A Movement Moves . . . Is There a Women's Movement in England

Total Page:16

File Type:pdf, Size:1020Kb

A Movement Moves . . . Is There a Women's Movement in England 06 knash (jk/d) 11/7/02 1:45 pm Page 311 A Movement Moves . Is There a Women’s Movement in England Today? Kate Nash GOLDSMITHS COLLEGE, UNIVERSITY OF LONDON ABSTRACT There is a diversity of views among feminists who have been debating whether or not a women’s movement exists in Britain today. In part this is due to the lack of a clear working definition of social movement. This article uses social movement theory to discuss the ambiguous signs that are taken to indicate either the movement’s continuing existence or its disappearance: the growth of main- stream political organizations; a focus on ‘women’ in cultural production; the ‘micro-politics’ of everyday life (often enacted in the terms of ‘I’m not a feminist but . .’). The article looks at the history of second-wave feminism in England using the two main schools of social movement theory: the ‘contentious politics’ model focusing on organizations and formal political structures; and the ‘submerged networks’ theory that takes solidarity, conflict and challenging dominant cultural codes to be central to social movements. KEY WORDS challenging codes N feminism N identity N micro-politics N political opportunities N social movement theory N solidarity N submerged networks N women’s movement The women’s movement is invariably listed among the new social move- ments that arose in the 1960s and 1970s. However, in Britain, in contrast to the US, it has rarely been studied as such using social movement theory. The women’s movement has mainly been written about by feminists as ‘movement intellectuals’, who, assuming a broadly feminist audience, put forward a view of the movement that is intended to shape it in some way, to make it more effective (Eyerman and Jamieson, 1991). In recent times debate over the movement has taken a somewhat different turn. Feminists have been debating whether or not a women’s movement still exists, whether it should be revived or not and what form it should take. However, without clear working definitions of what the women’s movement might be, there is immense scope for confusion and misunderstanding. To what The European Journal of Women’s Studies Copyright © 2002 SAGE Publications (London, Thousand Oaks and New Delhi), Vol. 9(3): 311–328 [1350-5068(200208)9:3;311–328;026377] 06 knash (jk/d) 11/7/02 1:45 pm Page 312 312 The European Journal of Women’s Studies 9(3) extent are feminist conclusions concerning the continuing existence of the women’s movement shaped by implicit definitions of ‘social movement’? This article sets out to elucidate possible models of the feminist movement, using social movement theory, in order to contribute to this debate.1 SIGNS OF A MOVEMENT? A recent comprehensive statement of the view that the women’s movement no longer exists in Britain, written for both an academic and a popular audience, is that of Lynne Segal in Why Feminism? Though she does not define ‘social movement’, she confidently states that the women’s movement ‘grew rapidly as a mass movement [from the late 1960s], peaking in the mid-1970s before dissolving as a coherent organiz- ation by the end of that decade’ (Segal, 1999: 9). A directly contrary view is that of Rosalind Coward in Sacred Cows. Like Segal, Coward is also a veteran of the 1970s women’s movement and writes for an audience beyond the academy. She takes the view that feminism is extremely powerful in political and social institutions but that there is no longer a women’s movement as such (Coward, 1999). However, she goes further in arguing that there is no need for a women’s movement today. As Coward sees it, feminism is a movement against the power of men over women and in today’s much more ‘uneven and heterogeneous’ society, where it is not clear that women share a position of disadvantage as such, the premise on which it achieved so much is no longer valid. Yet another position is argued by Natasha Walter, a journalist and broadcaster of a younger generation, who agrees with Coward that feminism has grown more powerful and that much has changed but who argues that never- theless ‘something that looks very like a women’s movement does still exist in Britain [and rightly so]. It is not a mass movement . but a large collection of single-issue organizations that press for feminist aims in many different accents’ (Walter, 1998: 44). How is such a divergence of views possible? Clearly there are ideo- logical differences here, even though all these writers would position themselves on the Left. The disagreements are also facilitated by the fact that there are signs of activity that lend themselves to such very different interpretations. These activities have enough in common with the aims and strategies of early second-wave feminism to suggest a possible continuation of the movement in a modified but more mainstream form; they might be taken as indications of its success; or they might be seen as evidence of its cooption and dissolution into mainstream politics and social life (Epstein and Steinberg, 2000). It is even possible to interpret such activities as indicating the mutation of the women’s movement into something hostile to the aims of feminism. This is the argument that 06 knash (jk/d) 11/7/02 1:45 pm Page 313 Nash: A Movement Moves . Is There a Women’s Movement? 