The Ithacan, 2003-04-03
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2018 District Annual Report
Southwestern2018 Annual ReportCollege ofTable contents President’s Message ...................................................... 1 Budget Information ....................................................... 2 3D Printing Provides ‘Endless Possibilities’ ................. 4 Recording Arts and Technology Program ................... 5 Faculty Spotlight: Diana Arredondo ............................ 6 Counselor Spotlight: Abdimalik Buul .......................... 7 Southwestern College Higher Education Centers ...... 8 Former gang member transfers with full-ride scholarship to UC San Diego ...................................... 10 Transfer Spotlight: Angel Ramirez .............................. 11 Jag Kitchen Launches a Caring Movement ............... 12 Prop R & Z Annual Report ........................................... 13 Prop R & Z Project Updates ........................................ 14 On the cover: Engineering student Giselle Romo is Message from the SWC Foundation Board Chair .... 16 using 3D printers to build upon her dreams of working in the aerospace industry (page 3). Alumni Spotlight: Chula Vista Mayor Mary Salas ...... 17 For more President’s than 56 years, Message Southwestern College has offered South County residents a quality higher education experience. Over the years, we have welcomed students right after high school graduation. More and more we have seen students find Southwestern College offers them a second chance to make a real difference in their lives and in the lives of their families. As you read our student, faculty and alumni stories, I hope you will find them as inspiring as I have. Southwestern College is also experiencing its own renewal. We have realized the true community potential of what was once the vacant corner lot. A new Wellness and Aquatics Complex has opened with two Olympic- sized pools and a third therapy pool, along with a gym and exercise classrooms. Next year we begin construction on a new Performing Arts and Cultural Center with a 500-seat theater to share the corner of the college. -
My Life and Death by Alexandra Canarsie Deathalexandra Life by My and My Life and Death by Alexandra Canarsie Deathalexandra Life by My and by Alexandra Canarsie
Young adult fiction www.peachtree-online.com O’KEEFE ISBN 1-56145-387-0 / $7.95 My Life and Death My Life andMy by Life AlexandraDeath Canarsie My Life andMy by Life AlexandraDeath Canarsie by Alexandra Canarsie None of this would have happened, I suppose, if I had a normal hobby like skateboarding or hanging out at malls. But I don’t do things like that. A NOVEL I go to the funerals of strangers. Weird, huh? BY SUSAN HEYBOER O’KEEFE Praise for MY LIFE AND DEATH BY ALEXANDRA CANARSIE: The unexpected twists and turns of the plotmake this coming-of-age novel a strong first offering for young adults. —School Library Journal Allie?s great voice and smart characters are a winning combination—The Horn Book Guide The most remarkable aspect of this novel is Allie?s voice. Her character rings clear as a teenager who covers up her hurt and bewilderment with sarcasm and a stony faade of disinterest. —VOYA My Life and Death by Alexandra Canarsie With a wit as sharp as barbed wire and a mouth light-years faster than her good sense, Allie’s not at all surprised she hasn’t been made homecoming queen. So what? She’s way too smart for the pack mentality. Besides, she’s barely SUSAN HEYBOER O’KEEFE is the author emptied her suitcase and her mother of more than a dozen books for children, is already itching to move again. including ONE HUNGRY MONSTER and DEATH BY EGGPLANT. MY LIFE AND DEATH But when Allie stumbles onto the BY ALEXANDRA CANARSIE is Susan’s first novel funeral of a boy her own age, she is for young adults. -
Book of Abstracts: Studying Old Master Paintings
