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3 LETTER FROM THE MAYOR 4 LEnERS FROM THE AAFF PRESIDENT AND EXECUTIVE DIRECTOR 5 FESTIVAL CONTRIBUTORS AND IN-KIND DONORS 6 FESTIVAL STAFF AND VOLUNTEERS 7 AWARDS JURY 8 THE AWARDS 9 OVERVIEW MAIN THEATER 10 OVERVIEW SCREENING ROOM 11 PROGRAM OF FILMS 23 PRINT SOURCES 24 SPECIAL EVENTS AND AFTER PARTIES 25 MEMBERSHIP FORM

2 LETTER FROM THE MAYOR

s the mayor of Ann Arbor, I warmly part of the reward is that every year, Awelcome you to the 44th Ann Arbor artists and filmmakers come for one Film Festival. A great cultural tradition in week in March to share their images, the grand Michigan Theater, the Festival ideas and thoughts with both young is known far and wide as one of the and old, in a stimulating environment finest American venues for innovative that is our home. filmmaking and storytelling. As the oldest festival of its kind, the Ann Arbor is a city that takes great Ann Arbor Film Festival remains pride in the arts and in fostering a vibrant cultural tradition in our civic dialogue that stimulates the city, highlighting this community's growth of the community and dedication to creative dialogue individual alike. Through the years, and the art of the moving image. the Ann Arbor Film Festival has been a key thread in the cultural For 44 years, the Festival has fabric of our city. supported and promoted diverse film artists whom have played Thank you for joining us for the 44th pivotal roles in the field, including festival, and enjoy the show! Yoko Ono, Andy Warhol and Gus Van Santo Sincerely, Equally impressive is the steadfast commitment of Ann Arbor's own artists JOHN HIEFTJE andvolunteers,whoeachyearcontribute MAYOR OF ANN ARBOR their work, art and time to present this marvelous community event. A great 3 LETTER FROM JAY NELSON LETTER FROM CHRISTEN MCARDLE AAFF PRESIDENT EXECUTIVE DIRECTOR

Dear Festival-goers, Hello Ann Arbor,

To paraphrase Mark Twain, the reports of the I'd like to welcome you to the 44th Ann Arbor demise of the Ann Arbor Film Festival have Film Festival. and thank you for welcoming been greatly exaggerated. You may have me to your community. It has been a heard rumors or read in some newspapers pleasure to get to know this fine city for the that the AAFF was going out of business or was last six months. abandoning its mission but, fortunately, neither is true. If there is one aspect of the AAFF experience that I have consistently recognized and appreciated, it is the undying love that Ann In fact. just this past summer, the Festival's Board Arbor has for the arts, and for ANYTHING that of Directors agreed unanimously to reaffirm pushes the envelope, whether it is artistic, our mission of supporting and promoting political or even theoretical. Ann Arbor is a experimental and independent film. If anything, community that likes to think, be challenged our goals are to expand on that mission and and celebrate life. Your awareness for do more to support filmmakers beyond having the unconventional is keen, and your a six-day festival every spring. And, while some appreciation for countercultures is valiant; may question the decision we made three years and it has affected me in a profound way. ago to open up the Festival to video and digital media in addition to 16mm film, we felt that it Being originally from the Midwest, I am was entirely in keeping with the spirit of the AAFF thankful for Ann Arbor's influence, and I am - in 1963 when the Festival was founded, 16mm film was the preferred format for relieved that such a diverse place exists in the Midwest. We live in transitional times, filmmakers on a budget, but today, few can afford it and have opted to work on and are faced with adjustments and adaptations that force us to evaluate our video and digital media instead. values and priorities at all hours of the day. We are bombarded with multi-media, extreme politics, corporate saturation and pop culture. I will openly admit that I With far more films to choose from, the decision greatly enhanced our on-screen worry about the future of our Americana - our culture and folklore, and our role offerings. But it was good for our finances as well - submissions and submission fees and influence in the world - and I know I'm not the only one ... Ann Arbor is a place have nearly quintupled in the last three years. where everyone fearlessly fights for what they believe in, and perpetually finds ways to express their beliefs. Not every place in the world has such imperative liberties available. As a result of that and other strategies, the Festival is healthier financially than it's been in quite some time. But. like virtually every small non-profit arts organization in So this week, I hope you will join us in a celebration of everything that lives and Michigan, we've faced cutbacks in government and foundation grants - becoming thrives outside of the box. There is so much to be grateful for in regards to the Ann a member of the AAFF is now more important than ever - that continue to Arbor Film Festival. Never have I seen an institution that allows so much creative challenge us as we work to ensure that the Festival will continue to grow and thrive freedom, or a community that embraces creativity so intensely. Look around and in the years to come. commend yourselves, because you exemplity the strongest element of the human spirit - free-wheeling and thoughtful artistic expression. A key part of that effort is the team we now have in place to oversee it. Our Festival Director, Christen McArdle, and Director of Operations, Nate Heilman, are smart. This festival was created to ensure that there was a forum that was an alternative talented and hard-working people who have great plans and ideas for the AAFF to mainstream media. We strive to support the artists, and we celebrate film as an and we as a board feel lucky to have them. art, not just as entertainment. As we tip our hats to the many talented filmmakers this week and party together 'til the wee hours of the morning (uh-oh), I hope you Finally, I'd like to thank all of our friends, volunteers and supporters - we literally could remember that this festival is a celebration of differences and of diversity. At the not function without them. Thanks especially to our friends at the Michigan Theater AAFF. we can witness and support the lives of others in hidden corners of the world, who've been so generous with their advice, time and support. We really are in this and we can observe and appreciate artistic expression that has no boundaries. together. That kind of open-mindedness is rare, and I am grateful to know how passionate All of us on the board hope that you'll enjoy this year's Ann Arbor Film Festival. you are about all of it. This festival is yours Ann Arbor, and I thank you for helping this important celebration thrive. Thanks for coming. Cheers to you,

