DOCSLIB.ORG

Mona Lisa Key of Db Sheet Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mona Lisa Key of Db Sheet Music Mona Lisa Key Of Db Sheet Music Download mona lisa key of db sheet music pdf now available in our library. We give you 1 pages partial preview of mona lisa key of db sheet music that you can try for free. This music notes has been read 4280 times and last read at 2021-10-02 00:14:37. In order to continue read the entire sheet music of mona lisa key of db you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano Vocal Guitar, Guitar, Baritone Voice, Choir, Soprano Voice, Voice Solo Ensemble: Choir Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Mona Lisa Mona Lisa sheet music has been read 3026 times. Mona lisa arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-01 07:16:16. [ Read More ] The Ballad Of Mona Lisa The Ballad Of Mona Lisa sheet music has been read 4170 times. The ballad of mona lisa arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-02 02:13:35. [ Read More ] A Mysterious Smile Mona Lisa A Mysterious Smile Mona Lisa sheet music has been read 3510 times. A mysterious smile mona lisa arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-10-01 04:27:40. [ Read More ] To Belong To Somewhere From Stealing Mona Lisa To Belong To Somewhere From Stealing Mona Lisa sheet music has been read 5182 times. To belong to somewhere from stealing mona lisa arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-30 20:04:27. [ Read More ] Mona Lisa Key Of C Mona Lisa Key Of C sheet music has been read 4016 times. Mona lisa key of c arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 23:30:00. [ Read More ] Piano Sonata In D Minor The Mona Lisa Piano Sonata In D Minor The Mona Lisa sheet music has been read 2916 times. Piano sonata in d minor the mona lisa arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-02 03:11:46. [ Read More ] Mona Lisa Key Of Ab Mona Lisa Key Of Ab sheet music has been read 8383 times. Mona lisa key of ab arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-30 02:00:07. [ Read More ] Mona Lisa For Jazz Or Dance Band Mona Lisa For Jazz Or Dance Band sheet music has been read 3565 times. Mona lisa for jazz or dance band arrangement is for Early Intermediate level. The music notes has 6 preview and last read at 2021-09-30 13:28:46. [ Read More ] Mona Lisa Key Of F Mona Lisa Key Of F sheet music has been read 12167 times. Mona lisa key of f arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-10-01 14:07:09. [ Read More ] Mona Lisa For Alto Sax Solo With Piano Accompaniment Nat King Cole Mona Lisa For Alto Sax Solo With Piano Accompaniment Nat King Cole sheet music has been read 7734 times. Mona lisa for alto sax solo with piano accompaniment nat king cole arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-09-30 06:26:30. [ Read More ] Mona Lisa For Clarinet Solo With Piano Accompaniment Nat King Cole Mona Lisa For Clarinet Solo With Piano Accompaniment Nat King Cole sheet music has been read 3048 times. Mona lisa for clarinet solo with piano accompaniment nat king cole arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-10-01 04:25:19. [ Read More ] Loving Lisa 7 Loving Lisa 7 sheet music has been read 3202 times. Loving lisa 7 arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-01 14:03:58. [ Read More ] Furry Lisa Furry Lisa sheet music has been read 3543 times. Furry lisa arrangement is for Advanced level. The music notes has 1 preview and last read at 2021-09-29 06:11:58. [ Read More ] Stay Performed By Lisa Loeb Stay Performed By Lisa Loeb sheet music has been read 2905 times. Stay performed by lisa loeb arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-09-30 12:07:09. [ Read More ] Zip A Dee Doo Dah Arr Mona Rejino Zip A Dee Doo Dah Arr Mona Rejino sheet music has been read 2861 times. Zip a dee doo dah arr mona rejino arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-02 00:15:04. [ Read More ] Stay Chord Guide By Lisa Loeb Stay Chord Guide By Lisa Loeb sheet music has been read 2696 times. Stay chord guide by lisa loeb arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-10-01 00:11:07. [ Read More ] Birthday Valse For Lisa Birthday Valse For Lisa sheet music has been read 2520 times. Birthday valse for lisa arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-10-01 08:31:59. [ Read More ] Ian Butterworth Li L Lisa Jane For String Orchestra Ian Butterworth Li L Lisa Jane For String Orchestra sheet music has been read 2652 times. Ian butterworth li l lisa jane for string orchestra arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-10-01 07:42:31. [ Read More ] Carlos