S PALM (Ursula Hegi); ALIAS GRACE ( Margaret Atwood) 1999 MEMOIRS OF A GEISHA (Arthur Golden); THE READER (Bernhard Schlink); THE GOD OF SMALL THINGS (Arundhati Roy) 2000 POISONWOOD BIBLE (Barbara Kingsolver); THE HOURS (Michael Cunningham); THE WEIGHT OF WATER (Anita Shreve) 2001 WAITING (Ha Jin); GIRL WITH A PEARL EARRING (Tracy Chevalier); THE HUMAN STAIN (Philip Roth) 2002 THE BONESETTER’S DAUGHTER (Amy Tan); HOUSE OF SAND AND FOG (Andre Dubus III); EMPIRE FALLS (Richard Russo) 2003 ATONEMENT (Ian McEwan); THE SEAL WIFE (Kathryn Harrison); THE CORRECTIONS (Jonathan Franzen) 2004 CHILD OF MY HEART (Alice McDermott); MIDDLESEX (Jeffrey Eugenides); PROPERTY (Valerie Martin) 2005 THE NAMESAKE (Jhumpa Lahiri); ORCHARD (Larry Watson); WHEN THE EMPEROR WAS DIVINE (Julie Otsuka) 2006 MARCH (Geraldine Brooks); BAKER TOWERS (Jennifer Haigh); 1 RULES FOR OLD MEN WAITING ( Peter Pouncey) 2007 THE MASTER (Colm Toibin); INTUITION (Allegra Goodman); ON BEAUTY (Zadie Smith) 2008 BLACK AND WHITE (Dani Shapiro); IN THE COUNTRY OF MEN (Hashim Matar); OUT STEALING HORSES (Per Petterson) 2009 THE COMMONER (John Burnham Schwartz); THE LAZARUS PROJECT (Aleksandar Hemon); THE STORY OF A MARRIAGE (Andrew Sean Greer) 2010 THE HELP (Kathryn Stockett); INDIGNATION (Philip Roth); IMPORTANT ARTIFACTS AND PERSONAL PROPERTY OF LENORE DOOLAN AND HAROLD MORRIS INCLUDING BOOKS 2011 THE LAKE SHORE LIMITED by Sue Miller; THE IMPERFECTIONISTS by Tom Rachman; THE SOLITUDE OF PRIME NUMBERS by Paolo Giordano 2012 STATE OF WONDER by Ann Patchett THE LAST BROTHER by Natacha Appanah READING MY FATHER by Alexandra Styron 2013 HOW IT ALL BEGAN by Penelope Lively THE BARBARIAN NURSERIES by Hector Tobar THE LIFEBOAT by Charlotte Rogan 2014 SCHRODER by Amity Gaige HOW TO GET FILTHY RICH IN RISING ASIA by Mohsin Hamid NORWEGIAN BY NIGHT by Derek Miller 2015 EVERYTHING I NEVER TOLD YOU by Celeste Ng: THE WIVES OF LOS ALAMOS by TaraShea Nesbit: SOMEONE by Alice McDermott: 2016 FLORENCE GORDON by Brian Morton: ORHAN'S INHERITANCE by Aline Ohanesian: DEAR COMMITTEE MEMBERS by Julie Schumacher: 2017 MILLER’S VALLEY by Anna Quindlen: THE LAST PAINTING OF SARA DE VOS by Dominic Smith: IN THE LANGUAGE OF MIRACLES by Rajia Hassib: 2 .
Recommended publications
  • Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
    Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J.
    [Show full text]
  • Observance Without Belief
    OBSERVANCE WITHOUT BELIEF David Staines 'RIAN MOORE has the distinction of being a writer with two nationalities, Canadian and Irish, though he now lives in California.1 While proud of his Canadian citizenship and his ten-year residence in Canada, where he wrote his first three novels, he acknowledges his primary debt to Ireland: "I'm an Irish writer in this way. I was brought up in Ireland, and Mauriac once said 'the door closes at twenty on a writer and that forms him.' So I am an Irish writer in that I was formed by Ireland, not by Canada." A crucial part of his Irish formation is the world of Irish Catholicism, a religion prominent throughout his fiction. "I'm interested in Catholicism in a non-religious way," he continues, "I'm inter- ested in the traditions that it sets up, and the conflicts."2 Born in Belfast of Catholic parents, Moore received a Catholic education of narrow religiosity. Like Stephen Dedalus of Joyce's Portrait of the Artist, he attended Catholic schools that perpetuated a rigorous and bigoted training, and this schooling stands behind the indictment of Saint Michan's College in The Feast of Lupercal and later novels. Like Dedalus, Moore rejected the indoctrina- tion of his Catholic education, though it did leave a powerful and lasting impres- sion upon him and his fiction : I felt, and I still feel, bitterly against the school system I was brought up on. It was a system of beating and teaching by rote, and when I saw other children and how bright they were able to become under American methods, it was around that time that I started to write Lupercal.
