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A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011 Wesley Tyler French University of Southern Mississippi
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2015 Running Contradiction: A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011 Wesley Tyler French University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Film and Media Studies Commons Recommended Citation French, Wesley Tyler, "Running Contradiction: A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011" (2015). Dissertations. 104. https://aquila.usm.edu/dissertations/104 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi RUNNING CONTRADICTION: A NEGOTIATED READING OF ENCODING STRATEGIES IN THE BOONDOCKS ANIMATED SERIES, 2005-2011 by Wesley Tyler French Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2015 ABSTRACT RUNNING CONTRADICTION: A NEGOTIATED READING OF ENCODING STRATEGIES IN THE BOONDOCKS ANIMATED SERIES, 2005-2011 by Wesley Tyler French May 2015 This study is comprised of a five-point qualitative critical analysis of denotation strategies employed in the first three seasons of The Boondocks Animated Series, which aired on United States cable television between 2005 and 2011. The five encoding strategies discussed in this study were selectively employed into each episode by the cast and crew of The Boondocks Animated Series. -
Pennsylvania-Radio-M
pennsylvania Radio by Charles Archibald Moore DuBois radio pioneerj Charles A. Moore dies DuBOIS — Charles Archibald radio was the rattling off of Moore, a morning radio an- names and short sentences nouncer in DuBois for more about friends, neighbors, people than 30 years ill in hospitals and those he af- and the author fectionately called "the little 4 of two books, people," according to a news ar- died Sunday. ticle published shortly after his Moore, 66, of retirement. 131 E. Weber He wrote a book called "Penn- Ave., DuBois, sylvania Radio," a reprise of the died at his early days of radio in the state. home. He was a member of the He was re- Christian and Missionary Al- tired from his liance Church, where he was a MOORE position as a deacon. He was a member of the radio announcer from WCED Hospice board, the Fellowship of and WDBA. His trademark on Christian Athletes, where he was a Clearfield County board member, a former active sup- porter of the Boy Scouts Troop No. 26 and Order of the Arrow, and a volunteer at the DuBois Nursing Home and for Meals o Wheels. He was a U.S. Navy veteran of World War II. He was born on Aug. 29, 1926, in Pittsburgh, the son of the late Maxwell Moore and Irene Osborne. He was married to Erma (Reed) Moore. She sur- vives. In addition to his wife, he is survived by two daughters, Mrs. Norman (Linda) Spencer of Northhampton, Mass., and Mrs. James (Irene) Hartzfeld of DuBois; two sons, the Rev. -
For Us, by Us": the Boondocks, Black Agency, and Black Spatial Reclamation in Comics
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2018 “For Us, By Us": The Boondocks, Black Agency, and Black Spatial Reclamation in Comics Luana Horry The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2508 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “FOR US, BY US:” THE BOONDOCKS, BLACK AGENCY, AND BLACK SPATIAL RECLAMATION IN COMICS by LUANA HORRY A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2018 © 2018 LUANA HORRY All Rights Reserved ii “For Us, By Us:” The Boondocks, Black Agency, and Black Spatial Reclamation in Comics by Luana Horry This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. ____________________________________ ____________________________________ Date Jonathan W. Gray Thesis Advisor ____________________________________ ____________________________________ Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT “For Us, By Us:” The Boondocks, Black Agency, and Black Spatial Reclamation in Comics by Luana Horry Advisor: Dr. Jonathan W. Gray This paper will construct a literary analysis of The Boondocks comic collections— syndicated from 1999-2006—that will demonstrate Aaron McGruder’s use of the theoretical concept of Black agency, as it relates to literature, birthed from the Harlem Renaissance of the 1920s, the Black Arts Movement of the 1960s and the contemporary #WeNeedDiverseBooks movement.