Diagnostic Study of Stone Carving Cluster
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A Short History of Georgian Architecture
A SHORT HISTORY OF GEORGIAN ARCHITECTURE Georgia is situated on the isthmus between the Black Sea and the Caspian Sea. In the north it is bounded by the Main Caucasian Range, forming the frontier with Russia, Azerbaijan to the east and in the south by Armenia and Turkey. Geographically Georgia is the meeting place of the European and Asian continents and is located at the crossroads of western and eastern cultures. In classical sources eastern Georgia is called Iberia or Caucasian Iberia, while western Georgia was known to Greeks and Romans as Colchis. Georgia has an elongated form from east to west. Approximately in the centre in the Great Caucasian range extends downwards to the south Surami range, bisecting the country into western and eastern parts. Although this range is not high, it produces different climates on its western and eastern sides. In the western part the climate is milder and on the sea coast sub-tropical with frequent rains, while the eastern part is typically dry. Figure 1 Map of Georgia Georgian vernacular architecture The different climates in western and eastern Georgia, together with distinct local building materials and various cultural differences creates a diverse range of vernacular architectural styles. In western Georgia, because the climate is mild and the region has abundance of timber, vernacular architecture is characterised by timber buildings. Surrounding the timber houses are lawns and decorative trees, which rarely found in the rest of the country. The population and hamlets scattered in the landscape. In eastern Georgia, vernacular architecture is typified by Darbazi, a type of masonry building partially cut into ground and roofed by timber or stone (rarely) constructions known as Darbazi, from which the type derives its name. -
Sculpture Northwest Nov/Dec 2015 Ssociation a Nside: I “Conversations” Why Do You Carve? Barbara Davidson Bill Weissinger Doug Wiltshire Victor Picou Culptors
Sculpture NorthWest Nov/Dec 2015 ssociation A nside: I “Conversations” Why Do You Carve? Barbara Davidson Bill Weissinger Doug Wiltshire Victor Picou culptors S Stone Carving Videos “Threshold” Public Art by: Brian Goldbloom tone S est W t Brian Goldbloom: orth ‘Threshold’ (Detail, one of four Vine Maple column wraps), 8 feet high and 14 N inches thick, Granite Sculpture NorthWest is published every two months by NWSSA, NorthWest Stone Sculptors Association, a In This Issue Washington State Non-Profit Professional Organization. Letter From The President ... 3 CONTACT P.O. Box 27364 • Seattle, WA 98165-1864 FAX: (206) 523-9280 Letter From The Editors ... 3 Website: www.nwssa.org General e-mail: [email protected] “Conversations”: Why Do We Carve? ... 4 NWSSA BOARD OFFICERS Carl Nelson, President, (425) 252-6812 Ken Barnes, Vice President, (206) 328-5888 Michael Yeaman, Treasurer, (360) 376-7004 Verena Schwippert, Secretary, (360) 435-8849 NWSSA BOARD Pat Barton, (425) 643-0756 Rick Johnson, (360) 379-9498 Ben Mefford, (425) 943-0215 Steve Sandry, (425) 830-1552 Doug Wiltshire, (503) 890-0749 PRODUCTION STAFF Penelope Crittenden, Co-editor, (541) 324-8375 Lane Tompkins, Co-editor, (360) 320-8597 Stone Carving Videos ... 6 DESIGNER AND PRINTER Nannette Davis of QIVU Graphics, (425) 485-5570 WEBMASTER Carl Nelson [email protected] 425-252-6812 Membership...................................................$45/yr. Subscription (only)........................................$30/yr. ‘Threshold’, Public Art by Brian Goldbloom ... 10 Please Note: Only full memberships at $45/yr. include voting privileges and discounted member rates at symposia and workshops. MISSION STATEMENT The purpose of the NWSSA’s Sculpture NorthWest Journal is to promote, educate, and inform about stone sculpture, and to share experiences in the appreciation and execution of stone sculpture. -
The Dialogue of Craft and Architecture
