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Sourcenotes 01-02.07
Source Notes ABBREVIATIONS AFIP, Armed Forces Institute of Pathology ARRB, Assassination Records Review Board ARRB MD, Assassination Records Review Board, Medical Deposition ASAIC, assistant special agent-in-charge (Secret Service) CD, Warren Commission document CE, Warren Commission exhibit DA, district attorney DMA, Dallas Municipal Archives DOJ, Department of Justice DOJCD, Department of Justice, Criminal Division DPD, Dallas Police Department FOIA, Freedom of Information Act H, Warren Commission hearings and exhibits (volumes 1–15 are testimony; volumes 16–26 are exhibits) HPSCI, House Permanent Select Committee on Intelligence HSCA, House Select Committee on Assassinations JCS, Joint Chiefs of Staff LBJ, Lyndon Baines Johnson NARA, National Archives and Records Administration NAS-CBA, National Academy of Science’s Committee on Ballistic Acoustics NSA, National Security Agency ONI, Office of Naval Intelligence SA, special agent SAC, special agent-in-charge (FBI) SAIC, special agent-in-charge (Secret Service) SSCIA, Senate Select Committee on the CIA WC, Warren Commission WCT, Warren Commission testimony WR, Warren Report Z, Zapruder film 1 INTRODUCTION 1. Stephen Ambrose, quoted in John Broder, “Greatness in the Eye of the Beholder?” Los Angeles Times, November 22, 1993, pp.1, 10. 2. O’Donnell and Powers with McCarthy, Johnny, We Hardly Knew Ye, p.472. 3. Ambrose, quoted in Broder, “Greatness in the Eye of the Beholder?” Los Angeles Times, Novem- ber 22, 1993, pp.1, 10. 4. USA Today, November 22, 1993. 5. Dallas Morning News, November 17, 2003, p.14. 6. New York Times, November 4, 2004, p.4; Phillips, “Fat City,” p.49. 7. Ashley Powers, “The Mythical Man of Camelot,” Dallas Morning News, November 16, 2003, pp.1A, 18A. -
Cameto Rysticjue
Cameto rysticjue The Am inued Skis• m " Camelot's Mystique: The American Public's Continued Fascination With the Kennedy Assassination By LynDee Stephens University of North Texas Capstone Honors Thesis Spring 1999 h t /l/^ Gloria Cox, university honors program director Richard Wells, journalism department chairman Amid the tract homes and two-car garages that peppered the American landscape in the decade following World War II, there was a controversy brewing, one that could not be contained by government or society. Though America in the 1950s appeared on the surface an ideal society full of hardworking men and happy housewives, it was then that the first strains of the tension that would split the nation over age, morals and race in the 1960s began. It was in this climate, too, that a young, charismatic senator from Massachusetts began a rise to power that ended in his assassination in November 1963 and drew a nation into the mystique of a presidency that would hold widespread fascination for more than a quarter-century. John Fitzgerald Kennedy was born in Brookline, Massachusetts, on May 29,1917. His parents, Joseph and Rose Kennedy, were a wealthy and politically active couple. Joe Kennedy was a United States ambassador with high hopes for the family's future. Rose, in particular, had watched her Jiusband's rise in the international arena and had big plans for her nine children, of which John was the second boy (Patterson, 1). John grew up on the family's New England estate as a young man with big ideas. He attended Princeton University briefly in the late 1930s before transferring to Harvard in 1936, where he would graduate in 1940. -
The Warren Commission Report on the Assassination of President John F
