Jubilee Credits Greg Sover Online Greg Sover Development Team About Jubilee About the Greg Sover Band Artists Supported

Total Page:16

File Type:pdf, Size:1020Kb

Jubilee Credits Greg Sover Online Greg Sover Development Team About Jubilee About the Greg Sover Band Artists Supported About Jubilee Jubilee is about heartbreak and overcoming heartbreak. You'll hear acoustic music, you'll hear music with the resonator. You'll definitely hear a more eclectic sound of music compared to Songs of a Renegade. – Greg Sover About the Greg Sover Band Jubilee is the follow-up to the critically acclaimed Songs of a Renegade, Sover’s 2016 debut album, which put him on the map and announced that he is one of the top emerging blues artists in Philadelphia and beyond. To celebrate, the Greg Sover Band competed at the International Blues Challenge in Memphis in January, making it into the semifinals out of 240 bands, and showing everyone in attendance that the band from up North in Philly sure knows how to play the blues. Jubilee has been getting airplay in his hometown of Philadelphia at WXPN on Jonny Meister's Blues Show, and on over 90 blues programs nationally and in- ternationally. The EP debuted at #20 in the Living Blues monthly charts, which Jubilee Credits serves as the Bible for Blues programming. Jubilee peaked at #2 in The Roots 1. Emotional 4:23 Music Report's Top 50 Blues Rock Album Chart. Greg also had three songs 2. Jubilee 3:42 from Jubilee in The Roots Music Report's Top 50 Blues Rock Song Chart: 3. Hand on My Heart 5:59 “Emotional” at #1, “As the Years Go Passing By” at #23 and “Jubilee” at #38. 4. As the Years Go Passing By 4:42 Jubilee is once again produced by Greg Sover Band bassist Garry Lee along 5. I Give My Love 4:11 with Sover. Sover’s band of Philly heavyweights with extensive resumes also 6. Temptation (live) 5:35 7. Hand on My Heart (short edit) 4:29 includes guitarist Allen James and drummer Tom Walling. The three are best known as Deb Callahan’s solid backing band. Greg Sover: lead guitars, resonator guitar, acoustic guitar and lead vocals And the great reviews for Jubilee have begun: Garry Lee: electric bass, background vocals and Living Blues Magazine raves this month. "Jubilee solidifies Sover's work as percussion a guitarist, allowing him to showcase a variety of different styles. Sover's ver- Allen James: electric guitar satility reveals his musical genius". Tom Walling: drums Henry L. Carrigan Jr. - Living Blues Magazine - April 2018 Wally Smith: keyboards “Sover’s new E.P. is a follow-up to his awesome 2016 debut, 'Songs of a Additional Musicians: Renegade.’ This is an extremely well-played gaggle of tunes, blues and other- Francois Zayas: percussion on “I Give My Love” Yoni Draiblate: cello on “Hand on My Heart” wise, a true celebration… Greg Sover is a solid singer, emotional without giving Joseph Arnold: violin on “Hand on My Heart” in to histrionics, and he’s a really freakin’ good guitar player… Sover and his Mikey Junior: harmonica on “Jubilee” guys pack a lot of emotional oomph into the 7 tracks that make up Jubilee. Garry Lee and Leslie “Shoegirl” Waxman: hand claps Great songs that really touch you where it counts…” on “Jubilee” The Rock Doctor by John Kereiff – February 2018 All songs written by Greg Sover except “I Give My “The Blues comes in many, many variants and we will each have our favour- Love” written by Greg Sover and Garry Lee and ite format; but the slick voiced singer and red hot guitarist easily straddles the “As the Years Go Passing By” written by Don D. Robey, © Universal Music Publishing Group. All rights Soulful Rhythm and Blues style that I’ve loved for 40+ years. Think a pumped reserved. up George Benson or Robert Cray…” Produced by Garry Lee with Greg Sover. The Rocking Magpie– January 2018 All songs except “Temptation” engineered by Pete Tramo. Artists Supported “Temptation” recorded live by Kenneth C. Homer and Sonny Landreth ▪ Walter Trout ▪ Popa Chubby ▪ Yardbirds David Saul at Steel City Coffeehouse, Phoenixville, PA. Jimmy Vivino ▪ Ana Popovic ▪ Indigenous ▪ Quinn Sullivan All other songs recorded at