DOCSLIB.ORG

Symphony Hall, Boston Huntington and Massachusetts Avenues

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 Boston Symphony Orchestra INC. SERGE KOUSSEVITZKY, Conductor FORTY-FOURTH SEASON. 1924-1925 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1924, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W. WARREN ARTHUR LYMAN E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 673 — i E THE INST%U34ENT OF THE IMMORTALS IT IS true that Rachmaninov, Pader- Each embodies all the Steinway ewski, Hofmann—to name but a few principles and ideals. And each waits of a long list of eminent pianists only your touch upon the ivory keys have chosen the Steinway as the one to loose its matchless singing tone, perfect instrument. It is true that in to answer in glorious voice your the homes of literally thousands of quickening commands, to echo in singers, directors and musical celebri- lingering beauty or rushing splendor ties, the Steinway is an integral part the genius of the great composers. of the household. And it is equally true that the Steinway, superlatively fine as it is, comes well within the There is a Steinway dealer in your range of the moderate income and community or near you through 'whom meets all the requirements of the you may purchase a new Steinway modest home. piano 'with a small cash deposit, and This instrument of the masters has the balance will be extended over a been brought to perfection by four period of two years.* Used pianos generations of the Steinway family. accepted in partial exchange. But they have done more than this. They have consistently sold it at the Prices: $875 and up lowest possible price. And they have Plus transportation given it to the public upon terms so convenient that the Steinway is well Steinway & Sons, Steinway Hall within your reach. Numerous styles 109 East Fourteenth St.. New York and sizes are made to suit your home. 674 OH i* Forty-fourth Season, 1924-1925 SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Hoffmann, J. Gerardi, A. Hamilton, V. Concert-master. Mahn, F. Krafft, W. Sauvlet, H. Theodorowicz, J. Gundersen, R. Pinfield, C. Fiedler, B. Siegl, F. Kassman, N. Cherkassky, P. Leveen, P. Maribtti, V. Thillois, F. Gorodetzky, L. Kurth, R. Riedlinger, H. Murray, J. Goldstein, S. Bryant, M. Knudsen, C. Stonestreet, L. Tapley, R. Del Sordo, R. Messina, S. Diamond, S. Erkelens, H. Seiniger, S. Violas. Fourel, G. Werner, H. Grover, H. Fiedler, A. Artieres, L. Van Wynbergen, C. Shirley, P. Mullaly, J. Gerhardt, S. Kluge, M. Deane, C. Zahn, F. Violoncellos. Bedetti, J. Keller, J. Belinski, M. Warnke, J. Langendoen, J. Schroeder, A. Barth, C. Stockbridge, C. Fabrizio, E. Marjollet, L. Basses. Kunze, M. Seydel, T. Ludwig, O. Kelley, A. Girard, H. Keller, K. Gerhardt, G. Frankel, I. Demetrides, L. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Longy, G. Sand, A. Laus, A. Bladet, G. Lenom, C. Arcieri, E. Allard, R. Amerena, P. Stanislaus, H. Vannini, A. Bettoney, F. Piccolo. English Horns. Bass Clarinet. Contra-Bassoon. Battles, A. Mueller, F. Mimart, P. Piller, B. Spcyer, L. Horns. Horns. Trumpets. Trombones. Wendler, G. Valkenier, W. Mager, G. Hampe, C. Schindler, G. Hain, F. Mann, J. Adam, E. Hess, M. Van Den Berg, C. Schmeisser, K. Mausebach, A. Lorbeer, H. Gebhardt, W. Perret, G. Kenfield, L. Kloepfel, L. Tuba. Harps. Timpani. Percussion. Sidow, P. Holy, A. Ritter, A. Ludwig, C. Zahn, F. Savitzkaya, L. Polster, M. Sternburg, S. Organ. Celesta. Librarian. Snow, A. Fiedler, A. Rogers, L. J. 675 The House Where Music Is FOR over a hundred years Chickering has stood supreme among fine pianos. The name has come to have even wider significance, however, for it means, also, an old Colonial building on Tremont Street, a Boston institution where one naturally goes to select a piano at whatever price one can afford to pay with a certainty of being satisfied. You are cordially invited to our store if only to listen to the tone of our several instru- ments. It will be well worth a visit to hear the Ampico re-enact the very personality of the playing of the greatest artists. If you wish to to buy at this time, your present piano will be taken in exchange and con- venient terms of monthly payment may be arranged. Until Christmas we shall be open evenings until 9 o'clock. 169-Tremont Street, Boston PIANOS OF ALL PRICES — EACH PRE- E MINENT IN ITS CLASS 676 FORTY-FOURTH SEASON NINETEEN HUNDRED TWENTY-FOUR &TWENTY-FIVE FRIDAY AFTERNOON, DECEMBER 19, at 2.30 o'clock SATURDAY EVENING, DECEMBER 20, at 8.15 o'clock Haydn . Symphony in G major (Breitkopf and Hartel No. 13) I. Adagio; Allegro. II. Largo. III. Menuetto; Trio. IV. Finale: Allegro con spirito. Bach, C. P. E. Concerto for Two Pianos (First performance in Boston) Bliss ........ Concerto for Two Pianos (First Performance) Hill Scherzo for Two Pianos (First Performance) Ravel "La Valse," Choregraphic Poem SOLOISTS GUY MAIER and LEE PATTISON STEINWAY PIANOS USED There will be an intermission of ten minutes after Bach's concerto City of Boston, Revised Regulation of August 5, 1898, —Chapter 3, relating to the covering of the head in places of public amusement Every licensee shall not. in his place of amusement, allow any person to wear upon the head a covering which obstructs- the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators, it being understood that a low head covering without projection, which does not obstruct such view, may be worn. Attest: J. M. GALVIN. City Clerk. The works to be played at these concerts may be seen in the Allen A. Brown Music Collection of the Boston Public Library one week before the concert 677 — — A Page of Travel RAYMOND & WHITCOMB CO. 165 Tremont Street, Boston New York Philadelphia Chicago San Francisco Los Angeles Paris London Nice This season, as always, the activities of the Raymond & Whitcomb Co. are conspicuous for their diversity. Unusual cruises, comprehensive tours and expert individual services make the Raymond -Whitcomb program particularly complete. Below are summaries of our offerings. Cruise and Tour Booklets, Travel Guides and ship plans on request. Round South America Cruise Three West Indies Cruises A brilliantly unique 66-day cruise. Sails Jan. 24, Three cruises on the "Reliance" (" Resotute's ' sis- 1925, on the luxurious 20,000-ton "Resolute ', for tership) Routes include Cuba, Jamaica, Panama, Cuba, Colombia, Panama, Peru, Chile, Straits of Colombia, Venezuela, Trinidad, Barbados, Marti- Magellan, Patagonia, Argentina, Uruguay, Brazil, nique, Bermuda, etc. Short Cruise: Jan. 13 — $175 Venezuela, Trinidad, Porto Rico. Opportunity &l up Long Cruises Jan. 3 1 & Feb. 28—$350 & to visit Bolivia nnd lguazu Falls. $925 & up. up All shore excursions included in cruise-rates. Ettifll Two Mediterranean Cruises Next Summer's Cruises A 65-day cruise with exclusive features. Sails Feb. Our Fifth Annual "Midnight Sun Cruise" sails 5 on the 20,000-ton Cunarder "Samaria for Italy, June 30 on the 20,000-ton Cunarder "Franconia" Greece, Turkey, Egypt, Holy Land, etc., also Nice for Iceland, Norway's Fjords, Sweden, Denmark, during Carnival, Sicily, Tunis, Cattaro, Venice. Holland, England, France. An unusually complete ' $875 & up. A 40-day springcruise (S.S. ' Reliance") route. $750 & up. Summer Mediterranean Cruise to the Mediterranean. Mar. 28. $525 & up. co all the "standard" ports. June 24. $675 & up. Round the World Cruise Raymond -Whitcomb Tours Sailing Oct. 14, 1925, on a brand-new 20,000-ton California and Hawaii Tours the resorts and noted Cunarder, on a 34,000-mile course, featuring visits scenic regions. 3 to 10 weeks. Florida and Cuba to New Zealand, Australia and Tasmania, as well Tours the fashionable resorts in the gay season— as the great Far Eastern Countries — Japan, 3 to 5 weeks. Europe Tours to England. Holland, China, Java, India, Egypt and the Mediterranean. Belgium, France, Switzerland, Italy, Germany, A splendid five-months' voyage. $2250 &! up. Spain. Round the World Tours to the vivid East. 678 Symphony in G major (B. & H. No. 13) Joseph Haydn (Born at Rohrau, Lower Austria, March 31, 1732; died at Vienna, May 31, 1809) Haydn wrote a set of six symphonies for a society in Paris known as the "Concert de la Loge Olympique." They were ordered in 1784, when Haydn was living at Esterhaz. Composed ^in the course of the years 1784-89, they are in C, G minor, E-flat, B-flat, D, A. No. 1, in C, has been entitled "The Bear"; No. 2, in G minor, has been entitled "The Hen"; and No. 4, in B-flat, is known as "The Queen of France.'' The symphony played at this concert is the first of a second set, of which five were composed in 1787, 1788, 1790. If the sixth was written, it cannot now be identified. This one in G major was written in 1787, and is "Letter V" in the catalogue of the London Philharmonic Society, No. 13 in the edition of Breitkopf & Hartel, No. 8 in that of Peters, No. 29 in that of Sieber, No. 58 in the list of copied scores of Haydn's symphonies in the library of the Paris Conservatory of Music. This symphony in G major is the first of the second series, and with the second, "Letter W," it was composed in 1787.
Recommended publications
  • The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