BOOK OF ABSTRACTS STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE 1618 September 2009, Sainsbury Wing Theatre, National Gallery, London Supported by The Elizabeth Cayzer Charitable Trust STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE BOOK OF ABSTRACTS 1618 September 2009 Sainsbury Wing Theatre, National Gallery, London The Proceedings of this Conference will be published by Archetype Publications, London in 2010 Contents Presentations Page Presentations (cont’d) Page The Paliotto by Guido da Siena from the Pinacoteca Nazionale of Siena 3 The rediscovery of sublimated arsenic sulphide pigments in painting 25 Marco Ciatti, Roberto Bellucci, Cecilia Frosinini, Linda Lucarelli, Luciano Sostegni, and polychromy: Applications of Raman microspectroscopy Camilla Fracassi, Carlo Lalli Günter Grundmann, Natalia Ivleva, Mark Richter, Heike Stege, Christoph Haisch Painting on parchment and panels: An exploration of Pacino di 5 The use of blue and green verditer in green colours in seventeenthcentury 27 Bonaguida’s technique Netherlandish painting practice Carole Namowicz, Catherine M. Schmidt, Christine Sciacca, Yvonne Szafran, Annelies van Loon, Lidwein Speleers Karen Trentelman, Nancy Turner Alterations in paintings: From noninvasive insitu assessment to 29 Technical similarities between mural painting and panel painting in 7 laboratory research the works of Giovanni da Milano: The Rinuccini -
Wonderland Senior Thesis Presented to the Faculty of the School of Arts
Wonderland Senior Thesis Presented to The Faculty of the School of Arts and Sciences Brandeis University Undergraduate Program in Creative Writing Stephen McCauley, Advisor In partial fulfillment of the requirements for the degree of Bachelor of Arts by Arianna Arguetty May 2021 Copyright by Arianna Arguetty 1 I was lounging on the sofa in the laundry room, wearing a two thousand dollar cocktail dress and watching YouTube. My last days at university had come and gone. Exams were over, and I’d secured a job as an entry-level marketing assistant at a nearby firm. Once I earned a couple of paychecks, I’d be all set to get a place of my own. I’d even found that once a month in Fort Lauderdale--which wasn’t exactly close to my mother’s house but not terribly far either--a certain club met. In two weeks, I would go and take the chance to explore a nagging interest of mine. For now, all I had to do was walk across a stage, shake a few hands, and secure my degree. It should have been exciting, but I was preoccupied with my insecurity. I’d graduated from high school in a pair of bedazzled bootcut jeans I’d gotten myself at Target and a boxy t-shirt two sizes too big that my high school had given out after some trip. The shirt had covered the fake gemstones entirely which may have been a mistake because my old English teacher couldn’t have complained about my “horseback riding outfit” if she’d seen them. -
Geologic Map of the Victoria Quadrangle (H02), Mercury
H01 - Borealis Geologic Map of the Victoria Quadrangle (H02), Mercury 60° Geologic Units Borea 65° Smooth plains material 1 1 2 3 4 1,5 sp H05 - Hokusai H04 - Raditladi H03 - Shakespeare H02 - Victoria Smooth and sparsely cratered planar surfaces confined to pools found within crater materials. Galluzzi V. , Guzzetta L. , Ferranti L. , Di Achille G. , Rothery D. A. , Palumbo P. 30° Apollonia Liguria Caduceata Aurora Smooth plains material–northern spn Smooth and sparsely cratered planar surfaces confined to the high-northern latitudes. 1 INAF, Istituto di Astrofisica e Planetologia Spaziali, Rome, Italy; 22.5° Intermediate plains material 2 H10 - Derain H09 - Eminescu H08 - Tolstoj H07 - Beethoven H06 - Kuiper imp DiSTAR, Università degli Studi di Napoli "Federico II", Naples, Italy; 0° Pieria Solitudo Criophori Phoethontas Solitudo Lycaonis Tricrena Smooth undulating to planar surfaces, more densely cratered than the smooth plains. 