DOCSLIB.ORG

Press Contacts: Zoe Grover, [email protected] Donna Dees, [email protected] ​ Dom Slowey, 781-710-0014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Press Contacts: Zoe Grover, Executivedirector@Stophandgunviolence.Com Donna Dees, Remembersept25@Gmail.Com ​ Dom Slowey, 781-710-0014 Press contacts: Zoe Grover, [email protected] Donna Dees, [email protected] ​ Dom Slowey, 781-710-0014 BOSTON STRONG: ARTISTS RALLY IN SUPPORT OF “THE CONCERT ACROSS AMERICA TO END GUN VIOLENCE” Nationwide event to be held Sunday, Sept. 25, 2016 (BOSTON, MA – August 16, 2016) A coalition of gun violence prevention activists and artists announced its full line-up for the Concert Across America to End Gun Violence Boston, scheduled for Sunday, September 25—the date designated by Congress in 2007 as a day of remembrance for murder victims. The Boston event, to be hosted by the Brighton Music Hall, will be one of over 40 local concerts held across the U.S. on that date, each connected via social media with #ConcertAcrossAmerica and #EndGunViolence and online at www.concertacrossamerica.org, and all focused on making gun violence ​ ​ prevention a voting issue in the November elections. The Brighton Music Hall line-up includes Hallelujah the Hills; Marissa Nadler; Vapors of Morphine; Bill Janovitz, performing with Tanya Donelly and Mike Gent; Rhea Ranno; Michelle La Poetica; Ashley Tishana; Arielle Chanelle; Herb Jackson; Lisa Bello; and Dro Casso with Pretty Poison. The evening will be emceed by local comedy legend Jimmy Tingle. Local partners for the Boston event will include Stop Handgun Violence (http://www.stophandgunviolence.org), Peace Boston ​ ​ (http://www.operationpeaceboston.org), the Louis D. Brown Peace Institute ​ ​ (http://ldbpeaceinstitute.org ), Jane Doe Inc. (http://www.janedoe.org), Cape ​ ​ ​ ​ Cod Grandmothers Against Gun Violence (http://www.capecodgag.org), and ​ ​ the Massachusetts Coalition to Prevent Gun Violence https://mapreventgunviolence.org). ​ “Some of Boston’s most talented artists have committed to joining us on September 25, to show support for the cause,” said Jane Dornbusch, Boston Concert Coordinator. “Massachusetts is the national model for gun violence prevention and I’m lucky to be a part of this city, one that is so supportive and involved in these important issues.” One Bridge Street, Suite 300, Newton, MA 02458 Tickets available here: http://www1.ticketmaster.com/event/010050DED5D45DB9 About the Concert Across America This nationwide event will bring together a network of organizations, activists, and artists with the dual goals of keeping guns out of dangerous hands and making the issue of gun violence prevention top of mind for members of Congress, the presidential candidates, and the American people as they go to the polls in November 2016. For more information, visit www.concertacrossamerica.org. Stop Handgun Violence (SHV) is a Massachusetts-based non-profit organization committed to the prevention of gun violence through education, public awareness, effective law enforcement, and common-sense gun laws. SHV has been the lead advocate in Massachusetts for enactment of some of the most effective gun violence prevention laws and of first-in-the-nation consumer protection regulations which have helped reduce gun deaths in the Commonwealth by 60 percent since its founding in 1994. The organization does not seek to restrict Constitutional rights but advocates only for common-sense legislation that will help save lives. For more information, go to www.stophandgunviolence.org. One Bridge Street, Suite 300, Newton, MA 02458 .