JAY NELSON CHRISTEN MCARDLE PRESIDENT EXECUTIVE DIRECTOR 4 FESTIVAL CONTRIBUTORS AND IN-KIND DONORS

SPONSORSHIP Frames Unlimited /aut/ bar Heidi Kumao PRIZE DONORS Heavenly Metal Great Harvest Bread Company Holly Hughes Avid Technology Kilwin's Chocolate Shoppe NYPD Homer Rose S3,OOO Beaner's Gourmet Coffee Krazy Jim's Blimpy Burgers People's Food Co-op Janet Lockwood Ken Burns/Florentine Films Kodak Mainstreet Ventures Pizzolato Jay Nelson Thad & Pam Johnson/Streetlamp Studios Michigan Television Michigan Theater Zingerman's Deli Jeff Kass SEE - Selective Eyewear Elements Mr. Spot's Jenn McKee S1.7OO State Street Area Association Nicola's Books PROGRAM BOOK ADVERTISERS John HieftJe Avid Technology Streetlamp Studios Orchid Lane Josh Williams Whole Foods Peaceable Kingdom Ann Arbor Fireplace & Barbeque Katherine Welder Sl,500 Performance Network Arbor Brewing Company Kay Seaser The 630 Club' GRANTING AGENCIES Prickly Pear Southwest Cafe Avid Technology Keith Jefferies The Detroit Film Center Seva Restaurant Bank of Ann Arbor Keith Orr Film Craft Lab/Kodak City of Ann Arbor Sixteen Hands Beaners Gourmet Coffee Ken Bawcom Michigan Council for Arts and Cultural SweetU Bank of Ann Arbor Laura Barnes Sl,200 Affairs Target Detroit Film Center Lee Berry Palmer Morrel-Samuels/EMPA National Endowment for the Arts Three Chairs Company DigitalOps Lady Dreyer Trader Joe's Downtown Development Authority Louis Kerman Sl,OOO OUT NIGHT DONATION UMS-Universlty Musical Society Future Brands Lindsey Bernard The DeVarti Family Washtenaw Dairy Great Harvest Bread Company Liz Cole Lawrence & Mary Ellen Kasdan Aut Bar Hollywood Can Suck It I Lynn Steadman Judy Kazis/The Tom Berman Award, Inc, Arts at Michigan's Course Connections AFTERHOURS SALONS Hudson & Muma Mark Brown Michael Moore Avincis Corp Improv Inferno Martin Bandyke Gus Van So nt/Wendy Foundation AV Consulting Bobs Underground LaSalle Bank Martin Contreras Bob Snyder Davy & Peter Rothbart Lost Film Festival Mary Cronin S500 Chuck Korson Firefiy Club People's Food Coop Meghann Powell Between The Lines Common Language Bookstore Improv Inferno Relaxation Station Michael Welch Griot Editorial Greg Johnson Realtor Pepperz Saturn of Ann Arbor Mom & Dad Michigan Vue Magazine HARC SEE - Selective Eyewear Elements Myrna Rugg Mid America Cine Support James Toy ENTERTAINMENT Select Auto Service Nancy Keough Tios Restaurant Rockham Graduate School StreetLamp Studios Newcombe Clark Ronald Baumanis Los Gatos Verizon Wireless Nick Tobier S300 Stamps/Witt/School of Art and Design New Jazz Trio Whole Foods Olga Bilakos LaBour Foundation for Non-Instutional Strategic Computer Solutions Ypsilanti Marnot Palmer Morris-Samuels living Todd Mundt INSTALLATION ARTISTS Zingerman's Peter Bilakos Trillium Real Estate Peter Rothbart S250 WRAP Alison Byrnes THANK YOU FOR YOUR SUPPORT, Rayno Stowe Denny Hayes Anna Perricci ENCOURAGEMENT AND INSPIRATION Richard Kerr Arbor Springs Passing Water Award IN-KIND DONORS Brent Fogt Russ Collins Susan Warner Forest Bright Abina Manning Sam Rienstra Adrian's Screenprinting Gaby Harp Adam Hunt Sam Valenti S200 Ann Arbor Radio Sara Holwerda Adrienne Goloda Scott Beibin Matthew Graff & Leslie Lawther Arbor Brewing Company Thea Eck Alfonso Alvarez Sekou Tho Misfit Walter Spiller Beaners Toby Millman Alison LaTendresse Seripop Cynthia Greig & Richard Smith Bivouac The Funambulists Alison Byrnes Shaman Drum Bookstore Susan Wineberg & Lars Bjorn DigitalOps Andre Grewe Shannon Brown George Fisher & Karl Magil Downtown Development Authority JUDGES MEALS Andrea Maio Shoun Williams Future Brands Anvil Stephanie Wooten Grace & Wild Studios Angelo's Restaurant Aric Knuth Steve Bergman GreenstreetTree Care BD's Mongolian BBQ Bruce Baker Steve Connell S150 Kennedy Associates, Inc, Red Hawk Bryan Rogers Susan Bellinson Barry M, Miller ProHub Productions Seva Restaurant Bryan Wendorf Susan Chastain Michigan Psychoanalytic SOCiety Rogow & Loney, Pc. Zanzibar Carrie Cecchini Suzanne Gromofsky Saturn of Ann Arbor Carrie Morris Tara McComb S100 TicketWeb OPENING NIGHT RECEPTION Be JUDGES Chrisstina Hamilton Ted Kennedy John Nelson Toledo City Paper BRUNCH College of Creative Studies Terri Sarris John B, Caldwell & Susan V. Kalinowski U of M School of Art & DeSign IT Dept, Constance Crump Thad & Pam Johnson Dan Gunning Verizon Barry's Bagels Crystal Kusiak Tom Bray KFJC - FM Weber's Inn Bella Ciao Dan Marano Todd Mundt Zanzibar Creekside Danni Niemeyer Trevor Stone S75 Dexter's Pub The DiVarti Family U of M School of Art & DeSign Vicki Engel AUDIENCE AWARD GIFT BASKET Katherine's Catering David Mims Vicki Honeyman Lulu's Cafe David Dinnell Willie Northway Acme Mercantile Metzger's German Restaurant Davy Rothbart Work Gallery 'Thank you to PfIzer for their matching gift Atlanta Bread Company Romano's Macaroni Grill Deanna Morse fund, Aunt Agatha's Bookstore Say Cheese Cheesecake Bakery Denny Hayes Bell's Pizzo Stucchi's Ice Cream Ellyn Emsley Beyond the Wall The Polo Fields Golf and Country Club Erica Briggs Busch's Ernie Estrella Dogma/Catmantoo SCREENER FOOD Garrett Mims Fleetwood Diner George Manupelli Found Magazine Arbor Brewing Company Gerry Fialka