    The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 10-3-2014 The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’s Opera and Concert Arias Joshua M. May University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation May, Joshua M., "The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’s Opera and Concert Arias" (2014). Doctoral Dissertations. 580. https://opencommons.uconn.edu/dissertations/580 ABSTRACT The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’s Opera and Concert Arias Joshua Michael May University of Connecticut, 2014 W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for this voice type as it is understood today, and they form an essential pillar of the pedagogy and repertoire for the modern tenor voice. Yet while the opera arias have received a great deal of attention from scholars of the vocal literature, the concert arias have been comparatively overlooked; they are neglected also in relation to their counterparts for soprano, about which a great deal has been written. There has been some pedagogical discussion of the tenor concert arias in relation to the correction of vocal faults, but otherwise they have received little scrutiny. This is surprising, not least because in most cases Mozart’s concert arias were composed for singers with whom he also worked in the opera house, and Mozart always paid close attention to the particular capabilities of the musicians for whom he wrote: these arias offer us unusually intimate insights into how a first-rank composer explored and shaped the potential of the newly-emerging voice type of the modern tenor voice.
  • «Je Me Figurais Être Orphée», Wrote Countess Sophie Fersen After At- Tending a Performance of Christoph Gluck's Orpheus Oc

    «Je Me Figurais Être Orphée», Wrote Countess Sophie Fersen After At- Tending a Performance of Christoph Gluck's Orpheus Oc

    Women in love: Gluck’s Orpheus as a source of romantic consolation in Vienna, Paris, and Stockholm JOHN A. RICE ABSTRACT Among those who witnessed early performances of Gluck’s Orfeo ed Euridice were Princess Isabelle of Parma, Julie de Lespinasse, and Countess Sophie Fersen. Orpheus, and the music Gluck wrote for him, stirred up similar responses in these passionate young women, all of whom found in the protagonist’s tragic plight consolation for own romantic yearning. This paper explores their emotio- nal states, as documented in their letters, and offers some explanations for their identification with a male character from Greek mythology, as brought to life by Gluck’s music and the men who sang it. «Je me figurais être Orphée», wrote Countess Sophie Fersen after at- tending a performance of Christoph Gluck’s Orpheus och Euridice in Stockholm in 1777. She was writing to a man with whom she had been involved in a brief and passionate love affair, and who had just left Sweden. Countess Fersen was not the only young woman who found romantic consolation in Gluck’s Orpheus. Already during the first run of performances in 1762, Princess Isabelle of Parma, recently married to Archduke (later Emperor) Joseph, wrote mournfully to her sister-in-law Marie Christine, whose company she much preferred to Joseph’s. Isabelle identified herself with Orpheus as a way of express- ing the depth and hopelessness of her love. And shortly after the première of the Paris version in 1774, Julie de Lespinasse wrote to her beloved Comte de Guibert, who was far from Paris, that she found a mixture of pain and pleasure in Gluck’s opera: «Je voudrois entendre dix fois par jour cet air qui me déchire, et qui me fait jouir de tout ce que je regrette: j’ai perdu mon Euridice».
  • Boston Common and the Public Garden

