2012 Program Committee Co-Chairs
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Material Ecocriticism, Environmental Justice, and American Indian Literature
University of Nevada, Reno Organizing Fictions: Material Ecocriticism, Environmental Justice, and American Indian Literature A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Kyle Bladow Dr. Cheryll Glotfelty/Dissertation Advisor May, 2015 © by Kyle Bladow 2015 All Rights Reserved THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by KYLE BLADOW Entitled Organizing Fictions: Material Ecocriticism, Environmental Justice, and American Indian Literature be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Cheryll Glotfelty, PhD, Advisor Michael Branch, PhD, Committee Member Kathleen Boardman, PhD, Committee Member Greta de Jong, PhD, Committee Member Leah Wilds, PhD, Graduate School Representative David W. Zeh, PhD, Dean, Graduate School May, 2015 i Abstract This dissertation considers how environmental humanities, in dialogue with Native studies, can enhance scholarship concerned with environmental justice. Maintaining a critical interest in how materiality—as conceived within material ecocriticism and American Indian relational ontologies—plays into these discourses, the dissertation examines representations of land, water, and community in late twentieth- and early twenty-first-century American Indian literature, in order to inform a deeper understanding of contemporary environmental and indigenous movements. Chapter one introduces the project’s theoretical framework and diffractive methodology. The following three chapters, grouped under the presiding images of land, water, and community, examine a range of cultural and literary texts involving environmental justice organizing and activism. Chapter two argues for the liveliness of borders and demarcations of place in the reservation landscapes of novels by Louise Erdrich and Winona LaDuke. -
August 2007 Issue I Was Now Playing Hotel to Three Reporters from Tokyo of Southwestern Archivist
The Newsletter of the Dialogue: Oral History Section Volume 3, Issue 2 Summer 2007 Society of American Archivists FROM THE CHAIR Chicago is just around the corner! tion, and the interviewer/interviewee relationship. The upcoming SAA meeting will be Stephen Sloan from the University of Southern Mis- a great opportunity for learning new sissippi and Mark Cave from the Historic New Orleans things, sharing ideas, and connecting Collection will discuss their efforts to document with other archivists. the aftermath of Hurricane Katrina with oral history interviews. This will be followed by a presentation Of the programs and sessions offered this year, several from Nancy Freeman of the National Wildlife Research are relevant to oral history. Fred Calabretta is teaching Center and Janet Bishop of Colorado State University a pre-conference workshop on using oral histories in on the interviewer/interviewee relationship and other publications, programs, and other forms of outreach context issues associated with doing oral history. on Sunday, August 26. In session 101 on Thursday, August 30, Studs Terkel’s impact on the practice of We will also be holding an election for the steering oral history through his conversations with America committee. Three positions are available: Vice-Chair/ will be discussed (see page 10 of this newsletter for Chair-Elect, and two members each with a 2007-2009 more information). Also of interest is the Privacy and term. More information about the candidates can be Confidentiality Roundtable meeting on Wednesday, found on pages 2-3 of this newsletter. We will distrib- August 29, where the privacy issues involved in digi- ute ballots at the meeting, so be prepared to vote. -
Making Musical Magic Live
Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Bachelor of Science in Computer Science and Engineering Massachusetts Institute of Technology, 2012 Master of Sciences in Media Arts and Sciences Massachusetts Institute of Technology, 2014 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology February 2020 © 2020 Massachusetts Institute of Technology. All Rights Reserved. Signature of Author: Benjamin Arthur Philips Bloomberg Program in Media Arts and Sciences 17 January 2020 Certified by: Tod Machover Muriel R. Cooper Professor of Music and Media Thesis Supervisor, Program in Media Arts and Sciences Accepted by: Tod Machover Muriel R. Cooper Professor of Music and Media Academic Head, Program in Media Arts and Sciences Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, on January 17 2020, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology Abstract Fifty-two years ago, Sergeant Pepper’s Lonely Hearts Club Band redefined what it meant to make a record album. The Beatles revolution- ized the recording process using technology to achieve completely unprecedented sounds and arrangements. Until then, popular music recordings were simply faithful reproductions of a live performance. Over the past fifty years, recording and production techniques have advanced so far that another challenge has arisen: it is now very difficult for performing artists to give a live performance that has the same impact, complexity and nuance as a produced studio recording. -
To Be a Revolutionary Is to Be an Enemy of the State. to Be Arrested for This Struggle Is to Be a Political Prisoner."