Lisa Theme Carlos Lisa Theme sheet music has been read 3191 times. Carlos lisa theme arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-10-01 20:17:17. [ Read More ] The Middle Arr Mona Rejino The Middle Arr Mona Rejino sheet music has been read 3147 times. The middle arr mona rejino arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-30 20:23:18. [ Read More ] Imagine Arr Mona Rejino Imagine Arr Mona Rejino sheet music has been read 3587 times. Imagine arr mona rejino arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-01 06:09:51. [ Read More ] Gurenge Lisa Gurenge Lisa sheet music has been read 4214 times. Gurenge lisa arrangement is for Early Intermediate level. The music notes has 1 preview and last read at 2021-10-01 23:26:01. [ Read More ] All I Ask Of You From The Phantom Of The Opera Arr Mona Rejino All I Ask Of You From The Phantom Of The Opera Arr Mona Rejino sheet music has been read 4049 times. All i ask of you from the phantom of the opera arr mona rejino arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-30 22:26:28. [ Read More ] You Will Be In My Heart From Tarzan Arr Mona Rejino You Will Be In My Heart From Tarzan Arr Mona Rejino sheet music has been read 2938 times. You will be in my heart from tarzan arr mona rejino arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-10-01 16:51:56. [ Read More ] Bella Notte Arr Mona Rejino Bella Notte Arr Mona Rejino sheet music has been read 4610 times. Bella notte arr mona rejino arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-10-01 16:52:03. [ Read More ] What A Wonderful World Arr Mona Rejino What A Wonderful World Arr Mona Rejino sheet music has been read 4874 times. What a wonderful world arr mona rejino arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-01 09:04:03. [ Read More ] Linus And Lucy Arr Mona Rejino Linus And Lucy Arr Mona Rejino sheet music has been read 3598 times. Linus and lucy arr mona rejino arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-10-01 19:38:05. [ Read More ] No Tears Left To Cry Arr Mona Rejino No Tears Left To Cry Arr Mona Rejino sheet music has been read 5138 times. No tears left to cry arr mona rejino arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-01 10:42:18. [ Read More ] Theres Nothing Holdin Me Back Arr Mona Rejino Theres Nothing Holdin Me Back Arr Mona Rejino sheet music has been read 3290 times. Theres nothing holdin me back arr mona rejino arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-02 04:39:52. [ Read More ] A Whole New World From Aladdin Arr Mona Rejino A Whole New World From Aladdin Arr Mona Rejino sheet music has been read 4038 times. A whole new world from aladdin arr mona rejino arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-01 06:32:32. [ Read More ] Powered by TCPDF (www.tcpdf.org).
Load more

Recommended publications
  • Il Caso Di Studio Della Mona Lisa
    E DIVERSE POSSIBILITÀ DI VALUTAZIONE LDI UN’OPERA D’ARTE: IL CASO DI STUDIO DELLA MONA LISA Salvatore Lorusso Foreign Member of the Russian Academy of Natural Sciences con la collaborazione di Angela M. Braida e Andrea Natali Premessa Il presente scritto ha lo scopo di evidenziare l’importanza nel mondo dell’arte di alcuni aspetti da ritenere fondamentali per pervenire ad un giudizio corretto sull’opera d’arte oggetto di valutazione [1-10]. Essi sono: • il rispetto della “historia” che accompagna l’oggetto d’arte; • la correttezza della terminologia che, come tale, implica concetti e significati da osservare e seguire; • il percorso metodologico da impiegare allo scopo di fornire la risposta allo speci- fico quesito proposto, coinvolgendo necessariamente varie e sinergiche competenze scientifiche nel rispetto del valore olistico del bene culturale. Di seguito, quindi, in riferimento all’attuale e discusso tema dell’attribuzione e au- tenticazione delle opere d’arte, si discute su: a. le diverse possibilità di valutazione di un’opera d’arte distinguendo i differenti gradi di certezza nell’attribuzione; b. il corrispondente e completo percorso metodologico di valutazione; c. il caso di studio che si riferisce all’opera di Leonardo da Vinci considerata fra le più prestigiose di tutti i tempi “Mona Lisa – Gioconda”, un unicum nel mondo dell’arte; d. la sequenza riassuntiva che comprende le varie versioni e copie dell’opera vinciana come da fonti archivistico-bibliografiche; e. quale esempio emblematico di quanto in precedenza evidenziato, la trattazione sintetica dell’indagine di carattere storico e diagnostico-analitico del dipinto ad olio su tela “Gioconda con Colonne di San Pietroburgo” condotta allo scopo di fornirne la corretta attribuzione.