THE AWARDS

THE KEN BURNS BEST OF THE This annual award for the best of working conditions and honor of the many independent technical position possible. Based FESTIVAL AWARD S3,000 narrative film is endowed by profitability. filmmakers who have contributed on his passion for lighting he Mr. Kasdan and is intended to to the success of Grace & Wild 's eventually chose a career as This top festival award was recognize works which make use TOM BERMAN AWARD MOST lab division, Film Craft Lab, over the lighting director. This memorial established to recognize of the film medium's unique ability PROMISING FILMMAKER Sl,OOO last 25 years. award recognizes the most the filmmaker with the most to convey striking and original creative use of lighting in a film outstanding entry. The award stories. Tom Berman was a UniverSity BETWEEN THE LINES AWARD BEST in which mood and atmosphere honors the film that best of Michigan film student and GAY /LESBIAN FILM S500 of the environment are greatly represents the artistic and creative MICHAEL MOORE AWARD BEST an early supporter and close enhanced through lighting design. standards of the festival. The DOCUMENTARY FILM Sl ,OOO friend of the festival. His brilliant This annual award is sponsored award is sponsored by reknowned early films won many awards. by Pride Source Media Group, for TlO'S RED HOT & SPICY AWARD documentary filmmaker Ken Documentary filmmaker Michael This annual award, endowed the film that promotes diversity S500 Burns, a graduate of Ann Arbor's Moore is giving back to the festival by the Berman family, is given in and excellence in filmmaking. This Pioneer High School. The Ann what he received in inspiration Tom 's memory and is intended to award honors the film that best Ann Arbor's Tios Restaurant has Arbor community is proud to have from the hundreds of films he's support a young filmmaker that deals with gay/lesbian issues. been serving up the spiciest salsa reared this influential cultural figure viewed over the years at the the Awards Jury expects will make around since 1987. Interpretation and patron of independent film. Ann Arbor Film Festival. Proceeds a significant contribution to the MICHIGAN VUE MAGAZINE of "red hot & spicy" is left to the from his film, Roger and Me, art of film in the course of his/her AWARD BEST MICHIGAN judges discretion in determining THE STREETLAMP STUDIOS fund this annual award for best filmmaking career. FILMMAKER S500 allocation of this award, which AUDIENCE AWARD S3,000 TOTAL, documentary film. can be given to any film, based on S500 DAILY PRIX DEVARTI FUNNIEST FILM This award is intended to form, content, or flavorl GRIOT EDITORIAL/ AVID $1.000 support and encourage the The Ann Arbor Film Festival is the TECHNOLOGY BEST EDITING local filmmaking community ISABELLA LIDDELL ART AWARD first festival to provide a daily AWARD S2,200 In honor of the 40-year friendship by rewarding excellence in a S200 Audience Award. The audience between Dominick's and the Ann Michigan-produced film within any votes for their favorite film within Griot Editorial. Grace & Wild's Arbor Film Festival. this award is genre. Sponsored by metro Detroit- This memorial award has been each day's films in competition. creative editorial boutique, and in memory of Dominick and Alice based Michigan Vue Magazine, created by six friends of Isabella The festival gives two Audience Avid Technology funds this annual DeVarti. The prize is awarded to the which is dedicated to promoting Liddell, who was a dear friend Awards on Saturday, due to award for excellence in the art funniest film in the festival. Michigan's film, video, and multi- and long-time supporter of the additional matinee screenings. of film editing. The awards jurors media production industry. festival, as well as a patron and Sponsored by Thad and Pam shall grant this prize to a single film VICKI HONEYMAN AWARD FOR practitioner of the arts. The award Johnson of Streetlamp Studios, this that demonstrates outstanding BEST 16MM FILM S375 DETROIT FILM CENTER AWARD is to be given to the film(s) that award provides an opportunity for creativity and technical S1500 best deals with women's issues. festival attendees to contribute to excellence in the art of motion During her 15 years as Festival our goal: to support the filmmaker. picture editing. The winner will Director, Vicki Honeyman remained For the past decade, The Detroit receive S500 from Griot Editorial, devoted to 16mm film. This award Film Center has provided vital PETER WILDE AWARD FOR MOST GUS VAN SANT BEST and a $ 1,700 "Express-Pro" editing honors her years of dedication center for the media arts through TECHNICALLY INNOVATIVE FILM AWARD kit from Avid Technology. and carries forward the legacy of educational courses, screenings, S250 $1.000 16mm. The award is intended for events, and low-cost equipment THE EMPA WORK LIFE AWARD the 16mm film that best embodies rentals. DFC members receive In memory of the festival's Gus Van Sant's film career began $1,200 the spirit of the films that rock her deep discounts on courses friend Peter Wilde, who cared in the early 80's, when he was world: technically challenging, and screenings, inform/)tion on passionately about the projected making short experimental films Granted to the film that best innovative, quirky and unique, with festivals and events, access to film image and was a technical wizard that were awarded at the Ann provides a witty and insightful a strong respect and passion for and multimedia equipment and and master of the makeshift. Arbor Film Festival. Mr. Van Sant is look at issues pertaining to film as an art form. much more. The award, which The award honors the film that endowing this award to honor the careers, employment, co- is intended for a Southeastern most respects the integrity of the film that best represents the use workers, the workplace, job KODAK/FILM CRAFT LAB AWARD Michigan based filmmaker, prOjected image. of experimental processes, forms, hunting. job responsibilities, or FOR BEST CINEMATOGRAPHY provides the recipient $ 1,000 in and topiCS. the impact of employment on $1,500 OF FILM PLUS PROCESSING waived equipment rental fees plus HONORABLE MENTIONS $2,700 the individual's personal life. $500 towards educational courses LAWRENCE KASDAN AWARD BEST The film must be no more than Sl ,500 worth of 16mm or 35mm and workshops. Remaining prize monies that NARRATIVE FILM $ 1,000 25 minutes long. Employee film stock donated by Kodak, are distributed at the awards Motivation & Performance and the processing donated DOUG WANDREI AWARD BEST jurors' discretion as honorable The festival is honored to have the Assessment (SurveysForBusiness. by Film Craft Lab. For the film LIGHTING DESIGN S500 mentions to filmmakers deserving support of this popular filmmaker, com) sponsors this award as part that demonstrates the highest Doug Wand rei spent 50 years of recognition, support and who got his start in Ann Arbor of its ongoing commitment to excellence and creativity in working in the Detroit production encouragement. at the . the simultaneous improvement cinematography. Presented in industry, wearing the hat of every 8 OVERVIEW MAIN THEATER

