NERVE HIT SQUAD the A-Z King Pin (A/K/A Editor-In-Chief) Bradley C
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2004 General Catalog
MASTERS SERIES Masters Series Lacquer Finish . Available Colors MMX MRX MHX BRX Masters Series Covered Finish . Available Colors MSX No.100 Wine Red No.400 White Marine Pearl No.102 Natural Maple No.401 Royal Gold No.103 Piano Black No.402 Abalone No.112 Natural Birch No.403 Red Onyx No.122 Black Mist No.404 Amethyst No.128 Vintage Sunburst No.141 Red Mahogany No.148 Emerald Fade No.151 Platinum Mist PEARL DRUMS No.152 Antique Gold No.153 Sunrise Fade m No.154 Midnight Fade o c . No.156 Purple Storm m No.160 Silver Sparkle u r d No.165 Diamond Burst l r No.166 Black Sparkle a e p No.168 Ocean Sparkle . w w w SESSION / EXPORT / FORUM / RHYTHM TRAVELER . Lacquer Finish Available Colors SMX SBX ELX Covered Finish Available Colors EXR EX FX RT www.pearldrum.com No.281 Carbon Mist No.430 Prizm Blue No.290 Vintage Fade No.431 Strata Black No.291 Cranberry Fade No.432 Prizm Purple No.292 Marine Blue Fade No.433 Strata White No.296 Green Burst No.21 Smokey Chrome No.280 Vintage Wine No.31 Jet Black No.283 Solid Black No.33 Pure White No.284 Tobacco Burst No.49 Polished Chrome No.289 Blue Burst No.78 Teal Metallic No.271 Ebony Mist No.91 Red Wine No.273 Blue Mist No.95 Deep Blue No.274 Amber Mist No.98 Charcoal Metallic No.294 Amber Fade No.295 Ruby Fade No.299 Cobalt Fade For more information on these or any Pearl product, visit your local authorized Pearl Dealer. -
2017 JUNO Award Nominees Updated: February 7, 2017
2017 JUNO Award Nominees Updated: February 7, 2017 JUNO FAN CHOICE (PRESENTED BY TD) Alessia Cara Def Jam*Universal Belly Roc Nation*Universal Drake Cash Money*Universal Hedley Universal Justin Bieber Def Jam*Universal Ruth B Columbia*Sony Shawn Mendes Island*Universal The Strumbellas Six Shooter*Universal The Weeknd The Weeknd XO*Universal Tory Lanez Interscope*Universal SINGLE OF THE YEAR Wild Things Alessia Cara Def Jam*Universal One Dance ft. Wizkid & Kyla Drake Cash Money*Universal Treat You Better Shawn Mendes Island*Universal Spirits The Strumbellas Six Shooter*Universal Starboy ft. Daft Punk The Weeknd The Weeknd XO*Universal INTERNATIONAL ALBUM OF THE YEAR (SPONSORED BY IDLA ASSOCIATED LABEL DISTRIBUTION) Dangerous Woman Ariana Grande Republic*Universal A Head Full of Dreams Coldplay Parlophone*Warner Made in the A.M. One Direction Sony ANTI Rihanna Westbury Road*Universal This is Acting Sia RCA*Sony ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) Encore un Soir Céline Dion Sony Views Drake Cash Money*Universal You Want It Darker Leonard Cohen Sony Illuminate Shawn Mendes Island*Universal Starboy The Weeknd The Weeknd XO*Universal ARTIST OF THE YEAR Alessia Cara Def Jam*Universal Drake Cash Money*Universal Leonard Cohen Sony Shawn Mendes Island*Universal The Weeknd The Weeknd XO*Universal GROUP OF THE YEAR Arkells Arkells*Universal Billy Talent Warner Tegan and Sara Warner Bros. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Audacity Find Clipping
Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb .. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Playlist Rock Classique 26 Fevrier 2021
Animateurs : Alain Lefebvre et le Dr. Pendragon Émission #1181 Date : 26 février 2021 Heure : 11:00 à 17:00 Baladodiffusion : https://archive.org/details/rock-classique-26-fevrier-2021-complete Vendredi 26 février 2021 Première partie du « Spécial 1981 » à Rock Classique Alain Lefebvre et le Docteur Pendragon vous ont préparé une émission très spéciale ce vendredi puisqu’elle sera entièrement consacrée à l’année 1981. Au programme vous retrouverez des artistes tels : Joe Walsh, Van Halen, Frank Zappa, April Wine, Journey, Judas Priest, The Who, Rush, The Moody Blues, ZZ Top, Def Leppard, The Ramones, The Exploited, Ted Nugent et Motörhead. Alain vous présentera aussi une face complète d’un album vinyle classique qui a marqué l’année 1981 soit Killers d’Iron Maiden. Tout ça en plus de la Chronique des groupes obscurs , Les Éphémérides du Rock , ainsi que tous les segments qui font l’originalité de l’émission. Un autre programme qui devrait plaire aux vrais amateurs de vrai Rock. Rock Classique , tous les vendredis de 11h00 à 17h00, en reprise les lundis de 12h00 à 18h00. Canevas Rock Classique 26 février 2021 (émission #1181) Artiste/groupe Titre de la pièce Album et année de sortie 1 Headgirl Please Don’t Touch St.Valentine’s Day Massacre (13 février) 2 Joe Walsh Life of Illusions There Goes the Neighborhood (? Mai) 3 Praying Mantis Rich City Kids Time Tells No Lies (20 mars) 4 Praying Mantis Panic in the Streets Time Tells No Lies (20 mars) 5 Hanoi Rocks Tragedy Bangkok Shocks, Saigon Kicks, Hanoi Rocks (? Février) 6 Billy Squier The Stroke Don’t Say No (13 avril) 7 The Tubes Talk To Ya Later The Completion Backward Principle (6 avril) 8 UFO Profession of Violence The Wild, The Willing and the Innocent (6 janvier) 9 The Moody Blues Gemini Dream Long Distance Voyager (15 mai) 10 Frank Zappa I Ain’t Go No Heart/Tell Me You Love Me Tinseltown Rebellion (17 mai) 11 Journey Majestic/Where Were You Captured (30 janvier) 12 38. -
