Choral Union Concert Series

Total Page：16

File Type：pdf, Size：1020Kb

UNIVERSITY MUSICAL SOCIETY DIAMOND JUBILEE SEASON Charles A. Sink, President Thor J ohnsoD, Guest Conductor Lester McCoy, Associate Conductor Second Concert 1953-1954 Complete Series 311 2 Seventy.. fifth Annual Choral Union Concert Series BOSTON SYMPHONY ORCHESTRA CHARLES MUNCH, Conductor THURSDAY EVENING, OCTOBER 22, 1953, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Symphony No.2 in D major, Op. 73 BRAHMS Allegro non troppo Adagio non troppo Adagietto grazioso, quasi andantino Allegro con spirito INTERMISSION Symphony No. 2 for String Orchestra HONEGGER Molto moderato Adagio mesto Vivace, non troppo "Le Tombeau de Couperin" Suite RAVEL Prelude Forlane Menuet Rigaudon Excerpts from Act II, Die Meistersinger von Nurnberg WAGNER Introduction Dance of the Apprentices Assemblage of the Mastersingers Baldwin Piano and RCA Victor records. NOTE.-The University Musical Society has presented tbe Boston Symphony Orchestra on 31 previous occasions since 1890, under the ( o llowin ~ conductors: Arthur Nikisch (3); Franz Kneisel (1); Otto Urack (I) ; Karl Muck (I) ; Serge Koussevltzky (16); Richard Burgi n (2); Charles Munch (6); Pierre Monteux (I). A R S LON G A V I T A BREVIS CONCERTS VIRTUOSI Dr ROMA Monday, November 2 RENATO FASANO, Conductor CLEVELAND ORCHESTRA Sunday, November 8 G EORGE SZELL, Conductor DEPAUR' S INFANTRY CHORUS Tuesday, November 24 L EON ARD DEPAUR, Conductor GUARD REpUBLICAN BAND OF PARIS Monday, November 30 FRANCOIS-J ULIEN BRUN, Conductor CHICAGO SYMPHONY ORCHESTRA Sunday, December 13 FRITZ REINER, Conductor MARIAN ANDERSON, Contralto Sunday, January 10 TORONTO SYMPHONY ORCHESTRA VVednesday, February 10 SIR E RNEST MACMILLAN, Conductor PAUL BADURA-SKODA, Pianist VVednesday, February 17 GEORGE LONDON, Bass Sunday, February 28 BOSTON POPS TOUR ORCHESTRA Thursday, March 4 ARTHUR F IEDLER, Conductor ELENA NIKOLAIDI, Contralto Friday, March 12 MYRA HESS, Pianist . VVednesday, March 17 Messiah First Concert: Saturday, December 5, 8:30 P.M. Repeat Concert: Sunday, December 6, 2 :30 P .M. MAUD NOSLER, Soprano VV ALTER FREDERICKS, Tenor CAROL SMITH, Contralto NORMAN SCOTT, Bass UNIVERSITY CHORAL UNION AND ORCHESTRA MARY MCCALL STUBBINS, Organist LESTER McCoY, Conductor Tickets (either performance): 70 cents and 50 cents Chamber Music Festival GRILLER STRING QUARTET: February 19, 8:30 P.M. and February 21, 2:30 P.M. REGINALD KELL PLAYERS: February 20, 8:30 P.M. Season Tickets: $3.50 and $2.50 j Single Concerts: $1.75 and $1.25 For tickets or for further information, please address: Charles A. Sink, President, University Musical Society, Burton Memorial Tower. .