    [Show full text]
  • 1 Fordham Center on Religion and Culture
    The Fordham Center On Religion and Culture 1 www.fordham.edu/CRC Fordham Center on Religion and Culture UNTO DUST: A LITERARY WAKE October 15, 2015 Fordham University | Lincoln Center E. Gerald Corrigan Conference Center | 113 W. 60th Street Panelists: Alice McDermott National Book Award-Winning Novelist and Author of Charming Billy, After This, and Someone Thomas Lynch Undertaker, Poet, Essayist and Author of The Good Funeral: Death, Grief and the Community of Care (with Thomas G. Long) and The Sin-Eater: A Breviary JAMES McCARTIN: Good evening. Welcome to Fordham. I am Jim McCartin, Director of the Fordham Center on Religion and Culture. I have to say that it is a particular thrill for me tonight to welcome here all of you, to be part of this conversation between the two very best people I could think of to discuss our mortal end. It is a topic that, I have to admit, I can never get enough of. It was at the tender age of eight that I began one of my still-favorite pastimes, which is to say, scouring the obituaries. In my perhaps somewhat peculiar point of view as a fully grown adult now, I contend that there are few things more satisfying than a proper funeral. Some will say — and perhaps McDermott and Lynch will agree with this — that my interest in death and in its many permutations runs deep in my Irish American heritage. But for me I gather it is something more than just the peculiarities of my ancestral identity. In studying the death notices as a young kid, what I was really trying to figure out, I think, was how the families of my hometown of Troy, New York, formed webs of relation with one another — how they were connected, who they married or loved, what institutions and organization formed them into the ordinary and sometimes, rarely, extraordinary people that they were.
    [Show full text]
  • Cloudsplitter
    Reading Guide Cloudsplitter By Russell Banks ISBN: 9780060930868 Plot Summary Owen Brown, an old man wracked with guilt and living alone in the California hills, answers a query from an historian who is writing about the life and times of Owen's famous abolitionist father, John Brown. In an effort to release the demons of his past so that he can die in peace, Owen casts back his memory to his youth, and the days of the Kansas Wars which led up to the raid on Harper's Ferry. As he begins describing his childhood in Ohio, in Western Pennsylvania, and in the mountain village of North Elba, NY, Owen reveals himself to be a deeply conflicted youth, one whose personality is totally overshadowed by the dominating presence of his father. A tanner of hides and an unsuccessful wholesaler of wool, John Brown is torn between his yearnings for material success and his deeply passionate desire to rid the United States of the scourge of slavery. Having taken an oath to God to dedicate his life and the lives of his children to ending slavery, he finds himself constantly thwarted by his ever-increasing debts due to a series of disastrous business ventures. As he drags his family from farmstead to farmstead in evasion of the debt collectors, he continues his vital work on the Underground Railroad, escorting escaped slaves into Canada. As his work brings him into contact with great abolitionists like Frederick Douglass, Harriet Tubman, and other figures from that era, Brown finds his commitment to action over rhetoric growing ever more fervent.
    [Show full text]
  • 100 Best Last Lines from Novels
    100 Best Last Lines from Novels 1. …you must go on, I can’t go on, I’ll go on. –Samuel Beckett, The Unnamable 22. YOU HAVE FALLEN INTO ARt—RETURN TO LIFE –William H. Gass, (1953; trans. Samuel Beckett) Willie Masters’ Lonesome Wife (1968) 2. Who knows but that, on the lower frequencies, I speak for you? –Ralph Ellison, 23. In your rocking-chair, by your window dreaming, shall you long, alone. In your Invisible Man (1952) rocking-chair, by your window, shall you dream such happiness as you may never feel. –Theodore Dreiser, Sister Carrie (1900) 3. So we beat on, boats against the current, borne back ceaselessly into the past. –F. Scott Fitzgerald, The Great Gatsby (1925) 24. Go, my book, and help destroy the world as it is. –Russell Banks, Continental Drift (1985) 4. …I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the 25. It was the devious-cruising Rachel, that in her retracing search after her missing Moorish wall and I thought well as well him as another and then I asked him with children, only found another orphan. –Herman Melville, Moby-Dick (1851) my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could 26. The knife came down, missing him by inches, and he took off.