    [Show full text]
  • ARSC Journal
    HISTORICAL VOCAL RECORDINGS ROSSINI: Le Comte Ory. Michel Roux, basso (Robert); Jeannette Sinclair, soprano (Alice); Juan Oncina, tenor (Count Ory); Monica Sinclair, con­ tralto (Ragonde); Ian Wallace, baritone (The Governor); Cora Canne­ Meijer, mezzo-soprano (Isolier); Sari Barabas, soprano (Countess Adele); Dermot Troy, tenor (A Young Nobleman); The Glyndebourne Festival Or­ chestra and Chorus; Vittorio Gui, conductor. EMI RLS 744. "The delicious Comte Ory," wrote Chorley in 1854, "has, with all the beauty of its music, never been a favorite anywhere. Even in the theater for which it was written, the Grand Oplra of Paris, where it still keeps its place - when Cinti-Damoreau was the heroine - giving to the music all the playfulness, finish, and sweetness which could possibly be given - the work was heard with but a tranquil pleasure ••• " He goes on to blame the libretto (by Scribe and Delaistre-Poirson) which in its day was indeed rather shocking, with Count Ory's "gang" gaining admission, disguised as nuns, to the castle of the Countess he is pursuing - male voices and all! The opera was rediscovered in the 1950's and enjoyed a real success at Glyndebourne in 1954. The recording was made two years later. The New York City Opera finally got around to Le Comte Ory a year or so ago. There are several obvious reasons for the neglect of this gem of an opera. Though the score is full of delights there is no Largo al facto­ tum or Una voce poco fa. The arias are brilliant but not sure fire. It is not a vehicle; the soprano and tenor roles call for virtuosity of a high order, but this is an ensemble opera and no one can take over the spotlight.
    [Show full text]
  • Mona Lisa LEON BOTSTEIN, Conductor
    Friday Evening, February 20, 2015, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents Mona Lisa LEON BOTSTEIN, Conductor MAX VON SCHILLINGS Mona Lisa ACT I Intermission ACT II Foreigner/Francesco del Giocondo: MICHAEL ANTHONY MCGEE, Bass-baritone Woman/Mona Fiordalisa: PETRA MARIA SCHNITZER, Soprano Lay Brother/Giovanni de Salviati: PAUL MCNAMARA, Tenor Pietro Tumoni: JUSTIN HOPKINS, Bass-baritone Arrigo Oldofredi: ROBERT CHAFIN, Tenor Alessio Beneventi: JOHN EASTERLIN, Tenor Sandro da Luzzano: CHRISTOPHER BURCHETT, Baritone Masolino Pedruzzi: MICHAEL SCARCELLE, Bass-baritone Mona Ginevra: ILANA DAVIDSON, Soprano Dianora: LUCY FITZ GIBBON, Soprano Piccarda: KATHERINE MAYSEK, Mezzo-soprano Sisto: JOHN KAWA, Tenor BARD FESTIVAL CHORALE JAMES BAGWELL, Director This evening’s concert will run approximately two hours and 20 minutes including one 20-minute intermission. Used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner. American Symphony Orchestra welcomes the many organizations who participate in our Community Access Program, which provides free and low-cost tickets to underserved groups in New York’s five boroughs. For information on how you can support this program, please call (212) 868-9276. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. FROM THE Music Director The Stolen Smile DVDs or pirated videos. Opera is the by Leon Botstein one medium from the past that resists technological reproduction. A concert This concert performance of Max von version still represents properly the Schillings’ 1915 Mona Lisa is the latest sonority and the multi-dimensional installment of a series of concert perfor- aspect crucial to the operatic experi- mances of rare operas the ASO has pio- ence.