WHO I AM AND WHAT I WANT KATA PRACTICE LISTEN AT THE QUINTE HOTEL

PREDICTIONS THE WHITE BUNNY NO GRAY TWILIGHT

IKUMA SIKU THREE SHORTS FOR SURINAME A LONG STRUGGLE

FINDING THE THIRD CIRCLE A BOY ON A DOCK BLOWING HIS NOSE LOT 63. GRAVE C

THE CONSUMERS ORDINARY LIVES NIGHT VISIONS

DEVIL'S CANYON

CAMJACKERS THE ALUMINUM FOWL

SPAM LETTER + GOOGLE IMAGE SEARCH = VIDEO ENTERTAINMENT

FRIDA VS FRIDA EL INMIGRANTE

A NEW AMERICAN CENTURY

9 OVERVIEW SCREENING ROOM

AVID SEMINAR PANEL DISCUSSION MODERATED BY ALFONSO ALVAREZ

CURRATED WORKS AND JUROR PRESENTATION BY RICHARD PELL B.I.K.E. BY JACOB SEPTIMUS AND ANTONY HOWARD

THE WINKING CIRCLE BY BENNY ZENGA DISARMING THE AD BOMB A PROGRAM OF SOCIO-POLITICAL FILMS CURATED BY LESLIE DREYER WASSUP ROCKERS BY LARRY TERROR ALERT CLARK SPRING IN AWE

