Richard Marquis: Keepers

Total Page:16

File Type:pdf, Size:1020Kb

Richard Marquis: Keepers Richard Marquis: Keepers Object Number Artist Title Dated Medium Dimensions Credit Line TX.2019.5.1 Richard Marquis (American, born Double-Handled Vessel 1966 Blown and engraved glass 3 1/2 × 4 3/4 × 3 1/4 in. Collection of the [RM1020] 1945) (8.9 × 12.1 × 8.3 cm) artist Engraving by Marise Picou TX.2019.5.2 [RM753] Richard Marquis (American, born Plate 1966-19 Glazed porcelain 1/2 × 9 1/2 in. (1.3 × Collection of the 1945) 67 24.1 cm) artist TX.2019.5.3 [RM754] Richard Marquis (American, born Plate 1966-19 Glazed porcelain 9 in. (22.9 cm) Collection of the 1945) 68 artist TX.2019.5.4 Richard Marquis (American, born Cup 1967 Porcelain 2 1/2 × 5 1/4 × 4 1/4 in. Collection of the [RM1005] 1945) (6.4 × 13.3 × 10.8 cm) artist TX.2019.5.5 Richard Marquis (American, born Bottle 1967 Blown glass 4 1/4 × 7 1/2 × 3 1/4 in. Collection of the [RM1139] 1945) (10.8 × 19.1 × 8.3 cm) artist August 06, 2019 Page 1 of 23 Object Number Artist Title Dated Medium Dimensions Credit Line TX.2019.5.6 [RM758] Richard Marquis (American, born Cup 1967 Glazed stoneware 2 3/4 × 5 3/4 × 4 1/4 in. Collection of the 1945) (7 × 14.6 × 10.8 cm) artist TX.2019.5.7 Richard Marquis (American, born Cup 1967 Stained clay 3 1/2 × 4 1/4 × 4 in. Collection of the [RM1120] 1945) (8.9 × 10.8 × 10.2 cm) artist TX.2019.5.8 [RM751] Richard Marquis (American, born Horse and Pope's Nose 1967 Glazed porcelain, altered 1 × 8 1/2 × 9 1/4 in. Collection of the 1945) Plate commercial decal (2.5 × 21.6 × 23.5 cm) artist TX.2019.5.9 Richard Marquis (American, born Tall Double-Handled 1967 Mold- and free-blown glass 14 1/2 × 5 × 2 in. (36.8 Collection of the [RM1147] 1945) Bottle × 12.7 × 5.1 cm) artist TX.2019.5.10 Richard Marquis (American, born Witch's Ball 1967 Blown glass 10 × 6 × 6 in. (25.4 × Collection of the [RM1050] 1945) 15.2 × 15.2 cm) artist August 06, 2019 Page 2 of 23 Object Number Artist Title Dated Medium Dimensions Credit Line TX.2019.5.11 Richard Marquis (American, born Bottle 1967 Mold-blown glass 4 3/4 × 4 × 3 1/4 in. Collection of the [RM1141] 1945) (12.1 × 10.2 × 8.3 cm) artist TX.2019.5.12 Richard Marquis (American, born Iridescent Cup 1968 Blown glass 2 1/2 × 5 1/2 × 5 in. Collection of the [RM1008] 1945) (6.4 × 14 × 12.7 cm) artist TX.2019.5.13 Richard Marquis (American, born Cup 1969 Blown glass 2 3/4 × 5 1/2 × 4 in. (7 Collection of the [RM1132] 1945) × 14 × 10.2 cm) artist TX.2019.5.14 Richard Marquis (American, born Hexagonal Bottle with 1969 Blown glass, murrine 2 3/4 × 2 1/2 × 2 1/4 in. Collection of the [RM105] 1945) “Fuck” Text technique (7 × 6.4 × 5.7 cm) artist TX.2019.5.15 Richard Marquis (American, born