From Istanbul to Casablanca

Total Page:16

File Type:pdf, Size:1020Kb

From Istanbul to Casablanca Greatly REDUCED Rates NO SINGLE SAVINGS of up to SUPPLEMENT for $8,000 per couple Solo Travelers SIGMAXTHE SCIENTIFICI EXPEDITIONS RESEARCH SOCIETY BETCHART EXPEDITIONS Inc. 17050 Montebello Road, Cupertino, CA 95014-5435 from istanbul toA Grand casablanca Mediterranean Journey to Shores Less Traveled • •• Aboard the All-Suite, 57-Cabin Corinthian II October 13 - 29, 2012 S Featuring Classical Music Performances S Performing Artists Susanne Mentzer, mezzo-soprano, is recognized for her generous vocal and interpretive gifts, and widely admired for her versatility from the recital and concert stage to the operatic arena. She has appeared with nearly all the major opera companies, orchestras, and festivals of North and South America, Europe and Japan, and for over 20 years she has sung leading roles at the Metropolitan Opera. William Hobbs, pianist, works at many of the world’s major opera houses as repetiteur and conductor, The evocative ruins of fabled Carthage and he has appeared in the United States, France, Germany, Poland, and Study Leaders Korea. He made his New York conducting debut Robin Wright has been covering the last Fall leading a production of Dido and Aeneas at the Time Warner Center. Middle East since 1973, reporting from 140 from istanbul countries for The Washington Post, Los Angeles Ida Kavafian, violinist, performs with Times, The New Yorker, TIME, The New York her piano quartet, OPUS ONE, and Times Magazine, The Wall Street Journal, and th to casablanca is in her 26 year as artistic director of many others. She has covered a dozen wars A Grand Mediterranean Journey Music from Angel Fire in New Mexico. and several revolutions, including the recent During her tenure with the Beaux Arts uprisings across the Middle East. Robin is a Trio, the group received a Grammy nomination and to Shores Less Traveled fellow at the U.S. Institute of Peace and the was named Musical America’s Ensemble of the Year. • Woodrow Wilson International Center for • • Lowell Liebermann, composer/ Scholars, and her most recent books include pianist/artistic director, is one of Rock the Casbah: Rage and Rebellion Across Aboard the All-Suite, 57-Cabin Corinthian II America’s most frequently performed the Islamic World and Dreams and Shadows: and commissioned composers. He has The Future of the Middle East. Robin has a October 13 - 29, 2012 written over one hundred works in all blog at http://robinwrightblog.blotspot.com, genres, and orchestras worldwide have performed with her articles and television appearances. his works, including the New York Philharmonic and Metropolitan Opera Orchestra. Shelley Wachsmann, Archaeological Institute of America lecturer and host, is the Meadows Steven Tenenbom, violist, has Professor of Biblical Archaeology and performed as soloist with the Utah Symphony, the Rochester Philharmonic, Coordinator of the Nautical Archaeology and the Cincinnati Chamber Program at Texas A&M University, where he Orchestra. He is a member of Tashi has been teaching courses in ancient seafaring and of the OPUS ONE piano quartet, as well as and biblical archaeology since 1990. From Director of the String Chamber Music Studies and 1976 to 1989 he served as the Inspector Performances Program at The Curtis Institute. of Underwater Antiquities for the Israel Department of Antiquities and Museums, Peter Wiley, cellist, attended The during which time he was directly responsible Curtis Institute at just 13 years of age, for the nautical heritage of Israel. Professor and was appointed principal cellist of the Cincinnati Symphony at age 20. Wachsmann has authored five books and over As a member of the Beaux Arts Trio, sixty articles on the results of his field research Wiley performed over a thousand concerts and and on other archaeological subjects, and has was nominated for a Grammy Award in 1998. carried out extensive