Arizona Dance E-Star (January 2016)
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Former Supreme Designer Launching Label J. Crew and Lacoste
LOOKING BACK, A NEW GET READY FOR VEGAS AND AHEAD THEORY ANDREW ROSEN TALKS THE MEN’S TRENDS FROM EUROPE — AND ABOUT THEORY’S AD WHAT’S INSPIRING DESIGNERS STATESIDE. CAMPAIGN AND LOGO. THINGS TO KNOW ABOUT THE EXHIBITIONS IN LAS VEGAS, PAGES MW4 TO MW7 PAGE 4 ONES TO WATCH AND MORE. SECTION II APPAREL, TEXTILES INCLUDED U.S. Files WTO Suit Over China Subsidies By KRISTI ELLIS WASHINGTON — Trade relations between the U.S. and China took a dramatically downward turn Wednesday. The U.S. fi led a World Trade Organization case against China, targeting a broad export subsidy pro- THURSDAY, FEBRUARY 12, 2015 ■ $3.00 ■ WOMEN’S WEAR DAILY gram and seven sectors, including apparel, textiles and footwear, and could have broad ramifi cations for WWD the industry’s sourcing strategies. The U.S. is challenging China’s “Demonstration Bases-Common Service Platform” export subsidy program that American offi cials claimed provided $1 billion over a three-year period to suppliers, which then gave discounted or free services to Chinese man- ufacturers that export in the sectors identifi ed. The value of subsidies provided per base varied depend- ing on size, industry and location, but offi cials said there is evidence that certain “base enterprises” have received at least $635,000 worth of annual benefi ts. Exports from the Demonstration Bases program comprise a “signifi cant portion of China’s global ex- ports,” U.S. trade offi cials claimed. In 2012, 16 of the estimated 40 “demonstration bases,” or clusters of companies, in the textile sector allegedly receiving subsidies accounted for 14 percent, or $33.25 billion, of China’s textile exports to the world, trade offi cials said at a news conference. -
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy And
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Tsung-Hsin Lee, M.A. Graduate Program in Dance Studies The Ohio State University 2020 Dissertation Committee Hannah Kosstrin, Advisor Harmony Bench Danielle Fosler-Lussier Morgan Liu Copyrighted by Tsung-Hsin Lee 2020 2 Abstract This dissertation “Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980” examines the transnational history of American modern dance between the United States and Taiwan during the Cold War era. From the 1950s to the 1980s, the Carmen De Lavallade-Alvin Ailey, José Limón, Paul Taylor, Martha Graham, and Alwin Nikolais dance companies toured to Taiwan under the auspices of the U.S. State Department. At the same time, Chinese American choreographers Al Chungliang Huang and Yen Lu Wong also visited Taiwan, teaching and presenting American modern dance. These visits served as diplomatic gestures between the members of the so-called Free World led by the U.S. Taiwanese audiences perceived American dance modernity through mixed interpretations under the Cold War rhetoric of freedom that the U.S. sold and disseminated through dance diplomacy. I explore the heterogeneous shaping forces from multiple engaging individuals and institutions that assemble this diplomatic history of dance, resulting in outcomes influencing dance histories of the U.S. and Taiwan for different ends. I argue that Taiwanese audiences interpreted American dance modernity as a means of embodiment to advocate for freedom and social change. -
The Latin Dream
! presenta un film di LOUIS MEDINA con FERNANDO SOSA SHEARLEY ALICEA YOVANNY MORETA FELIS (CHIQUITO) TATIANA BONAGURO DURATA 94’ UFFICI STAMPA: Amerigo Saggese K words [email protected] p.za Sicilia 6, Milano - tel. 02.45486501 Giuseppa Gatto: [email protected] / cell. 347.3801326 Paola Vernacchio: [email protected] / cell.334.6766252 www.thelatindreamfilm.com ! LE STELLE MONDIALI DELLA SALSA PER LA PRIMA VOLTA RIUNITE IN UN PROGETTO INTERNAZIONALE TRAVOLGENTE E PASSIONALE, IN CUI LA FORZA DEL BALLO E LA POTENZA DELLA MUSICA SI FONDONO IN UN’UNICA PRODUZIONE CINEMATOGRAFICA INTERPRETATA DA FERNANDO SOSA, SHEARLEY ALICEA, TATIANA BONAGURO, YOVANNY DE JESUS MORETA FELIS (C HIQUITO) E MOLTI ALTRI CAST ARTISTICO F ERNANDO SOSA S HEARLEY ALICEA T ATIANA BONAGURO Y OVANNY DE JESUS MORETA FELIS (CHIQUITO) M ARCO BERETTA J HESUS APONTE A LICE ATZENI C AROLINA SOSA A DOLFO INDACOCHEA T ANIA CANNARSA R ICARDO VEGA K