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2015 The Dialogue of Craft and Architecture Thomas J. Forker University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Architectural Technology Commons, and the Cultural Resource Management and Policy Analysis Commons Recommended Citation Forker, Thomas J., "The Dialogue of Craft and Architecture" (2015). Masters Theses. 197. https://doi.org/10.7275/7044176 https://scholarworks.umass.edu/masters_theses_2/197 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE DIALOGUE OF CRAFT AND ARCHITECTURE A Thesis Presented by THOMAS J. FORKER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE MAY 2015 DEPARTMENT OF ARCHITECTURE THE DIALOGUE OF CRAFT AND ARCHITECTURE A Thesis Presented by THOMAS J. FORKER Approved as to style and content by: ___________________________ Kathleen Lugosch, Chair ___________________________ Ray Mann, Associate Professor ____________________ Professor Kathleen Lugosch Graduate Program Director Department of Architecture ____________________ Professor Stephen Schreiber Chair Department of Architecture DEDICATION This thesis is dedicated to my parents, for their love and support. ACKNOWLEDGMENTS I would like to thank my professors Kathleen Lugosch and Ray Mann. They have been forthright with their knowledge, understanding, and dedicated in their endeavor to work with the students in the department and in the pursuit of a masters of architecture degree with spirit and meaning. -
Answered On:10.03.2003 Maintenance of Monuments in Maharashtra Anantrao Gudhe
GOVERNMENT OF INDIA TOURISM AND CULTURE LOK SABHA UNSTARRED QUESTION NO:2839 ANSWERED ON:10.03.2003 MAINTENANCE OF MONUMENTS IN MAHARASHTRA ANANTRAO GUDHE Will the Minister of TOURISM AND CULTURE be pleased to state: (a) whether a number of archaeological monuments in Maharashtra require urgent repairs/restoration and development; (b) if so, the steps being taken by the Union Government for repairs/ restoration and development of these monuments; (c) whether necessary amount has already been sanctioned for a number of monuments long back but repairs/restoration work has not yet started; and (d) if so, the reasons therefor ? Answer MINISTER FOR TOURISM AND CULTURE (SHRI JAGMOHAN) (a) & (b) There are centrally protected monuments in Maharashtra, which require repairs. The Archaeological Survey of India have drawn up perspective plan of comprehensive conservation and environmental development for monuments during the 10th Five Year Plan. Annual maintenance and upkeep as per available resources is a continuous process. (c) & (d) All funds sanctioned for a number of monuments during the last three years were duly utilized as per the approved programme. ANNEXURE REFERRED TO IN PARA (C) OF REPLY TO LOK SABHA UNSTARRED QUESTION NO. 2868 TO BE ANSWERED ON 09.12.2002 REGARDING ` MONUMENTS IN ORISSA BY THE HON`BLE MEBER OF PARLIAMENT SHRI ANANTA NAYAK S. No. NAME OF MONUMENT LOCALITY DISTRICT 1999-2000 2000-2001 2001-2002 1. Rock Cut Vishnu Rasol Angul 38,122 4,057 2. Bringeswar Mahadev Temple Bajrakote Angul 1,72,799 1,44,947, 529485 3. 64 Yogini Temple Ranipur Bolangir 54,046 13,960 4. -
Officename a G S.O Bhubaneswar Secretariate S.O Kharavela Nagar S.O Orissa Assembly S.O Bhubaneswar G.P.O. Old Town S.O (Khorda
pincode officename districtname statename 751001 A G S.O Khorda ODISHA 751001 Bhubaneswar Secretariate S.O Khorda ODISHA 751001 Kharavela Nagar S.O Khorda ODISHA 751001 Orissa Assembly S.O Khorda ODISHA 751001 Bhubaneswar G.P.O. Khorda ODISHA 751002 Old Town S.O (Khorda) Khorda ODISHA 751002 Harachandi Sahi S.O Khorda ODISHA 751002 Kedargouri S.O Khorda ODISHA 751002 Santarapur S.O Khorda ODISHA 751002 Bhimatangi ND S.O Khorda ODISHA 751002 Gopinathpur B.O Khorda ODISHA 751002 Itipur B.O Khorda ODISHA 751002 Kalyanpur Sasan B.O Khorda ODISHA 751002 Kausalyaganga B.O Khorda ODISHA 751002 Kuha B.O Khorda ODISHA 751002 Sisupalgarh B.O Khorda ODISHA 751002 Sundarpada B.O Khorda ODISHA 751002 Bankual B.O Khorda ODISHA 751003 Baramunda Colony S.O Khorda