fieldwork in the eastern He continues his association with the Marlboro Mediterranean. Since 2007 he has lectured Music Festival, is on the faculty of the Curtis annually, to excellent reviews, on small-ship Institute of Music, and is a member of the Mediterranean voyages. Guarneri String Quartet. Cover: Djemila, one the most stunning but rarely- visited Roman sites in the Mediterranean FOR RESERVATIONS OR INFORMATION, PLEASE CONTACT LANEYA MCCULLOUGH AT (800) 252-4910 SIGMAXTHE SCIENTIFICI EXPEDITIONS RESEARCH SOCIETY BETCHART EXPEDITIONS Inc. 17050 Montebello Road, Cupertino, CA 95014-5435 Dear Traveler, What could be more intriguing than a voyage that combines an exploration of practically the entire length of the fabled Mediterranean, especially its lesser known shores, with the transcendent joy of music—at the time of the year that is considered to be the best? It is difficult to imagine a more interesting time to be cruising along the southern coast of the Mediterranean. Changes of historic importance are afoot, and you will have the opportunity to learn firsthand about these momentous developments from journalist and author Robin Wright. Robin, whose latest book Rock the Casbah recently won the Overseas Press Club award for best book on international affairs, has spent decades covering the region. Archaeologist Shelley Wachsmann will serve as our guide to the monuments of ancient civilizations we encounter on our journey from Istanbul to Casablanca— the Minoan ruins on Crete, the stunning Greek and Roman sites at Syracuse, the magnificently restored 3rd-century city of Ephesus, the remains of storied Carthage, and the extensive and well preserved—but seldom visited—ancient sites of Algeria. And all along the way, a group of world-class musicians, under the direction of maestro Lowell Liebermann, will perform music ranging from Mozart and Beethoven to Shostakovich and Liebermann himself. Concerts and recitals will take place at exclusive venues ashore as well as aboard Corinthian II, the perfect vessel for this itinerary—large enough to have all of the amenities for a comfortably elegant experience, but small enough to navigate harbors inaccessible to larger ships. Fall is the ideal time of the year to visit these shores. And the landmark sites we explore, combined with musical performances and expert insights into ancient and contemporary culture, promise a truly memorable experience. What could be more intriguing, indeed? Sincerely, Margaret M. Betchart President, Betchart Expeditions Inc. For AAAS Travels and Sigma Xi Expeditions FOR RESERVATIONS OR INFORMATION, PLEASE CONTACT LANEYA MCCULLOUGH AT (800) 252-4910 Itinerary Saturday, October 13, 2012 . FLY FROM USA Sunday, October 14 . ISTANBUL, Turkey | EMBARK Arrive in Istanbul and transfer to Corinthian II. Overnight aboard ship. (D) Monday, October 15 . ISTANBUL Tour some of Istanbul’s principal landmarks, including the Topkapi Palace, the Blue Mosque, and the atmospheric Basilica Cistern. (B, L, D) Tuesday, October 16 . MORNING AT SEA | KUSADASI | EPHESUS | KUSADASI Drive to the ancient city of Ephesus, renowned for its great mother goddess Cybele, later identified as Artemis or Diana of the Ephesians. The immense Hellenistic and Roman site includes the spectacular Terrace Houses, the imposing Library of Celsus, and the theater where the Ephesians The intricate interior architecture of Rabat rioted against St. Paul. (B, L, D) Friday, October 19 . SYRACUSE, Sicily, Italy Wednesday, October 17 . MORNING AT SEA | In Syracuse, discover the spectacular RETHYMNON, Crete, Greece | KNOSSOS | 15,000-seat Greek theater and the elliptical RETHYMNON Roman amphitheater. After a visit to the Land in Crete, the island that was home Archaeological Museum, walk the winding of the Minoan civilization, Europe’s first. lanes of Old Town, situated on the island In the afternoon, tour Knossos, the most of Ortygia, and explore the remains of the imposing Minoan palace of the