Load more

Recommended publications
  • Dos Discos De Tribut Posen Bob Dylan I the Grateful Dead Al
    Cultura i Mitjans | | Actualitzat el 27/05/2016 a les 12:44 Dos discos de tribut posen Bob Dylan i The Grateful Dead al dia "Blonde on Blonde Revisted" commemora els 50 anys del disc del cantautor | "Day of the Dead" són cinc hores de música amb 59 cançons de The Grateful Dead Bob Dylan, en una actuació recent | Facebook Els discos de tribut a artistes moltes vegades poden quedar com una mera anècdota flotant desapercebuda dins l'abundant riu de les novetats discogràfiques. Els dos casos que presentem a continuació no tenen perquè seguir les línies imposades per la instantaneïtat. Primer, per l'ambició que impera en els dos projectes; segon, pels grans noms a qui reben tribut; i tercer, per veure com els grans artistes del moment hi col·laboren. Anem a pams, estem parlant de dos discos que s'han publicat recentment i que volen acostar a les noves generacions el llegat d'artistes de la talla de Bob Dylan (https://bobdylan.com) o de The Grateful Dead (http://www.dead.net/) . Les iniciatives venen promogudes per músics o per revistes musicals hi ha aconseguit aglutinar bona part de l'escena independent americana. Noms com The National, Kurt Vile, Mumford & Sons, Anohni (ex Anthony & the Johnsons), Wilco, Phosphorescent o Jim O'Rourke participen en algun dels dos discos o, fins i tot, en els dos projectes. Blonde on Blonde Revisited https://www.naciodigital.cat/noticia/109283/dos-discos-tribut-posen-bob-dylan-grateful-dead-al-dia Pagina 1 de 3 Portada de «Blonde on Blonde Revisited» La clàssica revista britànica MOJOhttp://www.mojo4music.com/ ( ) regala amb el número d'aquest mes una revisió exhaustiva del disc Blonde on Blonde (https://open.spotify.com/album/4NP1rhnsPdYpnyJP0p0k0L) de Bob Dylan.
    [Show full text]
  • Lushlife Ritualize About This Record
    LUSHLIFE RITUALIZE ABOUT THIS RECORD "Peace to Roky Erickson / Peace to Bo Derek / So lost in the television / Walk with the elephants / To die by their relatives / Lushlife holy ghost / Float through the tenements / Back to irrelevance" From the moment you hear the bristling boom-bap chorus on album-opener "Totally Mutual Feeling," it's apparent that Lushlife's third full-length finds the Philadelphia rapper-producer at his most introspective. Themes of isolation and mortality permeate Ritualize, a cinematic hour-long odyssey co-produced by TRACK LIST enigmatic production trio, CSLSX (pronounced "Casual Sex") and featuring contributions from Ariel Pink, Killer Mike, Freeway, Marissa Nadler, RJD2, and 01 Total Mutual Feeling 4:00 more. With CSLSX at the boards, an entire universe opens up for Lush, where 02 The Waking World ft. I Break Horses 4:16 the pulsating Juno synths of '80s LA night music sit side-by-side with 03 Hong Kong ( Lady Of Love ) ft. Ariel Pink 4:17 gorgeously propulsive indie-leaning jams, and low-fi soul burners too. The 04 Incantation ft. Deniro Farrar 4:42 resulting LP is a post-blog-era joint that seems to exhale the whole of the 20th 05 Undress Me In The Temple 1:35 century in a single, fascinating breath. 06 Body Double 4:53 "After toiling over two self-produced LPs in the last half-decade, I felt 07 Toynbee Suite ft. Nightlands, RJD2, Yikes the Zero 9:11 compelled to bring on an outside production team for Ritualize," Lushlife 08 Strawberry Mansion ft. Freeway 2:48 (born Raj Haldar) explains.
    [Show full text]
  • The History of Rock Music - the 2000S
    The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were.