313 Coward makes in Sacred Cows, putting forward the case that the movement has resulted in the demonization of working-class men and that the celebration of the feminine today has more in common with notions of the ‘eternal’ battle of the sexes than with justice for women (Coward, 1999). This article explores the question of whether these activi- ties add up to a social movement or not, using social movement theory to clarify the terms of the debate. One of the most important signs of a women’s movement in England today is the growth of feminist involvement in mainstream political organizations. This growth is well documented (Lovenduski and Randall, 1993: Ch. 5; see also Gelb and Hart, 1999; Lovenduski, 1996). The most obvious is the Labour Party, which introduced women-only short-lists for ‘winnable’ seats in 1990 (though these were later found illegal under sex discrimination law) and set up the Women’s Unit, a special committee to influence policy, when it came to power in 1997. There are also a number of women’s organizations and feminists in voluntary sector organizations that lobby at the national and European level, while women’s groups at the local level have generally gained in strength. Although women are still marginal to the political process, many of the issues that second-wave feminists put on the political agenda are now mainstream. There are, for example, publicly funded campaigns against domestic violence, the diffi- culties of reconciling childcare and paid work are at least recognized by the major political parties and ‘masculine’ work cultures are under attack in legal cases against sexual harassment. This is not to say that there is always the political will to carry out reform, especially where proposals come into conflict with business interests. Nevertheless, many issues that were practically unheard of in the 1960s and were controversial in the 1970s are now the common currency of political life. The difficulty in interpreting these activities as signs of the continuing existence and relevance of the women’s movement is that they might equally be taken as an indication of cooption into mainstream politics and a neutralization of the radical demands of the women’s movement. From this point of view it is not coincidental that the difficulties of reforming the public/private distinction, the theme that runs through all the activities of second-wave feminism, are proving intractable; what is needed is revol- ution that can only come from outside the existing political system. In the realm of cultural production, there are also activities that might or might not be taken as indicative of the continuing existence and relevance of the women’s movement. Ideas have always been very important to feminism, and there has undoubtedly been a growth in the production and distribution of feminist ideas in education, not just in women’s studies but also across arts and humanities degrees that now often include units on gender where feminist theory is the dominant paradigm. Again, however, this is ambiguous as an indicator of the 06 knash (jk/d) 11/7/02 1:45 pm Page 314 314 The European Journal of Women’s Studies 9(3) continued existence of the women’s movement. On the one hand, it means that a large proportion of students are exposed to questions about issues that have direct relevance to their own lives; in this respect, academic feminism contributes to something like consciousness-raising. On the other hand, this is taking place in the hierarchical and assessment- oriented context of education rather than in informal groups. Further- more, it is a commonly heard argument that feminist theory is now so difficult and obscure that it contributes more to the elitism of university education than it does to political education. Outside the academy, it would seem that popular feminist publishing has declined: Spare Rib – a journal explicitly set up to unite the movement nationally – no longer exists and explicitly feminist titles are less popular than in the 1970s (Segal, 1999: 3). While there are probably more popular works by and about women in the 1990s than ever before, it would be stretching a point to see these as feminist given the ambiguous status of feminist ideas and values in popular culture.
Recommended publications
  • Host's Master Artist List for Game 1
    Host's Master Artist List for Game 1 You can play the list in the order shown here, or any order you prefer. Tick the boxes as you play the songs. Louis Armstrong Kate Nash Sonny & Cher Matt Cardle Animals Cliff Richard Manfred Mann Craid David Petula Clark Ray Charles Roy Orbison HearSay Kings Of Leon Ne-Yo Jamelia Shayne Ward Holly Valance Georgie Fame Bobby Darin Paul Weller Vengaboys Scouting For Girls Cilla Black Avicii Beach Boys Spencer Davis Group Blue Plan B Kelly Clarkson Britney Spears Queen Basshunter Black Eyed Peas Bobby Vee Freda Payne Doobie Brothers Gerry & The Pacemakers Marmalade Doris Day JLS Evanescence Katy Perry Christina Aguilera Ronetts Anastacia Liberty X James Morrison Jeff Beck Snoop Dogg Chubby Checker Copyright QOD Page 1/28 Host's Master Artist List for Game 2 You can play the list in the order shown here, or any order you prefer. Tick the boxes as you play the songs. Smokey Robinson Lovin' Spoonfull Troggs Ben Heanow Dion Warwick Avons James Brown Snow Patrol Little Richard Diana Ross Ronetts Tom Jones Dean Martin Gladys Knight Estelle Kid Rock Evanescence Mamas & The Papas Fats Domino Lulu Anastacia Good Charlotte Craid David Coral Ne-Yo Emili Sande Mumford & Son Lenny Kravitz Fatboy Slim Justin Timberlake Lily Allen Doris Day Spencer Davis Group Who Stevie Wonder Queen KT Tunstall Scissor Sisters Buddy Holly Nickelback Shayne Ward Kinks Brenda Lee Andy Williams Holly Valance Temptations Searchers Britney Spears Shirley Bassey The Fray Copyright QOD Page 2/28 Host's Master Artist List for Game 3 You can play the list in the order shown here, or any order you prefer.