3 INAF, Osservatorio Astronomico di Teramo, Teramo, Italy; -22.5° Intercrater plains material 4 72° 144° 216° 288° icp 2 Department of Physical Sciences, The Open University, Milton Keynes, UK; ° Rough or gently rolling, densely cratered surfaces, encompassing also distal crater materials. 70 60 H14 - Debussy H13 - Neruda H12 - Michelangelo H11 - Discovery ° 5 3 270° 300° 330° 0° 30° spn Dipartimento di Scienze e Tecnologie, Università degli Studi di Napoli "Parthenope", Naples, Italy. Cyllene Solitudo Persephones Solitudo Promethei Solitudo Hermae -30° Trismegisti -65° 90° 270° Crater Materials icp H15 - Bach Australia Crater material–well preserved cfs -60° c3 180° Fresh craters with a sharp rim, textured ejecta blanket and pristine or sparsely cratered floor. 2 1:3,000,000 ° c2 80° 350 Crater material–degraded c2 spn M c3 Degraded craters with a subdued rim and a moderately cratered smooth to hummocky floor. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
United States District Court Northern District of New York
Case 5:08-cv-00699-NPM-GHL Document 14 Filed 01/21/09 Page 1 of 5 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF NEW YORK UMG Recordings, Inc., Atlantic Recording Corporation, SONY BMG Music Entertainment, Elektra Entertainment Group, Inc., and BMG Music, Plaintiffs, -v.- 5:08-CV-00699 (NPM/GHL) Ayisha Crockrell, Defendant. APPEARANCES: OF COUNSEL: FOR THE PLAINTIFF: Leclair Korona Giordano Cole LLP Steven E. Cole 150 State Street, Suite 300 Rochester, NY 14614-1353 FOR THE DEFENDANT Ayisha Crockrell No appearance Neal P. McCurn, Senior District Judge Summary Order The plaintiffs in this copyright infringement action, UMG Recordings, Inc., Atlantic Recording Corporation, SONY BMG Music Entertainment, Elektra Entertainment Group, Inc., and BMG Music (“Plaintiffs”), seek a default judgment Case 5:08-cv-00699-NPM-GHL Document 14 Filed 01/21/09 Page 2 of 5 against defendant, Ayisha Crockrell (“Defendant”), for violations of their exclusive rights in copyrighted materials. See 17 U.S.C. § 501 (2002). This action was commenced by the filing of a complaint and the issuance of a summons on July 1, 2008. On July 15, 2008, a copy of said summons and complaint were properly served upon Defendant pursuant to Fed. R. Civ. P. 4(e)(2)(B), proof of which service was filed with this court on August 5, 2008. See Dkt. No. 6. Defendant has failed to appear, answer or otherwise move with respect to the complaint and Defendant’s time to appear, answer or otherwise move has expired. Consequently, at Plaintiffs’ request, Defendant’s default was entered by the Clerk of the Court on August 21, 2008. -
Song of the Undertow"
ORDER OF POEMS IN "C(5he Song of the UndertoW" PART I PAGE , lJREWORD 7 "II3LUDE 11 III SONG OF THE UNDERTOW 13 PART II TIMES SQUARE 147 AVE DWELLERS 150 IlALD MOUNTAIN 153 THE COSMIC LIDRARIAN 155 THE WOE-BORN BEAUTY 157 TAR SANDALS 160 THE PLAINS OF ABRAHAM 161 THE LESBIAN GIVES A ROSE 163 MANHATTAN 164 THE SONG OF THE NEW JESUS 166 LIGHT THOU MY TORCH 168 MY COUNTRY 170 FIRE-PLACE 171 THE LIVING WORD 174 'fJoreword lIS is more than a poem; it is a confessional of faith. From the first word to the last phrase, ; v for a word here and there and a transversion of w rds in conversation, for the sake of rhyme and I hythm, this narrative-poem is true. That I was livinely guided in three great crises, that confronted II) in that first vagrant journey of my life, baffles any skepticism which Fate, with its multitudinous 'ontradictions, has since forced upon me. You may say that it was co-incidence that I met I v. James T. Houssemayne du Boulay, Mr. and Mrs. S. R. Button, Mrs. Berryman and J. Philip llins, who one and all received me in such Christ tik spirit. You may be right. There may be no ivinity Who shapes our ends. But I would be a p r gambler if I doubted the evidence given to my own soul in the year 1902. 7 If this confessional of faith had been published upon that scribe. I may use the word "God" to six years ago the critics would have received my evi, d cribe a glorious vision of my own soul which is dence with contempt. -