    [Show full text]
  • December 16, 2011 Vol. 115 No. 50
    VOL. 115 - NO. 50 BOSTON, MASSACHUSETTS, DECEMBER 16, 2011 $.30 A COPY First Night Boston 2012 NORTH END ATHLETIC ASSOCIATION 41ST ANNUAL NORTH END CHRISTMAS PARADE Here Comes Santa Claus! by Sal Giarratani FedEx Family Festival. (Photo by Paul Marotta) This year, First Night Boston celebrates the 36th edition of the country’s oldest and largest New Year’s Eve arts festival by announcing a line-up of world class events that offer some- thing for everyone. On Saturday, December 31, 2011 from noon to midnight, First Night presents its annual day-long festival of art, music, dance, ice sculpture and more. First Night will showcase 1,000 artists in 200 exhibitions and per- formances in locations all over downtown Boston, from the Waterfront to the Fenway. First Night welcomes children, families and revelers of all ages to celebrate community While driving up from the rival of Santa by helicopter jolly ole Santa. This year First Night organizers strongly suggest through the arts. south on Route 95, I heard at Puopolo Park. marked St. Agrippina’s 17lh visiting the interactive planner at www.firstnight.org to Bruce Springsteen singing The Christmas parade was Annual Christmas Program plan attendance . The schedule is subject to change and “Santa Claus is Coming to sponsored by the North End for the kids. updates can be found on the website. Town.” This Christmas clas- Athletic Association in asso- I’m sure many other chil- All First Night outdoor events are free, though supported sic was playing on the radio as ciation with The Nazzaro dren were thinking the by sales of the First Night button, which is the ticket for I was headed to town to see Center, North End Against same thing.
    [Show full text]
  • From Dream to Reality
    From Dream to Reality 2 0 1 1 A n n u A l R e p o R t M a M a’s Moves into a New Home fter 17 years of leasing operatingA space in our second avenue location downtown, Mama’s Kitchen purchased and renovated a permanent two-story, 11,000 sq. ft. facility at 3960 Our new home boasts: Home avenue. our new doors • An industrial-size commercial opened on august 29, 2011, kitchen, furnished with equipment without interruption of service that will expand food preparation capacity and improve the quality to our clients. Mama’s Kitchen’s and nutritional value of meals. new home creates significant • A more welcoming environment for the hundreds of volunteers who walk opportunities to enhance and through its doors, with appropriate workspaces for staff and volunteers. expand our services to those we • Adequate conference and classroom space to accommodate community meetings, volunteer orientations, trainings and education programs that will serve with increased operational help service recipients, and enable staff, volunteers and community partners efficiency and organizational to stay informed, build skills and share resources. effectiveness. • A pantry, now under the same roof as our kitchen, which will provide perishable items (such as bread, fruits, meats, and dairy items) in addition to nonperishable items. • A convenient location for our volunteer delivery drivers, with easy access to all major San Diego freeways. A Message F r o M o u r b o a r d p r e s i d e n t and executive director As we look back at 2011, we are struck by the amazing spirit of generosity and commitment that so defines the communities of San Diego.
    [Show full text]
  • Frida Y, Ma Y 27, 2016 | 25
    PROVIDENCE JOURNAL | providencejournal.com | Friday, May 27, 2016 | 25 26 | Friday, May 27, 2016 May | Friday, | JOURNAL | providencejournal.com PROVIDENCE pop music FREQUENT VENUES Bobby Justin: pop and oldies, Broadway Lounge. 8:30 Aurora, 276 Westminster St., p.m.-12:30 a.m. No cover. Providence. 837-5438, aurora- Mac Odom, Paul Bouley, Vinny providence.com. No cover. Pagano, Joe Potenza: jazz, Tarragon Broadway Lounge, 535 North Bar at Hotel Providence. 8 to 11 Broadway, East Providence. p.m. 434-9742. Rock-A-Blues: rock, 133 Club. No Burger Bar, 855 Newport Ave., cover. 9 p.m. Pawtucket. 722-1124. burgerbar- Teledynes: rock, Oak Hill Tavern. 9 pawtucket.com p.m. No cover. Camille’s, 71 Bradford St. (off Tribeca: soul, Motown and disco, Atwells Avenue), Providence. Camille’s. 9 p.m.-midnight. 751-4812. XS Band: Latin, Twin River, Light- Chan’s Restaurant, 267 Main St., house Bar. 9 p.m.-2 a.m. Woonsocket. 765-1900, chanseg- 28 grollsandjazz.com. Blurred Vision: rock, Twin River, Clarke Cooke House Restaurant, 1 Lighthouse Bar, 9 p.m.-2 a.m. Bannister’s Wharf, Newport. The Body: metal, Machines With 849-2900. Magnets. 9 p.m. Columbus Theatre, 270 Broadway, Steve Burke: jazz, Hill and Harbor Providence. 621-9660, columbus- The Grammy-winning country music group Lady Antebellum — Hillary Scott, left, Dave Hayward and Charles Cigar Lounge, 564 Main St., East theatre.com. Kelley — performs June 28 at the Dunkin’ Donuts Center as part of the CVS Health Charity Classic. Greenwich. 885-0111, hillandhar- Courthouse Center for the Arts, 3481 INVISION/WADE PAYNE borcigarlounge.com.