island. Temple of Apollo, the Fountain of Aretusa, Enjoy the first musical performance in and the Temple of Athena, located inside Rethymnon this evening. (B, L, D) the Cathedral. (B, L, D) Thursday, October 18 . AT SEA Saturday, October 20 . VALLETTA, Malta Spend a relaxing day at sea, including the Corinthian II sails into the dramatic Grand second musical performance. (B, L, D) Harbor of Malta’s Valletta. Explore St. John’s Wednesday, October 24 . BEJAIA | DJEMILA | BEJAIA From Bejaia, take an excursion through impressive countryside to the well-preserved Roman ruins of Djemila. The site includes the Triumphal Arch to Emperor Caracalla, Grand Baths, market, and Old Forum. Also visit the museum, with its collection of superb mosaics and other artifacts. (B, L, D) Thursday, October 25 . AT SEA Enjoy the day at sea relaxing, attending engaging lectures, and listening to the fifth scheduled musical performance. (B, L, D) Friday, October 26 . GHAZAOUET | TLEMCEN | GHAZAOUET Drive to Tlemcen, one of Algeria’s finest cities. Experience the 11th-century Great Mosque and the deconsecrated Sidi Bel Co-Cathedral, an opulent repository for Hassan Mosque, now housing a museum. Malta’s finest art treasures; the Palace (B, L, D) of the Grand Masters; and the National Saturday, October 27 . Museum of Archaeology. Enjoy the third GIBRALTAR | TANGIER, Morocco musical performance at the Palazzo Parisio. Today Corinthian II sails to the Rock of (B, L, D) Gibraltar. Visit Saint Michael’s Cave and see Sunday, October 21 . SOUSSE, Tunisia | Gibraltar’s famed tailless monkeys. Sailing EL DJEM | SOUSSE across the Strait we arrive in Tangier. Spend Land at Sousse for an excursion to El Djem and explore its great Roman amphitheater, built in the 3rd century a.d. to house 35,000 spectators. Continue to the museum, with its fine collection of mosaics. (B, L, D) Monday, October 22 . TUNIS | CARTHAGE or DOUGGA | TUNIS Arrive in Tunis and tour storied Carthage, founded in the 9th century b.c. Also tour the Bardo Museum and, in Tunis, visit the Medina and its souks. Alternatively, take a full-day excursion to Dougga, the largest and most imposing Roman site in Tunisia. The fourth musical performance will be arranged at the Acropolium in Carthage.
Recommended publications
  • Uoprpduio^ Conservatory
    Saturday, November 11, 2006, 5:30 PM Indiana History Center Basile Theater Soloist Ida Kavafian, 1982 Silver Medalist with the Indianapolis Chamber Orchestra Born in Istanbul, Turkey of Armenian descent, Ida Kavafian has enjoyed a prolific solo and chamber music career as an Artist Member of the Chamber Music Society of Lincoln Center and a founding member of TASHI. Gluck Iphigenie in Aulis: Overture Spohr Violin Concerto No. 8 in A minor Schumann Symphony No. 2 *&&> Tuesday, February 20, 2007, 7:30 PM §10 • UI|OIA'AVAVM Indiana History Center Basile Theater Marco Rizzi, 1990 Silver Medalist with the Ronen Chamber Ensemble si|odEUEipuj j Violinist Marco Rizzi was born in Italy and graduated from the Milan uoprpduio^ Conservatory. Rizzis recordings and performances throughout Europe have been critically acclaimed by the international press. He also serves Ul[OlA on the faculty at the Hochschule fur Musik in Detmold, Germany. |BIJ01}P"'™" Stravinsky PHistoire du Soldat Mozart Piano Trio in C major, K. 548 86££ # Truuaa CI31S3nt>3H 33IAH3S SS3HaaV NI 'stjodEumpui Poulenc Sonata for Clarinet and Bassoon, FP 32 Strauss Violin Sonata, Op. 18 aiva 19^-^019^ NI 'siTodBueipui 3§E]S0d sn 0Z£i aims 'jaaos uoiSuiuse/W '3 Z£ uoiiBziueSiO ivjcud-uojsi SnOdVNViaNl JO NOlIIlHdWOD NITOIA TVNOLLVNtt3INI Sunday, June 10, 2007, 2:30 PM Sunday, March 11, 2007, 2:30 PM Indiana History Center Basile Theater Indiana History Center - 450 W Ohio Street, Indianapolis Christel DeHaan Fine Arts Center Sixth Annual Concertmaster Recital Christel DeHaan Fine Arts Center - on the campus of the Time for Three Robert Chen, Concertmaster University of Indianapolis at 1400 E.