    [Show full text]
  • Young Feminist Activists in Present-Day China: a New Feminist Generation?
    China Perspectives 2018/3 | 2018 Twenty Years After: Hong Kong's Changes and Challenges under China's Rule Young Feminist Activists in Present-Day China: A New Feminist Generation? Qi Wang Electronic version URL: http://journals.openedition.org/chinaperspectives/8165 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 September 2018 Number of pages: 59-68 ISSN: 2070-3449 Electronic reference Qi Wang, « Young Feminist Activists in Present-Day China: A New Feminist Generation? », China Perspectives [Online], 2018/3 | 2018, Online since 01 September 2019, connection on 28 October 2019. URL : http://journals.openedition.org/chinaperspectives/8165 © All rights reserved Articles China perspectives Young Feminist Activists in Present-Day China A New Feminist Generation? QI WANG ABSTRACT: This article studies post-2000 Chinese feminist activism from a generational perspective. It operationalises three notions of gene- ration—generation as an age cohort, generation as a historical cohort, and “political generation”—to shed light on the question of generation and generational change in post-socialist Chinese feminism. The study shows how the younger generation of women have come to the forefront of feminist protest in China and how the historical conditions they live in have shaped their feminist outlook. In parallel, it examines how a “po- litical generation” emerges when feminists of different ages are drawn together by a shared political awakening and collaborate across age. KEYWORDS:
    [Show full text]
  • Reading and Leeds 2018 Revs up Its Line-Up
    UNDER STRICT EMBARGO UNTIL 12PM, 23 FEBRUARY 2018 READING AND LEEDS 2018 REVS UP ITS LINE-UP SLAVES // DON BROCO // TRAVIS SCOTT THE VACCINES // THE KOOKS // SHAME BILLY TALENT // DEAF HAVANA // MILK TEETH KREPT X KONAN // LEWIS CAPALDI THE HORRORS // KATE NASH FICKLE FRIENDS // HMLTD AND MANY MORE JOIN HEADLINERS KINGS OF LEON, KENDRICK LAMAR, FALL OUT BOY AND PANIC! AT THE DISCO WEEKEND AND DAY TICKETS ON-SALE NOW www.readingandleedsfestival.com Friday, 23 February 2018: Reading and Leeds Festival has just lifted the lid on more names who will play at this year’s event – with chart heavyweights such as Slaves, Don Broco, Travis Scott, The Kooks, Krept X Konan, Shame, Billy Talent, Wilkinson (Live), The Vaccines, Lewis Capaldi, Deaf Havana, The Horrors, Fickle Friends, Kate Nash, HMLTD and Milk Teeth amongst them. The acts – spanning the hottest names right now in rock, indie, dance, hip-hop and more – will play alongside headliners Kings of Leon, Kendrick Lamar, Fall Out Boy and Panic! at the Disco at the famous Richfield Avenue and Bramham Park sites this August bank holiday weekend (24 – 26 August). Tickets are on-sale right now and available here. As if the already announced Kings of Leon, Panic! at the Disco, Fall Out Boy and Underøath wasn’t enough, rock music regulars at the festival now have a whole host more reasons to look forward to Reading and Leeds this year. Probably the most popular duo in music right now, Slaves, will make a triumphant return to the stages. Never two to under deliver, the Reading and Leeds crowds can expect the unexpected from the pair responsible for the likes of ‘Spit It Out’ and ‘Are You Satisfied’? UNDER STRICT EMBARGO UNTIL 12PM, 23 FEBRUARY 2018 With another top 10 album, ‘Technology’, under their belt, Don Broco will be joining the fray this year.