riidL THE »LACK PANTHER S Black Community News Service VOL IV NO 6 SATURDAY, JANUARY 10, 1970 PUBLISHED MINISTRY OF INFORMATION BOX 2967, CUSTOM HOUSE WEEKLY THE BLACK PANTHER PARTY SAN FRANCISCO, CA 94126 "To be a Revolutionary is to be an Enemy of the state. To be arrested for this struggle is to be a Political Prisoner." ; Bobbv Sente Chairman, Black Panther Party Political Prisoner THE BLACK PANTHER, SATURDAY, JANUARY 10, 1970 PAGE 2 MESSAGE FROM GERONIMO To talk about these filthy disease-ridden It is almost impossible to talk about cap pigs and pig pens would only be an echo of italism and not mention the powerful vehicle the voices of all political prisoners. We on which it is able to maneuver into every should understand the terms such as Cook corner of the earth: the news media- the County Jail, Chino, Tracey, Quentin* etc. apologist of neo-colonialism, the justifier of are nothing but euphemisms for Prisoner fascism, the disseminator of imperialist of War Camps. Politics is war without propaganda. In Africa, the Zulu warriors bloodshed; war is politics with bloodshed. each upon reaching manhood would go out So either way you look at it we're Prisoners into the jungle and kill a Mon. He then of War. would take the lion's mane and wear it as We understand quite clearly that the methods a headpiece, to exemplify his manhood. In used by the fascist U.S. government are any part of the country, they would go, essentially the same as those used by Hitler, they would wear this headpiece to show their courageousness. -
OHA Fall09.Qxd:OHA Fall09 7/28/09 1:14 PM Page 1
OHA Fall09.qxd:OHA Fall09 7/28/09 1:14 PM Page 1 Fall 2009 Volume XLIII Number 2 oral history association newsletter 2009 OHA conference theme: “Moving Beyond the Interview” A Preview DEADLINE EXTENDED FOR PROPOSALS By Michael Frisch, OHA President-Elect Oral historians interested in presenting at the International Oral History Association’s On behalf of Program Co-Chairs Alicia Rouverol and Mark Tebeau, I’m pleased conference in Prague next July have until to preview the exciting OHA fall meeting planned for the Galt House Hotel in Sept. 6 to submit proposals. The confer- Louisville, Ky., Oct. 14-18. The complete program is available on the OHA web- ence is July 7-11, 2010. Proposals may www.oralhistory.org site, . be submitted in English or Spanish. Our theme is “Moving Beyond the Interview” — “doing some- thing” with the interviews oral historians collect. As it happens, oral Further information is available online at historians in Kentucky have been working this theme intensively, www.ioha2010prague.cz or from the Appalachian coalfields to the multicultural complexi- www.iohanet.org ty of Louisville, from bluegrass music to the world of Kentucky bluegrass horse farms and racing. Kentucky is the only state with a formal Oral History Commission, guid- In this issue ing ambitious projects in communities across the state. In short, in Louisville OHA comes to a city, From the president . 2 region and state that perfectly match our Farm, ranch museum updates theme and that provide a wealth of resources to enrich the meeting experi- catalog . 3 ence. Every OHA meeting offers local Oral history book wins three and regional connection, but this relation- major awards . -
Revolutionary Love Kdrama Reddit
Revolutionary love kdrama reddit Continue Title: Revolutionary LoveAlternate Title: Byun Hyuk's LoveHangul: 변' 3,2017)Episodes: 16Plot:Byun Hyuk is a son of a wealthy family who runs a large business. He lives a happy life without specific goals. He is confident with women and he is also naïve, with a warm heart. Byun Hyuk begins to live in a studio in a poor area. He's hiding his background. Baek Joon lives in the same area. She works part-time to make ends meet. Baek Joon graduated from a good university, but she was unable to get a job in a company and started working part-time. She is positive and full of justice, but her life changes when Byun Hyuk appears. Cast - Crew:Director: Song Hyun WookWriter: Joo HyunChoi Si Won as Byun HyukKang So Ra as Baek JoonGong Meurg as Kwon I HoonStreaming Sources:Drama FeverSources:AsianWikiMy Drama ListOther Discussions:--gt; Episode 3 - 4Page 2Posted by 3 years ago 27 comments Title: Revolutionary LoveAlternate Title: Byun Hyuk's LoveHangul: 변 It's not. Episodes: 16Plot:Byun Hyuk is a son of a wealthy family who runs a large business. He lives a happy life without specific goals. He is confident with women and he is also naïve, with a warm heart. Byun Hyuk begins to live in a studio in a poor area. He's hiding his background. Baek Joon lives in the same area. She works part-time to make ends meet. Baek Joon graduated from a good university, but she was unable to get a job in a company and started working part-time. -
The Effects of Variables in Oral History: Palm Beach County, Florida