    [Show full text]
  • Ani Kavafian, Violin
    Ani Kavafian, violin Violinist Ani Kavafian enjoys a prolific career as a soloist, chamber musician, and professor. She has performed with many of America’s leading orchestras, including the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Los Angeles Chamber Orchestra, and San Francisco Symphony. In the 2019-20 season, she continues her longtime association as an artist of the Chamber Music Society with appearances in New York and on tour. Last summer she participated in several music festivals including the Heifetz International Institute and the Sarasota Chamber Music, Bridgehampton, Meadowmount, Norfolk, and Angel Fire festivals. She and her sister, violinist and violist Ida Kavafian, have performed with the symphonies of Detroit, Colorado, Tucson, San Antonio, and Cincinnati, and have recorded the music of Mozart and Sarasate on the Nonesuch label. She is a Full Professor at Yale University and has appeared at Carnegie’s Zankel Hall numerous times with colleagues and students from Yale. She has received an Avery Fisher Career Grant and the Young Concert Artists International Auditions award, and has appeared at the White House on three occasions. Her recordings can be heard on the Nonesuch, RCA, Columbia, Arabesque, and Delos labels. Born in Istanbul of Armenian heritage, Ms. Kavafian studied violin in the US with Ara Zerounian and Mischa Mischakoff. She received her master’s degree from The Juilliard School under Ivan Galamian. She plays the 1736 Muir McKenzie Stradivarius violin. .
    [Show full text]
  • Neeme Järvi Detroit Symphony Orchestra Ida Kavafian
    NEEME JÄRVI MOTORCITY TRIPTYCH DETROIT SYMPHONY ORCHESTRA RAISE THE ROOF IDA KAVAFIAN, VIOLIN 559372 bk Daugherty US 5/27/09 2:05 PM Page 2 Michael Daugherty (b. 1954) Detroit Symphony Orchestra Fire and Blood • MotorCity Triptych • Raise the Roof The internationally acclaimed Detroit Symphony Orchestra traces its history back to 1887. Today the orchestra Fire and Blood (2003), for violin and orchestra, was II. River Rouge performs for more than 400,000 people annually in classical, Pops, jazz, World music, special, holiday, young commissioned by the Detroit Symphony Orchestra. The At the Ford River Rouge Automobile Complex, located people’s, community and summer concerts. Its 8 Days in June festival presents works from the symphonic world première was given by the Detroit Symphony next to the Detroit River, Rivera spent many months repertoireMichael in a modernDaugherty context, as well as contemporary pieces that take orchestral and chamber music in new Orchestra under the direction of Neeme Järvi, with Ida creating sketches of workers and machinery in action. directions. The Detroit Symphony Orchestra performs in historic Orchestra Hall at the Max M. Fisher Music Center, Kavafian, solo violin, at Orchestra Hall, Detroit, He was accompanied by his young wife, the remarkable as well as inFire other and Michigan Blood venues such as Meadow Brook Music Festival in the summertime. In the 2008-09 Michigan on 3rd May, 2003. In 1932, Edsel Ford Mexican painter Frida Kahlo (1906-1954). She lived in season, world-renowned8.559372 conductor Leonard Slatkin became Music Director of the orchestra. The Detroit Symphony commissioned the Mexican modernist artist Diego constant pain as a result of polio in childhood and a Orchestra’s distinguished history includes many award-winning recordings, tours and residencies in the United Rivera (1886-1957) to paint a mural representing the serious bus accident at the age of eighteen in Mexico States, Europe and Japan, and national and international radio broadcasts.