Copy Link

Recommended publications

100 Percent Americanism in the Concert Hall: the Minneapolis Symphony in the Great War
100 Percent Americanism in the Concert Hall: The Minneapolis Symphony in the Great War Michael J. Pfeifer In 1918 a Minnesota music critic assessed a Minneapolis Symphony concert warmly, noting that the orchestra’s recent “racial house-cleansing” – a purge of some of the orchestra’s German and Austrian-born musicians – had not com- promised the quality of the ensemble’s playing. While the critic believed that “like gasoline and whiskey, music and war really ought not to have anything in particular to do with each other”, he nonetheless judged it well worthwhile from a “standpoint of musical interest” to hear the orchestra “magnificently” perform the national anthems of the Allied nations that opened the concert. Earlier, at the beginning of the 1918–1919 season, members of the Minneapolis Symphony had been required to sign loyalty oaths to the United States, while a cellist had been compelled to leave the orchestra for a period because he sup- posedly had hung portraits of the Kaiser and his wife over his fireplace (these were actually pictures of “the deceased Austrian emperor Franz Josef and his wife”).1 While the Minneapolis Symphony and its Munich-born founder Emil Oberhoffer (1867–1933) did not encounter the extreme repercussions that led to the arrest, internment, and deportation of Karl Muck (1859–1940) and Ernst Kunwald (1868–1939), respectively the German and Austrian conductors of the Boston Symphony and the Cincinnati Symphony,2 a significant nativist, anti- German, backlash did mark the orchestra’s experience of the latter years of the Great War. The upper Midwestern state of Minnesota was substantially German in nativity and ancestry at the outbreak of the war, which may have mitigated some of the harshly jingoistic reaction that German symphonic * I am grateful to Frank Jacob and William H.
[Show full text]
ARSC Journal, Vol.21, No
Sound Recording Reviews Wagner: Parsifal (excerpts). Berlin State Opera Chorus and Orchestra (a) Bayreuth Festival Chorus and Orchestra (b), cond. Karl Muck. Opal 837/8 (LP; mono). Prelude (a: December 11, 1927); Act 1-Transformation & Grail Scenes (b: July/ August, 1927); Act 2-Flower Maidens' Scene (b: July/August, 1927); Act 3 (a: with G. Pistor, C. Bronsgeest, L. Hofmann; slightly abridged; October 10-11and13-14, 1928). Karl Muck conducted Parsifal at every Bayreuth Festival from 1901 to 1930. His immediate predecessor was Franz Fischer, the Munich conductor who had alternated with Hermann Levi during the premiere season of 1882 under Wagner's own supervi sion. And Muck's retirement, soon after Cosima and Siegfried Wagner died, brought another changing of the guard; Wilhelm Furtwangler came to the Green Hill for the next festival, at which Parsifal was controversially assigned to Arturo Toscanini. It is difficult if not impossible to tell how far Muck's interpretation of Parsifal reflected traditions originating with Wagner himself. Muck's act-by-act timings from 1901 mostly fall within the range defined in 1882 by Levi and Fischer, but Act 1 was decidedly slower-1:56, compared with Levi's 1:47 and Fischer's 1:50. Muck's timing is closer to that of Felix Mottl, who had been a musical assistant in 1882, and of Hans Knappertsbusch in his first and slowest Bayreuth Parsifal. But in later summers Muck speeded up to the more "normal" timings of 1:50 and 1:47, and the extensive recordings he made in 1927-8, now republished by Opal, show that he could be not only "sehr langsam" but also "bewegt," according to the score's requirements.
[Show full text]
Boston Symphony Orchestra Concert Programs, Season 35,1915-1916, Trip
SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY ^\^><i Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor ITTr WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 23 AT 8.00 COPYRIGHT, 1916, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1 €$ Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to I you. and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extra dollars and got a Steinway." pw=a I»3 ^a STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor Violins. Witek, A. Roth, O. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet. H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Sulzen, H.