    [Show full text]
  • (Pdf) Download
    Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
    [Show full text]
  • AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday
    AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday May 21, 2018 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Steve Winwood Nashville A smooth delivery, high-spirited melodies, and a velvet voice are what Steve Winwood brings When You’re Tired Of Breaking Other Hearts - Rayna tries to set the record straight about her to this fiery performance. Winwood performs classic hits like “Why Can’t We Live Together”, failed marriage during an appearance on Katie Couric’s talk show; Maddie tells a lie that leads to “Back in the High Life” and “Dear Mr. Fantasy”, then he wows the audience as his voice smolders dangerous consequences; Deacon is drawn to a pretty veterinarian. through “Can’t Find My Way Home”. 9:00 AM ET / 6:00 AM PT 6:00 PM ET / 3:00 PM PT The Big Interview Foreigner Phil Collins - Legendary singer-songwriter Phil Collins sits down with Dan Rather to talk about Since the beginning, guitarist Mick Jones has led Foreigner through decades of hit after hit. his anticipated return to the music scene, his record breaking success and a possible future In this intimate concert, listen to fan favorites like “Double Vision”, “Hot Blooded” and “Head partnership with Adele. Games”. 10:00 AM ET / 7:00 AM PT 7:00 PM ET / 4:00 PM PT Presents Phil Collins - Going Back Fleetwood Mac, Live In Boston, Part One Filmed in the intimate surroundings of New York’s famous Roseland Ballroom, this is a real Mick, John, Lindsey, and Stevie unite for a passionate evening playing their biggest hits.
    [Show full text]
  • Nash, Kate. 2018. Film That Brings Human Rights to Life. Public Culture, 30(3), Pp
    Nash, Kate. 2018. Film That Brings Human Rights to Life. Public Culture, 30(3), pp. 393-412. ISSN 0899-2363 [Article] https://research.gold.ac.uk/id/eprint/20620/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] To be published in Public Culture Film that brings human rights to life (1) Kate Nash In this article I explore what feature-length films of the kind that are shown in human rights film festivals contribute to human rights culture. Analysing films that feature victims (including, in some detail, Sonita) and perpetrators (notably The Act of Killing), I argue that a viewer is called on to identify with the protagonist who drives forward a narrative of self- responsibilisation – regardless of any commitment s/he may make then to either organised political action or to ethical deconstruction of a film’s narrative. It is principally through work on the self to become a subject of human rights that human rights films are contributing to human rights culture – in advance of a global community of citizens and institutions that might regularly and routinely secure human rights for all. The aim of this article is to explore how the narratives of feature length films shown in human rights film festivals are contributing to human rights culture.
    [Show full text]
  • (You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
    (You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182.
    [Show full text]
  • Colorado Law Scholarly Commons Neofeminism
    University of Colorado Law School Colorado Law Scholarly Commons Articles Colorado Law Faculty Scholarship 2013 Neofeminism Aya Gruber University of Colorado Law School Follow this and additional works at: https://scholar.law.colorado.edu/articles Part of the Criminal Law Commons, Family Law Commons, Jurisprudence Commons, Law and Gender Commons, and the Law and Race Commons Citation Information Aya Gruber, Neofeminism, 50 HOUS. L. REV. 1325 (2013), available at https://scholar.law.colorado.edu/ articles/439. Copyright Statement Copyright protected. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required. This Article is brought to you for free and open access by the Colorado Law Faculty Scholarship at Colorado Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Colorado Law Scholarly Commons. For more information, please contact [email protected]. +(,121/,1( Citation: 50 Hous. L. Rev. 1325 2012-2013 Provided by: William A. Wise Law Library Content downloaded/printed from HeinOnline Mon May 1 11:29:39 2017 -- Your use of this HeinOnline PDF indicates your acceptance of HeinOnline's Terms and Conditions of the license agreement available at http://heinonline.org/HOL/License -- The search text of this PDF is generated from uncorrected OCR text. -- To obtain permission to use this article beyond the scope of your HeinOnline license, please use: Copyright Information ARTICLE NEOFEMINISM Aya Gruber* ABSTRACT Today it is prosaic to say that "feminism is dead." Far from being moribund, feminist legal theory is breaking from its somewhat dogmatic past and forging ahead with new vigor.