    [Show full text]
  • Notes for an Unwritten Biography of William Trevor
    Colby Quarterly Volume 38 Issue 3 September Article 4 September 2002 "Bleak Splendour": Notes for an Unwritten Biography of William Trevor Denis Sampson Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 38, no.3, September 2002, p. 280-294 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Sampson: "Bleak Splendour": Notes for an Unwritten Biography of William Tr "Bleak Splendour": Notes for an Unwritten Biography of William Trevor By DENIS SAMPSON IILITERARY BIOGRAPHERS," William Trevor has ren1arked, "often make the mistake of choosing the wrong subjects. A novelist-or any artist­ admired for what he produces, may not necessarily have lived anything but the most mundane of lives" (Excursions 176). His remark is a warning to any prospective biographer of Trevor himself, his way of implying that his own life has no worthwhile story. Yet the warning has its own paradoxical interest, for surely it is Trevor's particular gift to make literature out of the mundane. His refusal to dramatize the artistic self, to adopt heroic or romantic postures, somehow allows him to absorb and honor his mundane material, to find a tone that mirrors the inner lives of his unheroic characters. The consistency of that tone is his major accomplishment, according to John Banville: "his inimitable, calmly ambiguous voice can mingle in a single sentence pathos and humor, outrage and irony, mockery and love.... He is almost unique among n10dem novelists in that his own voice is never allowed to intrude into his fiction" (Paulson 166-67).
    [Show full text]
  • TALK SERIES Updated February 2013
    TALK SERIES updated February 2013 To schedule a book series for your local library, senior center, historical society, or other Kansas nonprofit community organization, visit www.kansashumanities.org. Questions? Contact Leslie Von Holten, [email protected], 785/357-0359. THE 1930s COMING OF AGE IN RURAL AMERICA All the King’s Men by Robert Penn Warren Farmer Boy by Laura Ingalls Wilder The Day of the Locust by Nathanael West Good Land by Bruce Bair Mules and Men by Zora Neale Hurston Nathan Coulter by Wendell Berry The Worst Hard Time by Timothy Egan Under the Feet of Jesus by Helena Maria Viramontes Winter Wheat by Mildred Walker AFRICAN-AMERICAN PERSPECTIVES The Autobiography of Malcolm X COMMUNITY: THE WAY WE LIVE The Fire Next Time by James Baldwin Bailey’s Cafe by Gloria Naylor I Know Why the Caged Bird Sings by Maya Angelou Mama Day by Gloria Naylor Praisesong for the Widow by Paule Marshall Cannery Row by John Steinbeck Race Matters by Cornel West Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg Their Eyes Were Watching God by Zora Neale Hurston The Milagro Beanfield War by John Nichols Snow Falling on Cedars by David Guterson AWARD WINNERS Charming Billy by Alice McDermott CONTEMPORARY IMMIGRATION Cold Mountain by Charles Frazier Breath, Eyes, Memory by Edwidge Danticat Gilead by Marilynne Robinson Caramelo by Sandra Cisneros Motherless Brooklyn by Jonathan Lethem Harbor by Lorraine Adams Typical American by Gish Jen BEFORE THE CIVIL WAR The All-True Travels and Adventures of Lidie Newton by Jane Smiley ENCOUNTERING ASIA The Englishman in Kansas by T.