[Show full text]
Boston Symphony Orchestra Concert Programs, Season 32,1912-1913, Trip
INFANTRY HALL • PROVIDENCE Thirty-second Season, J9J2—X9J3 Dr. KARL MUCK, Conductor Programme of % THIRD CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, DECEMBER 31 AT 8.15 COPYRIGHT, 1912, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER — " After the Symphony Concert 9J a prolonging of musical pleasure by home-firelight awaits the owner of a "Baldwin." The strongest impressions of the concert season are linked with Baldwintone, exquisitely exploited by pianists eminent in their art. Schnitzer, Pugno, Scharwenka, Bachaus De Pachmann! More than chance attracts the finely-gifted amateur to this keyboard. Among people who love good music, who have a culti- vated knowledge of it, and who seek the best medium for producing it, the Baldwin is chief. In such an atmosphere it is as happily "at home" as are the Preludes of Chopin, the Liszt Rhapsodies upon a virtuoso's programme. THE BOOK OF THE BALDWIN free upon request. Sole Representative MRS. LUCY H. MILLER 28 GEORGE STREET - - PROVIDENCE, R.I. Boston Symphony Orchestra PERSONNEL Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor Violins. Witek, A., Roth, 0. Hoffmann, J. Mahn, F. Concert-master. Kuntz, D. Tak, E. Theodorowicz, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Koessler, M. Bak, A. Mullaly, J. Goldstein, H. Habenicht, W. Akeroyd, J. Spoor, S. Berger, H. Fiumara, P. Fiedler, B. Marble, E. Hayne, E. Tischer-Zeitz, H Kurth, R. Grunberg, M. Goldstein, S. Pinfield, C. E. Gerardi, A. Violas. Ferir, E. Werner, H. Pauer, 0. H. Kluge, M. Van Wynbergen, C Gietzen, A.
[Show full text]
The Boston Symphony Orchestra Seiji Ozawa, Music Director & Conductor Peter Serkin, Piano
PETER LIEBERSON New World Records 80325 Piano Concerto The Boston Symphony Orchestra Seiji Ozawa, music director & conductor Peter Serkin, piano Peter Lieberson was born in New York City on October 25, 1946; he lives in Newton Center, Massachusetts, and is currently teaching at Harvard. His Piano Concerto is one of twelve works commissioned by the Boston Symphony Orchestra for its centennial in 1981. From the beginning the piano solo part was intended for Peter Serkin, who gave the first performance with Seiji Ozawa and the Boston Symphony Orchestra on April 21, 1983, in Symphony Hall, Boston. The youngest of the 12 composers commissioned by the Boston Symphony Orchestra for its centennial, Peter Lieberson grew up in a family where music was ubiquitous. Both his parents were important figures in the artistic world. His father, Goddard Lieberson, himself a trained composer, was perhaps best known as the most influential record-company executive in the artistic world. Peter's mother, under the stage name Vera Zorina, was a ballerina with the Ballets Russes de Monte Carlo and later with George Balanchine, before she became known as a specialist in spoken narration. Through a job at New York's classical music radio station WNCN, Lieberson came to know Aaron Copland and Virgil Thomson. But the crucial connection came when Copland invited Milton Babbitt to do a program. Until that time the major influence on Lieberson's music was Stravinsky. Now he began to study informally with Babbitt. At Babbitt's suggestion Lieberson chose Columbia when he decided to pursue graduate studies; there he worked with Charles Wuorinen (the third of his three principal teachers would be Donald Martino, with whom he studied at Brandeis University).
[Show full text]
CHARLES MUNCH Musical Director
'or..er goat ea 7tav • Excellent Food, Gracious Service in the Hendrick Hudson Candlelight Room • Your Favorite Cocktail or Highball in our New Hudson Room COMPLETE FACILITIES for WEDDING FESTIVITIES BANQUETS, PARTIES and All SOCIAL FUNCTIONS 712;05rrik, SOUVERIR PROGRflifi . IN WHICH is carried pertinent information on the event of the evening; insight in- to coming events, and a suggestion of the past More than three-quarters of a million dollars has been poured into the RPI Field House in order to make it the versatile structure it is today. The original shell was a former Navy warehouse in Davisville, Rhode Island. (Cover photo by Airs. George H. Lee) NOLO • MILLER • OFFSET • ROTARY • LETTERPRESS Printers of your Field House Program 7 GRAND ST. TROY, N.-Y. *-ta.t 9 AS 2-6650 LIVINGSTON W. HOUSTON President Rensselaer Polytechnic Institute The RPI FIELD HOUSE has in the last seven years of operation become a unique forum for thought and ex- pression in the Capital District. This is partially the result of great words and ideas voiced from the FIELD HOUSE stage by outstanding leaders in many diverse fields — ed- ucation, politics, religion, drama, and many more. It is also the result of cultural expression — enduring music performed by the major symphony orchestras of America and Europe, choral groups and artists. As such, the audi- torium has fulfilled the major objective laid down by the college, Rensselaer Polytechnic Institute, which brought it into being and operates it today to enrich the lives of the college family and the people of the large surrounding community.
