Tolai Syntax and Its Historical Development
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Spirits and Headhunters: Art of the Pacific Islands
Spirits and Headhunters: Art of the Pacific Islands February 13, 2010 and ongoing Guest Curator – Chris Rainier Amulet (Hei Tiki), 18th century Māori people, New Zealand, Polynesia Greenstone and wax; 2 ¾” x 1 3/4 “ Bowers Museum Docent Tour Development Materials Prepared by Mary Jane Schrader Approved by Nancy Warzer-Brady, Vice President of Education Peggy Hannawell, Docent Guild Education Chairman January 2010 Sacred Figure, 20th century Tolai People, West New Britain Province Papua New Guinea, Melanesia Wood, paint and fiber TABLE OF CONTENTS INTRODUCTION 3 WALL COPY FOR EXHIBITION Introductory Label 4 Pacific Migration 4 Stone Tools 5 Polynesia 5 Micronesia 5 Melanesia 6 New Guinea: Land of the Headhunter 6 Sepik River Men’s House 6 The Art of Warfare 6 The Art of the Asmat: Land of the Bis Pole 7 Ritual and Magic 7 The Art of Adornment 7 The Art of Feasting 7 The Price of a Bride 8 Where Masks Still Dance 8 Baining Fire Dance 8 Epilogue 8 FEATURED EXHIBITION ARTIFACTS 9 EXTRA REFERENCES Useful Information for Tour Development 17 Glossary 18 Supplementary Enrichment 22 Bowers Museum Docent Tour Development Materials - 1/14/2010 MJS 2 INTRODUCTION Orator’s Stool (Teket), 20th century Iatmul people; Middle Sepik River region, East Sepik Province, Papua New Guinea, Melanesia Wood; 36 3/8 x 18 1/8 x 19 1/2 in. Photographer Chris Rainier guest curates this exhibition of art from the South Pacific. Spanning the geographic region collectively referred to as Oceania, this comprehensive exhibition highlights masterworks from the three cultural regions of Micronesia, Melanesia, and Polynesia. -
3. European Intruders and the 1878 Rabaul Eruption: 1870–1883
3. European Intruders and the 1878 Rabaul Eruption: 1870–1883 In the evening the sight became more than grand — it was awful; every few moments there would come a huge convulsion, and then the very bowels of the earth seemed to be vomited from the crater into the air; enormous stones, red hot, the size of an ordinary house would be thrown up almost out of sight, when they would burst like a rocket, and fall hissing into the sea. Wilfred Powell (1883) Blanche Bay and the Tolai The landscape surrounding the vast bay at Rabaul had long been occupied by Melanesian people when the British naval surveyors Captain C.H. Simpson and Lieutenant W.F.A. Greet entered the bay on 17 July 1872, naming it after their vessel, HMS Blanche. The Melanesians of the Rabaul area are known today as the Tolai, a populous group made up of dierent matrilineal descent lines or vunatarai.1 They had migrated there at dierent but undated times from New Ireland, some through the Duke of York Islands, had settled successfully by taking agricultural advantage of the rich soils of Rabaul’s volcanoes, and are thought to have displaced the Baining people, who moved into the mountains to the west. The Tolai language is Tinata Tuna, although it is most commonly referred to as Kuanua, a word from the Duke of York Islands meaning ‘over there’. Numerous features of Blanche Bay — volcanic peaks and ridges, gullies and rocks, prominences and islands, reefs and inlets — have been named individually by the Tolai. Even small, seemingly insignicant locations are named after particular plants, trees, or other natural features. -
The Politics of the Baining Fire Dance Naomi Faik-Simet
9 The Politics of the Baining Fire Dance Naomi Faik-Simet Papua New Guinea is undergoing changes to many of its cultural forms, including dance. With the increase in demand on traditional forms of art for display in modern occasions, a good number of traditional dances have become special features in such new contexts. These contexts are commonly referred to as ‘shows’ and ‘festivals’, which contribute to the exposure of some of the country’s special dance performances. One such performance that has become popular amongst festival organisers, spectators, and tourists is the Baining ‘fire dance’. The fire dance is sketched in this chapter, which articulates the challenges of the politics of its performances in various performance spaces. This chapter raises concerns about the use of this dance in hybridised settings, as well as issues of ownership amongst the traditional custodians and festival organisers at the provincial and national levels. Elaborate accounts of Baining cultural and social life by anthropologist Jane Fajans provide information on the description and historical development of the fire dance. Fajans’s work is used here as a main reference to understand and compare the politics and function of the fire dance from the past to the present. In addition to Fajans, accounts by Karl Hesse and Theo Aerts also provide insights into Baining spiritual and cultural life. 251 A DISTINCTIVE VOICE IN ThE ANTIPODES This chapter aims to enunciate the status of the Baining fire dance in the contemporary and modern contexts of today and consider whether such changes in time and space have affected its indigenous cultural form—a case that is prevalent with many Papua New Guinea traditional dances. -
