Using Computer Vision Photogrammetry (Agisoft Photoscan)
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Arxiv:1303.4151V1 [Astro-Ph.EP] 18 Mar 2013 And
HST Spectral Mapping of L/T Transition Brown Dwarfs Reveals Cloud Thickness Variations D´anielApai1 Department of Astronomy, The University of Arizona, 933 N. Cherry Avenue, Tucson, AZ 85721 [email protected] Jacqueline Radigan2 Department of Astronomy, University of Toronto, 50 St. George Street, Toronto, M5S 3H4, Canada Esther Buenzli Department of Astronomy and Steward Observatory, 933 N. Cherry Avenue, The University of Arizona, Tucson, AZ 85721 Adam Burrows Department of Astrophysical Sciences, 105 Peyton Hall, Princeton University, Princeton, NJ 08544 Iain Neill Reid Space Telescope Science Institute, 3700 San Martin Drive, Baltimore, MD 21212 arXiv:1303.4151v1 [astro-ph.EP] 18 Mar 2013 and Ray Jayawardhana Department of Astronomy, University of Toronto, 50 St. George Street, Toronto, M5S 3H4, Canada { 2 { Received ; accepted 1Department of Planetary Sciences, 1629 E. University Blvd, Tucson, AZ 85721 2Space Telescope Science Institute, 3700 San Martin Drive, Baltimore, MD 21212 { 3 { ABSTRACT Most directly imaged giant exoplanets are fainter than brown dwarfs with similar spectra. To explain their relative underluminosity unusually cloudy atmo- spheres have been proposed. However, with multiple parameters varying between any two objects, it remained difficult to observationally test this idea. We present a new method, sensitive time-resolved Hubble Space Telescope near-infrared spectroscopy, to study two rotating L/T transition brown dwarfs (2M2139 and SIMP0136). The observations provide spatially and spectrally resolved mapping of the cloud decks of the brown dwarfs. The data allow the study of cloud struc- ture variations while other parameters are unchanged. We find that both brown dwarfs display variations of identical nature: J- and H-band brightness varia- tions with minimal color and spectral changes. -
High Performance Career Women in Germany‟S Next Top Model - a New View on Women and Work in German Reality TV
Austausch, Vol. 1, No. 2, October 2011 High performance career women in Germany‟s Next Top Model - A new view on women and work in German Reality TV Bahri Gültekin University of Kassel ([email protected]) Introduction „Germany‟s Next Top model‟ belongs to the new reality TV show genre. Its goal is to find a new German “Supermodel” from a selected pool of young girls. The show is presented by the internationally acclaimed and successful fashion model Heidi Klum from Germany. It is based on its American counterpart “America‟s Next Top Model” which was first shown in 2003. This type of fashion show has been copied in several different countries and has become a huge commercial success. The German version has been broadcast since 2006. Every series follows the same basic structure: twenty young girls are chosen from a crop of young hopefuls by a jury consisting of media-acclaimed fashion and modelling experts and Heidi Klum. The „chosen ones‟ compete against each other in different „challenges‟ during the course of the series. These challenges are set up by the „coaches‟ and the jury. The candidates must demonstrate skill and motivation to proceed to the next challenges. During the course of the show, they are taught about body language, style and personality. In this context they are required to take part in different „walks‟, photo shoots and other jobs which result from castings from real businesses. Here, they have to prove themselves as „real‟ models. The orchestrated „walks‟ and shoots aim to build up a career portfolio. -
Norms, Normality and Normalization
Norms, Normality and Normalization Papers from the Postgraduate Summer School in German Studies, Nottingham, July 2013 Edited by Matthias Uecker and Dirk Göttsche with Helen Budd and Gesine Haberlah University of Nottingham, October 2014 Norms, Normality and Normalization. Edited by Matthias Uecker and Dirk Göttsche. Nottingham 2014 Table of Content MATTHIAS UECKER: Introduction: Norms, Normality and Normalization ........................... 1 JÜRGEN LINK: Crisis between ʻDenormalizationʼ and the ʻNew Normalʼ: Reflections on the Theory of Normalism Today .................................................................................... 7 HELEN BUDD: Normalizing Masculinities: Representations of the Military in Literature and Films in 1950s West Germany ................................................................................ 18 FRANZISKA SCHRATT: Fatherless Identities in Wim Wenders’ Kings of the Road and Notebook on Cities and Clothes ..................................................................................... 29 ANNA STIEPEL: In/Out: Social Norms in Mechanisms of Inclusion and Exclusion in Miguel Abrantes Ostrowski’s Sacro Pop, Ein Schuljungen-Report (2004) and Michael Borlik’s Ihr mich auch (2010) ......................................................................... 41 SARAH MAAß: Normativierung, Normalisierung und Hypernormalismus: Technologien des Körpers und des Selbst in der Castingshow Germany’s Next Topmodel ................ 51 NINA SCHMIDT: ‘[E]ndlich normal gewordenʼ? Reassembling an Image of the Self -
Franziska Bork Petersen
AUTHENTICITY AND ITS CONTEMPORARY CHAL- LENGES Franziska Bork Petersen Authenticity and its Contemporary Challenges On Techniques of Staging Bodies Franziska Bork Petersen ©Franziska Bork Petersen, Stockholm University 2013 ISBN 978-91-7447-790-0 Printed in Sweden by US-AB, Stockholm 2013 Distributor: Department of Musicology and Performance Studies, Stockholm University For JB Contents ACKNOWLEDGEMENTS ............................................................................ 12 GENERAL INTRODUCTION. “HERE SHE IS: THE BRAND NEW…” ........ 13 Aims and Research Questions .....................................................................................16 The Authentic Body as a Model for Identity. Positioning and Previous Research........20 Depth and surface models of identity......................................................................21 Depth and surface models in dance and fashion ....................................................24 Bodily authenticity as performative .........................................................................25 Menschenbilder: Identity Formation and the Visual Field. Positioning and Previous Research ......................................................................................................................28 Authenticity in makeover culture’s Menschenbild ...................................................29 Alternative Menschenbilder.....................................................................................31 Staging: a Conscious Performance. Positioning and Previous