[Show full text]
Symphony Hall. Boston Huntington and Massachusetts Avenues
SYMPHONY HALL. BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephones Ticket Office ) j g^^j^ ^ j^gj Branch Exchange I Administration Offices ) THIRTY-THIRD SEASON. 1913 AND 1914 Dr. KARL MUCK, Conductor ilk ^BlFSSyii WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON. MARCH 13 AT 2.30 O'CLOCK SATURDAY EVENING, MARCH 14 AT 8.00 O'CLOCK COPYRIGHT, 1914, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS. MANAGER 11.57 ^ii^lafta a prolonging of musical pleasure by home-firelight awaits " the owner of a "Baldwin. The strongest impressions of the concert season are linked with Baldwintone, exquisitely exploited by pianists eminent in their art. Schnitzer, Pugno, Scharwenka, Bachaus — De Pachmann! More than chance attracts the finely-gifted amateur to this keyboard. Among people who love good music, w^ho have a culti- vated know^ledge of it, and who seek the best medium for producing it, the Baldwin is chief. In such an atmosphere it is as happily "at home" as are the Preludes of Chopin, the Liszt Rhapsodies upon a virtuoso's programme. THE BOOK OF THE BALDWIN free upon request. 366 FIFTH AVENUE, NEW YORK CITY 1158 4 Boston Symplioey Orcliestr^ Thirty-third Season. 191 3-191 Dr. KARL MUCK. Conductor aL^ Violins. Witek, A. Roth, 0. Concert-master. Kuntz, D. Noack, S. : ' ' ' ' M ." 'i ! . .v. .'.!ui.:rr-?r':'.rJ^^^^^^^^Sft YSAYE THE WORLD FAMOUS VIOLINIST AND THE CHICKERING PIANO New York City, February 5, 1913. Messrs. Chickering & Sons, Boston, Mass. Gentlemen It is a pleasure to speak of the lovely tone of the Chickering & Sons' Piano, which with its round, rich, pliable quality blends with that of my violins i'; to perfection.
[Show full text]
Boston Symphony Orchestra Concert Programs, Season 116, 1996-1997, Subscription, Volume 01
V * >.. «S2 BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director r W&ztK&kZ^ S^l/^/i^'JiX /&96* B Boston Symphony Association of Volunteers Opening Night Gala Committee Benefactor Committee Mr. and Mrs. Gordon F. Kingsley, Chairs Dr. and Mrs. Leo Beranek Mr. and Mrs. Marshall Carter Mr. and Mrs. Richard P. Morse Mr. and Mrs. Robert O'Block Event Committee Mr. and Mrs. Allan B. Keith, Chairs Mr. William Along Donna Ricardi Mr. Stephen Blair Maita R. Rockoff Mrs. Warren E. Clarke Mrs. William A. Sharon Mrs. Peter P. Gacicia III Patricia Tambone Mr. Michael Murphy Wendy Ziner Mrs. William Poorvu Hosts and Hostesses Richard Bertolino Robert Mann Jean Connors Derek Marotta Sarah Duffield Aaron Pyman Michael Flippin Maita R. Rockoff William R. Grace Barbara Roller Mary Hapij Ann Marie Saltzman Martha Pacetti Pat Sullivan Our special thanks to these in-kind donors for making tonight's event a success: The Four Seasons Hotel The Lower Falls Wine Company Watson Mail Communications Worcester Envelope The Boston Symphony Orchestra is most grateful to Mr. and Mrs. Gordon F. Kingsley for their leadership as Benefactor Chairs for Opening Night at Symphony 1996. With special thanks to the BSAV Flower/Decorating Committee and the Volunteer Office Staff, as well as the dedicated staff and crew at Symphony Hall Benefactors Mr. and Mrs. William F. Achtmeyer Mr. and Mrs. Philip Finn Mr. and Mrs. Alvin B. Allen Dean W. Freed Mr. and Mrs. Harlan E. Anderson Gene and Myrna Freedman Professor and Mrs. Rae D. Anderson Mr. and Mrs. James Garvey Mr. and Mrs.
