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By William Shakespeare Directed by Joe Hill-Gibbins Enjoy the Show Did you know? A production from In 2018 we had 19,940 screenings around the world. by William Shakespeare directed by Joe Hill-Gibbins Enjoy the show We hope you enjoy your National Theatre Please do let us know what you think Live screening. We make every attempt to through our channels listed below or Cast Creative Team replicate the theatre experience as closely approach the cinema manager to share King Richard the Second Direction Joe Hill-Gibbins as possible for your enjoyment. your thoughts. Simon Russell Beale Design ULTZ Bolingbroke Leo Bill Light James Farncombe Bagot/Aumerle Martins Imhangbe Sound Peter Rice Connect with us Carlisle Natalie Klamar Dramaturg Jeff James York John Mackay Casting Ginny Schiller CDG Gaunt/Willoughby Joseph Mydell Costume Supervisor Claire Wardroper Explore Never miss out Mowbray/Bushy Associate Designer Charlotte Espiner Go behind the scenes of The Tragedy of King Get the latest news from Green/Duchess of York Saskia Reeves Resident Director Lucy Wray Richard the Second and learn more about National Theatre Live straight Northumberland Robin Weaver how our broadcasts happen on our website. to your inbox. Broadcast Team ntlive.com ntlive.com/signup Director for Screen Tony Grech-Smith Technical Producer Christopher C Bretnall Script Supervisor Amanda Church Lighting Consultant Gemma O’Sullivan Join in Feedback Sound Supervisor Conrad Fletcher Use #RichardII and be a Share your thoughts by taking our part of the conversation online. short online survey and enter into a prize draw to win £100. /ntlive ntlive.com/feedback @ntlive Running time: Approx. 1 hour 55 mins, with no interval. Who is David Hare? Coming soon About the play Find the next broadcast or screening near you at ntlive.com From ‘The Impossibility of Power’, by Phillip Collins, in the programme for The Tragedy of King Richard the Second David Hare is one of the UK’s most prolifi c David Hare was recently described by and critically acclaimed writers, having the Washington Post as ‘the premiere Margo Channing. Legend. True star of the writtenPoor extensivelypolitical leadership for the stage, may be television the politicalof ordinary dramatist mortals. writing An inattitude English’. like This this can theatre. The spotlight is hers, always has andpredicament fi lm. His plays of our include time Plentybut, as, SkylightRichard II newlead play, to aI’m Prime Not RunningMinister ,calling follows a inreferendum his been. But now there’s Eve. Her biggest fan. andshows, Stuff Happensnot just of. Hisour fitime. lm work The includesflaws and politicalon the drama assumption style. Siânthey cannotBrooke lose.plays Young, beautiful Eve. The golden girl, the girl Theerrors Hours of andpolitical The lifeReader are perennial (for both and on Pauline Gibson, a doctor and leader of a next door. But you know all about Eve… of leadershipwhich he received Shakespeare’s Academy insights Award are so campaignRichard discoversto save her that local deeds hospital, matter who in his don’t you…? nominationsacute he could for Best have Adapted a column Screenplay), in The Times . facesworld agonising too. The decisions rage of Richard about herseeing future his own face in the mirror is the anger of Boris and the recent fi lm about ballet dancer in politics and a friendship that spans 20 by Joseph L Mankiewicz The loudest echo we can hear in our politics Johnson face to face with the obvious fact Emmy Award-winner Gillian Anderson (NT Rudolf Nureyev, The White Crow (directed years. An examination of private lives versus from Sonia Friedman Productions today is Shakespeare’s argument about that his fantastical version of Brexit has Live: A Streetcar Named Desire, X-Files) by Ralph Fiennes), released in 2018. public personas, I’m Not Running is David and Fox Stage Productions the source of legitimacy. Richard claims given way to the grubby compromises of the returns to the stage alongside Lily James Hare’s 17th new play to be presented at the adapted and directed for the to derive legitimacy from divine right. Vain, world we actually live in. Politics is theatrical (Downton Abbey) under the direction of National Theatre. stage by Ivo van Hove petty and arbitrary, he is prone to colossal but it is also more than theatre, a point that Ivo van Hove (Network). blunders such as seizing Bolingbroke’s land Shakespeare makes beautifully. and inheritance. Yet he is cavalier because BroadcastIn cinemas live 25 May11 April he disdains political pressure as the concern America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. But nothing lasts National Theatre National Theatre Live forever as long-buried truths are forced to Almeida Theatre National Theatre Live the surface and the price of their American At the National Theatre we make world-class National Theatre Live distributes dream is laid bare. theatre,The Almeida and we Theatre make it makesfor everyone. brave new work world-classNational Theatre theatre Livestraight distributes from stages by Arthur Miller that asks big questions: of plays, of theatre acrossworld-class the United theatre Kingdom straight to fromcinema stages a co-production from The Old Vic Academy Award-winner Sally Field (Steel Weand stage of the over world 20 productions around us. atSince our 2013, screensacross around the United the world.Kingdom to cinema and Headlong Magnolias) and Bill Pullman (While You Were Souththe AlmeidaBank home has inbeen London led byeach Artistic year. Director screens around the world. Sleeping) star in Arthur Miller’s blistering OurRupert programme Goold. is Recent broad highlightsand inclusive, include Working with the best of British BroadcastIn cinemas live 15 June14 May drama, directed by Jeremy Herrin. appealingArtistic Directorto the widest Rupert possible Goold’s audiences productions theatreWorking companies with the andbest producers, of British theatre withof newInk and plays, Albion musicals,; Robert reimagined Icke’s productions wecompanies simultaneously and producers, broadcast welive theatre classicsof Mary and Stuart work and for youngHamlet audiences.; and Rebecca showssimultaneously to cinemas broadcast in the UK, live Europe theatre and OurFrecknall’s work is also production seen in London’s of Summer West & SmokeEnd, , sometimesshows to Northcinemas America, in the UK,as well Europe as Andrea Levy’s Orange Prize-winning novel oncurrently tour across running the UK in theand Westinternationally, End. The capturingand sometimes the live performanceNorth America, for as encore well Small Island comes to life in this epic new andAlmeida through was National named Theatre London Live Theatre broadcasts of the screeningsas capturing in other the live territories. performance for theatre adaptation. andYear screenings at the 2018 to cinemas Stage Awards. around the world. encore screenings in other territories. Our live broadcasts and screenings Hortense yearns for a new life away from Whether you’ve seen our work many haveOur been live broadcasts seen by over and 8 millionscreenings people rural Jamaica, Gilbert dreams of becoming times or are joining us for the fi rst time, in have2,500 been cinemas seen in by 65 over countries 8 million since people adapted by Helen Edmundson a lawyer, and Queenie longs to escape her we hope you will be entertained, wein launched 2,500 cinemas in 2009. in 65 countries since based on the novel by Andrea Levy Lincolnshire roots. Embark on a journey challenged and inspired. we launched in 2009. a National Theatre production from Jamaica to Britain, through the Second World War to 1948 – the year the HMT nationaltheatre.org.uk ntlive.com In cinemascinemas 273 August June Empire Windrush docked at Tilbury. facebook/nationaltheatrealmeida.co.uk facebook/ntliventlive.com @nationaltheatrefacebook/almeidatheatre @ntlivefacebook/ntlive @AlmeidaTheatre @ntlive.
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