The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS -
Ed Kowalczyk Til VEGA Med Nyt Album Og Live-Klassikere
2013-09-09 15:15 CEST Ed Kowalczyk til VEGA med nyt album og Live-klassikere Den tidligere Live-frontmand Ed Kowalczyks nye album, The Flood and the Mercy, udkommer i dag, den 9. september. I VEGA kan man høre både nye numre og Live-klassikere den 23. september. Frontmanden fra Live alene Den tidligere frontmand fra det store amerikanske rockband Live, Ed Kowalczyk, går på scenen i Store VEGA den 23. september til en siddende koncert. Aftenen er en del af Kowalczyks I Alone Acoustic-tour. Året efter Live gik fra hinanden i 2009, udgav Kowalczyk sit første soloalbum, Alive. Her fortsatte han stilen fra Live med gedigen sangskrivning, iørefaldende guitar- akkorder og sin dybe, intense vokal. Første single fra Kowalczyks spritnye album, The Flood and the Mercy, er nummeret "Seven", som kan høres her i denne teaser for albummet. Det er Europa, der først får adgang til albummet, da det udkommer her den 9. september, og først i USA sidst i oktober. I VEGA skulle der altså være god mulighed for at høre de helt nye kompositioner live. Nye sange og Live-klassikere på scenen Til sine solokoncerter spiller Ed Kowalczyk både sine nye numre fra Alive og The Flood and the Mercy, men også elskede klassikere fra Lives repertoire. Herfra kan man eksempelvis se frem til at høre "All Over You" og "Selling the Drama", som Ed Kowalczyk også optrådte med i Sydney i denne medrivende liveudgave: Se video på YouTube her Ed Kowalczyk / 23. september i Store VEGA (siddende koncert) - Læs mere og køb billet VEGA er et regionalt spillested med mere end 350 koncertarrangementer årligt på de tre scener: Store VEGA, Lille VEGA og Ideal Bar Live og +800 bands. -
WORLDWIDE TOUR with MULTI-PLATINUM BAND +LIVE+ COMING to the MYSTIC AMPHITHEATER SEPTEMBER 16 Tickets on Sale April 6
FOR IMMEDIATE RELEASE COUNTING CROWS 2018 “25 YEARS AND COUNTING” WORLDWIDE TOUR WITH MULTI-PLATINUM BAND +LIVE+ COMING TO THE MYSTIC AMPHITHEATER SEPTEMBER 16 Tickets on Sale April 6 PRIOR LAKE – APRIL 2, 2018 – Counting Crows are bringing their “25 Years and Counting” tour with special guest +LIVE+ to Mystic Lake’s outdoor Mystic Amphitheater at 8 p.m. Sunday, September 16. After more than two decades and 20 million albums sold globally, Counting Crows will celebrate 25 years of making music by hitting the road for a worldwide “25 Years and Counting” tour, starting with a 40+ city trek across North America this summer including a stop at Mystic Lake. Joining the tour is multi-platinum band +LIVE+. "The nice thing about having 25 years of music to celebrate and seven studio albums we absolutely love to choose from is that we can play a different show every night,” said Crows vocalist Adam Duritz. “The nice thing about touring with +LIVE+ is that we get to spend yet another summer with old friends who play great music. We can't wait!” +LIVE+ vocalist & guitarist Ed Kowalczyk echoed those sentiments: “+LIVE+ is beyond excited to get out on the road this summer and play for our fans. We are freshly reunited and performing with a confidence and ferocity that we can't wait for people to experience. The fact that we will be sharing the stage once again with the incomparable Counting Crows is icing on the cake!” In addition to celebrating 25 years of music in 2018, Duritz has also launched a new podcast, “Underwater Sunshine!”—a series of conversations between noted non-journalist Duritz and his pal, author and music journalist James Campion, about life, music, and whatever comes into their large and incredibly handsome brains.