Hexagonal Star Bottle 1969 Blown glass, murrine 4 1/4 × 3 × 2 3/4 in. Collection of the [RM102] 1945) technique (10.8 × 7.6 × 7 cm) artist August 06, 2019 Page 3 of 23 Object Number Artist Title Dated Medium Dimensions Credit Line TX.2019.5.16 Richard Marquis (American, born Hexagonal Stars and 1969 Blown glass, murrine and 2 3/4 × 2 1/2 × 2 1/4 in. Collection of the [RM1012] 1945) Striped Bottle cane techniques (7 × 6.4 × 5.7 cm) artist TX.2019.5.17 Richard Marquis (American, born Striped Cup 1969 Blown glass, cane technique 2 1/2 × 4 1/4 × 4 1/4 in. Collection of the [RM943] 1945) (6.4 × 10.8 × 10.8 cm) artist TX.2019.5.18 [RM46] Richard Marquis (American, born American Acid Capsule 1969-19 Blown glass and fabric 1 1/2 × 5 × 1 1/2 in. Collection of the 1945) with Cloth Container 70 (3.8 × 12.7 × 3.8 cm) artist Venini Fabbrica TX.2019.5.19 Richard Marquis (American, born Little Red Riding 1969-19 Blown glass, murrine 4 1/4 × 3 1/2 × 1 3/4 in. Collection of the [RM590] 1945) Hood’s Grandma’s 70 technique (10.8 × 8.9 × 4.4 cm) artist House TX.2019.5.20 Richard Marquis (American, born Hexagonal Bottle with 1970 Blown glass, murrine 4 1/4 × 2 3/4 × 2 1/4 in. Collection of the [RM104] 1945) “Fuck” Text technique (10.8 × 7 × 5.7 cm) artist August 06, 2019 Page 4 of 23 Object Number Artist Title Dated Medium Dimensions Credit Line TX.2019.5.21 Richard Marquis (American, born Cup 1970 Blown glass 2 3/4 × 5 3/4 × 3 1/2 in. Collection of the [RM1117] 1945) (7 × 14.6 × 8.9 cm) artist TX.2019.5.22 Richard Marquis (American, born Teapot (Graniteware) 1970 Glazed clay 9 × 7 1/2 × 7 in. (22.9 Collection of the [RM1028] 1945) × 19.1 × 17.8 cm) artist TX.2019.5.23 Richard Marquis (American, born Cup 1971 Blown glass 3 1/4 × 3 1/4 × 2 1/4 in. Collection of the [RM1114] 1945) (8.3 × 8.3 × 5.7 cm) artist TX.2019.5.24 Richard Marquis (American, born Coffeepot (Setter) 1971 Cast low-fire clay, 8 × 6 3/4 × 4 3/4 in. Collection of the [RM765] 1945) commercial decals (20.3 × 17.1 × 12.1 artist cm) TX.2019.5.25 Richard Marquis (American, born Coffeepot with Knit 1971 Glazed clay, fiber 8 × 7 × 5 in. (20.3 × Collection of the [RM769] 1945) Cozy 17.8 × 12.7 cm) artist August 06, 2019 Page 5 of 23 Object Number Artist Title Dated Medium Dimensions Credit Line TX.2019.5.26 Richard Marquis (American, born Crazy Quilt Coffeepot 1971 Press-molded and glazed 7 1/2 × 6 1/2 × 4 3/4 in. Collection of the [RM766] 1945) clay, murrine style (19.1 × 16.5 × 12.1 artist cm) TX.2019.5.27 Richard Marquis (American, born Cup 1972 Blown glass, murrine 3 × 5 × 2 3/4 in. (7.6 × Collection of the [RM922] 1945) technique 12.7 × 7 cm) artist TX.2019.5.28 Richard Marquis (American, born Display Box of Lord’s 1972 Glass murrine, specimen 