    [Show full text]
  • Inter/View: Talks with America's Writing Women
    University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1990 Inter/View: Talks with America's Writing Women Mickey Pearlman Katherine Usher Henderson Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearlman, Mickey and Henderson, Katherine Usher, "Inter/View: Talks with America's Writing Women" (1990). Literature in English, North America. 56. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/56 Inter/View Inter/View Talks with America's Writing Women Mickey Pearlman and Katherine Usher Henderson THE UNIVERSITY PRESS OF KENTUCKY PHOTO CREDITS: M.A. Armstrong (Alice McDermott), Jerry Bauer (Kate Braverman, Louise Erdrich, Gail Godwin, Josephine Humphreys), Brian Berman (Joyce Carol Oates), Nancy Cramp- ton (Laurie Colwin), Donna DeCesare (Gloria Naylor), Robert Foothorap (Amy Tan), Paul Fraughton (Francine Prose), Alvah Henderson (Janet Lewis), Marv Hoffman (Rosellen Brown), Doug Kirkland (Carolyn See), Carol Lazar (Shirley Ann Grau), Eric Lindbloom (Nancy Willard), Neil Schaeffer (Susan Fromberg Schaeffer), Gayle Shomer (Alison Lurie), Thomas Victor (Harriet Doerr, Diane Johnson, Anne Lamott, Carole
    [Show full text]
  • Addition to Summer Letter
    May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
    [Show full text]
  • The Poetry Project at 50
    The Poetry Project december 2016 / january 2017 Issue #249 The Poetry Project december 2016 / January 2017 Issue #249 Director: Stacy Szymaszek Managing Director: Nicole Wallace Archivist: Will Edmiston Program Director: Simone White Archival Assistant: Marlan Sigelman Communications & Membership Coordinator: Laura Henriksen Bookkeeper: Carlos Estrada Newsletter Editor: Betsy Fagin Workshop/Master Class Leaders (Spring 2017): Lisa Jarnot, Reviews Editor: Sara Jane Stoner Pierre Joris, and Matvei Yankelevich Monday Night Readings Coordinator: Judah Rubin Box Office Staff: Micaela Foley, Cori Hutchinson, and Anna Wednesday Night Readings Coordinator: Simone White Kreienberg Friday Night Readings Coordinator: Ariel Goldberg Interns: Shelby Cook, Iris Dumaual, and Cori Hutchinson Friday Night Readings Assistant: Yanyi Luo Newsletter Consultant: Krystal Languell Volunteers Mehroon Alladin, Mel Elberg, Micaela Foley, Hadley Gitto, Jessica Gonzalez, Olivia Grayson, Cori Hutchinson, Raffi Kiureghian, Anna Kreienberg, Phoebe Lifton, Ashleigh Martin, Dave Morse, Batya Rosenblum, Isabelle Shallcross, Hannah Treasure, Viktorsha Uliyanova, and Shanxing Wang. Board of Directors Camille Rankine (Chair), Katy Lederer (Vice-Chair), Carol Overby (Treasurer), and Kristine Hsu (Secretary), Todd Colby, Adam Fitzgerald, Boo Froebel, Erica Hunt, Jonathan Morrill, Elinor Nauen, Laura Nicoll, Purvi Shah, Jo Ann Wasserman, and David Wilk. Friends Committee Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Viki Hudspith,
    [Show full text]
  • Read a Pulitzer Prize-Winning Book
    September 2020 Reading Challenge: Read a Pulitzer Prize-Winning Book Key for on which services the books are located: A = Axis 360 C = CloudLibrary H = Hoopla L = Libby O = Overdrive ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ P = Print LP = Large Print eAudio = AudioCD = CD ​ ​ ​ ​ March by Geraldine Brooks (fiction) P, LP ​ In a story inspired by the father character in "Little Women" and drawn from the journals and letters of Louisa May Alcott's father, a man leaves behind his family to serve in the Civil War and finds his beliefs challenged by his experiences. The Gulf: The Making of an American Sea by Jack E. Davis (non-fiction) P, C H ​ A comprehensive history of the Gulf of Mexico and its identity as a region marked by hurricanes, oil fields, and debates about population growth and the environment demonstrates how its picturesque ecosystems have inspired and reflected key historical events. The Brief Wondrous Life of Oscar Wao by Junot Diaz (fiction) P, LT, O, L, O L ​ Living with an old-world mother and rebellious sister, an urban New Jersey misfit dreams of becoming the next J. R. R. Tolkien and believes that a long-standing family curse is thwarting his efforts to find love and happiness. Late Wife by Claudia Emerson (poetry) P ​ In Late Wife, a woman explores her disappearance from one life and reappearance in another ​ ​ as she addresses her former husband, herself, and her new husband in a series of epistolary poems. Though not satisfied in her first marriage, she laments vanishing from the life she and her husband shared for years.
    [Show full text]
  • The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
    Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley
    [Show full text]