    [Show full text]
  • Mona Lisa Gaze Principle
    Opinion Glob J Arch & Anthropol Volume 3 Issue 1 - March 2018 Copyright © All rights are reserved by Abraham Tamir DOI: 10.19080/GJAA.2018.03.555603 Mona Lisa Gaze Principle Abraham Tamir* Emeritus Professor of Ben Gurion University of the Negev, Beer Sheva, Israel Submission: January 24, 2018; Published: March 19, 2018 *Corresponding author: Abraham Tamir, Emeritus Professor of Ben Gurion University of the Negev, Beer Sheva, Israel, Email: Opinion direction the element does not turn to you, it will never turn to This article is about Mona Lisa’s gaze where it is accepted you.” Thus, don’t view a picture only from the front. Move from for about 500 years that she is looking at her viewers from all right to left and the opposite and you will start to feel that the directions she is viewed from. However, a thorough experimental elements that turned to you from a certain direction will start study about her view has never been done. As a researcher, the to “move” in your brain to every direction from which you view author has decided to check this phenomenon experimentally. them. 500 people were asked to look at her picture from right, front and left sides. The results were surprising and negate the well- Introduction known myth that Mona Lisa looks at the observer from all Leonardo da Vinci (1459-1519), consummate genius, artist, sculptor, architect, urban planner, inventor, scientist, directions viewed. Only 65% confirmed that Mona Lisa gave Lisa was looking at them while observing at her from the right, back a look to them.
    [Show full text]
  • The Mona Lisa, by Leonardo Da Vinci Keywords
    Art Masterpiece: The Mona Lisa, by Leonardo da Vinci Keywords: Renaissance, sfumato, portrait Grade(s): 5th & 6th Activity: Portrait proportions About the Artist: Leonardo da Vinci was born in 1452 in a little town named Vinci (near Florence) Italy. His name translates to Leonardo from the town of Vinci. As a boy he loved to study and draw things he found outdoors in nature. He was from a wealthy family but had very little formal education. At 15 he worked as an apprentice to a famous Italian artist but Leonardo’s talent soon surpassed him. At 25 he left his mentor and set up his own business. Although we usually think of da Vinci as an artist, in truth he had considerable talents in almost anything he did. He was an artist, inventor, musician, scientist, mathematician, physicist and botanist. Because da Vinci was so interested in different subjects; painting was not usually his main focus. He was also a procrastinator! There are only 17 paintings attributed to him and many of them are unfinished. Chandler Unified School District Art Masterpiece Program, Chandler, Arizona, USA Leonardo da Vinci is considered a Renaissance artist. The Renaissance is a period of European history that bridges the end of the Middle Ages and the beginning of the Modern world. One of the distinguishing features of Renaissance art was its development of highly realistic artwork and linear perspective. Artists also developed other techniques, studying light, shadow, and, famously in the case of Leonardo da Vinci, human anatomy. Renaissance artists wanted to show the beauty of nature.
    [Show full text]
  • Leonardo Da Vinci's Gioconda and the Yellow Shawl Observations On
    Knauer:ambrosini 14-02-2010 18:15 Pagina 1 1 LEONARDO DA VINCI’S GIOCONDA AND THE YELLOW SHAWL OBSERVATIONS ON FEMALE PORTRAITS IN THE RENAISSANCE ELFRIEDE R. (KEZIA) KNAUER Dedicated to Almut Mutzenbecher Abstract Interest in Leonardo’s Gioconda – l’illustre incomprise as André Chastel once described her – has ebbed and surged over the years. A high tide is just receding after the publication of a document in 2008 which appeared to settle the question of the sitter’s identity once and for all: a handwritten note in an incun- able, dated 1503, states that the artist has begun to paint a head of “Lise del Giocondo”. For many scholars and certainly for a large public, she is now incontrovertibly the wife of a Florentine silk merchant. However, doubts remain and have been expressed by some experts, if only briefly. In this study I propose to approach the identity of the Gioconda by determining first the social position of the person depicted. By presenting and interpreting distinctive sartorial ele- ment in images of females of Leonardo’s time, we shall reach Knauer:ambrosini 14-02-2010 18:15 Pagina 2 2 Raccolta Vinciana firmer ground on which to proceed. The elements – foremost a shawl – are specifically prescribed in contemporary legal docu- ments as is their color, multiple shades of yellow. The color con- notations are informed by traditions going back to antiquity. The same holds true for certain facial traits and bodily poses of the individuals depicted; they are standardized features that deprive these paintings of the claim to be portraits in the accepted sense yet intentionally add tantalizing touches.