! ! ! ! ! ! ! ! The Warren Commission Report on the Assassination of President John F. Kennedy ! ! ! To what extent was the Warren Commission report on the assassination of John F. Kennedy accurate in establishing the number and location of shots, proposing that both Connally and Kennedy were struck by the same bullet, and identifying Lee Harvey Oswald as the perpetrator? ! ! ! ! ! ! ! ! ! ! ! ! ! ! Session: May 2015 Candidate name: Hellen Wu Candidate number: 001127 - 0040 Essay subject: History Supervisor: Ruth Clarke Word count: Main investigation 3915 (excluding references and subtitles) Abstract 300 "1 Abstract This essay investigated the question “to what extent was the Warren Commission report on the assassination of John F. Kennedy accurate in establishing the number and location of shots, proposing that both Connally and Kennedy were struck by the same bullet, and identifying Lee Harvey Oswald as the perpetrator?”. In order to reach a comprehensive conclusion to this question, it was necessary to conduct some simple preliminary research on the social context during Kennedy’s time (i.e. the 1960s), before proceeding to research the chronology of events on the day of his assassination. This enabled a more accurate understanding of the conclusions reached by the The President’s Commission on the Assassination of President Kennedy (i.e. the Warren Commission) as to the nature of the assassination. Because the report by the Warren Commission comprised of numerous conclusions, it was not possible to analyze all of these, and only those most pertinent to the assassination of Kennedy were investigated, specifically the details of the shooting, the “Magic Bullet Theory”, and the identity of the assassin. -
The Life and Works of Charles Thompson
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2002 Legacies in Brick and Mortar: The Life and Works of Charles Thompson Tilly Carter Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the Architectural History and Criticism Commons, and the Historic Preservation and Conservation Commons Recommended Citation Carter, Tilly, "Legacies in Brick and Mortar: The Life and Works of Charles Thompson" (2002). Honors Theses. 103. https://scholarlycommons.obu.edu/honors_theses/103 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. OUACHITA BAPTIST UNIVERSITY LEGACIES IN BRICK AND MORTAR: THE LIFE AND WORKS OF CHARLES THOMPSON AN HONORS THESIS SUBMITTED TO THE CARL GOODSON HONORS COUNCIL IN CANDIDACY FOR THE COMPLETIONS OF THE CARL GOODSON HONORS PROGRAM BY TILLY CARTER ARKADELPHIA, ARKANSAS APRIL 2002 "Therefore, when we build, let us think that we build forever. Let it not be for the present delight, nor for present use alone; let it be such work as our descendants will thank us for, and let us think, as we lay stone on stone, that a time will come when those stones will be held sacred because our hands have touched them, and that men will say as they look upon the labor and wrought substance of them, 'See! this our fathers did for us."' -John Ruskin 1 Many masterpieces go unnoticed by the public. -
Art Deco at Fair Park
Art Deco at Fair Park Fair Park is home to one of the greatest concentrations of early 20th century Art Deco exposition buildings in the world. For the Texas Centennial Exposition and World's Fair of 1936, a total of fifty structures were erected. Twenty -one of those survive today, including the centerpiece of the entire project, the Hall of State. Enjoy learning the history of Art Deco, touring the art and architecture of Fair Park, and discovering some of the episodes from history that inspired the vision of Hall of State architect Donald Barthelme. Teacher’s Materials Teacher’s The Origins of Art Deco The term Art Deco comes from the 1925 Paris Ex- hibition Internationale des Arts Décoratifs et Industriels Modernes (which translates to the “International Exhibi- tion of Decorative and Industrial Arts”). The exposition was dedicated to the display of modern decorative arts, exhibiting the work of thousands of designers from all over Europe. Several countries sponsored pavilions, deco- rative temporary buildings that housed exhibits showcas- ing the splendors of their national culture. The exposition attracted over 16 million visitors, marking the high point of the first phase of Art Deco. The Primavera Pavilion, inspired by African thatched huts. The host city played a very large role in the exhibition. Following the devastation wrought by the Great War, Europe entered a rebuilding era, and France was determined to lead the way. Parisi- ans had traditionally been trendsetters in fashion and the arts, and once again they sought to be the world leaders in style. The exhibition helped to es- tablish the preeminence of French taste and luxury goods. -