    [Show full text]
  • “Poison” (Feat. John Cale) & “If We Make It Through the Summer” Via KRO Records Listen Here
    February 21, 2019 For Immediate Releases Marissa Nadler Shares Two New Singles “Poison” (Feat. John Cale) & “If We Make It Through The Summer” Via KRO Records Listen Here "One of the most gorgeous voices in the business" – NPR Music Marissa Nadler shares two new singles, “Poison” (featuring John Cale) and “If We Make It Through The Summer.” Both were written during the time Nadler was working on material that would end up on 2018’s For My Crimes (Sacred Bones/Bella Union). These songs mark one of the first one-off releases on KRO Records – the new label from producers/musicians Justin Raisen, Lawrence Rothman and Yves Rothman. “Sometimes it's best not to know in advance; that's what I continually remind myself about how this duet with legendary songwriter John Cale came together,” says Nadler. “Had I known that Justin and Lawrence would arrange for Cale to sing ‘Poison’ with me before I wrote or recorded it, I cannot be certain I wouldn't have become frozen with hesitations and second-guessing. How do you even start to go about writing a duet with a member of the Velvet Underground? Surely I might have nervously changed the lyric that accidentally namechecks a title of a Velvet Underground song (‘Run Run Run’), at the very least. For me, Cale is one of the most influential rock musicians, remaining admirably hard to Pin down. His aPPearance on this song was a comPlete surPrise to me, but the instant I heard it I knew that this was the way the song was meant to be heard.” “Lyrically, ‘Poison’ was written as a conversation between a couPle—I hoPe it conjures a Portrait of one of those intense moments of contemPlation in a relationshiP that you never forget, forever frozen inside a snow globe.
    [Show full text]
  • Downbeat.Com July 2015 U.K. £4.00
    JULY 2015 2015 JULY U.K. £4.00 DOWNBEAT.COM DOWNBEAT ANTONIO SANCHEZ • KIRK WHALUM • JOHN PATITUCCI • HAROLD MABERN JULY 2015 JULY 2015 VOLUME 82 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • Various Artists Todo Muere Volume 5
    Various Artists Todo Muere Volume 5 track liSting: 1 Blanck Mass: The Great Confuso (Part 1) (7:49) 2 Lust for Youth/Croatian Amor: Sister (Club Mix) (5:11) 3 Jenny Hval: Safe (3:15) 4 The Holydrug Couple: If I Could Find You (From the Bed Remix) (4:19) 5 Destruction Unit: Feed the Dogs (8:32) 6 Cheena: My Hand Is Shakin’ (1:54) 7 Institute: Touch Me (1:57) 8 Marissa Nadler: Solitude (4:36) 9 Wymond Miles: Divided in Two (3:53) key inFormation / Selling PointS: Hometown / Key Markets: • New York, Los Angeles, Chicago, San Francisco, Austin Selling Points / Key Press: • Limited edition, one-time pressing of 1000 • Previously unreleased tracks by Jenny Hval, Institute, Wymond Miles, and The Holydrug Couple • First time on vinyl for tracks by Marissa Nadler, Blanck Mass, and Cheena Sacred Bones returns with the fifth volume of its Record Store Day compilation • Features covers of The Doors and Black Sabbath series, Todo Muere. This year’s edition features a range of songs as eclectic as the • Fifth volume in Sacred Bones’ ongoing exclusive Record label roster, from pitch-black dance floor cuts to mind-expanding psych-punk Store Day series ragers to covers of both Black Sabbath and The Doors. • Includes digital download code Side A houses the four electronic-leaning tracks on the comp. First up is the Related Catalog: moody “The Great Confuso (Part I)” by Fuck Buttons member Benjamin John • SBR-055 Various Artists Todo Muere Volume 1 Power’s solo excursion Blanck Mass, taken from 2015’s digital EP of the same • SBR-075 Various Artists Todo Muere Volume 2 name.