    [Show full text]
  • 063014 Ida Kavafian Interview
    Kent/Blossom Music Festival: A Conversation with violinist Ida Kavafian By Mike Telin “I’m looking forward to being there, it’s going to be a lot of fun,” violinist and 2014 Kent/Blossom Kulas Foundation Guest Artist Ida Kavafian said enthusiastically by telephone. “Keith Robinson is somebody I’ve worked with for years and he’s talked about hosting me at Kent/Blossom for some time. We finally were able to work out the dates and come up with a project that will be a lot of fun and beneficial to the students.” On Thursday, July 3 at 7:30 p.m. in Ludwig Recital Hall, Ida Kavafian will present a recital featuring music of Beethoven, Richard Strauss and Ernest Chausson. Joining Kavafian will be Korean pianist Yekwon Sunwoo and the Glauser String Quartet. A reception to meet and greet the artists will follow the performance. Since her founding membership in the new music group TASHI in the 1970’s, Kavafian has established herself as a versatile musician with a strong commitment to contemporary music. Kavafian has given world premieres of works by composers such as Toru Takemitsu and Michael Daugherty as well as touring with jazz greats Chick Corea, Wynton Marsalis and noted Bluegrass composer/fiddler, Mark O’Connor. As a chamber music player she has toured and recorded with the Guarneri, Orion and American Quartets and the Beaux Arts Trio, as well as the Chamber Music Society of Lincoln Center. She is co-founder of the ensemble OPUS ONE and since 1985 has been Artistic Director of the festival Music from Angel Fire, in New Mexico.
    [Show full text]
  • Artist Series: David Shifrin Program Notes on the Program
    ARTIST SERIES: DAVID SHIFRIN PROGRAM WOLFGANG AMADEUS MOZART (1756-1791) Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581 (1789) Allegro Larghetto Menuetto Allegretto con variazioni David Shifrin, clarinet • Danbi Um, violin • Bella Hristova, violin • Mark Holloway, viola • Dmitri Atapine, cello LUIGI BASSI (1833-1871) Concert Fantasia on Themes from Verdi’s Rigoletto for Clarinet and Piano David Shifrin, clarinet • Gloria Chien, piano DUKE ELLINGTON (1899-1974) Clarinet Lament for Clarinet and Piano (1936) (arr. David Schiff) David Shifrin, clarinet • Gloria Chien, piano NOTES ON THE PROGRAM Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581 (1789) Wolfgang Amadeus Mozart (Salzburg, 1756 – Vienna, 1791) Mozart wrote this quintet for Vienna’s Society of Musicians (Tonkünstler-Societät) in 1789. The society raised money to provide pensions to widows and orphans of Viennese musicians. Its concerts were regular occurrences on the Viennese social calendar and Mozart composed and performed for them, even though he was not a member, something he would regret right before his death at the age of 35. This quintet premiered at a society concert on December 22, 1789, in between two halves of a cantata by Vincenzo Righini. The clarinetist was Anton Stadler, one of the first virtuosos on the instrument and Mozart’s close personal friend. Mozart wrote all of his major clarinet works— this one, the Kegelstatt Trio, and the Clarinet Concerto—with Stadler’s playing in mind. Chamber Music Society of Lincoln Center The clarinet was a relatively new instrument in Mozart’s day yet he expertly tapped into the instrument’s unique singing quality.
    [Show full text]
  • Artist Series: Ani Kavafian Program
    The following program notes may only be used in conjunction with the one-time streaming term for the corresponding Chamber Music Society of Lincoln Center (CMS) Front Row National program, with the following credit(s): Program notes by Laura Keller, CMS Editorial Manager © 2021 Chamber Music Society of Lincoln Center Any other use of these materials in connection with non-CMS concerts or events is prohibited. ARTIST SERIES: ANI KAVAFIAN PROGRAM Johannes Brahms (1833-1897) Scherzo, WoO 2, from “F-A-E” Sonata for Violin and Piano (1853) Ani Kavafian, violin • Alessio Bax, piano Arno Babadjanian (1921-1983) “Andante” from Trio in F-sharp minor for Piano, Violin, and Cello (1952) Gloria Chien, piano • Ani Kavafian, violin • Mihai Marica, cello INTERMISSION (Q&A with the artist) Antonín Dvořák (1841-1904) Trio in F minor for Piano, Violin, and Cello, Op. 65 (1883) Allegro ma non troppo Allegretto grazioso Poco adagio Finale: Allegro con brio Orion Weiss, piano • Ani Kavafian, violin • Carter Brey, cello NOTES ON THE PROGRAM Scherzo, WoO 2, from “F-A-E” Sonata for Violin and Piano (1853) Johannes Brahms (Hamburg, 1833 – Vienna, 1897) The F-A-E Sonata was an unusual joint composition project at the behest of Robert Schumann. The violinist Joseph Joachim came to visit him in Düsseldorf in October 1853, and Schumann rallied two of his young students, Brahms and Albert Dietrich, to compose a violin sonata with him. Brahms had only met Schumann the previous month, arriving with an introduction from Joachim, but Schumann was Chamber Music Society of Lincoln Center immediately taken with Brahms and the two had become fast friends.