    Boston Common and the Public Garden

    WalkBoston and the Public Realm N 3 minute walk T MBTA Station As Massachusetts’ leading advocate for safe and 9 enjoyable walking environments, WalkBoston works w with local and state agencies to accommodate walkers | in all parts of the public realm: sidewalks, streets, bridges, shopping areas, plazas, trails and parks. By B a o working to make an increasingly safe and more s attractive pedestrian network, WalkBoston creates t l o more transportation choices and healthier, greener, n k more vibrant communities. Please volunteer and/or C join online at www.walkboston.org. o B The center of Boston’s public realm is Boston m Common and the Public Garden, where the pedestrian m o network is easily accessible on foot for more than o 300,000 Downtown, Beacon Hill and Back Bay workers, n & shoppers, visitors and residents. These walkways s are used by commuters, tourists, readers, thinkers, t h talkers, strollers and others during lunch, commutes, t e and on weekends. They are wonderful places to walk o P — you can find a new route every day. Sample walks: u b Boston Common Loops n l i • Perimeter/25 minute walk – Park St., Beacon St., c MacArthur, Boylston St. and Lafayette Malls. G • Central/15 minute walk – Lafayette, Railroad, a MacArthur Malls and Mayor’s Walk. r d • Bandstand/15 minute walk – Parade Ground Path, e Beacon St. Mall and Long Path. n Public Garden Loops • Perimeter/15 minute walk – Boylston, Charles, Beacon and Arlington Paths. • Swans and Ducklings/8 minute walk – Lagoon Paths. Public Garden & Boston Common • Mid-park/10 minute walk – Mayor’s, Haffenreffer Walks.
  • And the Spirit Will Lead You… S I Write, the Mountains and Hills of Increasingly Gray Snow Acontinue to Line the Streets Around Copley Square

    And the Spirit Will Lead You… S I Write, the Mountains and Hills of Increasingly Gray Snow Acontinue to Line the Streets Around Copley Square

    Winter 2015 TrinityLife Volume 2, No. 2 And the Spirit Will Lead You… s I write, the mountains and hills of increasingly gray snow Acontinue to line the streets around Copley Square. Pedestrians bustle along shrouded in their jackets and layers of wool. Getting to church on Sundays has often proved daunting, but despite winter’s !erce moods, life at Trinity has been moving forward with remarkable energy. The Rev. Samuel We at Trinity are T. Lloyd III calling this a “Year of Rector Discovery,” a phrase that resonates in more ways than one. We recently “discovered” the latent power of hosting a public conversation as we gathered for the !rst Anne Berry Bonnyman Symposium, addressing Winter roared through New England in late January and February of 2015. Here, the challenges of racism in our country. Trinity rises from the snowbanks from the intersection of Clarendon Street and And we St. James Avenue. Photo by parishioner Monte Agro. What are gathered for we learning an all-parish ranging conversations of the Mission building we call our spiritual home, about living in dinner and Task Force, the Building Committee, and the ways in which we are being community with cabaret that and the Liturgy Study Group will be called to reach out and serve our each other? Who used nearly helping to chart the future into which community outside our doors. does God want us God is calling us. every space in The groups haven’t been charged to become? the church and Several people have asked me in primarily to develop plans for next gave us a taste recent months what exactly these steps, but to discern where God’s of Mardi Gras fun as Lent loomed on planning groups are trying to Spirit is leading our congregation in the horizon—another discovery.
  • Connect with US with Connect