ODISHA 751003 Suryanagar S.O (Khorda) Khorda ODISHA 751004 Utkal University S.O Khorda ODISHA 751005 Sainik School S.O (Khorda) Khorda ODISHA 751006 Budheswari Colony S.O Khorda ODISHA 751006 Kalpana Square S.O Khorda ODISHA 751006 Laxmisagar S.O (Khorda) Khorda ODISHA 751006 Jharapada B.O Khorda ODISHA 751006 Station Bazar B.O Khorda ODISHA 751007 Saheed Nagar S.O Khorda ODISHA 751007 Satyanagar S.O (Khorda) Khorda ODISHA 751007 V S S Nagar S.O Khorda ODISHA 751008 Rajbhawan S.O (Khorda) Khorda ODISHA 751009 Bapujee Nagar S.O Khorda ODISHA 751009 Bhubaneswar R S S.O Khorda ODISHA 751009 Ashok Nagar S.O (Khorda) Khorda ODISHA 751009 Udyan Marg S.O Khorda ODISHA 751010 Rasulgarh S.O Khorda ODISHA 751011 C R P Lines S.O Khorda ODISHA 751012 Nayapalli S.O Khorda ODISHA 751013 Regional Research Laboratory -
AEAH 4840 TOPICS, CRAFT 4840. Topics in the History of Crafts. 3
Instructor: Professor Way Term: Spring 2017 Office: Art Building 212 Class time: Monday 5:00-7:50pm Office Hours: please schedule in advance through email Meeting Place: Art 226 Monday, 4:00-5:00, Tuesday 4:00-5:00, Thursday 4:00-5:00 Email: [email protected] – best way to reach me AEAH 4840 TOPICS, CRAFT 4840. Topics in the History of Crafts. 3 hours. Selected topics in the history of crafts. Prerequisite(s): ART 1200 or 1301, 2350 and 2360, or consent of instructor. TOPIC – CRITICAL HISTORIES OF CRAFT AND ART HISTORY This course explores how history of art survey texts represent and tell us about craft—what do they have to say about craft, and how do they say it? We are equally interested in where and how these art history survey texts neglect craft. What is missing when histories of art do not include craft? Additionally, we want to think about history of craft texts. Should they include the same agents and situations we find in histories of art, such as famous makers and collectors, the rich and the royal, politics at the highest level, and economics, power, and desire? Also, is it possible to trace influence in craft as we expect to find it discussed in histories of art? What would influence explain about craft? Should a history of craft include features we don’t expect to find in histories of art? Overall, what scholarship and methods make a history of craft? These types of questions ask us to notice standards and expectations shaping knowledge in academic fields, such as art history and the history of craft. -
Crossing the Divide Between Art and Craft
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 10 Article 4 2010 Crossing the Divide between Art and Craft Kristin Harsma Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the Art and Design Commons Recommended Citation Harsma, Kristin (2010) "Crossing the Divide between Art and Craft," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 10 , Article 4. Available at: https://cornerstone.lib.mnsu.edu/jur/vol10/iss1/4 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Harsma: Crossing the Divide between Art and Craft Crossing the Divide Between Art and Craft Kristin Harsma Minnesota State University Faculty Mentor: Curt Germundson April 6, 2010 Published by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato, 2010 1 Journal of Undergraduate Research at Minnesota State University, Mankato, Vol. 10 [2010], Art. 4 Crossing the Divide Between Art and Craft Kristin J. Harsma (Arts and Humanities) Curt Germundson, Faculty Mentor (Arts and Humanities) Throughout history, various qualities of art have gone in and out of fashion, works declared high art being considered most important. However, there has always been a hierarchy of not only subjects of art but also of media used to create art. -
The Evolution of Craft in Contemporary Feminist Art