[Show full text]
Boston Symphony Orchestra Concert Programs, Season 34
NEW NATIONAL THEATRE . WASHINGTON Thirty-fourth Season, 1914-1915 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY AFTERNOON, NOVEMBER 3 AT 4.30 COPYRIGHT, 1914, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS. MANAGER TO itoflit&lfamlm Messrs. MASON & HAMLIN, Dear Sirs:—It is a pleasure to me to tell you that one of the real musical delights of my stay in America has been the intimate acquaintance I have made with your pianos. My visit to your factory and the demonstration there given me of your unique system of pianoforte construction have con- vinced me of the ideally high standard you have set before you, while my experience with your pianos at my home as well as on the concert stage has proved to me how completely you have attained that artistic ideal. Their beautiful tone, which no adjective can adequately describe, and their inspiring perfection of mechanism render them noble instruments worthy of the highest place in my esteem. (Signed) Dr. KARL MUCK Washington Representatives PERCY S. FOSTER PIANO CO. 1330 G STREET B Thirty-fourth Season, 1914-1915 Dr. KARL MUCK, Conductor Violins. Witek, A. Roth, 0. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet, H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Stilzen, H. Kurth, R. Griinberg, M. Pinfield, C. Gerardi, A. Ringwall, R. Gunderson, R. Gewirtz, J. Violas. Ferir, E. Werner, H. Gietzen, A.
[Show full text]
Choral Union Concert Series
UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Thor Johnson, Guest Conductor Lester McCoy, Conductor Second Concert 1956-1957 Complete Series 3191 Seventy.. eighth Annual Choral Union Concert Series BOSTON SYMPHONY ORCHESTRA CHARLES MUNCH, Music Director MONDAY EVENING, OCTOBER IS, 1956, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Overture to "Euryanthe" . WEBER Symphony No.6. PISTON Fluendo espressivo Leggerissimo vivace Adagio sereno Allegro energico (composed for the 75th anniversary of the Boston Symphony Orchestra) INTERMISSION Symphony No.6 in B minor, "Pathetique," Op. 74 TCHAIKOVSKY Adagio; allegro non troppo Allegro non grazia Allegro molto vivace Finale: adagio lamentoso Baldwilt Pialto RCA Victor Records NOTE. - The University Musical Society has presented the Boston Symphony Orchestra on 34 previous occasions since 1890, under the {ollowin ~ conductors : Arthur Nikisch (3); Franz Kneisel ( 1) ; Olto Urack (1); Karl Muck (1); Serge KOllssevltzky (16); Richard Burgin (2) ; Pierre Monteux (I); Charles llIunch (9). A R S LON G A V I T A BREVIS CONCERTS BOSTON SYMPHONY ORCHESTRA (Extra Series) Wed., Oct. 17 Charles Munch, Conductor Program: Suite No.2 in B minor . BACH Iberia DEBUSSY Symphony No.3, "Eroica" BEETHOVEN BERLIN PHILHARMONIC ORCHESTRA (Choral Union Series) Sun., Oct. 21 Herbert von Karajan, Conductor Program: Overture to "Anacreon" CHERUBINI Symphonie liturgique . HONEGGER Symphony No.7, A major. BEETHOVEN ROBERT CASADESUS, Pianist (Choral Union Series) Mon., Nov. 5 Program: Compositions of ROBERT SCHUMANN Eighth Novelette, Op. 21 Carnaval, Op. 9 Waldscenen, Op. 82 Etudes symphoniques, Op. 13 ELISABETH SCHWARZKOPF, Soprano (Extra Series) Wed., Nov. 14 VIENNA PHILHARMONIC ORCHESTRA (Choral Union Series) Tues., Nov. 20 Andre Cluytens, Conductor Program: Symphony No.