    Connect with US with Connect

    # BostonMoves # FREE fitness classes in your neighborhood parks neighborhood your in classes fitness FREE @ bostonparksdept @ @ healthyboston @ Connect WITH US WITH Connect Pick Your Activity Locations All Fitness Levels welcome at all classes Bootcamp Adams Park Iacono Playground Bootcamp classes target your cardiovascular system and muscles, utilizing exercises 4225 Washington Street 150 Readville Street such as jumping jacks, push-ups and lunges. The instructor will use outdoor elements Roslindale, MA 02131 Hyde Park, MA 02136 to conduct the exercises and will encourage you to push through the workout. Almont Park Jamaica Pond Cardio Dance 40 Almont Street Pinebank Promontory, Jamaicaway Mattapan, MA 02126 Jamaica Plain, MA 02130 A fun, high energy dance class that incorporates Dancehall moves with cardio combinations. This class will have you sweating from start to finish. Boston Common Frog Pond LoPresti Park 38 Beacon Street 33 Sumner Street Carnival Fit Boston, MA 02108 East Boston, MA 02128 This Carnival-based Afro-Caribbean group dance class targets full body transformation through the art of dance and the love of Dancehall and Soca. Brighton Common Malcom X Park 30 Chestnut Hill Avenue 150 M L King Jr. Boulevard Family Fitness Brighton, MA 02135 Roxbury, MA 02119 This class is designed to get the family moving together. Classes start with music, cardio and games followed by a vinyasa yoga flow. Blackstone Square McLaughlin Playground 50 W. Brookline Street 239 Parker Hill Avenue HIIT Boston, MA 02118 Jamaica Plain, MA 02120 High Intensity Interval Training is repeated bouts of short duration, high-intensity exercise intervals intermingled with periods of lower intensity intervals of active recovery.
  • Boston Symphony Orchestra Concert Programs, Season

    Boston Symphony Orchestra Concert Programs, Season

    INFANTRY HALL PROVIDENCE >©§to! Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, DECEMBER 28 AT 8.15 COPYRIGHT, 1915, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS. MANAGER ii^^i^"""" u Yes, Ifs a Steinway" ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to you, and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extr? dollars and got a Steinway." STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere 2>ympif Thirty-fifth Season,Se 1915-1916 Dr. KARL MUC per; \l iCs\l\-A Violins. Witek, A. Roth, 0. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet, H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Stilzen, H. Fiedler, A.
  • Tax Exempt Property in Boston Analysis of Types, Uses, and Issues

    Tax Exempt Property in Boston Analysis of Types, Uses, and Issues

    Tax Exempt Property in Boston Analysis of Types, Uses, and Issues THOMAS M. MENINO, MAYOR CITY OF BOSTON Boston Redevelopment Authority Mark Maloney, Director Clarence J. Jones, Chairman Consuelo Gonzales Thornell, Treasurer Joseph W. Nigro, Jr., Co-Vice Chairman Michael Taylor, Co-Vice Chairman Christopher J. Supple, Member Harry R. Collings, Secretary Report prepared by Yolanda Perez John Avault Jim Vrabel Policy Development and Research Robert W. Consalvo, Director Report #562 December 2002 1 Introduction .....................................................................................................................3 Ownership........................................................................................................................3 Figure 1: Boston Property Ownership........................................................................4 Table 1: Exempt Property Owners .............................................................................4 Exempt Land Uses.........................................................................................................4 Figure 2: Boston Exempt Land Uses .........................................................................4 Table 2: Exempt Land Uses........................................................................................6 Exempt Land by Neighborhood .................................................................................6 Table 3: Exempt Land By Neighborhood ..................................................................6 Table 4: Tax-exempt
  • Freedom Trail N W E S