Rittenhouse Soundworks, Davy Knowles ▪ Jamie McLean ▪ Johnny A. ▪ Rusted Root Philadelphia, PA. Nick Schnebelen ▪ Jeffrey Gaines ▪ Marcus King Band Additional recording by Mike Tarsia at MT Recording, Tommy Conwell & the Young Rumblers ▪ Garland Jeffreys Philadelphia, PA. All songs mixed and mastered by Mike Tarsia at MT Recording, Philadelphia, PA. Greg Schultz - album design and photos Greg Sover Development Team Greg and Karen Schultz - executive producers Kevin McCall ▪ booking © ℗ 2018 GSGS Music, BMI [email protected]▪ 484-340-2350 © ℗ 2018 Greg Sover & Grounded Soul Records William (Biff) Kennedy Charterhouse Music Group ▪ marketing Greg Sover Online [email protected] ▪ 215-641-0459 Website: GregSover.com Frank Roszak, KBA Awardee 2014 ▪ publicist EPK: GregSover.com/epk [email protected] ▪ 818-679-7636 Facebook: Facebook.com/gregsover frankroszakpromotions.com Twitter: #GregSoverBand Instagram: GregSoverBand Greg Schultz ▪ artist representation [email protected] ▪ 267-481-5396 YouTube: YouTube.com/gregsovervideos .
Recommended publications
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • Lili Añel Singer/Songwriter/Recording Artist
    Lili Añel singer/songwriter/recording artist For Lili Añel, music is a calling. There is nothing else she sees herself doing. “I don't think I could be anything but a singer-songwriter- performer; I truly believe this is why God put me here,” she said. The six-foot tall singer-songwriter, who has had a lengthy career she continues to build on, grew up in New York City. She discovered her passion while singing along to albums she listened to as a child and singing in church. Her grandfather encouraged her to keep singing if it made her happy. To this day, Lili thinks that is one of the forces that put her down the path she is on right now. Her mother also encouraged her. “My Grandfather was very influential and was instrumental in my deciding to pursue music full-time later on in life. I sang in the church choir and he would sneak in to the mass without telling me. I would ask him later, after letting him know that I saw him in the back, why he came to church at all and then leave before it was over. His response was “to hear you sing; I can hear your voice above the others.” After I discovered my musical self, my Mom was also influential. When she became ill with cancer, I was going to put music on hold and dedicate all my time to caring for her. She forbid me,” recalled Lili. “She told me if I stopped performing and she died, she'd haunt me – it was her way of saying that I should keep going.
    [Show full text]
  • Motif Interviews Keith Zarriello of the Shivers
    Motif Interviews Keith Zarriello of The Shivers The first time I ever saw Keith Zarriello, he walked onto a darkened stage with an antique oil lamp and belted out an a capella stunner about owning the stage and how he was going to die when he is 30. I was instantly captivated, and over the next year dove into the gold mine of his music. Since their start in New York City in the early 2000s, The Shivers has been everything from a five-piece rock band to a solo act, with Zarriello’s melancholic, beautiful songwriting at the forefront. His songs are often odes to past loves or celebrations of current romances, but the lyrics are much more personal and visceral than those songs about hitting the bottle after a breakup. A particularly interesting part of his songwriting is that he carries lyric and melodic motifs across songs and even entire albums (see “Love is Good” from Phone Calls and “Love is Good” from Beaks to the Moon, the same song in different styles). But the repeated elements are anything but stale; Zarriello finds novel ways of repurposing them. The Shivers’ albums also are full of twisting experimental interludes that glue the songs together. Live, his magnetic voice fills the room and his fingerpicking is at times equally aggressive and sensitive. I’ve never heard one person permeate a room like he does. Mining the pain of isolation and lost love for art isn’t a new concept, but Zarriello has been finding new ways to explore it for over a decade.