AREN FORCANO R AFAEL BARROS C ARINE MORAIS M AIKEL FONTS www.thelatindreamfilm.com ! CAST TECNICO REGIA LOUIS MEDINA SOGGETTO DI FERNANDO SOSA SCENEGGIATURA TATIANA BONAGURO FERNANDO SOSA MUSICHE MASSIMO SCALICI GIORGIO TRAMACERE RICCARDO ROSSINI E CON LA PARTECIPAZIONE DI VICTOR DANIEL DIRETTORE DELLA FOTOGRAFIA FEDERICO SAMMARTINO SCENOGRAFIE GIOVANNI PETRONIO FRANCO D’ELIA MONTAGGIO LOUIS MEDINA COSTUMI JESSICA PATELLA COREOGRAFIE FERNANDO SOSA PRODOTTO DA TITO PETRONIO FERNANDO SOSA PRODUTTORE ESECUTIVO TITO PETRONIO COPRODUTTORE LOUIS MEDINA www.thelatindreamfilm.com ! SINOSSI Fernando (Fernando Sosa), famoso ballerino di danze caraibiche e la partner Sharon (Tatiana Bonaguro) formano una coppia imbattibile nel mondo delle competizioni di salsa. Fernando frequenta salotti di classe, incastrato in un’immagine ormai ben consolidata di ballerino modello, schiavo di un’etichetta stilistica d’elite. -
January Workshops
January Workshops SATURDAY JANUARY 13TH “Manhattan Gets The Blues!” with Dexter Santos & Galit Weinfeld Learn about this historical dance through classes on vocabulary, movement technique, connection, musicality and more! 12p-2:30p: Section 1: “Blues Grooves” Level: Beginner (Prerequisite- Either a Blues Crash Course or Beginner Level Series Recommended) Get ready to level up your social dancing! We’ll be working on how to dance to different styles of Blues music, how to get that perfect Blues aesthetic, and some fun moves for you to throw down on the dance floor! 3p-5:30p: Section 2: “Blues, Your partner and You!” Level: Adv. Beginner/Intermediate (Prerequisite: Section 1, 2 months of Beginner Series or 1 month Intermediate Series.) Get ready to get fancy! We'll be focusing on partner conversation, lead and follow dynamics, styling and connecting with the music through rhythm and musicality. Pricing: Full Day-$60 In Adv / $70 Day Of; 1 Part Only - $35 in Adv / $40 Day Of ABOUT DEXTER SANTOS: With a background in Ballroom dancing and Lindy Hop, Dexter has studied and collaborated with the best Blues dance teachers and dancers making him one of the most sought-after and admired teachers in the national and international Blues dance scene. As a teacher, Dexter loves spreading his passion and joy for Blues dancing and aims to inspire dancers of all levels with the possi - bilities that this dance has to offer while preserving its roots, identity, and art form. Having taught in four conti - nents, Dexter's classes are known to be inspiring and fun, and are favorites at nationally and internationally renowned exchanges and workshops. -
Playbill Jan
UNIVERSITY OF MASSACHUSETTS AMHERST FINE ARTS CENTER 2012 Center Series Playbill Jan. 31 - Feb. 22 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. NFP Securities, Inc. is not affiliated with United Wealth Management Group. NOT FDIC INSURED • MAY LOSE VALUE • NOT A DEPOSIT• NO BANK GUARANTEE NO FEDERAL GOVERNMENT AGENCY GUARANTEES 10 4.875" x 3.75" UMASS FAC Playbill Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. -
By Barb Berggoetz Photography by Shannon Zahnle
Mary Hoedeman Caniaris and Tom Slater swing dance at a Panache Dance showcase. Photo by Annalese Poorman dAN e ero aNCE BY Barb Berggoetz PHOTOGRAPHY BY Shannon Zahnle The verve and exhilaration of dance attracts the fear of putting yourself out there, says people of all ages, as does the sense of Barbara Leininger, owner of Bloomington’s community, the sheer pleasure of moving to Arthur Murray Dance Studio. “That very first music, and the physical closeness. In the step of coming into the studio is sometimes a process, people learn more about themselves, frightening thing.” break down inhibitions, stimulate their Leininger has witnessed what learning to minds, and find new friends. dance can do for a bashful teenager; for a man This is what dance in Bloomington is who thinks he has two left feet; for empty all about. nesters searching for a new adventure. It is not about becoming Ginger Rogers or “It can change relationships,” she says. “It Fred Astaire. can help people overcome shyness and give “It’s getting out and enjoying dancing and people a new lease on life. People get healthier having a good time,” says Thuy Bogart, who physically, mentally, and emotionally. And teaches Argentine tango. “That’s so much they have a skill they can go out and have fun more important for us.” with and use for the rest of their lives.” The benefits of dancing on an individual level can be life altering — if you can get past 100 Bloom | April/May 2015 | magbloom.com magbloom.com | April/May 2015 | Bloom 101 Ballroom dancing “It’s really important to keep busy and keep the gears going,” says Meredith. -