MADE IN SECRET: THE STORY OF THE EAST VAN PORN COLLECTIVE BY ONE TINY WHALE

CZECH DREAM BY VIT KLUSAK AND FILIP REMUNDA

AWARD CEREMONY AND SCREENINGS SUNDAY MAIN THEATER

2PM 5PM 5:30 PM 7 PM 9PM AUDIENCE AWARD AWARD CEREMONY AWARDED FILMS AWARDED FILMS AWARDED FILMS FILMS

PRINT SOURCES

A BOY ON A DOCK BLOWING HIS Bowling Green, OH USA FUMI AND THE BAD LUCK FOOT OWEAKU SPAM LEITER + GOOGLE IMAGE [email protected] NOSE [email protected] David Chai LESSONS LOST Ira Flowers SEARCH = VIDEO ENTERTAINMENT Barry Doupe San Jose. CA USA David Presley Portland. OR USA Andre Silva THE WINKING CIRCLE Vancouver, Be CANADA COPENHAGEN CYCLES [email protected] Studio City. CA USA [email protected] Iowa City, IA USA Benny Zenga barry@lionspile,ca Eric Dyer [email protected] [email protected] Toronto CANADA Baltimore, MD USA GORGEOUS LABOR OF LOVE PHANTOM CANYON ben@thewinkingcircle,com A LONG STRUGGLE [email protected] Stacy Harrison LIFT Stacey Steers SPRNG IN AWE Lea Redlow Epsom, Surrey UK Hyewon Kwon Boulder. CO USA Martina Radwan THE WINTER OF THE DANCE New York. NY USA COUSIN KASYTE stacylharrison@yahoo,com London. UK UNITED KINGDOM stacey,[email protected] USA Mike Schwartz and Jefferson Pitcher seansullivan78@gmail,com Stashu Kybartas peonies@dreamwiz,com Santa Monica. CA USA Ann Arbor. MI USA GRAND LUNCHEONEITE PREDICTIONS STILL LIFE [email protected] A NEW AMERICAN CENTURY skybar@umich,edu Peter Sillen LISTEN Katherin Mcinnis Jon Knautz Anthony Wilson and Sam Hol­ New York. NY USA Aldo Tambellini and Anthony San Francisco. CA USA Kanala. ON CANADA THREE SHORTS FOR SURINAME lenshead CZECH DREAM [email protected] Tenczar [email protected] pwhite@brookstreetpictures,com Toby Millman Brooklyn. NY USA ViI Klusak and Filip Remunda Concord, NH USA Ann Arbor, MI USA awilson@wesleyan,edu HERE [email protected] PRIMO APPUNTAMENTO TERROR ALERT #2 [email protected] DARFUR DIARIES: MESSAGES FROM Fred Worden Ayse P Oedeoglu Norman Cowie AFRAID SO HOME Silver Spring, MD USA LOT 63. GRAVE C San Francisco. CA USA USA TIC TOC CONTINUUM Jay Rosenblatt Adam Shapiro [email protected] Sam Green [email protected] Benjamin Ridgeway San Francisco. CA USA Washington, DC USA San Francisco. CA USA TESTING Ann Arbor, MI USA [email protected] [email protected] HERMANN sam@duboce,net PROTEUS Ted Knighton [email protected] [email protected] Doug Nicholas John Greyson Paoli, PA USA ARC LIGHT Ann Arbor. MI USA LUKE 1:10-14 USA [email protected] TIDAL WAVES Jason Britski DARLING DARLING [email protected] Caroline Breault Devereaux So lise Hughes Regina, SK CANADA Matthew Lessner Cockeysville. MD USA PSYCHIC DRIVING THE ALUMINUM FOWL Seattle. WA USA [email protected] Nehalem, OR USA I HAVE NO MEMORY OF MY [email protected] John Albanis James Clauer [email protected] montelomax@gmail,com DIRECTION Calgary. AB CANADA Nashville, TN USA ATTHE QUINTE HOTEL CFMDC MADE IN SECRET john@symerra,com clauer73@yahoo,com TO A MAN WITH A BIG NOSE Bruce Alcock DEEP SEA DIVER Canadian Filmmakers Distribution One Tiny Whale Cecilia Aronovich Vancouver, Be CANADA Tyler Coburn Center USA PUCA THE BREAD SQUEEZER Los Angeles. CA USA [email protected] New York, NY USA 37 Hanna Ave. Suite 220 Tanja Boening Kasia Kowalczyk [email protected] tyler.coburn@yale,edu Toronto, ON M6K 1W9 MARVELOUS. KEEN LOONY BIN Toronto. ON CANADA Atlanta. GA USA B.I.KE 416588-0725 Lizzi Akana tonja@gmuc,de [email protected] TRAIN TOWER Jacob Septimus and Anthony DEVilS CANYON Bookings@cfmdc,org Berkeley. CA USA Andrew Herfst and David Crompton Howard Kelly Sears bizlit8@hotmail,com RIDE OFTHE MERGANSERS THE CONSUMERS Vancouver, BC CANADA fking@fountainhead,com Los Angeles. CA USA LTHEFILM Steve Furman Mike Degg [email protected] [email protected] Raphael Lyons MISSING PAGES (amended version) CIRCLE PINES. MN USA Holly. MI USA [email protected] BACK HOME Providence. RI USA Jerome Olivier 5925steve@comcast,net [email protected] J.B. Rutagarama DRAWING LESSONS [email protected] Tokyo. Tokyo JAPAN VACANT VIEWABLES New York, NY USA Maureen Selwood [email protected] jerome1971 @mac.com RINGO THE DREADED BEARD George Kuchar [email protected] Los Angeles. CA USA Dave Monahan Carolyn Macartney Chicago. Il USA [email protected] 10+ EGO MORIR DE AMOR Wilmington. NC USA Dallas. TX USA [email protected] BARTHOLOMEW AND THE BAD BAD Tom Flanagan Gil Alkabetz [email protected] [email protected] BRAWL DUMB ANGEL Galway. IRELAND Stuttgart, GERMANY WAKE UP Tom Palazzollo Deco Dawson flanagantom@gmail ,com [email protected] SEA CHANGE THE INFLUENCE OF OCULAR LIGHT.. Nicola Clayton Oak Park, IL USA Winnipeg, MB CANADA Joe King and Rosie Pedlow Thomas Draschan and Stella Hathersage UK [email protected] decodawson@shaw,ca IKEA INDIAN NEW GARDENS London. UNITED KINGDOM Friedriches [email protected] Anthony Marchitiello Ignacio Decerega [email protected] Frankfurt. GERMANY BIT PARTS ECHOES OF BATS AND MEN Oakland, CA USA Cuauhtemoc, OF MEXICO draschan@amourfou,at WALK FOR WALK Julie Orser Jo Dery milk@milkmachinemotionpictures deceregazambrano@prodigy SHOWBLOAT thomas@draschan,com Amy Lockhart Los Angeles. CA USA Providence, RI USA com net.mx Corey Michael Smithson Vancouver. BC CANADA jorser@calarts,edu johannadery@hotmail,com Jamaica Plain. MA USA THE LOST PEOPLE OF MOUNTAIN aioco275@yahoo,com IKUMA SIKU NIGHT OFTHE OCTOPUS coreysmithson@hotmail,com VILLAGE BUSINESS AS USUAL EL INMIGRANTE Glenn Gear Matthew Rankin Neat Marlens WASSUP ROCKERS Joe Hiscott David Eckenrode Montreal, Quebec CANADA Montreal. QC CANADA SINGLE BED Telluride. CO USA Larry Clark Montreal. QC CANADA Durango. CO USA glenn@Volatileworks,org [email protected],ca George Kouvaras [email protected] USA [email protected] [email protected] Athens. GREECE ILHA DO RATO NIGHT VISIONS alboem@otenet,gr THE MECHANICALS WHEN ERMA MADE HERMAN BUTLER ELEPHANT BOY Bernard Attal Kathy Huang Leon Ford Alana Cymerman Erik Rosenlund Rene Mohandas Brooklyn, NY USA Mountain View, CA USA SLICE OF HEAVEN North Bondi, NSW AUSTRALIA Montreal, QC CANADA Stockholm, SWEDEN Glasgow. UNITED KINGDOM battall@mac,com [email protected] Christopher Kinsella [email protected],Qu [email protected] info@ericrosenlund,com [email protected] Newport. RI USA dUrdanashaikh@hotmail,com JANE LLOYD NO GRAY TWILIGHT [email protected] THE MYSTERIOUS GEOGRAPHIC WHO BURIED PAUL MCCARTNEY? CAMJACKERS HAPPY Kathryn Bucher EXPLORATIONS OF JASPER MORELLO Wouter van Opdorp Julian Dahl FINDING THE THIRD CIRCLE Los Angeles. CA USA Encino, CA USA SMALL ANT SYNDROME Anthony Lucas Amsterdam, NETHERLANDS Venice, CA USA Oren Goldenberg mctrevor@mac,com [email protected] Ann-Marie Denham Melbourne, VIC AUSTRALIA [email protected] contact@lafco,tv Ann Arbor, MI USA Carlton, VIC AUSTRALIA [email protected],au [email protected] JOE: BODY ELECTRIC OBSCURA [email protected] WHO I AM AND WHAT I WANT CHALAZAE Jack Beck Andre Lascaris THE TRIBE David Shrigley and Chris Shepherd Samantha Krukowski FISH HEADS FUGUE AND OTHER TALES Rochester, NY USA Tujunga. CA USA SNAP Tiffany Shlain London. ENGLAND Austin. TX USA FOR TWILIGHT [email protected] [email protected] Philip Newcombe San Francisco. CA USA [email protected] [email protected] Lauren Indovina and Lindsey Reading. UNITED KINGDOM tiffany@webbyawards,com Mayer-Bueg KATA PRACTICE ORDERS OF LOVE flutterspoons@hotmail,com WOOD DIARY CHANCE OR DIE Pittsburgh. PA USA SiuTa Jeremy Benstock THE WALKING INK David Meyers Tamara Damon lauren.indovina@gmail,com Toronto. ON CANADA London. UNITED KINGDOM SOMETER Thomas Barndt USA New York. NY USA siu@urge2ftlm,com [email protected] Iris Almaraz Las Vegas. NV USA [email protected] [email protected] FOREMAN Los Angeles. CA USA [email protected] Jeff Sabatini KRUSTY ORDINARY LIVES rinarfernandez@yahoo,com CLOCKS Ann Arbor, MI USA Jim Burer Sheelal S Agarwal THE WHEEL TURNS Mark Hewes jeffsab@gloriousnoise,com Chattanooga. TN USA Hong Kong SOUVENIR Vuk Jevremovic Nampa. 10 USA info@angusgroove,com [email protected] Stephen Rose Munich. Bayern GERMANY [email protected] FRIDA VS FRIDA Venice, CA USA [email protected] Pushkazeva Ekatezina LA VIE D·UN CHIEN OSCAR [email protected] COFFEE & MILK MOSCOW John Harden Sergio Morkin THE WHITE BUNNY Mary Magsamen and Stephan [email protected] Santa Rosa USA Katja Straub Hillerbrand john_harden@sbcglobal,net Austin, TX USA 23 SPECIAL EVENTS AND AFTER PARTIES