    [Show full text]
  • He's a Champ, a Fighter — and a Miracle Network Helps How a Brave Youngster Families Cope by DEMISE M
    I Draw your boss! o begin Radio station o EtocUon prevtow o swirl as with a differe Candidate profiles, platforms ~. Your sketch cc g its get underway ( Jwill be in this paper In this week's for April 7 school balloting See page A-4, 5 X, April 22 See Sports, page B-l WeelcendPI See page A-10 OK oo The^festfield Record Thursday, April 2, 1992 A Forbes Newspaper 25 cents Candidates Simm-ply Taylor-made 117th Cavalry included talk issues in proposed Guard cuts Westfleld Board of Education candidates were asked to respond to the following •yDONALO MZZI JR. 50th anniversary of the mobilization of question: Westfield-based National Guard units for In light of the fiscal constraints imposed by THE RECORD World War II. the state, how can the district maintain or The 117th Long-Range Surveillance The Westfleld Army National Guard unit improve the quality of education of its stu- Cavalry Unit, based out of the Westfleld was federalized 11 months before Pearl dents?: Armory on Rahway Avenue, is one of 28 Harbor. The men left from the local train New Jersey National Guard and armory station on January 6, as part of the Essex Darielle Walsh reserve units facing staff reductions by Troop. The regiment, consisting of 1,000 The issues facing the education com- 1993 under a Pentagon plan released last men, went to Fort Jackson, South Carolina munity are complex; there are no simple week. for training. answers. Given our current situation, we The armory is one of 26 New Jersey The cavalry troop began on horses 100 still must place a priority on excellence.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Alumni Journal » TRADITIONS Journal Alumni
    Pitoniak et al.: Alumni Journal » TRADITIONS JOURNAL alumni Fae St St in the Land alumni.syr.edu Six decades after winning the nCaa title, members of the 1951 orange cross country team reflect on their championship season By Scott Pitoniak tooM C ULter ’56 ChUCkLeS aS he reCoUntS the four-mile course at Michigan State as five orange runners crowd’s reaction to those P.a. announcements heard at combined to win the nCaa championship. Sophomore Syracuse University home football games 60 autumns sensation ray osterhout ’54 paced SU with a third-place ago. “When there was a break in the action, they would finish. he was followed across the finish line by senior give the results of that morning’s cross country meet,’’ the captain Bill irland ’52 (sixth), sophomores Coulter (12th) former all-america runner recalls. “the announcer would and don Fryer ’54 (27th), and freshman Steve armstrong say, ‘earlier today, it was Syracuse 15, so-and-so 45.’ and ’55 (32nd). the combined 80 points by SU’s “Fab Five” you’d hear this collective groan fill archbold Stadium. enabled Coach Bob Grieve’s orange to easily defeat runner- 1-800-SUALUMS (782-5867) 1-800-SUALUMS People would be saying things like, ‘oh, no, we got killed,’ up kansas (118) and 16 other schools in the meet. Gene not realizing that in cross country, like in golf, low score Parker ’54 and Bob Fine ’53 rounded out the seven-member wins. it went on like that throughout the 1951 season, and orange squad that competed. Based on their finishes, my teammates and i would just laugh about it.
    [Show full text]
  • Garland Jeffreys 14 Steps to Harlem Song by Song
    Garland Jeffreys 14 Steps To Harlem Song By Song Album cover; Photo credit: Myriam Santos WHEN YOU CALL MY NAME This one was uncovered on an old and very rough demo from a writing session I did with Jimmy Harry in New York back in the day. Jimmy has written for a lot of greats, including Madonna, Pink, Diplo and Kylie Minogue, and my wife was the one who pushed for it since she’d always dug the demo and thought it had something. We worked it up and James Maddock created an ‘80s synth vibe, a kind of Blondie meets The Cult thing, layering the guitars and keyboards. As close to pure pop as I get! SCHOOLYARD BLUES A straight ahead blues tune, I’ve done this one live once in a while for a couple of years and in keeping with the spirit of the record and memories of growing up in Brooklyn, we decided to record it and Brian Mitchell kills it on the harmonica. It’s a true story—there were some neighborhood guys in the playground with at least a foot height advantage on me, but it didn’t keep me from playing. It’s kind of a short guy’s fight song! 14 STEPS TO HARLEM We consider this the heart of the album. I hope that when people hear it they know that it’s an homage to my parents—especially my father—for working all those years to support my brother and me. We didn’t have a lot of money, but they managed to send both of us to college, something they never had the opportunity to do.