    [Show full text]
  • Redalyc.Pablo Picasso, Art Thief: the “Affaire Des Statuettes” and Its Role
    Arte, Individuo y Sociedad ISSN: 1131-5598 [email protected] Universidad Complutense de Madrid España Charney, Noah Pablo Picasso, art thief: the “affaire des statuettes” and its role in the foundation of modernist painting Arte, Individuo y Sociedad, vol. 26, núm. 2, 2014, pp. 187-198 Universidad Complutense de Madrid Madrid, España Available in: http://www.redalyc.org/articulo.oa?id=513551291001 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Pablo Picasso, art thief: the “affaire des statuettes” and its role in the foundation of modernist painting Pablo Picasso, ladrón de arte: “el caso de las estatuillas” y su papel en la fundación de la pintura moderna NOAH CHARNEY Professor of Art History, American University of Rome and Founder and President, ARCA (Association for Research into Crimes against Art) [email protected] Recibido: 28 de agosto de 2012 Aceptado: 23 de enero de 2014 Abstract When the Mona Lisa was stolen in 1911 by the Italian handyman Vincenzo Peruggia, both Pablo Picasso and Guillaume Apollinaire were brought in by the Paris police for questioning. They were in- nocent of having stolen the Mona Lisa, but they were in fact guilty of having stolen other art from the Louvre—for in Picasso’s dresser lay hidden several ancient Iberian statue heads that had been stolen from the Louvre in 1907 by Apollinaire’s secretary, Honore-Joseph Gery Pieret, almost certainly on commission from Picasso himself, who may also have assisted in the theft.
    [Show full text]
  • Mona Lisa - Ineffable Smile of Quantum Mechanics
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CERN Document Server Mona Lisa - ineffable smile of quantum mechanics Slobodan Prvanovi´c Institute of Physics, P.O. Box 57, 11080 Belgrade, Serbia Abstract The portrait of Mona Lisa is scrutinized with reference to quan- tum mechanics. The elements of different expressions are firstly recog- nized on her face. The contradictory details are then classified in two pictures that, undoubtedly representing distinct moods, confirm di- chotomous character of the original. Consecutive discussion has lead to conclusion that the mysterious state Mona Lisa is in actually is coherent mixture - superposition, of cheerfulness and sadness. State of the physical system is among the most important concepts of quantum mechanics. Being the primitive concept of the theory, it is usually left undefined. However, by state we mean a list of some relevant charac- teristics of the system in question. More or less exact information about the quantities pertaining to the system are on this list, telling us how it is prepared. For operational reasons, state of the quantum mechanical system is represented by some vector of the Hilbert space. Precisely, rays represent states, while quantities are represented by the Hermitian operators acting in this Hilbert space of states. The spectral decomposition of the Hermitian operator, in the simplest possible case when the spectrum is discrete and nondegenerate, reads: N ˆ A = X ai ai ai ; (1) i=1 j ih j where N is dimension of Hilbert space. In this expression we have used Dirac notation: a a is the projector on the vector a - a formal representative j iih ij j ii 1 of the state.
    [Show full text]
  • Mona Lisa Darkening Free
    FREE MONA LISA DARKENING PDF Sunny | 287 pages | 09 Apr 2009 | Penguin Putnam Inc | 9780425226476 | English | New York, United States Mona Lisa - The Alien Girl Found On The Moon In Beware of green. Volatile and evanescent, green is more than just a colour. It is the energy that connects us to the unknown. Remove green from the palette of art history and a bridge between life and death would disappear. To dabble in green is not merely to tread a path between being and unbeing, but to make inroads into the mysteries of each. Simultaneously the colour of putrefaction and of verdurous regeneration, green participates with unbiased vividity in decay and rebirth. Donning the deepest of shadowy green costumes, La Gioconda night-swims in the vitrine of our psyche and has long been recognised as Mona Lisa Darkening mystical commuter between the world of the living and that of the dead. Long Mona Lisa Darkening Leonardo reached for green, the colour had been assigned a special esoteric place in cultural imagination. Ancient Egyptians reserved green for the bold beryl complexion of their god of life and death, Osiris — ruler of the underworld, who held dominion Mona Lisa Darkening the passage of souls between this world and the next. Green was used for depictions of the ancient Egyptian god of life and death, Osiris Credit: Getty Images. Perennially young, Osiris was believed to be a serial resuscitator, both of himself and of the natural world. Verdigris, among the more common iterations of the colour, and the one of which Leonardo was most wary, is forged in a curious ritual that involves the slow sousing in wine of a brass or copper blade.