    [Show full text]
  • Everyday Feminism in the Digital Era: Gender, the Fourth Wave, and Social Media Affordances
    EVERYDAY FEMINISM IN THE DIGITAL ERA: GENDER, THE FOURTH WAVE, AND SOCIAL MEDIA AFFORDANCES A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Urszula M. Pruchniewska May 2019 Examining Committee Members: Carolyn Kitch, Advisory Chair, Media and Communication Fabienne Darling-Wolf, Media and Communication Adrienne Shaw, Media and Communication Rebecca Alpert, Religion ABSTRACT The last decade has seen a pronounced increase in feminist activism and sentiment in the public sphere, which scholars, activists, and journalists have dubbed the “fourth wave” of feminism. A key feature of the fourth wave is the use of digital technologies and the internet for feminist activism and discussion. This dissertation aims to broadly understand what is “new” about fourth wave feminism and specifically to understand how social media intersect with everyday feminist practices in the digital era. This project is made up of three case studies –Bumble the “feminist” dating app, private Facebook groups for women professionals, and the #MeToo movement on Twitter— and uses an affordance theory lens, examining the possibilities for (and constraints of) use embedded in the materiality of each digital platform. Through in-depth interviews and focus groups with users, alongside a structural discourse analysis of each platform, the findings show how social media are used strategically as tools for feminist purposes during mundane online activities such as dating and connecting with colleagues. Overall, this research highlights the feminist potential of everyday social media use, while considering the limits of digital technologies for everyday feminism. This work also reasserts the continued need for feminist activism in the fourth wave, by showing that the material realities of gender inequality persist, often obscured by an illusion of empowerment.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • PRESSEMITTEILUNG 27.03.2017 Kate Nash Kommt Im August Auf
    FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 27.03.2017 Kate Nash kommt im August auf „Made Of Bricks“-Jubiläumstour Wenn das kein Grund zum Feiern ist: Vor zehn Jahren kam ein Album heraus, das die Musikszene in Großbritannien nachhaltig veränderte: Durch „Made Of Bricks“, die platinveredelte Debütplatte von Kate Nash, war klar geworden, dass sich junge Frauen ihren Platz in der Gesellschaft (und in der Musikindustrie) ganz anders behaupten wollen. Eine neue Art von Feminismus hielt Einzug. Gleichzeitig war Nash auch eines der ersten so genannten Internetphänomene. Durch ihre auf Myspace veröffentlichten Lieder wie „Caroline’s A Victim“ wurde sie rasend schnell bekannt - und „Foundations“, die erste Single aus dem Album, ging komplett durch die Decke. Weil ihre Fans schon alle Türen einrannten, musste „Made Of Bricks“ sogar fünf Wochen vor dem geplanten Termin veröffentlicht werden. „Ich fühle mich wie eine Außenseiterin, die sich gerade irgendwo reingeschlichen hat“, sagte die junge Frau damals. Inzwischen ist es zwar noch immer nicht Standard, aber doch sehr viel selbstverständlicher geworden, dass Frauen ihre Songs selbst schreiben, ihre Instrumente selbst spielen, die Kontrolle über ihre Musik weitgehend in ihren eigenen Händen halten. Ganz schön stark für eine 20-Jährige, die im Anschluss nicht nur aus dem Stand den Brit-Award als British Female Solo Artist und etliche weitere Auszeichnungen abräumte, sondern auch weiterhin sehr erfolgreich Musik macht. Darüber hinaus engagiert sie sich sozial: Sie rief gemeinsam mit Billy Bragg, Blur, Radiohead und anderen Künstlern die Featured Artists Coalition ins Leben, die sich für die Rechte von Musikern im digitalen Zeitalter einsetzt.
    [Show full text]
  • Feminism 2.0 Tammy Bruce
    FEMINISM 2.0 TAMMY BRUCE I want to talk to you about a new feminism for the 21st century. There are three pillars to this new feminism: Dignity. The word “no.” And men. That’s right, men. But before I expound on these three ideas, you need to know something about me. I was very involved in the feminist movement, including being on the board of directors of the National Organization for Women. For this I feel much pride and some guilt. Pride because feminism has pushed forward some very important and needed changes; and guilt because it has also done a lot of damage. My work now is to reverse that damage. So in that spirit, let’s talk about the first pillar of this new feminism: dignity. Dignity is at the core of what feminism should always be about. Dignity means that a woman should be able to freely choose her own path in life. That’s what feminism once held. But does it still? Ask almost any female college student today what she aspires to be and she’ll list any number of career choices. The one she won’t list is wife and mother. In fact any time someone has the temerity to suggest that a woman might want to look for a husband while in college, as a very successful Princeton grad recently did in a letter to the school’s newspaper, feminists go nuts. A new feminism will value and respect all responsible choices. And while we’re talking about dignity, I can’t think of anything less dignified for women than the feminist belief that in the sexual arena, women are like, and therefore ought to act like, men.
    [Show full text]