    [Show full text]
  • Jubilee Jubilee Is About Heartbreak and Overcoming Heartbreak
    About Jubilee Jubilee is about heartbreak and overcoming heartbreak. You'll hear acoustic music, you'll hear music with the resonator. You'll definitely hear a more eclectic sound of music compared to Songs of a Renegade. The words are better and the playing is better. – Greg Sover About the Greg Sover Band Greg Sover is starting out 2018 on all cylinders! Greg’s new EP Jubilee is releasing on January 8th. And the Greg Sover Band will be competing at the International Blues Challenge in Memphis beginning January 17th, representing the Steel City Blues Society of Phoenixville, PA. Jubilee is the follow-up to the critically acclaimed Songs of a Renegade, Sover’s 2016 debut album, which put him on the map and announced that he is one of the top emerging blues artists in Philadelphia and beyond. Sover has gotten airplay not only on his hometown station, WXPN in Philadelphia, but Jubilee Credits on blues radio around the country and around the world. 1. Emotional 4:23 2. Jubilee 3:42 Sover’s success is due in large part to his band of three Philly veterans with 3. Hand on My Heart 5:59 extensive resumes – bassist, musical director and co-producer Garry Lee, 4. As the Years Go Passing By 4:42 guitarist Allen James and drummer Tom Walling. The three are best known as 5. I Give My Love 4:11 Deb Callahan’s solid backing band. 6. Temptation (live) 5:35 7. Hand on My Heart (short edit) 4:29 So if you haven’t heard Greg Sover, what are you waiting for? Greg Sover: lead guitars, resonator guitar, acoustic guitar and lead vocals Press Garry Lee: electric bass, background vocals and percussion “Promising young vocalist and guitarist Greg Sover, operating out of Allen James: electric guitar Philadelphia, is a highly charged interpreter of blues-rock who employs a Tom Walling: drums thunder-and-lightning style for most of the originals on his debut album.
    [Show full text]
  • Ivan Julian Onesheet
    Former guitarist in Richard Hell & the Voidoids, Outsets and Lovelies, who has also backed Garland Jeffreys, Bernie Worrell, Afrika Bambaata, Ivan Julian Matthew Sweet and the Clash, steps to the fore. + + + + + + + + + + + + + + + + + + + + + + + + +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ The Naked Flame draws upon Ivan Julian’s extensive musical background, while exploring some exciting new songwriting territory. Such rousing original compositions as “The Waves,” “Hardwired” and “A Young Man’s Money” combine raw-nerved electricity with adult lyrical insight, while the bittersweet “You Is Dead” (partially inspired by Julian’s friend and former bandmate, the late Robert Quine) meditates upon loss with warmth and humor. In addition to Julian’s own compositions, The Naked Flame features a pair of inspired cover tunes: a haunting reworking of Lucinda Williams’ “Broken Butterflies,” and a bracing reading of “The Beat,” originally recorded by Alejandro Escovedo’s old new wave outfit the Nuns. “I look at this record as a harvest of everything that has come before,” Julian says. “All of us are the sum of our experiences, and these songs are the product of mine.” Sales + Marketing: CD + The Naked Flame is Ivan Julian’s first official solo record. + he sent the Argentenian band Capsula demos of his songs, they re-recorded and sent back songs to him via the web. Eventually everything was put down on 24-track-tape. + Julian also called upon the talents of several old friends in the making of The Naked Flame, including his studio partner (and Heavy Trash/Speedball Baby member) Matt Verta-Ray, ex-Outsets/Feelies drummer Vinny DeNunzio, former Lovelies member Al Maddy and noted singer/guitarist Nicholas Tremulis.