Fall 2017 Vol. 34 No. 4
DALLAS + ARCHITECTURE + CULTURE Fall 2017 Vol. 34 No. 4 COLUMNS // aiadallas.org 1 WALL TILE FRAME DARK FLOOR TILE SEEDWOOD NEBRASKA TEA With its high quality and beauty, Seedwood is a wood-look porcelain tile collection that evokes the true elements of natural hardwood. Seedwood is available in 11 different shades and has 4 complementary accent tiles. Visit your local Porcelanosa showroom for more information. TILE MOSAICS KITCHEN BATH HARDWOOD & LAMINATE DECORATIVE DESIGN CENTER 1617 Hi Line Drive, Suite 415, Dallas, TX 75207 | Phone: 214.377.2327 SHOWROOM & DISTRIBUTION CENTER www.porcelanosa-usa.com 11639 Emerald Street, Suite 100, Dallas, TX 75229 | Phone: 469.310.2870 [email protected] SHOWROOM 4006 Richmond Avenue, Houston, TX 77027 | Phone: 281.605.2770 2 COLUMNS // aiadallas.org AIA Dallas Columns Fall 2017 + Vol. 34, No. 4 fashion In this issue, we explore the symbiotic relationship between architecture and fashion. The temporal and timeless aspects of stylistic trends are shown in their relationship to the built environment and the community. Is “fashion” a bad word in architecture? QUESTIONING FASHION 14 The Legacy of Stanley Marcus How did one man influence the architectural legacy of Dallas? 24 Haute Couture Meets Mass Market Do architecture and fashion impact all levels of our community? 28 Technology’s Audacious Solutions How are digital tools and fabrication imprinting an ideal on society? 34 An Evolving Frame for Fashion Is brick and mortar retail still relevant? 40 Residential Design in the Digital Age What happens when your client designs their house via Pinterest? Cover Design: Frances Yllana COLUMNS // aiadallas.org 1 2 COLUMNS // aiadallas.org Introducing Acme TC Cladding. -
The Texas Observer SEPT. 30 1966
The Texas Observer SEPT. 30 1966 A Journal of Free Voices A Window to The South 25c The Politics of HemisFair-- • And of San Antonio San Antonio HemisFair is what the president of San Antonio's chamber of commerce has mil- k, "this great excitement." But so far this bilingual city's 1968 international exposi- tion, "a half-world's fair," has caused more of the kind of excitement that terrifies 'the city's businessmen than the kind that de- lights them. They stand to lose all or part of the $7.5 million for which they have underwritten the fair in case it doesn't wind up in the black; they can fill fat treasure-pots with the long green if all , goes well. On the verge of 'becoming either civic patsies of commercial conquistadores, they are quick to anger and quick to com- promise, rash and 'suddenly politic. Hemis- Fair can make or break many of them. Therefore, HemisFair has entwined it- self all through the jungle of Texas 'poli- tics, whose elected practitioners know the private political meanings of public events and can foretell next year's lists of cam- paign contributions from this year's 'snarl- ups and alignments. HemisFair's exotic and colorful facade has been 'splattered again and again this year with charges of conflicts of interests, questions about the proper uses of public funds, political gueril- la warfare, and even, in the Senate for- eign relations committee, resentment of President Lyndon Johnson. It takes a pro- gram far more candid than HemisFair's ar- tistic brochures to follow the game. -
Award Winner Kristin Chenoweth (You're a Good Man