2 3/4 × 3 1/4 × 3/4 in. Collection of the [RM106] 1945) Prayer Murrine box (7 × 8.3 × 1.9 cm) artist TX.2019.5.29 [RM43] Richard Marquis (American, born Guinea Hen Feather 1973 Blown glass, murrine 4 1/2 × 5 × 5 in. (11.4 Collection of the 1945) Pattern Non-Functional technique × 12.7 × 12.7 cm) artist Teapot TX.2019.5.30 Richard Marquis (American, born Crazy Quilt Coffeepot 1974 Blown glass, murrine 8 × 6 × 4 1/2 in. (20.3 Collection of the [RM2033] 1945) technique × 15.2 × 11.4 cm) artist August 06, 2019 Page 6 of 23 Object Number Artist Title Dated Medium Dimensions Credit Line TX.2019.5.31 Richard Marquis (American, born Lidded Cup 1974 Blown glass 7 3/4 × 7 × 3 1/4 in. Collection of the [RM957] 1945) (19.7 × 17.8 × 8.3 cm) artist TX.2019.5.32 Richard Marquis (American, born Checkerboard Car 1975 Mold-blown glass, murrine 4 × 7 1/4 × 3 3/4 in. Collection of the [RM379] 1945) Teapot technique (10.2 × 18.4 × 9.5 cm) artist TX.2019.5.33 Richard Marquis (American, born White Zanfirico Teapot circa Blown glass, zanfirico rods, 4 1/4 × 4 × 3 3/4 in. Collection of the [RM372] 1945) 1975 murrine technique (10.8 × 10.2 × 9.5 cm) artist TX.2019.5.34 Richard Marquis (American, born Australian poster for the 1976 [poster] Sheet: 24 × 17 in. (61 Collection of the [RM2375] 1945) exhibition Technique is × 43.2 cm) artist not so cheap, Richard Marquis TX.2019.5.35 Richard Marquis (American, born Fabricated Cup (The 1978 Blown and cold-worked 4 1/4 × 6 × 4 1/2 in. Collection of the [RM1017] 1945) Good Taste Series) glass (10.8 × 15.2 × 11.4 artist cm) August 06, 2019 Page 7 of 23 Object Number Artist Title Dated Medium Dimensions Credit Line TX.2019.5.36 Richard Marquis (American, born Crazy Quilt Coffeepot 1979 Blown glass, murrine 6 × 4 3/4 × 4 1/4 in. Collection of the [RM382] 1945) technique (15.2 × 12.1 × 10.8 artist cm) TX.2019.5.37 Richard Marquis (American, born Rock Cup (Fabricated 1979 Blown and solid glass 4 × 6 1/2 × 3 1/2 in. Collection of the [RM797] 1945) Weird Series) (10.2 × 16.5 × 8.9 cm) artist TX.2019.5.38 Richard Marquis (American, born Big Grey 1980 Blown glass 20 × 14 × 14 in. (50.8 Collection of the [RM1026] 1945) × 35.6 × 35.6 cm) artist TX.2019.5.39 Richard Marquis (American, born Bohemian Airplane 1980 Blown glass, found object 6 3/4 × 7 1/2 × 4 1/4 in. Collection of the [RM800] 1945) Goblet (Fabricated (17.1 × 19.1 × 10.8 artist Weird Series) cm) TX.2019.5.40 Richard Marquis (American, born Coffeepot 1980 Blown glass 12 × 9 × 9 in. (30.5 × Collection of the [RM1031] 1945) 22.9 × 22.9 cm) artist TX.2019.5.41 Richard Marquis (American, born Purple Bird Jar 1980 Blown glass, found objects 10 1/2 × 6 3/4 × 5 1/4 Collection of the [RM1023] 1945) (Fabricated Weird in.