MEET THE FILMMAKERS PANEL DISCUSSIONS WITH DEANNA MORSE SHAMAN DRUM BOOKSTORE MICHIGAN THEATER LOBBY 4:30 PM 311-315 S.STATE STREET 2 PM OUT NIGHT CULTURE JAMMING and FILM: Media ecologist Gerry Fialka, will be AFTERGLOW joined by Scott Beibin (Lost Film Fest + Evil Twin Booking) as they host an interactive /AUT/ BAR discussion on culture jamming. Fialka and Beibin will probe and examine the actions 315 BRAUN COURT of some very clever subversive pranksters as they inftict brand damage to corporations 10 PM - 2 AM while exposing their manipulation of the mediascape. The theories of Morshall McLuhan's Laws of Media will be applied to the actions of these revolutionary ortists to ••••• LIVE PERFORMANCE examine their effectiveness and provide new critical perspectives with surprise, humor, BY THE WET SPOTS, the thri ll of transgression, and piefights. Featured will be discussion and rarely seen COMPOSERS OF THE footage of The Yes Men, Billboard Liberation Organization, Craig Baldwin, Bob Dobbs and SOUNDTRACK TO THE OUT NIGHT FILM, DO YOU TAKE IT? MEETTHE FILMMAKERS WITH DEANNA MORSE

