August Alsina Youtube Testimony
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1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
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Listen to Testimony August Alsina
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AUGUST ALSINA – the DOPE MAG Interview – Pure DOPE Magazine
AUGUST ALSINA – The DOPE MAG Interview By Admin310 on September 9, 2013 TWEET SHARE FEATURES Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD photographed in Atlanta by Nadia Moseley At the heart of the streets and in the midst of the music industry is fresh- faced R&B singer August Alsina – the unadulterated definition of a cool Yungin’ and wise man walking as one. While Aug doesn’t wear all he’s been through on his sleeve, his story is deeply rooted in each of the obstacles he has overcome. The singer selflessly shares his experiences in song. Loved by most and respected by many, the refreshingly modest 21-year-old with the leading man looks and lead-guard height (6-1) carefully unfolds his story before us one radio smash, club banger, and underground anthem at a time. With each intricately laced line, August’s struggles and triumphs – the lowest point being the tragic loss of his brother to street violence and the highest his signing to Def Jam Records – come to life. Mr. Alsina has chosen stage Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD presence over street politics as a career choice. The move is paying off for both he and his city. The New Orleans-bred vocalist is running major numbers on the Louisiana leader board for bringing attention and good intentions back to a city rich in musical history, one nearly destroyed by a hurricane and its disastrous aftermath ($100billion in damages). For centuries, the Big Easy held it down from Blues and Jazz to Hip-Hop and R&B; Louis Armstrong to Juvenile. -
Barry Lather
Barry Lather Since the late 1990s, Lather has directed many large productions adding another stage to his director/choreographer career, directing world tours & live television performances for Usher, P.Diddy, Mariah Carey, Rihanna, Ciara, Pussycat Dolls, Sean Kingston, Ashlee Simpson, Pharrell, Gwen Stefani, and Seal. He also was creative consultant on Britney Spears’ “Dream within a Dream” world tour, working along with director Wade Robson. Lather was creative director for Usher’s Showtime special One Night, One Star, broadcast live from Puerto Rico; Usher’s “The Truth Tour” in 2005, and Usher & James Brown’s show stopping performance on the 2005 Grammy Awards. In 2010, Barry directed Usher’s performance on the hit show “So You Think You Can Dance”, Britain’s Got Talent, X Factor, 2010 BET Award performance, 2010 American Music Awards and the dynamic MTV Video Music Awards performance in Los Angeles. Barry worked with R & B singer Keri Hilson, Sean Kingston, Estelle, The Dream, Jason DeRulo, and directed & choreographed the innovative Freestyle Motocross theatrical show “Nuclear Cow- boyz” that toured the States in the winter/spring of 2011 & 2012. Barry directed Usher’s epic “OMG” World Tour in 2010-2011, Usher’s dynamic Grammy Award performance joined with Justin Bieber, R & B artist Miguel on the BET Awards and his fall Tour, Nicole Scherzinger’s T.V. performances on American Idol, Ellen & So You Think You Can Dance. In 2011, Barry directed and choreographed production performances on the Country Music Awards & a CMA Christmas TV Special.....and directed Usher and Romeo Santos performance on the Latin Grammy Awards in Las Vegas. -
21S NOLA Syllabus Part I Graphicsa
HISTORY OF NEW ORLEANS MUSIC 2021S History of New Orleans Music 21S- MUGN-O246-W01 Spring 2021 16-Week Session 1/19/2021 - 5/7/2021 Instructor Information Name: Sanford Hinderlie Phone: (504) 865 2773 (Not to be used with Online course) Email: [email protected] (Preferred contact method. I usually reply to emails within 1-12 hours.) Office Location: World Wide Web Office Hours: By email appointment Terms of Use A student's continued enrollment in this course signifies acknowledgment of agreement with the statements, disclaimers, policies, and procedures outlined within this syllabus and elsewhere in the Canvas environment. This Syllabus is a dynamic document. Elements of the course structure (e.g., dates and topics covered, but not policies) may be changed at the discretion of the professor. Sanford Hinderlie, jazz piano Course Information Prerequisite Courses: ENGL T122 or Equivalent Course Location: Online in Canvas (NOTE: This is an asynchronous online course. However, it is NOT self-paced. Readings as well as all learning activities must be completed according to the weekly schedule provided in this syllabus.) Credit Hours: 3 Credit hours Weeks and Dates of the Course: 16 weeks (full semester), from Wednesday, Jan. 20, 2021 to Friday, May 5, 2021 Class Meeting Time: Each week begins on Monday at 12:00 am and ends on Sunday at 11:59 pm in Canvas Expectations of Workload: e.g. According to the Loyola University Credit Hour Policy http://academicaffairs.loyno.edu/credit-hour-policy, you are supposed to spend at least 6300 minutes (that is 105 hours including 35 hours of classwork and 70 hours of out-of-class work) for the whole semester regardless of how many weeks it is offered. -