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2010 The volutE ion of Craft in onC temporary Feminist Art Carolyn E. Packer Scripps College Recommended Citation Packer, Carolyn E., "The vE olution of Craft in onC temporary Feminist Art" (2010). Scripps Senior Theses. Paper 23. http://scholarship.claremont.edu/scripps_theses/23 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. The Evolution of Craft in Contemporary Feminist Art By: Carolyn Elizabeth Packer SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS Professor Susan Rankaitis Professor Nancy Macko May 3, 2010 This Senior Project is dedicated to my Grandmother, Gloria Carolyn Reich. Thank you for giving me the invaluable skills that have inspired my art and being the model for woman I strive to become. Thank you also to Professor Susan Rankaitis for inspiring my dedication to this project, and to Professor Nancy Macko for being such a supportive and encouraging advisor, thesis reader, and role model. 2 Women’s art is rooted in a long history of traditional craft practices. It is said that during the times of male-dominated society, if a woman had any brains she would explore her creativity through quilting, clothing design and needlework; creating utilitarian objects for the household to serve her husband and family. Being a part of an extended family lineage of talented and inspired craftswomen has provoked me to analyze the evolution of craft from a domestic practice into a higher form of feminist art. -
Unpaid Dividend-17-18-I3 (PDF)
Note: This sheet is applicable for uploading the particulars related to the unclaimed and unpaid amount pending with company. Make sure that the details are in accordance with the information already provided in e-form IEPF-2 CIN/BCIN L72200KA1999PLC025564 Prefill Company/Bank Name MINDTREE LIMITED Date Of AGM(DD-MON-YYYY) 17-JUL-2018 Sum of unpaid and unclaimed dividend 696104.00 Sum of interest on matured debentures 0.00 Sum of matured deposit 0.00 Sum of interest on matured deposit 0.00 Sum of matured debentures 0.00 Sum of interest on application money due for refund 0.00 Sum of application money due for refund 0.00 Redemption amount of preference shares 0.00 Sales proceed for fractional shares 0.00 Validate Clear Proposed Date of Investor First Investor Middle Investor Last Father/Husband Father/Husband Father/Husband Last DP Id-Client Id- Amount Address Country State District Pin Code Folio Number Investment Type transfer to IEPF Name Name Name First Name Middle Name Name Account Number transferred (DD-MON-YYYY) 49/2 4TH CROSS 5TH BLOCK MIND00000000AZ00 Amount for unclaimed and A ANAND NA KORAMANGALA BANGALORE INDIA Karnataka 560095 54.00 23-May-2025 2539 unpaid dividend KARNATAKA 69 I FLOOR SANJEEVAPPA LAYOUT MIND00000000AZ00 Amount for unclaimed and A ANTONY FELIX NA MEG COLONY JAIBHARATH NAGAR INDIA Karnataka 560033 72.00 23-May-2025 2646 unpaid dividend BANGALORE ROOM NO 6 G 15 M L CAMP 12044700-01567454- Amount for unclaimed and A ARUNCHETTIYAR AKCHETTIYAR INDIA Maharashtra 400019 10.00 23-May-2025 MATUNGA MUMBAI MI00 unpaid -
ODISHA GRAMYA BANK Regional Office: Pipli, At/PO: Pipli, Dist.: Puri
ODISHA GRAMYA BANK Regional Office: Pipli, At/PO: Pipli, Dist.: Puri This is hereby informed to public in general that the following borrowers of gold loan accounts have not repaid their outstanding amounts in spite of several notices given to them by the bank. If they don’t repay their outstanding dues to bank within the last date of repayment mentioned here under, their pledged gold ornaments will be auctioned on the specified date in the following branch premises. Subsequently Bank will not be held responsible for any inconvenience or loss of borrowers and the bank will go to court of law against them if any loss caused to bank thereof. Narisha Branch, Dist.: Khurda (Auction Date: 28.09.2018, Time: 12.00 Noon, Place: Narisha Branch, Dist.: Khurda), Last date to pay the Outstanding Dues: 27.09.2018 SI A/C NO Name,Fathers name & adress Gross carat Proposed NO weight date of auction 1 006903321000058 Laxmidhar pradhan s/o-damodar at-khelar po- 11.16 22 28-09-18 rench khelar dist-puri 2 006903321100072 Rabindra Baral s/o-rama at/po-ganeswarpur via- 34 22 28-09-18 gop dist-puri 3 006903321100093 Raghab pradhan s/o-krushna at-badatota po- 45 22 28-09-18 lalitapahand via-gabakunda dist-puri 4 006903321100108 Gopal Chandra parida s/o-balaram at-andhoti po- 33.6 22 28-09-18 villigram dist-puri 5 006903321100121 prasanta kumar mohapatra s/o-ghanashyam 41 22 28-09-18 at/po-abhayamukhi via-banamalipur dist-khordha 6 006903321100188 Abanikanta sahoo s/o-sridhar at-patapur po- 35 22 28-09-18 nimapara dist-puri 7 006903321200008 Prahallad kumar mohanty s/o-hari at-adhanga po- 45 20 28-09-18 bilasuni dist-cuttack 8 006903321200069 gobinda ch. -