    [Show full text]
  • Marissa Nadler Announces New Album the Path of the Clouds out October 29Th on Sacred Bones & Bella Union & Shares Lead Single/Video “Bessie, Did You Make It?"
    August 25, 2021 For Immediate Release Marissa Nadler Announces New Album The Path of the Clouds Out October 29th on Sacred Bones & Bella Union & Shares Lead Single/Video “Bessie, Did You Make It?" Photo credit: Nick Fancher Marissa Nadler announces her ninth solo album, The Path of the Clouds, out October 29th on Sacred Bones & Bella Union, and shares the lead single/video, “Bessie, Did You Make It?” The Path of the Clouds is the most stylistically adventurous, lyrically transfixing, and melodically sophisticated collection of songs in her already rich discography. Gripped by wanderlust while suddenly housebound at the start of the pandemic in 2020, Nadler escaped into writing, and came back with a stunning set of songs about metamorphosis, love, mysticism, and murder. Blurring the line between reality and fantasy and moving freely between past and present, these 11 deeply personal, self-produced songs find Nadler exploring new landscapes, both sonic and emotional. While she’s always been a brilliant guitarist, Nadler challenged herself to expand her palette for The Path of the Clouds, experimenting with synthetic textures that make the album feel untethered from time and space. Nadler also learned to play piano during the pandemic’s isolation, and she composed many of the songs on the album on keys rather than guitar, which further contributed to their exploratory feel. These songs are unmistakably Marissa Nadler’s, but they sound free to go places she’s never gone before. One of Nadler’s distractions during the 2020 quarantine was binging reruns of Unsolved Mysteries. As she watched, she began to notice parallels between many of its stories and her own life.
    [Show full text]
  • The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
    (Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're
    [Show full text]
  • ​Marissa Nadler Hypnotiserer Dig Ind I Sit Apokalyptiske Drømmeunivers
    2019-05-28 16:00 CEST Marissa Nadler hypnotiserer dig ind i sit apokalyptiske drømmeunivers VEGA præsenterer Marissa Nadler hypnotiserer dig ind i sit apokalyptiske drømmeunivers Den 30. september åbner den amerikanske sangerinde op for sit intime og mørke singer/songwriter univers i Lille VEGA. Siden debuten for 15 år siden har Marissa Nadler trådt sine egne musikalske fodspor og især høstet roser for de hypnotiserende vokalarrangementer og sit guitarspil. Sangerinden, som også er uddannet illustrator, forstår at male den amerikanske sangskrivertradition med både surrealistiske facetter og monumentale metaforer. Nadler dykker ned i det, hun selv kalder for apokalyptiske drømmeuniverser. Hendes ottende album, For My Crimes, er lyden af uro, som giver plads til sandhed. De elleve sanges intimitet definerer albummet og bliver forstærket af en stærk feminin energi. Sammen med co-producerne Lawrence Rothman og Justin Raisin (Angel Olsen, Kim Gordon, Charli XCX) følte Nadler sig i stand til at eksperimentere uden at kunne forvente fordømmelse under indspilningerne. Foruden saxofonisten Dana Colley er alle de medvirkende musikere på For My Crimes kvinder med hver deres distinkte stil. Angel Olsen, Kristin Kontrol (Dum Dum Girls) og Sharon Van Etten låner alle deres vokal ud på sangene og tilføjer dynamik til Nadlers sange. Men det er stadig hendes hypnotiserende stemme, som sangene er centreret omkring. I 2007 trådte sangerinden for alvor ind i musikbranchens rampelys, da hun lavede et gåsehudsfremkaldende cover af Radiohead-klassikeren “No Surprises” i anledning af deres 10-års jubilæum. Musikkens temaer kredser oftest om den finurlige og tabte kærlighed. Pitchfork har kaldt hendes musikalske stil simpel, men forbløffende, og hendes bagkatalog for en topografi af knuste hjerter.
    [Show full text]