THE 10TH ANNIVERSARY OF HALLMARK CHANNEL’S ‘COUNTDOWN TO CHRISTMAS’ AND HALLMARK MOVIES & MYSTERIES’ ‘MIRACLES OF CHRISTMAS’ WILL BE THE BEST CHRISTMAS EVER Original Movie Premieres Every Thursday, Friday, Saturday and Sunday Night BEVERLY HILLS, CA – July 26, 2019 – This holiday, original movie premieres will be on Thursday and Friday on Hallmark Movies & Mysteries’ “Miracles of Christmas” and Saturday and Sunday during Hallmark Channel’s 10th anniversary of “Countdown to Christmas.” Across the networks there will be 40 original movie premieres. On Hallmark Channel, Tony® and Emmy® Award winner Kristin Chenoweth (You’re a Good Man, Charlie Brown, “Pushing Daisies”) and Scott Wolf (“Party of Five”) star in the Hallmark Hall of Fame presentation of “A Christmas Love Story”; Lacey Chabert (Mean Girls) and Sam Page (“The Bold Type”) find romance in the City of Lights in “Christmas in Rome”; while Candace Cameron Bure (“Fuller House”) and Tim Rozon (“Schitt’s Creek”) find themselves in “Christmas Town.” On Hallmark Movies & Mysteries, Nikki Deloach (“Awkward”) and Michael Rady (“Timeless”) team up again for “Two Turtle Doves”; Marc Blucas (“The Fix”), Melissa Claire Egan (“The Young and the Restless”) and Patti Murin (Frozen, “Chicago Med”) star in “Holiday for Heroes”; and Grammy Award winner Amy Grant stars in the all-new movie, “When I Think of Christmas.” The announcement was made today as part of Crown Media Family Networks’ bi-annual Television Critics Summer Press Tour. “Each year our holiday movie slates get bigger, the movies get better, and the ratings grow stronger and I have no doubt that this will prove to be the most successful season yet,” said Michelle Vicary, EVP, Programming & Network Publicity. -
Amazing Facts About the JFK Assassination Donald E
Digital Commons @ Georgia Law Popular Media Faculty Scholarship 11-14-2018 Amazing Facts About the JFK Assassination Donald E. Wilkes Jr. University of Georgia School of Law, [email protected] Repository Citation Wilkes, Donald E. Jr., "Amazing Facts About the JFK Assassination" (2018). Popular Media. 298. https://digitalcommons.law.uga.edu/fac_pm/298 This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ Georgia Law. It has been accepted for inclusion in Popular Media by an authorized administrator of Digital Commons @ Georgia Law. Please share how you have benefited from this access For more information, please contact [email protected]. Amazing Facts About the JFK Assassination By Donald E. Wilkes, Jr. - November 14, 2018 Fifty-five years ago, at 12:30 p.m. on Friday, Nov. 22, 1963, President John F. Kennedy was assassinated by hidden sniper fire in Dealey Plaza in downtown Dallas, TX. This terrible event is still enveloped in mystery. The alleged assassin, Lee Harvey Oswald, stridently denied committing the crime, never received legal representation, and was suspiciously murdered while in police custody two days after the assassination. Inept pathologists botched President Kennedy’s autopsy, to put it mildly. Witnesses and persons of interest soon began dying violent or suspicious deaths. The first official investigation of the assassination, undertaken by the Warren Commission, was hurried, inadequate and stacked in favor of the theory that Oswald was the lone assassin. The second official investigation,12 years later, by a select committee of the U.S. House of Representatives, was hamstrung by political bickering, time and money limitations, unavailability of or failures of memory by witnesses, loss of evidence (including intentional destruction of documents), and the CIA’s refusal to meaningfully cooperate with the committee. -
FP-052 Swine Building This Structure, Built for the 1936 Texas
FP-052 Swine Building This structure, built for the 1936 Texas Centennial Exposition, today goes by a rather inglorious name – the Swine Building. But it is not just one of the 30 historic structures in Fair Park remaining from that exposition – it is the building many experts consider the best example of that fair’s groundbreaking Texanic style. Called at that time Livestock Building Number 2, the building consists of hollow clay tile and concrete. Its recessed and coffered concrete ceilings, its inset concrete screens and the clean lines of its projecting concrete slabs and ledges reflect excellent craftsmanship for poured-in-place concrete work. Perhaps the primary reason though that the building is so esteemed by architects is that it is the most untouched of the buildings remaining from the 1936 exposition. The