Special Guest Star: the Fbi's Top Consultant on Psychopaths

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Special Guest Star: the Fbi's Top Consultant on Psychopaths

A new film from the co-director of MANUFACTURING CONSENT "The next Bowling For Columbine" GLOBE AND MAIL "Provocative, entertaining, and at times, chilling." INDIEWIRE the A film by Mark Achbar, Jennifer Abbott & Joel Bakan STARRING 7 CEOs, 3 VPs, 2 WHISTLEBLOWERS, 1 BROKER, 1 SPY, AND 1 REALLY BIG MESS� WITH MICHAEL MOORE, NOAM CHOMSKY, NAOMI KLEIN, AND MILTON FRIEDMAN AS THEMSELVES SPECIAL GUEST STAR: THE FBI'S TOP CONSULTANT ON PSYCHOPATHS PEOPLE'S CHOICE � NFB BEST� CANADIAN� JORIS IVENS � AWARDS DOCUMENTARY AWARD SPECIAL JURY AWARD VANCOUVER • CALGARY • TORONTO� CALGARY INTERNATIONAL � INTERNATIONAL DOCUMENTARY � INTERNATIONAL FILM FESTIVALS FILM FESTIVAL FESTIVAL AMSTERDAM Directed by MARK ACHBAR and JENNIFER ABBOTT • Produced by MARK ACHBAR and BART SIMPSON • Edited by JENNIFER ABBOTT • Written by JOEL BAKAN • With Narration Written by HAROLD CROOKS and MARK ACHBAR • Narrator MIKELA J. MIKAEL � Based on the book THE CORPORATION: The Pathological Pursuit of Profit and Power, by JOEL BAKAN • Co-Producers CARI GREEN, NATHAN NEUMER, TOM SHANDEL • TVO Commissioning Editor RUDY BUTTIGNOL • Associate Producers JOEL BAKAN and DAWN BRETT • Archival Researcher PAULA SAWADSKY� Sound Designer & Music Supervisor VELCROW RIPPER • Original Music LEONARD J. PAUL • Music by YO LA TENGO, DAVID WILCOX, UZUME TAIKO, TRANSMO, THIRD EYE TRIBE, SHAWN PINCHBECK, MORGAN/NELKEN, ANDY MCNEILL, THE MAZEGUIDER, LOUD, LOSCIL, JEREMIAH KLEIN, HIGHER INTELLIGENCE AGENCY & BIOSPHERE, INTERMISSION, GRANNY ‘ARK, DOMAKESAYTHINK, SEAN D. ANDREWS, MITCHELL AKIYAMA, ACCENT MUSIC PRODUCTIONS • Director of Corporate Communications KATHERINE DODDS, GOOD COMPANY COMMUNICATIONS • Created by MARK ACHBAR and JOEL BAKAN • Executive Producer MARK ACHBAR Produced by Big Picture Media Corporation in association with TV ONTARIO, Vision TV, Knowledge Network, Saskatchewan Communications Network and ACCESS – The Education Station. Produced with the participation of the Canadian Television Fund, Telefilm Canada: Equity Investment Program, CTF: Licence Fee Program, British Columbia Film, � the Canadian Independent Film & Video Fund, Rogers Documentary Fund, Rogers Telefund and the Province of British Columbia Film Incentive BC. Produced with the assistance of The Canadian Film or Video Production Tax Credit. � Produced in part through donations by the Yvonne Tasker-Rothenberg and Martin Rothenberg Fund, Simon Fraser Institute for the Humanities, Boag Foundation and Inter Pares. Special thanks to Rick Prelinger. © BIG PICTURE MEDIA CORPORATION MMIII www.thecorporation.com En ﬁ lm av Mark Achbar, Jennifer Abbot & Joel Bakan.