SPOTON BRANCH DETAILS Branch Branch Region Depot Address City Pincode Code Name BANGALOR Head Reg
SPOTON BRANCH DETAILS Branch Branch Region Depot Address City Pincode Code Name BANGALOR Head Reg. Off : Thanavan, BLHO E HEAD Bangalore 560001 Office #23/24, Infantry Road OFFICE Unclaimed EAST - UN Goods EUCG CLIAMED NULL Depot GOODS NORTH - Unclaimed UN Goods NUCG NULL CLIAMED Depot GOODS Unclaimed SOUTH - Goods SUCG UNCLAIME NULL Depot D GOODS Unclaimed WEST - UN Goods WUCG CLIAMED NULL Depot GOODS SAMBALPU EAST Kolkata SMBF N.H-6,GOPALPALI CHOWK SAMBALPUR 768101 R STARTREKLOGISTICS PVT LTD, Plot No - 874/3428 , SAMBALPU EAST Kolkata SMBH NH 6 , Near Sambalpur SAMBALPUR R HUB Water work , Baraipalli , Sambalpur - 768004 FULIA, BELEMATH, EAST Kolkata SNPF SHANTIPUR NADIA 741402 SHANTIPUR, NADIA VEDVYAS, OPP TCI EAST Kolkata RRKF ROURKELA ROURKELA 769041 CHOUWK BATTALA KALI MANDIR, EAST Kolkata SIKM SIKKIM NEAR SUMITA SILIGURI 734015 HARDWARE, FULBARI BATTALA KALI MANDIR, EAST Kolkata SILB SILIGURI NEAR SUMITA SILIGURI 734015 HARDWARE, FULBARI RADHA MADHAB ROAD, EAST Kolkata SLCF SILCHAR ICE FACTORY GALI, P.O. SILCHAR 788001 SILCHAR, DIST. CACHAR B52-54, BESIDE PARAGON EAST Kolkata PATF PATNA GODOWN, TRANSPORT PATNA 800007 NAGAR SURYA NAGAR, ROAD NO. EAST Kolkata RGHF RAMGARH RAMGARH 829122 4, NEAR NEW BUS STAND A-7 GANAPATI PLAZA, NEAR GOVT. HOSPITAL, RAJGANGP SUNDERGAR EAST Kolkata RGPF RAJGANGAPUR, 770017 UR H SUNDARGARH, ORISSA- 770017 EAST Kolkata MLDF MALDA M K ROAD MALDA 732102 Branch Branch Region Depot Address City Pincode Code Name C/O TINKU KUMAR, MUZZAFFA KALAMBAG CHOWK, MUZAFFARP EAST Kolkata MZPF 741113 RPUR KHABARA ROAD, LANE UR NO. 4, SHANKER SADAN NORTH JAYANAGAR CHARIALI, EAST Kolkata NEIR EAST INDIA TRIPURA ROAD, OPP - GUWAHATI 781022 REST NERIM GUWAHATI JAYANAGAR CHARIALI, EAST Kolkata GAUB GUWAHATI TRIPURA ROAD, OPP - GUWAHATI 781022 NERIM COOCHBEH STAL NO. -
“Integrated Design and Technical Development Project” for Stone
INTEGRATED DESIGN & TECHNICAL DEVELOPMENT PROJECT IN STONE CARVINGS AS ARTWORK BHUBANESWAR,ODISA ORGANIZED BY EXPORT PROMOTION COUNCIL FOR HANDICRAFT SUPPORTED BY O/O DEVELOPMENT COMMISSIONER (HANDICRAFTS), MINISTRY OF TEXTILE, GOVT.OF INDIA Acknowledgment---------------------------------------------5 Preface-----------------------------------------------------------6 Company overview -------------------------------------------7 Meeting DC(H) official, Bhubaneswar--------------------8 One month preliminary survey Documentation and report-------------------------------- 9-10 (Background, Project Background, Proposal) Objectives----------------------------------------------------11-12 Implementation of Design & Technology Development Project--------- 13 Market for the products-----------------------------------14 Important crafts in the Region----------------------------15 Contents Carving on sand stone---------------------------------------17 Stone work of Odisha----------------------------------------17 Online Research and References------------------------18 The Product planned for IDTP, Bhubaneswar---------19 Minutes of the selection committee 24.11.16--------20 List of Artisan selected for the program----------------21 Waiting listed---------------------------------------------------21 Final selection 40 No’s Artisan photo--------------------22 Waiting list 06 No’s artisan photo-------------------------23 Minutes of the selection Artisan details-----------------24-36 Waiting list-------------------------------------------------------37-38