THE EFFECTS OF VARIABLES IN ORAL HISTORY: PALM BEACH COUNTY, FLORIDA by Lise M. Steinhauer A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2010 Copyright by Lise M. Steinhauer 2010 ii ACKNOWLEDGEMENTS In 2004 I earned a bachelor’s degree in English at Florida Atlantic University, where Kitty Oliver introduced me to oral history. Her two courses resulted in my essay in Multicultural Reflections on “Race and Change,” ed. Kitty Oliver (Boca Raton: Bordighera Press, 2006). During two internships in Public History with the Historical Society of Palm Beach County (HSPBC), I learned a more traditional style of oral history under Debi Murray, the director of research and archives. With encouragement from Professor Oliver, I pursued this degree in Liberal Studies to combine history and communications knowledge and skills relevant to a career in oral history. This gratifying art clearly combined my three passions: history, research, and writing. When Hurricane Katrina devastated New Orleans in 2005, at Kitty Oliver’s suggestion, I interviewed evacuees who had been displaced to an equestrian center in Boynton Beach. My work has also included oral histories for the HSPBC, the Boca Raton Historical Society, and private clients; fifty interviews with analysis for a nonprofit’s strategic planning; he Docent Training Manual and Notables exhibit for the Richard and Pat Johnson Historical Museum of Palm Beach County; and the research and text for the HSPBC Web site, Palm Beach County History Online. -
Hidden Stories, Contested Truths: the Craft of Oral History
Hidden Stories, Contested Truths: The Craft of Oral History 47th Annual Meeting of the Oral History Association Oklahoma City, Oklahoma | October 9–13, 2013 Sponsors Local Arrangements Committee WELCOME American University Larry O’Dell, Oklahoma History Center Center for Oral and Public History, Tanya Finchum, Oklahoma State University California State University, Fullerton We are delighted to welcome you to the 47th Annual Meeting of the Oral History Association. This year’s theme, “Hidden George Kaiser Family Foundation Stories, Contested Truths: The Craft of Oral History,” reminds us of the ongoing importance of our work and the diversity HISTORY® of ways the craft is practiced. OHA’s first-ever visit to Oklahoma City and the historic Skirvin Hilton Hotel promises new Institute for Oral History, Baylor University OHA Leadership opportunities for learning about the rich and unique landscapes, communities, and history of this region. The theme Institute of Oral History, University of Texas at El Paso resonated with researchers around the globe as speakers and presenters will represent North and South America, Europe, Asia, Madelyn Campbell Annual Meeting Speaker Fund President – Mary Larson, Oklahoma State University and Oceania, along with nearly every corner of the U.S. Oklahoma Oral History Research Program, Vice President/President-Elect – Stephen Sloan, Oklahoma State University Baylor University Our special events will ground you in the history of the region, showcase a musical performance based on oral histories, Oral History Program, Department of History, First Vice President – Paul Ortiz, University of Florida challenge historical memory and memorialization, and highlight an internationally acclaimed storyteller and recording College of Arts & Sciences, University of North Texas Executive Director – Cliff Kuhn, Georgia State University artist. -
February 23 @ 7Pm Et
VISION RESIDENCY MENASAFIED FEBRUARY 23 @ 7PM ET MENASAFIED FEBRUARY 23 @ 7PM ET FEATURING GEORGE ABUD JONATHAN RAVIV VISHAL VAIDYA SHERZ ALETAHA SHARONE SAYEGH KUHOO VERMA SHOBA NARAYANAN THE TEAM Directed by SHARONE SAYEGH Arranged & Music Directed by MONA SEYED-BOLORFOROSH Music Produced, Mixed & Mastered by JACKLYN RIHA Videography & Video Editing by BRIAN VINIK VIRTUAL BAND Bansuri SRISHTI BIYANI Bass & Kanun JOHN MURCHISON Clarinet TANO BROCK Piano MONA SEYED-BOLORFOROSH Violin BENGISU GÖKÇE Tabla, Dolak, Durbuka, Riq, Darbuka, Frame Drum, Talking Drum & Udu MT ADITYA SRINIVASAN Djembe & Doumbek GILBERT MANSOUR Guitar & Oud HARVEY VALDES Curated by Vision Resident RONA SIDDIQUI THE ARTISTS WOULD LIKE TO THANK Rona Siddiqui, Jamshied Sharifi, Lee Poulin & Joe Tannenbaum. Ars Nova operates on the unceded land of the Lenape peoples on the island of Manhahtaan (Mannahatta) in Lenapehoking, the Lenape Homeland. We acknowledge the brutal history of this stolen land and the displacement and dispossession of its Indigenous people. We also acknowledge that after there were stolen lands, there were stolen people. We honor the generations of displaced and enslaved people that built, and continue to build, the country that we occupy today. We gathered together in virtual space to watch this performance. We encourage you to consider the legacies of colonization embedded within the technology and structures we use and to acknowledge its disproportionate impact on communities of color and Indigenous peoples worldwide. We invite you to join us in acknowledging all of this as well as our shared responsibility: to consider our way forward in reconciliation, decolonization, anti-racism and allyship. We commit ourselves to the daily practice of pursuing this work. -
