WARWICK SADLER Stunt Performer (MEAA) Stunt Coordinator (MEAA) Stunt Rigger Actor
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THE CHERRY ORCHARD Zoë Atkinson
MEDIA KIT DIRECTOR Clare Watson A Black Swan State Theatre Company of WA production presented in association with Perth Festival ASSOCIATE DIRECTOR Ian Michael SET & COSTUME DESIGNER THE CHERRY ORCHARD Zoë Atkinson Adapted by Adriane Daff and Katherine Tonkin after Anton Chekhov LIGHTING DESIGNER Lucy Birkinshaw Sunset Heritage Precinct 17 Feb – 14 March 2021 COMPOSER & SOUND DESIGNER Party like it’s 1988! Dr Clint Bracknell Black Swan State Theatre Company of WA has announced additional seats have been released for its production of Anton Chekhov’s The Cherry Orchard. CAST Humphrey Bower Presented in association with Perth Festival, The Cherry Orchard is a wildly Emily Rose Brennan Australian take on Anton Chekhov’s comedy of inevitable catastrophe, written by Grace Chow Adriane Daff and Katherine Tonkin. Kieran Clancy-Lowe Michelle Fornasier This immersive experience will see audiences traverse the character-filled Brendan Hanson Sunset Heritage Precinct in Dalkeith 17 Feb – 14 Mar 2021. Sam Longley Hayley McElhinney Black Swan Artistic Director Clare Watson says, “Our 2021 Season ‘With Love’ Bridie McKim marks the company’s 30th birthday year. Site specific Perth Festival productions Ben Mortley were synonymous with Black Swan in our early years. So, it makes sense that Mark Nannup our first performance of the year is performed at such an iconic site in Dalkeith, George Shevtsov on the banks of the river as part of Perth Festival.” Firs’ dog Jezebel, (Irish Wolfhound Cross) and The final play written by Chekhov in his dying days was intended to be his most Arlo (Cavoodle) hilarious comedy. This adaptation takes the story from Russia in the 1880s and replants the orchard to a fictional late 1980s Manjimup in WA. -
Newsletter 05/18 (Nr
ISSN 1610-2606 ISSN 1610-2606 newsletterDIGITAL EDITION Nr. 372 - 05/18November 2018 Michael J. Fox Christopher Lloyd Geetanjali Thapa LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 05/18 (Nr. 372) November 2018 editorial Hallo Laserdisc- und DVD-Fans, clips, unterlegt mit einem der Songs leider gezwungen, uns für das eine liebe Filmfreunde! aus GREATEST SHOWMAN. Da ist oder das andere zu entscheiden. Breit- gute Laune vorprogrammiert! Das Pu- formatfans wie uns fällt die Entschei- Jetzt haben wir schon wieder einen blikum in Bradford war begeistert. Klei- dung dabei natürlich leicht: Karlsruhe Oscar-Gewinner auf dem Titelbild unse- ner Tipp beim Anschauen: Lautstärke und 70mm haben gewonnen. Vielleicht res Newsletters! Zudem dürfte es sich aufdrehen! Apropos GREATEST klappt es ja im nächsten Jahr wieder. bei Florain Henckel von Donnersmarck SHOWMAN: der wurde uns in um den wohl bislang größten Filmema- Bradford im gigantischen IMAX-For- Aber genug des Vorgeplänkels: auf der cher handeln, den wir je vor unsere mat aufgetischt – ein Hör- und Seh- nächsten Seite wartet bereits Annas Videolinse geholt haben – bezogen auf erlebnis der schier unglaublichen Art! neueste Kolumne, gefolgt von Wolf- die Körpergröße. Aktuell ist sein neuer Wie, Sie kennen den Film nicht? Dann rams neuesten Filmrezensionen, die Film WERK OHNE AUTOR (der in der sollten Sie sich schnellstens die Blu- dann in die Vorstellung von fast 1000 Branche spöttelnd als “Werk ohne Pu- ray (oder noch besser: die 4K UHD) zu neuen DVDs und Blu-rays münden. -
Paul Doyle (Franklin)
13 STUNTS PAUL DOYLE (FRANKLIN) STUNT PERFORMER – PRECISION DRIVER – STUNT RIGGER PROFESSIONAL CERTIFICATION / LICENCES (held & current) Driving Licence Class HR.C.R. (Heavy Rigid Truck - Motor Vehicle - Motor Cycle Boat & Jetski) Rigging Class 1 Dogman Class 2 Workcover Licences Class DG LB LE LF LL LS RA WP Dog Man, Backhoe, Excavator, Fork Lift, Front End Loader, Front End Loader Skid Steer, Rigging Advanced, Elevated Work Platform Australian School of Advanced Abseiling – obtained Feb. 1994 Mountaineering Self Rescue – obtained Feb. 1994 Mountaineering = obtained 1999 Diving Open water licence - obtained Oct. 1992 Advanced Open water licence - obtained May 1993 Night Diver (Specialty) obtained May 1993 Martial Arts National Coaching Accreditation - obtained 1991 1stDan Hap Ki Do – obtained Sept 1993 INSTRUCTOR IN HAP KI DO Cat rolls, back falls, turning side falls, front break falls, fighting, throwing, and weapons. FEATURE FILMS Merah Putih (Indonesia) 2009 Stunt Double & Stunt Performer Australia 2007-2008 Stunt Double (Hugh Jackman) Pacific 2007 Precision Driver Superman Returns 2005 Precision Driver, Stunt Performer, Stunt Rigger Stealth 2004 Precision Driver, Stunt Double ( Josh Lucas),Stunt Performer, Head Rigger King Narasuen (Thailand) 2004 Stunt Performer Man Thing 2003 Precision Driver, Stunt Double (Matthew Le Nevez, Ian Bliss), Assistant Coordinator Darkness Falls 2002 Stunt Double, Assistant Coordinator, Stunt Rigger Matrix 2 & 3 2001-2002 Stunt Double (Hugo Weaving) Garage Days 2001 Precision Driver, Stunt Double & Stunt -