    Freedom Trail N W E S

    Welcome to Boston’s Freedom Trail N W E S Each number on the map is associated with a stop along the Freedom Trail. Read the summary with each number for a brief history of the landmark. 15 Bunker Hill Charlestown Cambridge 16 Musuem of Science Leonard P Zakim Bunker Hill Bridge Boston Harbor Charlestown Bridge Hatch Shell 14 TD Banknorth Garden/North Station 13 North End 12 Government Center Beacon Hill City Hall Cheers 2 4 5 11 3 6 Frog Pond 7 10 Rowes Wharf 9 1 Fanueil Hall 8 New England Downtown Crossing Aquarium 1. BOSTON COMMON - bound by Tremont, Beacon, Charles and Boylston Streets Initially used for grazing cattle, today the Common is a public park used for recreation, relaxing and public events. 2. STATE HOUSE - Corner of Beacon and Park Streets Adjacent to Boston Common, the Massachusetts State House is the seat of state government. Built between 1795 and 1798, the dome was originally constructed of wood shingles, and later replaced with a copper coating. Today, the dome gleams in the sun, thanks to a covering of 23-karat gold leaf. 3. PARK STREET CHURCH - One Park Street, Boston MA 02108 church has been active in many social issues of the day, including anti-slavery and, more recently, gay marriage. 4. GRANARY BURIAL GROUND - Park Street, next to Park Street Church Paul Revere, John Hancock, Samuel Adams, and the victims of the Boston Massacre. 5. KINGS CHAPEL - 58 Tremont St., Boston MA, corner of Tremont and School Streets ground is the oldest in Boston, and includes the tomb of John Winthrop, the first governor of the Massachusetts Bay Colony.
  • January-February

    January-February

    COLLECTIONS CORNER PETITE FEET VOICES BEYOND Recently Acquired A Concert in Celebration BONDAGE of Artist Allan Rohan Crite An Anthology of Verse BOSTON ATHENÆUM by African Americans JANUARY-FEBRUARY 2016 NOW ON VIEW Concert with jazz ensemble Petite Feet The Athenæum recently acquired Interior with Figure, Antwerp by of the 19th Century Otto Grundmann. Grundmann, who had his earliest artistic training in Tuesday, February 23, 6-7 pm his native Dresden, came to America in 1876 to accept the directorship Registration begins February 9 at 9 am Book talk with literary scholars Erika DeSimone and Fidel Louis of the new School of the Museum of Fine Arts in Boston. He served P R Members $15 Non-members $30 in that role, and as a highly respected teacher, until his death in 1890. Thursday, February 25, 6-7 pm He specialized in genre painting (scenes of everyday life) in the Prolific Boston artist Allan Rohan Crite Registration begins February 11 at 9 am tradition of seventeenth-century Dutch masters such as Vermeer. created an extensive body of work featuring R Members Free Non-Members $15 This recent acquisition, the first painting by this important Boston the daily life of ordinary African Americans. P artist to enter the Athenæum’s collection, is in every way In celebration of his work, and in collabora- Voices Beyond Bondage: An Anthology of characteristic of his work. The painting can be viewed in the tion with the New England Conservatory’s Verse by African Americans of the 19th sitting room off the hallway leading to the Children’s Library.
  • Boston Athenæum

    Boston Athenæum

    BOSTON ATHENÆUM Reports for books 17,725 loaned 600 items digitized 8 new employees 438 items conserved 1,149 149 educational programs annual fund donors 151 archive inquiries 600 artworks 3,870 published online items cataloged $2,$2,291,873 in unrestricted revenue by the 2016 numbers 4,345 active memberships Boston Athenæum Reports for President JOHN S. REED Vice-Presidents CHARLES A. COOLIDGE III SUSAN B. WEATHERBIE Treasurer J. MARK ENRIQUEZ Assistant Treasurer GILBERT M. RODDY, JR. Secretary DAVID P. INGRAM Trustees ANNE C. BROMER JAMES F. HUNNEWELL, JR. EARL M. COLLIER, JR. TERRANCE P. MCGUIRE JOHN WIGGLESWORTH EVERETS CAROLYN M. OSTEEN THOMAS D. GILL, JR. ELIZABETH H. OWENS J. BRYAN HEHIR CREELEA H. PANGARO MAISIE HOUGHTON AUSTIN V. SHAPARD CLARISSA C. HUNNEWELL Trustees Emeriti MITCHELL ADAMS KATHERINE HANEY DUFFY ALEXANDER ALTSCHULLER HUGH D. S. GREENWAY EDWARD B. BALDINI BAYARD HENRY JOAN T. BOK ELIZABETH B. JOHNSON DEBORAH HILL BORNHEIMER JERROLD I. W. MITCHELL JOHN G. L. CABOT G. MARSHALL MORIARTY FERDINAND COLLOREDO-MANSFELD SUSAN W. PAINE JILL KER CONWAY LAWRENCE PERERA J. LINZEE COOLIDGE JAMES V. RIGHTER LAWRENCE COOLIDGE LIONEL B. SPIRO DANIEL R. COQUILLETTE WILLIAM S. STRONG ALICE M. D ELANA BOSTON ATHENÆUM Reports for B, M January Reports for is a publication of the Boston Athenæum, ½ Beacon Street, Boston, Massachusetts - . It was designed by Scott Vile and printed by the Ascensius Press, South Freeport, Maine. A digital edition of this publication is available at www.bostonathenaeum.org. This publication reflects the activities of the Boston Athenæum between October , , and September , . Staff and Trustee lists are current as of September , .
  • Christopher Harris, “A Mirror of Boston: Faneuil Hall at the Turn of the Century” Historical Journal of Massachusetts Volume 33, No