    [Show full text]
  • 'The Theft of the Mona Lisa' Video Transcription
    ‘The Theft of the Mona Lisa’ video transcription The video starts in the office of a French official of the Third Republic. [Narrator] In 1910, a high-ranking French official declared: [A minister] Stealing the Mona Lisa? As impossible as stealing the towers of Notre-Dame cathedral! In the museum, visitors are shocked to find Mona Lisa’s frame empty. In town, a paperboy announces the news. Everyone is talking about the theft. [Narrator] But less than a year later, on Tuesday August 22, 1911…the papers were full of this incredible story…it became an affair of state that caused havoc in the Chamber of Deputies and shook the government. Policemen rush to Montmartre, arrest Guillaume Apollinaire and take him to prison. [Narrator] The painting was nowhere to be found…certain famous people were suspected, such as the painter Picasso, and the poet Apollinaire who spent 3 days in prison before being proved innocent and set free… The head of police loses hope. We see days going by on a calendar. [Narrator] Time passed…weeks turned into months…the investigation was getting nowhere… We are now in Florence: we see the cathedral, Palazzo Vecchio and little streets in the city. [Narrator] It wasn't until two years later, in the Italian city of Florence, that something finally happened… A man walks into an antique store. [Vincenzo Peruggia] Buon giorno…I have something to show you…Something extraordinary [Alfredo Geri] - What is it? [Vincenzo Peruggia] - A painting [Alfredo Geri] - Can't you bring it here? [Vincenzo Peruggia] - Impossible. You'll have to come with me.
    [Show full text]
  • English Language Arts Listening Selection
    English Language Arts Listening Selection Grade 8 Sample Test 2005 This listening selection is to be used in administering Book 2 of the English Language Arts Test. The entire selection is to be read aloud twice to the students. For complete directions, please follow the instructions in the Teacher’s Directions. Acknowledgment CTB/McGraw-Hill LLC is indebted to the following for permission to use material in this book: “Leonardo da Vinci’s Mona Lisa” by Joel Stein, copyright © 2004 by CTB/McGraw-Hill LLC. Book 2 Listening Selection Leonardo da Vinci’s Mona Lisa by Joel Stein Besides being a scientist and inventor, Leonardo da Vinci was a gifted artist. His Mona Lisa became one of the most recognized paintings in the world. People everywhere still admire the famous portrait almost 500 years after he painted it. They want to know who Mona Lisa was and why she has that strange smile. What we do know about the Mona Lisa is that da Vinci began the painting in 1503 and worked on it for more than three years. It was done with oil paint on a piece of pine wood, 20 by 30 inches in size. When it was finished, he decided to keep it for himself. He liked it so much that he took it with him wherever he went. Before he died, da Vinci sold the Mona Lisa to King François I of France for $105,000. There are many theories about who the “real” Mona Lisa was. One theory is that Mona Lisa was a young woman from Florence, Italy.
    [Show full text]
  • How Science Found Mona Lisa's Pearl Necklace: the Evolution of Scientific Involvement in Art History from the Nineteenth Centu
    How Science found Mona Lisa’s Pearl Necklace: The evolution of scientific involvement in art history from the nineteenth century to the twenty-first century Julia Ilana Eckstein Honors Thesis for Science, Technology and Society University of Pennsylvania December 2012 Jonathan D. Moreno, Ph.D. 1 Acknowledgements I would like to thank Dr. Jonathan D. Moreno, University of Pennsylvania David and Lyn Silfen Professor, for his guidance and support in my pursuit of this topic. His enthusiasm and curiosity inspired me in my research and writing. In addition, I would like to thank the University of Pennsylvania Science, Technology and Society Department for introducing me to subjects that have truly shaped my undergraduate academic experience. This project would not have been possible without the unwavering encouragement from my parents who shared their love of art and its history with me from a very young age. I would also like to thank my brother who has continuously confirmed that interests in the hard sciences and the arts are not mutually exclusive. 2 Abstract Today, academic disciplines often collaborate as a means of achieving profound intellectual truths. Twenty-first century art history exhibits this method of research in its mobilization of chemistry, astronomy, and physics to investigate artworks. However, the beginning of art history as an institution in the eighteenth century established the field as an elite and exclusive area of study. The same was true of traditional sciences. It was not until museums were built and society attributed cultural importance to artworks that the art world acknowledged the possibility of scientific contributions, especially in the context of conservation.
    [Show full text]