    [Show full text]
  • Maine Campus April 09 1981 Maine Campus Staff
    The University of Maine DigitalCommons@UMaine Maine Campus Archives University of Maine Publications Spring 4-9-1981 Maine Campus April 09 1981 Maine Campus Staff Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainecampus Repository Citation Staff, Maine Campus, "Maine Campus April 09 1981" (1981). Maine Campus Archives. 1345. https://digitalcommons.library.umaine.edu/mainecampus/1345 This Other is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine Campus Archives by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. 20 !pros It on, although, the be the sentimental for the Expos to take . LEAGUE WEST tough as the AL East 1 Houston. The 'Stros ive last year, they've success and won't be 1, the Reds and the ng in that order will y uncomfortable right ber. Ray Kroc and his )ack to selling burgers nd the Atlanta Braves r's, look for California 3X, Montreal to top en a California win in ,n games. Now, about ive.. it's right on the Manhattan vol.88, no. 52 Thursday pril 9,1981 Sophomore Owls may disband British rugby team by Peter Phelan organization to become a victim student government. Since this to face local club of the changing times," he said, year's The Sophomore Owls, Owls started with no a "It could be another money, service organization at tradition next year's Owls, if there by Sue Wright UMO like Maine Day that has just are any since 1910, will dissolve after Owls next year, would Area rugby fans will this come to the end of the line." stand to get a chance to see the game played semester unless there is be off to a better at its best this Saturday a financial start when the UMO ruggers kick off dramatic increase in interest even if Student against a seasoned team from Chelsea The Owls are involved in many Government cuts College in London.
    [Show full text]
  • December January
    December 2002 vol 37, No.11 December 4 Wed Folk Open Sing; 7pm in Brooklyn 8 Sun Tom Paley & friends; Music at Metrotech, in Brooklyn 9 Mon NYPFMC Exec. Board Meeting, 7:15pm at the club office, 450 7th Ave, #972 (34-35 St), info (718) 575-1906 15 Sun Sunnyside Song Circle: 2pm in Queens 15 Sun Sacred Harp Singing at St.Bartholomew’s; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church. (no Gospel & Sacred Harp Sing in December) January (no Folk Open Sing in Brooklyn this month) 2 Thur Newsletter Mailing; at Club office, 450 7 Ave, #972, 7 pm 5 Sun Sea Music Concert: Anne Price + NY Packet; South Street Seaport Gallery; 3 pm 10 Fri Jacqueline Schwab house concert, 8pm in Manhattan 12 Sun NYPFMC Exec. Board Meeting in Tarrytown, info (718) 575-1906 16 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church. 17 Fri Kossoy Sisters concert; 8pm, Advent Church 18 Sun Sacred Harp Singing at St.Bartholomew’s; 2:30 pm 26 Sun (or Feb 2)-to be announced:Gospel & Sacred Harp Sing, 3pm Details Inside Table of Contents Events Details ....................... 2 From The Editor .................... 3 Calendar Location Info ...........15 NYPFMC Club Info ............... 4 Triboro Adv. .......................17 Topical Listing of Club Events ... 5 30 Years Ago .......................18 Folk Process ......................... 6 Pinewoods Hot Line ...............19 Weekend Jobs & Scholarships .... 7 Membership Application .........20 Tom Paley Concert Flyers ......... 8 Calendar Listings ................... 9 Winter Weekend flyer ... centerfold Repeating Events ................... 11 The Club’s web page: http://www.folkmusicny.org Folk Fone: (212)563-4099 FOLK OPEN SING; Wednesdays, Dec.4 & Feb.
    [Show full text]
  • Highlands Festival at Waterloo Returns in September
    Highlands Festival at Waterloo Returns In September Highlands Festival at Waterloo Returns In September(BOONTON, NJ) -- Tickets are on sale for the 3rd annual Highlands Festival at Waterloo (Highlands Festival) to be held September 19-20, 2015 at Waterloo Village and Concert Field in Byram and Allamuchy, NJ. For the past two years the festival, which is hosted by the New Jersey Highlands Coalition, had only utilized the historic Waterloo Village area, this year it has expanded to also include the Waterloo Concert Field. This environmental festival is a “Celebration of all Things Local” and promotes local music, food, art, history, cultural and natural resources. “We continue to grow in size and scope as we host our 3rd annual Highlands Festival at Waterloo,” said Julia Somers, Executive Director of the Coalition. “This festival aims to raise awareness in a fun and interactive way about how important our natural resources are and in particular, to showcase that our precious water source here in the Highlands benefits much of the region.” This rain-or-shine event is open to people of all ages and features a range of activities, including musical performances, a children’s corner, a local food court, beer garden, crafts and fair trade marketplace, historical tours, animal demonstrations, various workshops, kayaking, and guided nature hikes. A full schedule of events will be released soon. New also this year is the ability to camp at Waterloo during the festival. Festivalgoers that wish to camp are highly encouraged to reserve in advance online, due to the limited amount of spaces available.
    [Show full text]