LIVE MUSIC MICHIGAN THEATER LOBBY FIREFLY CLUB 4:30 PM

207 S. ASHLEY STREET KARAOKE FEST! 10 PM - 2 AM IMPROV INFERNO

309 S. MAIN STREET 11 PM - 2AM

LIVE MUSIC PEPPERZ

311 S. MAIN STREET 10 PM - 2 AM JOIN THE ANN ARBOR FILM FESTIVAL! SUPPORT INDEPENDENT AND EXPERIMENTAL FILM

MEMBERSHIP FILM GEEK FILM FILM INGENUE FILM STAR FILM MOGUL FILM LEGEND CONNOISSEUR Festival sticker • • • • • • Recognition in festival-week program • • • • • • Invitations to year-round festival events • • • • • • $3 off regular single ticket price • • • • • • 1 commemarative mug • • • • • 1 series pass • • • • Second series pass • • • 1 T-shirt • • • Second commemarative mug • • Second T-shirt • • Invitation to filmmakers' reception • • Invitation to Judges' Dinner • Recognition in Michigan Theater lobby • during festival week - Festival memberships are tax- $25 $50 $125 $250 $500 $1000 deductible as provided by law.

Detach and mail to Ann Arbor Film Festival. PO. Box 8232, Ann Arbor MI 48107 MEMBERSHIP FORM

I am supporting the Ann Arbor Film Festival at the membership level checked below:

FILM GEEK 0 FILM CONNOISSEUR 0 FILM INGENUE 0 FILM STAR 0 FILM MOGUL 0 FILM LEGEND o \ MEMBERNAME ______MAILING ADDRESS ______

CITY ______STATE ___ ZIP _____

WORK TEL. ______HOME TEL. ______E-MAIL ______

Enclosed is a check payable to Ann Arbor Film Festival for the amount of $______

Please charge my credit card for the amount of $______CARD NUMBER ______SECURITY CODE _____ EXPIRES ___

SIGNATURE ______BILLING ZIP CODE ______

25 Street~$!mp

StreetLamp Studios serve not only as production and training facilities for audio/video/film and theatre, but also house research and development facilities for products and services related to these industries.

StreetLamp Studios is proud to sponsor the inaugural Daily Audience Awards. We hope you enjoy the festival, and hope you vote for your favorite films.

StreetLamp Studios 5275 Dixie Hwy Bldg A Suite 4,5&6 Waterford, MI 48329 (248) 92203182 - In BEANER'S COFFEE is a proud sponsor of the Ann Arbor Film Festival. .. . coffee, tea, lattes, frozen drinks, pastries, soups, salads, sandwiches, ana more. live music every Wednesday night!

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539 Li be rty St. • An n Ar bo r 734-997 -0992 VVVVV\I.beaners.com FREE Coupon valid at this location only. Not good with any other offer. No copies of this coupon will be accepted. Offer expires April 4, 2006. C','DFi) CO F FEE '().rs..dagesrni2.29%r.deraIlkilesaiSeMa!(_~),5(Reri< details, (overage limitations & maps at verizonwireless.(om. Limned time offer. Offers, (overage and service not avai~ble everywhere. VCAST phone and coverage area required. AlwaY' download legally. Graph .. simulated. VCASTV Pak free offer. Cancel by calling 1.800.2JOIN.lN wtthin 1st month to avoid $15 month~ fee. Credn may not be on 1st bll. Yoo can cancel anytime. Offer expires Ju~ 9, 2006. ©2006 Verizon Wireless MAR K E T Saturn of Ann Arbor COMING SOON ... 2007 SKY

2007 AURA

2007 VUE GreenLine Saturn of Ann Arbor 500 Auto Mall Drive Ann Arbor, MI 48103 734-769-3991 DETROIT FILM CENTER 1227 WASHINGTON BLVD • DETROIT, MI 48226 WWW.DETROITFILM.ORG • [email protected] 313-961-9936

THE DFC IS A MEMBER-BASED, NON-PROFIT MEDIA ARTS CENTER SUPPORTING THE PRODUCTION OF INDEPENDENT CINEMA IN SOUTHEAST MICHIGAN THROUGH CLASSES, SCREENINGS AND LOW-COST EQUIPMENT RENTALS

We offer a full line of Our regularly scheduled 16mm and digital screenings feature local, video resources national and international including cameras, film and video work lighting, sound recording & editing

Take advantage of our classes and workshops in MAKING FILMMAKERS 16mm filmmaking, digital SINCE 1993 video, editing, screenwriting, experimental, documentary & more

Join our e-list at www.detroitfilm.org l1nn l1rbor~s Only Ind~p~nd~ntly Own~d &1 Op~rat~d 33r~wpub proudly ~upports North T!mflrieB's Oldflst IndflPflndflnt film fflstivBl

114 ea~t Wa~hington ®owntown '(Inn '(Irbor 734-213-1393 arborbr)lWing.eom Barrel-aged, bottle-conditioned ales Award-winning hand-crafted drafts They changed the way we thought about food and the world.

tTickets available at Peoples Food Co-op, Crazy Wisdom Bookstore & A&L Wine Castle P~~Co-cp It's time to get re-inspired! Buy your tickets today! Call (734) 994-4589 for more information

Avid Technology, Inc. is proud to sponsor the Ann Arbor Film Festival. Congratulations to all the filmmakers!