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 THE UNFORTUNATELY NECESSARY SEQUEL Press
: THE UNFORTUNATELY NECESSARY SEQUEL Press Kit : THE UNFORTUNATELY NECESSARY SEQUEL Press Kit Logline The Corporation examined an institution within society; The NEW CORPORATION reveals a society now fully remade in the corporation's image, tracking devastating consequences and also inspiring movements for change. Short Synopsis (50 words) The Corporation (2003) examined an institution within society; The New Corporation reveals a world now fully remade in the corporation's image, perilously close to losing democracy. We trace the devastating consequences, connecting the dots between then and now, and inspire with stories of resistance and change from around the world. Short Synopsis (100 words) From Joel Bakan and Jennifer Abbott, filmmakers of the multi-award-winning global hit, The Corporation, comes this hard-hitting and timely sequel. The New Corporation reveals how the corporate takeover of society is being justified by the sly rebranding of corporations as socially conscious entities. From gatherings of corporate elites in Davos, to climate change and spiralling inequality; the rise of ultra-right leaders, to Covid-19 and racial injustice, the film looks at corporations' devastating power. In the face of inequality, climate change, and the hollowing out of democracy The New Corporation is a cry for social justice, democracy, and transformative solutions. Synopsis (125 words) From Joel Bakan and Jennifer Abbott, filmmakers of the multi-award-winning global hit, The Corporation, comes this hard-hitting and timely sequel. The New Corporation reveals how the corporate takeover of society is being justified by the sly rebranding of corporations as socially conscious entities. From gatherings of corporate elites in Davos, to climate change and spiralling inequality; the rise of ultra-right leaders to Covid-19 and racial injustice, the film looks at corporations' devastating power.
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Feature Docs the Funding Crunch
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The $4,149,561 Envelope—Please! the Fight for Genre Equality by Mark Achbar
anada (2003) C er Abbott, Mark Achbar and Jennif . dir , tion a orpor The C om r F The $4,149,561 Envelope—Please! The Fight for Genre Equality by Mark Achbar Telefilm Canada’s strategic objective, according to one of were exclusively dramas. The Corporation changed that. its mission statements, is “to ensure that Canadians have For the first time, a documentary’s domestic box-office access to high-quality popular Canadian audiovisual gross potentially qualified it for a “performance envelope,” productions.” This objective does not distinguish a kind of exclusive reserve fund for the producers of the between media or genres. Indeed, their new corporate top 15% of films grossing over $1m (current guidelines plan is titled, “From cinemas to cell phones.” Telefilm lower that threshold to $500,000). Telefilm made an doles out roughly $220 million every year to fulfill the exception and awarded an envelope to my company, Big citizenry’s audiovisual needs. Picture Media Corporation, which produced the film. Telefilm is one of the federal government agencies I was informed, in writing, that the envelope amount that helped finance The Corporation, a film I made with would be “$1,383,187 per year for the next two years.” I Joel Bakan, Jennifer Abbott, and a cumulative crew of was ecstatic. 200. As independent filmmakers (editorially, if not The idea behind these envelopes is: “You’ve proven financially), we were doing our bit to uphold the federal yourself in the marketplace and we trust your judgement media-quality mandate and—what do you know?—The to evaluate the creative elements of your projects; you’ve Corporation became the highest-grossing Canadian feature earned the benefit of doubt with respect to your future documentary ever, displacing the previous record-holder, use of these public funds.” They’re supposed to help you Manufacturing Consent, which I’d made a decade earlier to repeat your past success.
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A Provocative, Entertaining, and at Times Chilling Documentary.” – Indiwire
From the co-director of MANUFACTURING CONSENT “A provocative, entertaining, and at times chilling documentary.” – IndiWIRE Winner of 16 International Awards PRESS CONTACT: Released in Australia by DISTRIBUTOR CONTACT: Teri Calder Gil Scrine Films 4 Moore Street 44 Northcote Street Bondi NSW 2026 East Brisbane QLD 4169 Tel/Fax: 02 9130 6153 Tel: 07 3391 0124 Mob: 0425 230 679 Fax: 07 3391 0154 [email protected] Mob: 0418 596 482 Email:[email protected] www.gilscrinefilms.com.au One hundred and fifty years ago, the corporation was a relatively insignificant entity. Today, it is a vivid, dramatic and pervasive presence in all our lives. Like the Church, the Monarchy and the Communist Party in other times and places, the corporation is today’s dominant institution. But history humbles dominant institutions. All have been crushed, belittled or absorbed into some new order. The corporation is unlikely to be the first to defy history. In this complex, exhaustive and highly entertaining documentary, Mark Achbar, co-director of the influential and inventive MANUFACTURING CONSENT: NOAM CHOMSKY AND THE MEDIA, teams up with co-director Jennifer Abbott and writer Joel Bakan to examine the far-reaching repercussions of the corporation’s increasing preeminence. Based on Bakan’s book THE CORPORATION: THE PATHOLOGICAL PURSUIT OF PROFIT AND POWER, the film is a timely, critical inquiry that invites CEOs, whistle-blowers, brokers, gurus, spies, players, pawns and pundits on a graphic and engaging quest to reveal the corporation’s inner workings, curious history, controversial impacts and possible futures. Featuring illuminating interviews with Noam Chomsky, Michael Moore, Howard Zinn and many others, THE CORPORATION charts the spectacular rise of an institution aimed at achieving specific economic goals as it also recounts victories against this apparently invincible force.
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Principles of the Corporation Give It a Highly Anti-Social “Personality”: It Is
150 years ago, the corporation was a relatively insignificant institution. Today, it is a vivid, dramatic, and pervasive presence in all our lives. Like the Church, the Monarchy and the Communist Party in other times and places, the corporation is today's dominant institution. But history humbles dominant institutions. All have been crushed, belittled or absorbed into some new order. The corporation is unlikely to be the first to defy history. A timely, critical inquiry, THE CORPORATION invites players, pawns and pundits on a graphic and engaging quest to reveal the corporation’s inner workings, curious history, controversial impacts and possible futures. Case studies, anecdotes and true confessions reveal behind-the-scenes tensions and influences in several corporate and anti-corporate dramas. Each illuminates an aspect of the corporation’s complex character. Among the 42 interview subjects are CEOs and top-level executives from a range of industries: oil, pharmaceutical, computer, tire, manufacturing, public relations, branding, advertizing and undercover marketing; in addition, a Nobel-prize winning economist, the first management guru, a corporate spy, and a range of academics, critics, historians and thinkers. (for details, please see separate file: Who’s Who in The Corporation.) A LEGAL “PERSON” In the mid-1800s the corporation emerged as a legal ”person”. Imbued with a “personality” of pure self-interest, the next 100 years saw the corporation’s rise to dominance. The corporation created unprecedented wealth. But at what cost? The remorseless rationale of “externalities”—as Milton Friedman explains: the unintended consequences of a transaction between two parties on a third—is responsible for countless cases of illness, death, poverty, pollution, exploitation and lies.
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From the Co-Director of MANUFACTURING CONSENT “A Provocative, Entertaining, and at Times Chilling Documentary.” – Indiwire
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