Ebook Free Conversations with Choreographers
Ebook Free Conversations With Choreographers This book is ideal for directors and choreographers of all levels , musical theatre aficionados, dance and theatre students, and anyone involved in the creative process, with many interviews. Paperback: 236 pages Publisher: Heinemann Drama; F First Edition edition (June 3, 1996) Language: English ISBN-10: 0435086979 ISBN-13: 978-0435086978 Product Dimensions: 6.1 x 0.5 x 9 inches Shipping Weight: 13.1 ounces Average Customer Review: 5.0 out of 5 stars 3 customer reviews Best Sellers Rank: #2,105,276 in Books (See Top 100 in Books) #100 in Books > Arts & Photography > Performing Arts > Dance > Choreography #393 in Books > Textbooks > Humanities > Performing Arts > Dance #418 in Books > Biographies & Memoirs > Arts & Literature > Dancers The craft of choreography is somewhat mysterious. What is the source of inspiration? How does one prepare for the career? Anne Livet's conversations with modern- dance choreographers are recorded in Contemporary Dance (Abbeville, 1978), and interviews with well-known ballet choreographers have appeared in journals and newspapers, but Grody and Lister have focused on the overlooked venues of Broadway, film, and television. With a string of Broadway dance credits themselves, the authors are on familiar ground. Over a period of two decades they have interviewed 17 choreographers, including Hermes Pan, Ernest Flatt, Joe Layton, Michael Bennett, and Tommy Tune. Most have little formal music training, work best with time limitations, and made a transition from dancer to choreography as opportunity presented itself. But as each responded to a similar set of questions set forth by the authors, the choreographers reveal individual approaches to their work. -
SMU Research, Volume 13 Office of Public Affairs
Southern Methodist University SMU Scholar SMU Research Magazine Office of Research and Graduate Studies 2006 SMU Research, Volume 13 Office of Public Affairs Follow this and additional works at: https://scholar.smu.edu/research_magazine Recommended Citation Office of Public Affairs, "SMU Research, Volume 13" (2006). SMU Research Magazine. 1. https://scholar.smu.edu/research_magazine/1 This document is brought to you for free and open access by the Office of Research and Graduate Studies at SMU Scholar. It has been accepted for inclusion in SMU Research Magazine by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. Message from the Dean Research Strengthens Ouest for the Best SMURasaarch www.smu.edu/newsinfo/research SMU &much is pmduced annually by rhe Office of PubHc Affijn for the Office of Research and Graduate Studies of Southern Methodist Universiry. Please send correspondence ro Office of Research and am pleased to report that we have had a very busy and productive Graduate Studies, SMU, PO Box 750240, Dallas TX 75275-0240, or call 2 14-768-4345. E-mail: [email protected] year in the Office of Research and Graduate Studies. We have provid Ofnca of Public Affairs Swan White ed important funds to support the work of SMU faculty and graduate E<Hror Sherry Myres students; we have put in place measures to increase funding for exter Creative Director VictoriaOa.ry nal research; we have welcomed aboard a new Ph.D. program in Designer Hillsman S. Jackson English; and we have continued to patent and market the significant Photographer Contributors: Lisa Castello, Meredith Dickenson, Nancy George. -
KT 2-4-2014Nn Layout 1