For more information on our solutions for video editing, finishing and compositing, HD storage, workgroups, and broadcast, visit www.avid.com or contact your local Avid reseller. Avid. ©2006 Avid Technology, Inc. All Rights Reserved. Avid and ~I~~h:rat~~d~t~:r~:~~~~~~~e~a~:,.~~r~eo;h~a~r~;;~ ~:t~~i~ ::~~~il~eg~!~r~.r its subsidiaries in the United States and/or other countries. do more·

HOSl FILMS WORKSHOPS & PERFORMANCES IN YOURlOWN Iiilwww.eviltwinbooking.org 215.888.1756 [email protected]

E''''''"_--_"bring socially conscious independent films and ~ performanoe artists to both small towns and large dijes. We believe that art and information are for the people, and not only for the privileged. Folks get in touch with us when they want to bring any of the presentaijons on our roster to their town: We help them figure out how to host an event. Normally the task of exhibition is a difficutt one for an independent mediamaker: Smaller distributors and self-distributed projects are often forced to Your Neighborhood compete against well funded studios for limned amount of space and ijme in metropolttan art­ house theatres. At Evil Twin Booking we're trying to remedy this problem as many of the projects we deal with are poliijcallyoriented and clJtijng edge and need a Ittlle more push. (As subcanin­ Bakeryl ophiles: we root for the underdog.) After years of touring wITh the Lost Rim Fest and numerous bands, Scott Beibin, Uz Cole and a bunch of friends applied the Do-tt-Yourself ethics leamed in the punk rock scene to form a Fresh\~ ground colfecijvely run organizaijon that helps bring anti-authoritarian and underground films, performers and speakers to unexpected places. Evil Twin Booking teaches people how to circumvent the corporate owned media + allow \tIho\e grain flour challenging films to be shown in seffings such as theaters, universities, warehouses, 'lcijvist spaces and infoshops, art spaces, cuttural gatherings, film festivals, conoerts, squats, communtty centers, rooftops, union halls, street parties, churches, in de\iGious breads synnogogues, mosques, caves, parks, alleyways IIJ:Tl\\'!!lI'X!!lI!:I etc: We also arrange residencies at instttutions for the presenters we work with. and s~eets. If you would like to propose a project to us, one can submit a proposal using the online form at www.eviltwinbooking.org . Currently we l-.'t'to 'b. Main 'btrut ~~~~ are seeking projects representing people of color, women, queer and transgender issues, attemat­ ive fuels, sustainable agricutture+permacutture, Ann Arbor, Ml 4Sto3 Inatural healing and vegan diet. 134.11(,.sS10 Thanks! The Evil Twin Booking Collective: ~!IlJ~.~~~~~~~l;;~ Liz Cole, Scott Beibin, Danielle Loftus Dave Miller, Leslie Dreyer, Ally Barlow. .,mt;;1 ® 8AK£HOUS£ 734.761.20 95

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~ . The true local bank. ~~ Downtown Ann Arbor' (734) 662-1600 734.663·3400 Downtown Ypsilanti' (734) 485-9400 Stadium & Liberty' (734) 822-1900 TraverViliage Shopping Center' (734) 662-3800 Washtenaw Avenue' (734) 822-1500 ~ www.bankofannarbor.com B!k 734.663·FOOD Member FDIC Equal Housing Lender @ OF ANN ARBOR

' ~ • I , YOUR WORRIES CAN DO WITHOUT YOU FOR A 4 92 WHILE. 73 . 9.0500 Whether it is through our thoughtful amenities, • well-appointed rooms or simply our exceptional service, the Marriott Ypsilanti strives to ~/N provide you with effortless 734.930.1919 travel. Going above and beyond.

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Ypsilanti Marriott at Eagle ~ .,\\arnott. Crest 1275 S. Huron St. YPSILANTI illJ p Ypsilanti, MI 48197 AT EAGLE CREST 734.92964~ Ny . 060 To reserve your room, call www.~.com ® 1-734-487-2000 or visit Marriott.com/dtwys.

Rates are per room, per night, based on availability, not available for groups of 10 or more rooms. Services available through our Huron St. location · 30 Minute Seated Massage Neck B. Back or Feet $30 · 20 Minute Seated Massage Neck 8. Back or Feet $20 "The Royal Treatment" Neck & Back, Foot, Face & Head · 60 Minute Massage $55 " The Energizer Combo ,.,. Neck, Back & Foat Reflexology · 40 Minute Massage $35 • 1 Hr Full Body Table Massage By Al=PointmEnt Ct"Ily $60 SELECT AUTO SERVICE

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Gift Certificates Availiable - drop in, call, or order online! www.relaxstationmassage.com

The Ann Arbor Downtown Development Authority Is Proud to Welcome the Internationally Renowned Ann Arbor Film Festival To Downtown Ann Arbor

Bravo!

The Ann Arbor Downtown Development Authority Is Proud to Welcome the Internationally Renowned Ann Arbor Film Festival To Downtown Ann Arbor

Bravo! Are you ready for your close up?

Join us for our Film-Fabulous Trunk Sho\v! on Saturday, March 25th 11:00 am - 7:00 pm ...... - ...... SEE s('/ecTil'('

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eI(,lIlCI/TS

308 S. State Street, Ann Arbor (734) 622-8056 www.seeeyewear.com WWW.AAFILMFEST.ORG