Renditions of the Real in the Edge of the Construct Film Cycle
Confronting the limits: Renditions of the Real in the Edge of the Construct Film Cycle. Kate Greenwood Submitted for the degree of Doctor of Philosophy Discipline of English The University of Adelaide December 2006 Contents Abstract.......................................................................................................................... iv Declaration...................................................................................................................... v Acknowledgements ....................................................................................................... vi Introduction.................................................................................................................... 7 Chapter One: Film and Ideology: a critical account of political modernism. ............. 17 Žižek’s Missing Lacanians. ....................................................................................... 17 Realism and Ideology. ............................................................................................... 23 The late 60s and 70s: the era of political modernism. ............................................... 32 Cinéthique: lifting the veil from the apparatus. ......................................................... 36 Cahiers du Cinéma and Screen: the ‘disquieting unintelligibility’ of the Real. ........ 59 Suture: concealing the disquieting unintelligibility of the Real................................. 71 Chapter Two: Matter, Form and Content.................................................................... -
Underbelly: a Case Study in Cultural Production
Underbelly: A Case Study in Cultural Production Anne Elizabeth Ferguson Bachelor Communication Bachelor Arts (Hons) School of Criminology and Criminal Justice Arts, Education Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy Submitted for examination May 2016 Synopsis Based loosely on the events which occurred in Melbourne during the period 1995-2004, Underbelly retold the story of how and why a gang war was carried out on Melbourne streets. It also told the story of why Task Force Purana was formed to bring the gang war to an end. Being scheduled for broadcast concurrently with the R v A trial, Underbelly raised concerns about the judicial process, namely the rights of the accused to a fair trial, free from external interference. I am not aware, nor was the Victorian judiciary, of the scheduling of any other television crime mini-series which had coincided with a trial. Melbournians were frequently subjected to the real events of the capital city’s gangland war which were widely reported in various newspapers, and which were broadcast on television, radio and the internet where viewers were confronted with gruesome images of victims. Capitalising on the popularity of such news stories were numerous books such as Big Shots (Shand, 2007a), Leadbelly (Silvester and Rule, 2004) and Underbelly (Silvester and Rule, 2008), still in print at the time of Underbelly’s broadcast and available to Victorians even when the series was banned. The news items and books informed the public about the controversial lives of those who chose to live outside societal norms. -
Low AUC Voter
IN THIS Low AUC voter ISSUE turnout despite NEWS The Lady Jaguar vol SSGA efforts ••• leyball team ended their Leigh Davenport • AUC Vote: SSGA season with Editor-in-Chief a victory against expresses disappoint Tuskegee. PAGE 3 When the polls closed at ment wih turnout. Clark Atlanta University’s gym Will the proposed Story on Page 11 on Tuesday November 4th, only changes to the HOPE Scholarship mean fewer 104 people had voted. That is of Georgia’s black stu not even 10 percent of the num "Karen Handel basically told dents in colleges? See ber of students registered to us the AUC wasn’t worth her the stats. PAGE 4 vote in Fulton county. time, and apparently she was "The most upsetting part is right," said SSGA vice-presi Morehouse and that people just gave excuses dent Flojaune Griffin. like, I didn’t have time. They Karen Handel won Fulton Spelman visit Utopia laughed at it like it was a joke," County commissioner with ARTS & LIVING said SSGA president Asha 57.79 percent of the vote. The Matrix Jennings. There have been two Meet trilogy final Astid Thomas • Utopia: The annual Jennings and the rest of the the Candidate forums in the ly has a News Editor Homecoming review SGA is extremely upset that AUC. Handel declined to par their numerous attempts to ticipate in either one. conclusion in words and pictures. in theaters. "I love the idea of our two encourage voter registration Along with the forums, SGA Read the institutions joined for home Story on Page 6 and participation went seeming has held four voter registration review of The Matrix coming.