SUBSCRIPTION WEDNESDAY, APRIL 2, 2014 JAMADA ALTHANI 2, 1435 AH www.kuwaittimes.net Sir John Major to NATO to bolster Jailed Israeli spy Neymar deliver inaugural forces in east could be key rescues lecture 2at KU Europe7 to peace8 talks Barcelona20 Kuwait to create Max 27º Min 12º High Tide telecom regulator 00:53 & 12:52 Low Tide Kuwait to upgrade connectivity 07:07 & 19:33 40 PAGES NO: 16123 150 FILS KUWAIT: Kuwait’s parliament yesterday approved a bill to Kuwait is the only Gulf Arab country without a telecom Many Kuwait residents have opted for mobile broad- conspiracy theories create an independent telecom regulator, which should regulator and the creation of such a body may indicate the band instead. The creation of an independent regulator end a conflict of interest as the Ministry of government will revive plans to privatize the fixed net- still requires the ruling Amir’s approval although that is Communications currently regulates the industry and work, which has been under consideration for more than considered a formality and would end about a decade of The summit hub operates the fixed-line network. It was not clear though 20 years. Market participants such as Internet service debate and indecision over the establishment of a telecom what the new regulator’s powers will be or what impact it provider Qualitynet have complained that state control of watchdog. Kuwait relies largely on ageing copper net- might have on the country’s four major Internet service the fixed network has left Kuwait lagging behind its Gulf works for fixed telecoms services. -
Rhythmical Coordination of Performers and Audience in Partner Dance: Delineating Improvised and Choreographed Interaction
Rhythmical coordination of performers and audience in partner dance: delineating improvised and choreographed interaction Saul Albert ([email protected]) Contents 1 Introduction 3 2 Data and methods 4 2.1 Rhythm and interaction in a Lindy hop performance .................... 4 2.2 Studying the attention structure of an audience through rhythm ............... 6 2.3 Describing varied, coupled rhythms in the performance setting ............... 7 3 Analysis 9 3.1 Choreography: reorientation to familiar movements .................... 9 3.2 Improvisation: displays of readiness to change ....................... 13 3.3 Embodied action: joint coordination of improvised movement ................ 14 4 Discussion 17 4.1 Analytic distinctions between improvisation and choreography ............... 17 4.2 Embodied rhythms as projectable, interactional resources ................. 18 4.3 Embodied action built with non-vocal resources ...................... 19 5 Conclusion 21 6 Acknowledgements 21 7 References 21 1 Abstract This paper explores rhythm in social interaction by analysing how partner dancers and audience members move together during a performance. The analysis draws an empirical distinction between choreographed and improvised movements by tracking the ways participants deal with variations in the projectability and contingencies of upcoming movements. A detailed specification of temporal patterns and relationships between rhythms shows how different rhythms are used as interactional resources. Systematic disruptions to their rhythmical -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries. -
TBDC-Visualguide-2016.Pdf
MISSION The days of being “just” a dancer are over. You have to be able to do it all. The Broadway Dance Collective was created to give students the tools necessary to flourish in today’s American Musical Theatre by connecting them with Broadway’s finest working professionals. The Broadway Dance Collective is a 4-hour Musical Theatre Master Class Tour where students are split into three groups (Youth, Teen, and College) and take breakout classes in Musical Theatre Jazz, Broadway Tap, Vocal Performance, and Audition Techniques. WHO WE ARE Collectively our Broadway Teaching Artists have performed in over 100 Broadway shows. We have trained at our nation’s most prestigious Universities, graced the World’s greatest stages, trained students across the Globe and are ready to share the information! You will learn original Broadway choreography from the dancers who are currently performing it on Broadway. The day will culminate with a Parent Presentation and Industry Q&A. THE TRUTH Broadway producers want to invest in an ensemble of storytellers who can do everything. Separate singing and dancing ensembles are a practice of the past. Come get the tools. Don’t come to be perfect. Don’t not come because you “can’t” do one of the disciplines. Come to get ready. Robert Hartwell founder BROADWAY TRAINING “Every student Motown NC School of the Arts has a story and I Memphis Hungarian was placed on Cinderella National Ballet this earth to Dreamgirls help them tell it Nice Work If You Houston Ballet more joyfully!” Can Get It Stagedoor Manor TEACHING