Fire Mountains of the Islands a History of Volcanic Eruptions and Disaster Management in Papua New Guinea and the Solomon Islands
Fire Mountains of the Islands A History of Volcanic Eruptions and Disaster Management in Papua New Guinea and the Solomon Islands Fire Mountains of the Islands A History of Volcanic Eruptions and Disaster Management in Papua New Guinea and the Solomon Islands R. Wally Johnson Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Johnson, R. W. (Robert Wallace) Title: Fire mountains of the islands [electronic resource] : a history of volcanic eruptions and disaster management in Papua New Guinea and the Solomon Islands / R. Wally Johnson. ISBN: 9781922144225 (pbk.) 9781922144232 (eBook) Notes: Includes bibliographical references and index. Subjects: Volcanic eruptions--Papua New Guinea. Volcanic eruptions--Solomon Islands. Emergency management--Papua New Guinea. Emergency management--Solomon Islands. Dewey Number: 363.3495095 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover image: John Siune. ‘Dispela helekopta kisim Praim Minista bilong PNG igo lukim volkenu pairap long Rabaul’. 1996. 85 x 60 cm. Acrylic on paper mounted on board. R.W. Johnson collection. Intellectual property rights are held by the artist. Cover design and layout by ANU E Press Printed by Grin Press This edition © 2013 ANU E Press Contents Tables ix Illustrations xi Foreword xvii Acknowledgements and Sources xxi Volcano Names and Totals xxiii 1. -
PNG Art (Non-Digital) Papua New Guinea
PNG Art (Non-Digital) Papua New Guinea People Origins: https://www.youtube.com/watch?v=5vkri72lvHA https://www.youtube.com/watch?v=m45odD0Ht00 https://www.youtube.com/watch?v=2Y5rC7kDx3o Overview of art: https://www.youtube.com/watch?v=eKjnxr7D85A Asmat People The Asmat are an ethnic group of New Guinea, residing in the Papua province of Indonesia. The Asmat inhabit a region on the island's southwestern coast bordering the Arafura Sea, with lands totaling approximately 18,000 km² (7,336 mi²) and consisting of mangrove, tidal swamp, freshwater swamp, and lowland rainforest. The land of Asmat is located both within and adjacent to Lorentz National Park and World Heritage Site, the largest protected area in the Asia-Pacific region. The total Asmat population is estimated to be around 70,000 as of 2004.[1] The term "Asmat" is used to refer both to the people and the region they inhabit. https://www.youtube.com/watch?v=INZUHgusI0M (faces of Asmat people) https://www.youtube.com/watch?v=uxuHJbesrvI Asmat Art Wood carving is a flourishing tradition among the Asmat, and wood carvers are held in high esteem. The culture hero Fumeripits is considered to be the very first wood carver, and all subsequent wood carvers (known as wowipits) have an obligation to continue his work. The Asmat also believe that there is a close relationship between humans and trees, and recognize wood as the source of life. University of St. Thomas in Minnesota: • https://www.youtube.com/watch?v=VP8uaEJ2_7M • https://vimeo.com/458967892 (airport display) Asmat Skulls The Asmat, once a very belligerent people on the south-eastern coast of New Guinea, had a distinctive skull cult. -
Gallery One, Clockwise from Left
Gallery One, clockwise from left: Mask Spirit Figure Ancestor Figure (mian’gandu) Hand Drum Papua New Guinea, East Sepik Papua New Guinea, East Sepik Papua New Guinea, East Sepik Papua New Guinea, East Sepik Province, Lower Sepik River, Province, Southern Abelam or Province, Wolembi Village, Sawos Province, Eastern Iatmul People, Coastal Zone, c. 1900 Boiken People, c. 1925 People, c. 1950 c. 1909 Wood and pigment Wood and pigment Wood and pigment Wood, fiber, shell, animal hide, and pigment Collected by F. Hefele, 1909 M.2008.66.9 Collected by Bruce Lawes, c. 1957 Collected by Captain Haug, 1909 M.2008.66.28 M.2008.66.1 M.2008.66.22 Pigment Dish Flute Ornament Papua New Guinea, East Sepik Province, Papua New Guinea, East Sepik Province, Iatmul People, c. 1950 Yuat River, Biwat People, c. 1925 Wood, fiber, and pigment Wood, shell inlay, cassowary feathers, M.2008.66.10 and human hair M.2008.66.7 CHINA PHILIPPINES PAPUA NEW GUINEA HAWAIIAN ISLANDS ADMIRALTY ISLANDS EQUATOR NEW IRELAND NEW BRITAIN New Britain PAPUA NEW GUINEA NEW GUINEANew Guinea Java SOLOMON ISLANDS MARQUESAS ISLANDS AUSTRALIA SAMOA REPUBLIC OF VANUATU SOCIETY ISLANDS FIJI TAHITI LOYALTY ISLANDS COOK ISLANDS TONGA NEW CALEDONIA AUSTRALIA EASTER ISLAND NEW ZEALAND Gallery Two, clockwise from left: Male Figure Skull Rack (agiba) Canoe Prow (haluan perahu) Lime Spatula Papua New Guinea, Gulf Province, Papua New Guinea, Gulf Province, Western New Guinea, West Papua, Western New Guinea, West Papua, Lower Fly River, n.d. Kerewa People, c. 1925 Cenderawasih Bay, c. 1890 Lake Sentani, c. 1900 Wood Wood, fiber, clay, human skulls, and pigment Wood and cassowary feathers Wood M.2008.66.43 Collected by Paul Wirz, 1930 Collected by Pierre Langlois at Collected by Jacques Viot, Pierre Loeb M.2008.66.20 Cenderawasih Bay, 1962 Expedition, 1929 M.2008.66.40 M.2008.66.30 Lime Spatula Lime Spatula Papua New Guinea, Abelam People, n.d.