doors, interior animal pens, light fixtures, clerestory windows, and even the paint from 1936 are all still visible. Exposition architect George Dahl painted the building’s interior walls and columns one of his favorite colors -- pumpkin. He then accented this pumpkin hue with yellow. The historic paints that you can still see today are “lime wash” paints that chemically bond to the concrete. If you look in those areas of the building that receive the least amount of light, you can really see what the original pumpkin color looked like. The building originally housed swine, sheep and goats, with swine on one side of the central arena space and sheep and goats on the other. The goats were located on the south side where a corner picture window displayed “Milking Parlor” that produced goat’s milk. -
Salsa2bills 1..5
By:AAGoolsby H.R.ANo.A14 RESOLUTION 1 WHEREAS, The city of Dallas, which has contributed so much to 2 the development of Texas and done so much to define Texas in the 3 eyes of the world, is celebrating its 150th anniversary in 2006; and 4 WHEREAS, Founded by John Neely Bryan near a ford on the 5 Trinity River, Dallas was platted in 1844 and incorporated on 6 February 2, 1856; it has served as the county seat of Dallas County 7 ever since the latter jurisdiction was organized in 1846; and 8 WHEREAS, Dallas quickly became a service center for the 9 surrounding area and had a recorded population of 678 on the eve of 10 the Civil War; in addition to North American Anglos and African 11 Americans, residents included Belgians, Swiss, Germans, and 12 French; following the war, many freed slaves migrated to Dallas in 13 search of work and settled in freedmen 's towns on the outskirts of 14 the city; and 15 WHEREAS, The arrival of the Houston and Texas Central Railway 16 in 1872 and the Texas and Pacific Railway in 1873 secured the city 's 17 future; from 3,000 citizens in 1870, the population rose to more 18 than 10,000 in 1880 and soared to over 38,000 in 1890, when Dallas 19 ranked as the largest city in Texas; advantageously situated, 20 Dallas shipped such raw materials to northern and eastern markets 21 as cotton, leather, and--until the southern herd was 22 extinguished--buffalo hides; and 23 WHEREAS, By 1900, Dallas boasted the largest inland cotton 24 market in the world and also ranked as the world 's chief 79S30262 MMS-D 1 H.R.ANo.A14 -
Zapruder Film
Zapruder film From Wikipedia, the free encyclopedia Jump to: navigation, search Frame 150 from the Zapruder Film The Zapruder film is a silent, 8 mm color home movie shot by Abraham Zapruder in Dallas, Texas, in Dealey Plaza while standing near "the grassy knoll" during the assassination of President John F. Kennedy on November 22, 1963. It is the definitive, most authoritative footage of the assassination. Contents [hide] • 1 Background • 2 History • 3 Use in "JFK" • 4 External links [edit] Background Zapruder filmed the scene with a Model 414 PD Bell & Howell Zoomatic Director Series Camera that operated via a spring-wound mechanism at an average tested speed of 18.3 frames-per-second. The entire Dealey Plaza exposed film frames lasts 26.6 seconds, with the presidential assassination sequence occupying 19.3 seconds. There are 486 frames altogether. The sequence is recorded on Kodak Kodachrome II 8 mm movie safety film. Zapruder, who suffered from vertigo, made the film while being steadied by his receptionist, Marilyn Sitzman, standing on the most western of two concrete pedestals which extend from the John Neely Bryan north pergola cement structure, overlooking Elm street in Dealey Plaza. President Kennedy's automobile was below and almost exactly in front of Zapruder on Elm Street, at the time of his fatal wound to the head. The film has been used by the Warren Commission and all subsequent investigations of the assassination. The Zapruder frames used by the Commission consist of exhibits 889–899 plus exhibits 901 and 902 (totaling less than 1 second of the actual 26.6 second film), published in the commission supporting volume XVIII.