Strapping Young Lad
THE DAYGLO’S AUSSIE TOUR #3 APRIL/MAY 2005 - ABSOLUTELY FREE PUNK, HARDCORE & METAL - THE SCUM ALSO RISES STRAPPING YOUNG LAD and shitloads more! ABSOLUTE EDITORIAL Absolute Editorial #3 Things are coming together nicely for us here at Absolute Underground. This is starting go be fun! We’re getting into a few free shows and people are starting to send in CD’s for us to review. We’ve got a lot of new people pitching in to make this rag better than ever. Emily Kendy joins us from Vancouver and brings with her a very impressive resume (The Nerve, Discorder, Terminal City, Exclaim...). We’ll be featuring a different Vancouver based band each issue starting with scum punks the Excessives. With the new Arena and Rod Stewart having played Victoria, you can just feel that this is going to be a great year for live music around town. I’m always impressed with the turnout and energy of the younger crowds at the all-ages shows. Even if you’re old you should go check one out sometime. You might find it invigorating to jump in a circle pit of mohawked fury. It was great hanging out with the crew at Spitfire Tattoo special thanks to Rick and Amanda. Electric Frankenstein was an amazing show and just proves that Victoria gets wicked shows all the time. A big middle finger to the asshole bouncers @ Diego’s who wouldn’t let me in even though I was on the guest list and then proceeded to tell the headlining act CHOKE to “pack their shit, they weren’t going to play.” This was after two huge idiots working the door beat up CHOKE’s drummer who weighs about a buck ten soaking wet. -
Music Export from Helsinki to Berlin and Vice Versa. Case Study: Face of God and Ill Kommodity
Music export from Helsinki to Berlin and vice versa. Case study: Face of God and Ill Kommodity Jennifer Kuhn Bachelor´s thesis Degree Programme in Experience and Wellness Management 2013 Abstract 29.11.2013 EXWEL Author or authors Group or year of Jennifer Kuhn entry EXWEL10 Title of thesis Number of Music export from Helsinki to Berlin and vice versa. Case study: pages and Face of God and Ill Kommodity appendices 63 + 46 Teacher(s) or supervisor(s) Chrysoula Skodra This is a product - oriented thesis. The aim is to conclude a guidebook about music export for young bands that are interested in playing a show abroad. The project: Mu- sic export from Helsinki to Berlin and vice versa. Case study: Face of God and Ill Kommodity, was used to learn from the praxis. The thesis describes the responsibilities of the project manager and brings project management and event planning together. The music export history of Finland and Germany is taken in consideration and a closer look into media relations, funding, networking and marketing theories is provided. The project is a culture exchange between a German and a Finnish band. They switch the music market and share their networking contacts. Both bands are performing two concerts abroad and gathering attention from the media. Tough Enough Promotion is the commissioner of this thesis and the concluded music export guide got establish for the company to implement future music export projects. The book will guide young bands through the challenges of internationalization and gives recommendations on music export. The music export guide is the result of the project that got intensively studied and evaluates the theories for the praxis. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
Arbiter, August 17 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 8-17-2005 Arbiter, August 17 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Autumn Haynes takes over as coordinator of Women's Center BY SARA BAHNSON of residence life. "I absolutely loved residence life, Win trow will put' Assistant News Editor WintrQw ran the my work at the . herwork experience to use in her Women's Center for Women's Center," new job. Student Activities Program five years and was Wintrow said. .Tve .'. She was a resident assistant at Coordinator Autumn Haynes has ,- the first full-time _been a feminist my Miami University in Ohio and suo replaced Melissa Wintrow as co- coordinator. Haynes whole life." pervised three residence halls' at ordinator of the Women's Center. said that she will be But Win trow said Michigan State University, where The change took place about two interim coordina- she saw the change of ,she also began her work as a crime weeks ago, according to officials.' tor until a perm a- WOMEtr5 CENTER positions as an excel- victim advocate. ItS the Women's Center. ' nent replacement for Haynes Ient opportunity for Whilesheisnolongeremployed Wintrow has joined Student 'Wintrow is found via a national career development.