Omer Avital Ed Palermo René Urtreger Michael Brecker
JANUARY 2015—ISSUE 153 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM special feature BEST 2014OF ICP ORCHESTRA not clowning around OMER ED RENÉ MICHAEL AVITAL PALERMO URTREGER BRECKER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JANUARY 2015—ISSUE 153 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Omer Avital by brian charette Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Ed Palermo 7 by ken dryden [email protected] Advertising: On The Cover : ICP Orchestra 8 by clifford allen [email protected] Editorial: [email protected] Encore : René Urtreger 10 by ken waxman Calendar: [email protected] Lest We Forget : Michael Brecker 10 by alex henderson VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Smoke Sessions 11 by marcia hillman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Tom Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Special Feature: Best Of 2014 28 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Miscellany Terrell Holmes, Robert Iannapollo, 43 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Event Calendar 44 Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman As a society, we are obsessed with the notion of “Best”. -
Houria Bouteldja
Houria Bouteldja Whites, Jews, and Us Toward a Politics of Revolutionary Love Foreword by Cornel West sem iotext( e) intervention series o 22 SEMIOTEXT(E) INTERVENTION SERIES © La Fabrique Éditions, 2016. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means, elec- tronic, mechanical, photocopying, recording, or otherwise, without prior permission of the publisher. Published by Semiotext(e) PO BOX 629, South Pasadena, CA 91031 www.semiotexte.com Thanks to John Ebert, Janique Vigier, and Noura Wedell. Design: Hedi El Kholti ISBN: 978-1-63590-003-3 Distributed by The MIT Press, Cambridge, Mass. and London, England Printed in the United States of America Toward a Politics of Revolutionary Love Foreword by Cornel West Translated by Rachel Valinsky semiotext(e) intervention series 22 Contents Preface by Cornel West 7 1. Shoot Sartre! 19 2. You, White People 33 3. You, the Jews 53 4. We, Indigenous Women 73 5. We, Indigenous people 100 6. Allahou akbar! 127 Notes 141 Preface by Cornel West THE END OF IMPERIAL INNOCENCE This book is a courageous and controversial act of revolutionary love. Houria Bouteldja’s bold and critical challenge to all of us—especially those who claim to be leftists or progressives—builds on the rich legacies of Malcolm X, Jean Genet, Aimé Césaire, Audre Lorde, James Baldwin, Frantz Fanon, and Chela Sandoval. This challenge consists of a powerful intellectual case against imperial innocence and a poignant cry of the heart for an indigenous revolutionary politics—a politics that is unapologetically anti-patriarchal, anti-capitalist, and anti-imperialist grounded in the doings and sufferings of colonized peoples. -
The Oral History Bibliography
An Oral History Bibliography *** A Research Guide by the Columbia University Center for Oral History 2 Table of Contents I. Manuals and Practical Guides 3 II. Methodology and Theory 4 III. Fieldwork, Projects, Processing and Distribution 8 IV. Community Projects 10 V. Ethics and Responsibilities 12 VI. African-American Studies 13 VII. Anthropology and Folklore 15 VIII. Body Narratives 17 IX. Education 18 X. Human Rights and the Law 19 XI. Memory 22 XII. Narrative, Orality and History 25 XIII. Psychology and Trauma 27 XIV. Sociology 29 XV. Social History 30 XVI. Women & Gender Studies 33 XVII. Journals 36 XVIII. Video and Audio Recordings 37 XIX. Selected Examples of Oral History-based Texts 38 *** This comprehensive oral history bibliography was developed for the public’s use by the Columbia University Center for Oral History in 2009 by Project Coordinator Elizabeth Grefrath. Research Assistants Kaley Bell and Jared Rosenfeld generously assisted on this project. Bibliographic citations were developed through a process of cataloguing office-housed articles. *** The Columbia University Center for Oral History is one of the world’s leading centers for the practice and teaching of oral history. Our archive, located in the Columbia University Libraries and open to the public, holds more than 8,000 text and audio interviews on a wide variety of subjects. Our mission is to record unique life histories, documenting the central historical events and memories of our times, and to teach and do research across the disciplines. 3 I. Manuals and Practical Guides Baum, Willa K. Transcribing and Editing Oral History. Walnut Creek, CA: AltaMira Press, 1977.