    [Show full text]
  • Musicians from Marlboro
    CAL PERFORMANCES PRESENTS PROGRAM NOTES Sunday, April 22, 2012, 3pm Joseph Haydn (1732–1809) goals to destroy every harpsichord they could Hertz Hall Trio for Piano, Violin and Cello in E-flat find as a symbolic smashing of the old aristoc- major, H. XV:29 racy—the new times in France called for a new musical instrument. Composed in 1796 or 1797. The social reason promoting the acceptance Musicians from Marlboro of the piano, one not unrelated to the upheavals Tien-Hsin Cindy Wu, violin The history of the piano is far more than the in France, was the rise of the middle class, the Hye-Jin Kim, violin mere recounting of the mechanical and techni- new gentry who had both leisure time and the Philip Kramp, viola cal development of an instrument—it is a virtu- money to enjoy it. In those days before record- al microcosm of the progress of modern Western ings and broadcasts, music could only be heard Peter Wiley, cello civilization. The first keyboard instrument at the instant and place it was produced, so the Anna Polonsky, piano capable of responding to the varying touch of demand for a musical instrument as the center the player was the gravicembalo col piano e forte of home entertainment—for the fashionable (“harpsichord with soft and loud”), invented piano—mounted. PROGRAM in Florence in 1709 by Bartolomeo Cristofori. The success of the piano as an item of com- Cristofori’s instrument, whose sound was acti- merce followed, of course, the increased demand. vated by a hammer thrown against a string ac- By the turn of the 19th century, and especially Joseph Haydn (1732–1809) Trio for Piano, Violin and Cello in E-flat major, cording to the force of the pressure applied at with the development of the metal-frame piano H.
    [Show full text]
  • The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors
    The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL AND INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors Music@Menlo Through Brahms the ninth season July 22–August 13, 2011 david finckel and wu han, artistic directors Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 Through Brahms Program Overview 6 Essay: “Johannes Brahms: The Great Romantic” by Calum MacDonald 8 Encounters I–IV 11 Concert Programs I–VI 30 String Quartet Programs 37 Carte Blanche Concerts I–IV 50 Chamber Music Institute 52 Prelude Performances 61 Koret Young Performers Concerts 64 Café Conversations 65 Master Classes 66 Open House 67 2011 Visual Artist: John Morra 68 Listening Room 69 Music@Menlo LIVE 70 2011–2012 Winter Series 72 Artist and Faculty Biographies 85 Internship Program 86 Glossary 88 Join Music@Menlo 92 Acknowledgments 95 Ticket and Performance Information 96 Calendar Cover artwork: Mertz No. 12, 2009, by John Morra. Inside (p. 67): Paintings by John Morra. Photograph of Johannes Brahms in his studio (p. 1): © The Art Archive/Museum der Stadt Wien/ Alfredo Dagli Orti. Photograph of the grave of Johannes Brahms in the Zentralfriedhof (central cemetery), Vienna, Austria (p. 5): © Chris Stock/Lebrecht Music and Arts. Photograph of Brahms (p. 7): Courtesy of Eugene Drucker in memory of Ernest Drucker. Da-Hong Seetoo (p. 69) and Ani Kavafian (p. 75): Christian Steiner. Paul Appleby (p. 72): Ken Howard. Carey Bell (p. 73): Steve Savage. Sasha Cooke (p. 74): Nick Granito.