[Show full text]
Boston Symphony Orchestra Concert Programs, Season 32,1912-1913, Trip
SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY Thirty-second Season, J9J2-J9J3 Dr. KARL MUCK, Conductor flrogramm? of % FOURTH CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, JANUARY 16 AT 8.00 COPYRIGHT, 1912, BY C A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER Shown EXCLUSIVELY at Steinert Hall and our stores throughout New England STEINWAY Grand and Upright pianos in all regular models, and PIANOS in special designs of distinctive architectural styles. PIANOLA Steinway,Weber and other makes of Pianos, in 88-note PLAYER-PIANOS styles with all the exclusive Pianola features, including the Metrostyle and The- modist, at prices as low as $550. THE NEW ENGLAND- A series of quality pianos MADE PIANOS of distinctive musical char- acteristics—superb values THE HUME at their respective prices, THE JEWETT from $275 up. THE WOODBURY M. STEINERT & SONS CO. Steinert Hall, 162 Boylston Street New England's Largest Piano House Owing to the illness of Dr. Muck, Mr. Otto Urack will conduct. V SANDERS THEATRE .... CAMBRIDGE HARVARD UNIVERSITY Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor FOURTH CONCERT THURSDAY EVENING, JANUARY 16 AT 8.00 PROGRAMME Borodin Symphony No. 2, in B minor I. Allegro moderate II. Molto vivo. III. Andante. IV. Allegro. Arias with Orchestra a. Marcello Recitative "II mio bel foco" and Aria "Quella fiamma" b. Gluck Aria of Paride from "Paride ed Elena," Act I., No. 3 Brahms Academic Festival Overture, Op. 80 Strauss Songs with Orchestra a. Morgen, Op. 27, No. 4. b. Wiegenlied, Op. 41, No. 1 c. Cacilie, Op. 27, No. 2.
[Show full text]
Boston Symphony Orchestra Concert Programs, Season 34, May 14 To
PANAMA-PACIFIC INTERNATIONAL EXPOSITION SAN FRANCISCO, CALIFORNIA Wednesday, May 26, 1915 /J^WlH^ BOSTON ^^W^M^ SYAPMONY 0RO1ESTRH THIRTY-FOURTH SEASON W4-W5 ^Iff PRdGR7W\E Thirty-fourth Season, 1914-1915 Dr. KARL MUCK, Conductor Violins. Witek, A. Roth, 0. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet, H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Siilzen, H. Kurth, R. Griinberg, M. Pinfield, C. Gerardi, A. Ringwall, R. Gunderson, R. Gewirtz, J. Violas. Ferir, E. Werner, H. Gietzen, A. v.Veen, H. Wittmann, F. Schwerley, P. Berlin, W. Kautzenbach, W Van Wynbergen, C. Blumenau, W. Violoncellos. Warnke, H. Keller, J. Barth, C. Belinski, M. Steinke, B. Malkin, J. Nagel, R. Nast, L. Folgmann, E. Warnke, J. Basses. Kunze, M. Agnesy, K. Seydel, T. Ludwig, 0. Gerhardt, G. Jaeger, A. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Sand, A. Sadony, P. Brooke, A. Lenom, C. Mimart, P. Mueller, E. Chevrot, A. Stanislaus, H. Vannini, A. Fuhrmann, M. Battles, A. English Horn. Bass Clarinet. Contra-Bassoon. Mueller, F. Stumpf, K. Mosbach, J. Horns. Ho*NS. Trumpets. Trombones. Wendler, G. Jaenicke, B. Heim, G. Alloo, M. Lorbeer, H. Miersch, E. Mann, J. Belgiorno, S. Hain, F. Hess, M. Bach, V. Mausebach, A. Resch, A. Hiibner, E. Kloepfel, L. Kenfield, L. Tuba. Harps. Tympani. Percussion. Mattersteig, P. Holy, A. Neumann, S Zahn, F. Senia, T. Cella, T. Kandler, F. Burkhardt, H. Organ. Librarian.
[Show full text]