    Christopher Harris, “A Mirror of Boston: Faneuil Hall at the Turn of the Century” Historical Journal of Massachusetts Volume 33, No

    Christopher Harris, “A Mirror of Boston: Faneuil Hall at the Turn of the Century” Historical Journal of Massachusetts Volume 33, No. 1 (Winter 2005). Published by: Institute for Massachusetts Studies and Westfield State University You may use content in this archive for your personal, non-commercial use. Please contact the Historical Journal of Massachusetts regarding any further use of this work: [email protected] Funding for digitization of issues was provided through a generous grant from MassHumanities. Some digitized versions of the articles have been reformatted from their original, published appearance. When citing, please give the original print source (volume/ number/ date) but add "retrieved from HJM's online archive at http://www.wsestfield.ma.edu/mhj. Editor, Historical Journal of Massachusetts c/o Westfield State University 577 Western Ave. Westfield MA 01086 A Mirror of Boston: Faneuil Hall at the Turn of the Century By Christopher Harris When, on October 27, 1902, Frederick Stimson, the Democratic candidate for Congress in the 12th District of Massachusetts said that “Socialism would be slavery,” he was probably talking as much from frustration as from belief. Socialism was on the rise in Massachusetts in 1902. For the Democratic Party, the Socialist vote, along with that of other splinter parties, such as the Prohibition and Labor Parties, frequently meant certain defeat by the Republicans. That November, the third party vote meant the difference between victory and defeat in many elections, including the governorship, lieutenant governorship and at least seven state senate seats. Socialist James Carey was elected to the Massachusetts House of Representatives from Haverhill.
  • Act1 SCMS Boston20 ITIN FIN

    Act1 SCMS Boston20 ITIN FIN

    Seattle Chamber Music Society Patron Visit to Boston Symphony Hall, Boston (courtesy Arnold Reinhold) April 23-27, 2020 Following this year’s very successful trip to Minneapolis We have selected the Taj Boston as a luxurious base for our Executive Director Connie Cooper is delighted to extend an visit, a landmark hotel known for its classic style and award- early invitation to join a spring 2020 visit to the city of winning service, occupying a prestigious address at the corner Boston, New England’s undisputed cultural and educational of Arlington and Newbury Streets, overlooking the picturesque hub and home to some of the country’s leading performing Public Garden, a very popular recreational place for Boston’s arts organizations, notably the Boston Symphony Orchestra, citizenry. (www.thetajboston.com) Boston Symphony Orchestra Chamber Players, the Boston The performing arts program includes performances by Boston Youth Symphony Orchestra, Boston Chamber Music Society, Symphony Chamber Players, Boston Chamber Music Society Boston Pops, Boston Ballet, Boston Lyric Opera, Opera and Boston Symphony Orchestra. We are also delighted to include Boston, Boston Baroque, the Handel and Haydn Society. an evening at the innovative Huntington Theatre Company. Contemporary music is also well represented by the Boston Modern Orchestra Project and Boston Music Viva. A rich music Daytime events include informative visits to the world-renowned scene is complemented by exceptional museums and galleries MIT Media Lab, the Isham Memorial Library, Isabella Stewart such as the Museum of Fine Arts, the Isabella Stewart Gardner Gardner Museum and Boston Museum of Fine Arts among other Museum and the Institute of Contemporary Art.