    [Show full text]
  • Gettysburg Symphony Orchestra
    he Serving Baltimore/Washington/Annapolis . J January/February 2003 Circulation: 27,000 Johns Hopkins News Russian pianist The- Baltimore Alexander Shtarkman solp with the Shostakovich's in Hail Peabody Lady Macbeth of Dedication Mtsensk >age 3 Orchestra guest conducted by Leon Fleisher -jf V V**5. Yuri Temirkanov programs Russian composer with the Baltimon Symphon S B U R G A city-wide celebration Lori Hultgrei* with Peabody Symphony Orchestra Page 7 Peabodv Chamber Opera presents Berlin/Munich double bill Page 8 Young Dance classes at Preparatory Page 16 2 Peabody News January/February 2003 [ERNO N CULTURAL DISTRICT * MOUNT VERNON CULTURAL DISTRICT • MOUNT VERNON CULTURAL DISTRICT * MOUNi #19 FIND YOUR KNIGHT IN SHINING ARMOR jf *" For 99 other fun things to do, visit www.mvcd.org i MOUNT VERNON CULTURAL DISTRICT NEIGHBORHOOD Baltimore School for the Arts * Basilica of the Assumption * Center Stage * Contemporary Museum * Garrett Jacobs Mansion 100 * Enoch Pratt Free Library * Eubie Blake National Jazz Institute and Cultural Center * The George Peabody Library * Maryland •THINGS TO DO! I Historical Society * The Peabody Institute * The Walters Art Museum January/February 2003 Peabody News 3 1 John. Js * Hopkins : Peabody News lifts I The Award Winning wamm Newspaper of the Baltimore/ Washington Cultural Corridor Published by the Peabody Richard Goode awarded Conservatory of Music, George Peabody Medal Baltimore. First he played a magical recital. Then at the end of his October 29 program, Richard Goode was presented with the Circulation:
    [Show full text]
  • ARTIST SERIES – ANNE-MARIE Mcdermott PROGRAM NOTES
    ARTIST SERIES – ANNE-MARIE McDERMOTT PROGRAM WOLFGANG AMADEUS MOZART (1756-1791) Concerto in D minor for Piano, Flute, and Strings, K. 466 (1785) (arr. Carl Czerny) Allegro Romance Rondo: Allegro assai Anne-Marie McDermott, piano • Tara Helen O'Connor, flute • Sean Lee, violin • Bella Hristova, violin • Paul Neubauer, viola • Mihai Marica, cello • Timothy Cobb, bass BEDŘICH SMETANA (1824-1884) Trio in G minor for Piano, Violin, and Cello, Op. 15 (1855, rev. 1857) Moderato assai Allegro, ma non agitato—Alternativo I: Andante—Alternativo II: Maestoso Finale: Presto Anne-Marie McDermott, piano • Ida Kavafian, violin • Gary Hoffman, cello NOTES ON THE PROGRAM Concerto in D minor for Piano, Flute, and Strings, K. 466 (1785) (arr. Carl Czerny) Wolfgang Amadeus Mozart (Salzburg, 1756 – Vienna, 1791) This piano concerto is one of Mozart’s most famous. It has demonstrated remarkable staying power, remaining popular from its premiere on February 11, 1785 through the 19th century (when some of his other music went out of fashion) to today. It received a glowing review from one of Mozart’s toughest critics—his father—at the premiere. In a letter to Mozart’s sister, his father described the evening’s success after Mozart barely finished the piece in time: “On Friday evening at six o'clock we went to [Mozart’s] first subscription concert, where there were many important people… The concert was incomparable, the orchestra excellent… There was a new excellent piano concerto by Wolfgang, which was still being copied when we arrived. Your brother didn’t even have time to play through the Rondo because he had to oversee the copying.” The rushed timeline is corroborated by Mozart’s catalogue, where he recorded completing the piece the day before the premiere.