Best of 2014 Listener Poll Nominees
Nominees For 2014’s Best Albums From NPR Music’s All Songs Considered Artist Album ¡Aparato! ¡Aparato! The 2 Bears The Night is Young 50 Cent Animal Ambition A Sunny Day in Glasgow Sea When Absent A Winged Victory For The Sullen ATOMOS Ab-Soul These Days... Abdulla Rashim Unanimity Actress Ghettoville Adia Victoria Stuck in the South Adult Jazz Gist Is Afghan Whigs Do To The Beast Afternoons Say Yes Against Me! Transgender Dysphoria Blues Agalloch The Serpent & The Sphere Ages and Ages Divisionary Ai Aso Lone Alcest Shelter Alejandra Ribera La Boca Alice Boman EP II Allah-Las Worship The Sun Alt-J This is All Yours Alvvays Alvvays Amason Duvan EP Amen Dunes Love Ana Tijoux Vengo Andrew Bird Things Are Really Great Here, Sort Of... Andrew Jackson Jihad Christmas Island Andy Stott Faith In Strangers Angaleena Presley American Middle Class Angel Olsen Burn Your Fire For No Witness Animal Magic Tricks Sex Acts Annie Lennox Nostalgia Anonymous 4 David Lang: love fail Anthony D'Amato The Shipwreck From The Shore Antlers, The Familiars The Apache Relay The Apache Relay Aphex Twin Syro Arca Xen Archie Bronson Outfit Wild Crush Architecture In Helsinki NOW + 4EVA Ariel Pink Pom Pom Arturo O’Farrill & the Afro Latin Orchestra The Offense of the Drum Ásgeir In The Silence Ashanti BraveHeart August Alsina Testimony Augustin Hadelich Sibelius, Adès: Violin Concertos The Autumn Defense Fifth Avey Tare Enter The Slasher House Azealia Banks Broke With Expensive Taste Band Of Skulls Himalayan Banks Goddess Barbra Streisand Partners Basement Jaxx Junto Battle Trance Palace Of Wind Beach Slang Cheap Thrills on a Dead End Street Bebel Gilberto Tudo Beck Morning Phase Béla Fleck & Abigail Washburn Béla Fleck & Abigail Washburn Bellows Blue Breath Ben Frost A U R O R A Benjamin Booker Benjamin Booker Big K.R.I.T. -
August Alsina Testimony Album Songs
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Critical Discourse Analysis of Language Use in the Hip Hop Songs of August Alsina
Global Academic Journal of Linguistics and Literature, 2020; 2(2) 1-4 Avilable online at https://gajrc.com/gajll ISSN 2706-9028 (P) ISSN: 2707-2541(O) Research Article Critical Discourse Analysis of Language Use in The Hip Hop Songs of August Alsina Dr. Kodak Benard, (PhD) Senior Lecturer of Linguistics Maasai Mara University, Kenya *Corresponding Author Abstract: Contemporary music genres are a rich source of information on issue that affect society. Dr. Kodak Benard August Alsina is reported in www.thefamouspeople.com on January 10th 2018, as a famous recording artist from New Orleans born in 1992, signed to Def Jam Recordings. His songs are true reflection of Email: [email protected] the society in which he grew up and the challenges faced by youth in his neighborhood. Music is seen here as a tool of expression and education. The hip hop songs of August Alsina address themes Article History that are relevant and of significant influence in the lives of Black America youths. Hip hop music Received: 05.02.2020 generally appeals to the youth and it can be used as an educational channel as well as a means of Accepted: 24.03.2020 raising self-conscience about contemporary issues in society. Music is relevant as a trend among the Published: 30.03.2020 youths and they can easily relate with it. This study is a critical exploration of language use in five purposively selected songs that have common themes running across. Five songs were purposively selected from the website www.azlyrics.com (last accessed on 17th September 2019) and exposed to critical discourse analysis to identify the common themes that run through August Alsina’s popular songs. -
"Gold Wrappers" Ft. Rick Ross Click Here to Watch