    [Show full text]
  • Tracing Curtis Traditions Curtis’S Rich Heritage Has Deeper Roots Than You May Realize
    TRACING CURTIS TRADITIONS CURTIS’S RICH HERITAGE HAS DEEPER ROOTS THAN YOU MAY REALIZE BY MATTHEW BARKER Here’s a game for a lazy afternoon: Pick your favorite Curtis faculty member and count the connections back to 18th- and 19th-century masters. it’s fun, easy, and kind of amazing. Start with the violin. Current faculty members Aaron rosand, Joseph Silverstein, Michael tree, and Shmuel Ashkenasi all studied with efrem Zimbalist, Curtis’s director from 1941 to 1968. Go back just one generation and you’ll find that Zimbalist was a pupil of famed pedagogue Leopold Auer, the dedicatee of the tchaikovsky Leopold Auer Violin Concerto. Auer himself served on the Curtis faculty for two years, from 1928 to 1930. His pupils, at Curtis and elsewhere, also included Mischa elman, Jascha Heifetz, Nathan Milstein, toscha Seidel, and Oscar Shumsky. Also among current faculty members, ida Kavafian was a Shumsky student and Arnold Steinhardt Konstantin Mostras Oscar Shumsky (’36) Efrem Zimbalist Ivan Galamian Ida Kavafian Aaron Rosand (’48) Joseph Silverstein (’50) Michael Tree (Violin ’55) Shmuel Ashkenasi (’63) Arnold Steinhardt (’59) Yumi Ninomiya Scott (’67) Jaime Laredo (’59) Pamela Frank (’89) More Online Are you a part of this family tree? Let us PHOTOS: BETTMAN/CORBIS (BEETHOVEN, CZERNY, LESCHETIZKY, SCHNABEL); JEAN E. BRUBAKER (ROSAND, know where your branch fits in. Post a SOLZHENITSYN); PETE CHECCHIA (ASHKENASI, C. FRANK, KAVAFIAN, MCDONALD, SILVERSTEIN); JOYCE CREAMER/ comment on the Curtis Facebook page at CURTIS ARCHIVES (HORSZOWSKI); DAVID DEBALKO (TREE); DOROTHEA VON HAEFTEN (STEINHARDT); www.facebook.com/CurtisInstitute. L.C. KELLEY (P. FRANK), PETER SCHAAF (GALAMIAN); STEVE J.
    [Show full text]
  • Vivaldi Explosion Program
    Program notes by Laura Keller, CMS Editorial Manager © 2020 Chamber Music Society of Lincoln Center VIVALDI EXPLOSION PROGRAM ANTONIO VIVALDI (1678-1741) Sonata in A minor for Cello and Continuo, RV 43 (c. 1739) Largo Allegro Largo Allegro Efe Baltacigil, cello; Dane Johansen, cello; Paul O’Dette, lute; John Gibbons, harpsichord VIVALDI Concerto in G minor for Flute, Oboe, and Bassoon, RV 103 Allegro ma cantabile Largo Allegro non molto Sooyun Kim, flute; Stephen Taylor, oboe; Bram van Sambeek, bassoon VIVALDI Concerto in F major for Three Violins, Strings, and Continuo, RV 551 (1711) Allegro Andante Allegro Todd Phillips, violin; Bella Hristova, violin; Chad Hoopes, violin; Sean Lee, violin; Aaron Boyd, violin; Pierre Lapointe, viola; Timothy Eddy, cello; Anthony Manzo, bass; Michael Sponseller, harpsichord --INTERMISSION (Discussion with artists)-- VIVALDI Sonata in D minor for Two Violins and Continuo, RV 63, “La Follia” (published c. 1705) Adam Barnett-Hart, violin; Aaron Boyd, violin; Brook Speltz, cello; Jason Vieaux, guitar VIVALDI Concerto in D major for Mandolin, Strings, and Continuo, RV 93 (1730-31) Allegro giusto Largo Chamber Music Society of Lincoln Center Allegro Avi Avital, mandolin; Paul Huang, violin; Danbi Um, violin; Ani Kavafian, violin; Chad Hoopes, violin; Mihai Marica, cello; Daniel McDonough, cello; Anthony Manzo, bass; Jiayan Sun, harpsichord NOTES ON THE PROGRAM Violin virtuosity reached a new height around the year 1700. From the start of the Baroque Period a hundred years earlier, skilled craftsmen like Gasparo da Salò advanced string instrument building technique until it reached its apex with the instruments of Antonio Stradivari and Giuseppe Guarneri. The burgeoning music publishing industry also inspired composers to write pieces that would stand out and establish their international reputations.
    [Show full text]