B. SMYTH RELEASES MUSIC VIDEO FOR "GOLD WRAPPERS" FT. RICK ROSS CLICK HERE TO WATCH [May 25, 2016 - New York , NY ] Today, R&B singer/ entertainer B. Smyth releases the video for his new track, "Gold Wrappers" ft. Rick Ross. Click here to watch. The sexy and colorful visual, featuring Rick Ross and DJ Khaled was directed by Mike Ho (Chris Brown, Kid Ink, Mary J. Blige) and was shot in Miami, Florida. "Gold Wrappers" ft. Rick Ross is the follow up to his infectious song "Creep" ft. Young Thug, which was his first release since signing with Mark Pitts' ByStorm Entertainment joint venture with RCA Records. Singersroom describes B. Smyth as "[a] unique voice, which sounds like a mixture of August Alsina and Chris Brown," while XXL proclaims that " 2016 has the makings of what looks to be a breakout year for B. Smyth." The 24 year-old Fort Lauderdale, FL native got his start performing covers of various popular tracks from artists like Usher, Trey Songz and Miguel and posting the videos on YouTube. The performances helped B. Smyth garner millions of views as well as notoriety. Since his emergence in 2013, he has worked with the likes of 2 Chainz and Future, among others. The talented singer has since been profiled by a variety of outlets including Teen Vogue, Complex, VIBE and The Source among others. Watch "Gold Wrappers" ft. Rick Ross Video: http://smarturl.it/vGoldWrappers Listen/Buy "Gold Wrappers" ft. Rick Ross: Apple music: http://smarturl.it/iGoldWrappers Amazon: http://smarturl.it/aGoldWrappers Google Play: http://smarturl.it/gGoldWrappers Spotify: http://smarturl.it/sGoldWrappers For The Latest News On B. -
August Alsina Testimony Stream Soundcloud
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Who Are Brockhampton? Melvin Seals And
K k AUGUST-SEPTEMBER 2017 K g VOL. 29 #8 H WOWHALL.ORGk though he had a big say on the project, Saturation is very much about BROCKHAMPTON as a whole. Ameer Vann appears on WHO ARE BROCKHAMPTON? the project the most out of every- one, and it’s his face on the front cover smeared in blue paint. Ian dubbed Ameer “the star of the tape,” but this is a project where everyone props each other up. On the production side of things there’s Kiko Merley, Jabari Manwarring, and Romil Hem- nani, although Joba and Bearface contribute production, too. There’s also Robert Ontenient, who works on the website side of things and recently co-authored an app they launched in time for the release of Saturation. Henock Sileshi and Ashlan Grey are mostly responsible for On Friday, September 29, the earning themselves a singles deal ent sounds and styles these rag- are what America actually is,” the group’s visuals, with Henock Community Center for the Per- with Fool’s Gold Records and a tags can squeeze into 38 minutes,” Kevin Abstract declares. “We offering art direction and Ashlan forming Arts and Dead Nation handsome video budget. The reported DJBooth. “If Pharrell, speak for people of color who photography. Each of the videos Presents welcome BROCKHAMP- result of their prize was “Dirt”, Kid Cudi and Frank Ocean have a hard time expressing them- for the singles was directed by TON to the WOW Hall. which shattered preconceived blurred genres, BROCKHAMP- selves publicly.” The L.A.-based Abstract, but Ashlan filmed each BROCKHAMPTON is the notions about what constitutes TON synthesize these very influ- collective includes rappers, pro- one while Henock edited them. -
Eastern Illinois University University Board Spring 2015 Concert Survey Report
Eastern Illinois University University Board Spring 2015 Concert Survey Report December 2014 Student Affairs Assessment Research Project Written and Compiled By: Madeline Owens, Student Affairs Assessment Graduate Assistant Eric Davidson, Ph.D., C.S.A.D.P., Student Affairs Assessment Coordinator Eastern Illinois University University Board Spring 2015 Concert Survey Report December 2014 Student Affairs Assessment and Research Project Introduction The focus of this survey was to assess the perceptions and opinions of the students of Eastern Illinois University in regards to the 2015 spring concert. Topical Areas within the survey include: Ticket price students are willing to pay Genres that students want to see Artists/Bands that students have seen and want to see Methodology The database of all students currently enrolled at Eastern Illinois University was obtained by Dr. Eric S. Davidson. From that database, four thousand emails were sent out to the randomized selected sample of students on November 14, 2014. The survey was closed on December 1, 2014. Of those contacted to participate in the online survey, 919 (23%) initiated the survey, while 765 (19.1%) students completed the survey. This is a 83.2% completion rate. Survey Results How many concerts have you attended in the # of Concert in past 12 months past 12 months? 6.7% (See Chart - # of Concert in past 12 months) 4.9% 28% of participants have attended 0 0 concerts 28% concerts in the past year. 1-2 concerts 41.1% have attended 1-2 concerts. 19.4% 3-4 concerts 19.4% have attended 3-4 concerts. 5-6 concerts 4.9% have attended 5-6 concerts.