Recommended publications
  • Lights: the Messa Journal
    997 LIGHTS: THE MESSA JOURNAL SPRING 2013 Volume 2, Issue 3 Copyright © 2013 by the Middle Eastern Studies Students’ Association at the University of Chicago. All rights reserved. No part of this publication’s text may be reproduced or utilized in any way or by any means, electronic, mechanical, including photocopying, recording, or by any information stor- age and retrieval system without written permission from the Middle Eastern Studies Students’ Association board or by the permission of the authors in- cluded in this edition. This journal is sponsored in parts by the Center for Middle Eastern Studies at the University of Chicago. Lights: The MESSA Journal Fall 2012 Vol. 2 No. 1 The Middle Eastern Studies Students’ Association’s Subcommittee of Publications at The University of Chicago Spring 2013 Staff Executive board: Mohammad Sagha, Editor-in-Chief Golriz Farshi, Graphic Design and Digital Editor Michael Payne, Financial and Production Editor Tasha Ramos, Submissions Editor Patrick Zemanek, Review Editor Peer reviewers: Carol Fan Golriz Farshi Cooper Klose Amr Tarek Leheta Michael Payne Kara Peruccio Tasha Ramos Jose Revuelta Mohammad Sagha Samee Sulaiman Patrick Thevenow Andrew Ver Steegh Patrick Zemanek Editors: Brian Keenan Emily Mitchell Andrew O’Connor Adam Zeidan Faculty Advisors: Dr. Fred M. Donner and Dr. John E. Woods TheFictitious Demise ofthe Modern Islamic State: AReview Waelof Hallaq’sB. The Impossible State: Islam, Politics, and Modernity’s Moral Predicament, By Sadia Absanuddin.............................................................................12
    [Show full text]
  • Cotton Mathers's Wonders of the Invisible World: an Authoritative Edition
    Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 1-12-2005 Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition Paul Melvin Wise Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Wise, Paul Melvin, "Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition." Dissertation, Georgia State University, 2005. https://scholarworks.gsu.edu/english_diss/5 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. COTTON MATHER’S WONDERS OF THE INVISIBLE WORLD: AN AUTHORITATIVE EDITION by PAUL M. WISE Under the direction of Reiner Smolinski ABSTRACT In Wonders of the Invisible World, Cotton Mather applies both his views on witchcraft and his millennial calculations to events at Salem in 1692. Although this infamous treatise served as the official chronicle and apologia of the 1692 witch trials, and excerpts from Wonders of the Invisible World are widely anthologized, no annotated critical edition of the entire work has appeared since the nineteenth century. This present edition seeks to remedy this lacuna in modern scholarship, presenting Mather’s seventeenth-century text next to an integrated theory of the natural causes of the Salem witch panic. The likely causes of Salem’s bewitchment, viewed alongside Mather’s implausible explanations, expose his disingenuousness in writing about Salem. Chapter one of my introduction posits the probability that a group of conspirators, led by the Rev.
    [Show full text]
  • 1401882258184.Pdf
    The Witch A New Class for Basic Era Games by Timothy S. Brannan Copyright © 2012 Proofreading and editing by and Jeffrey Allen and James G Holloway, DBA Dark Spire. Artists: Daniel Brannan Brian Brinlee Gary Dupuis Larry Elmore Toby Gregory Aitor Gonzalez William McAusland Bradley K McDevitt Bree Orlock and Stardust Publications Howard Pyle Artwork copyright by the original artist and used with permission. Some artwork is in the public domain. Cover art by John William Waterhouse 1 Table of Contents Table of Contents ................................................................. 2 Athamé .................................................................................78 Forward ................................................................................ 3 Broom ..................................................................................78 PART 1: INTRODUCTION ................................................... 5 Cauldron ...............................................................................78 PART 2: THE WITCH CLASS ............................................ 7 Censer ..................................................................................79 Special Restrictions (Optional) ............................................. 8 Chalice .................................................................................79 Witch ................................................................................. 9 Pentacle ................................................................................79 PART 3: TRADITIONS
    [Show full text]
  • July 2020 Newsletter
    The Ohio Swirl The Newsletter of the Ohio Bottle Club July 2020 Calendar of Events July 30, 2020 7 PM outside with masks & social distancing Club provided refreshments, Program bring something to share. August 27, 2020 To be determined September 24, 2020 To be determined September 29, 2020 Strongsville, Canceled October 2-3, 2020 Mansfield Antique Bottle Show and Sale 2020 Officers PRESIDENT Alan DeMaison 440-796-7539 [email protected] VICE PRESIDENT John Fifer 330-461-0069 [email protected] TREASURER Phyllis Koch 330-644-0274 [email protected] SECRETARY Marlene Franchino 440-666-7278 [email protected] SWIRL EDITOR Alan DeMaison 440-358-1223 [email protected] LIBRARIAN David Keding 330-635-7649 [email protected] MANSFIELD Matt Lacy 440-228-1873 [email protected] STRONGSVILLE Louis Fifer 330-635-1964 [email protected] FACEBOOK Louis Fifer 330-635-1964 [email protected] WEBSITE Rick Baldwin/ Brian Gray/ Alan DeMaison under construction Meetings The OBC meetings are held the LAST THURSDAY OF THE MONTH (except when noted) at the EAGLES CLUB, 9953 Rittman Rd., Wadsworth, OH 44281. Doors open at around 6 pm with the meetings starting at 7 pm. At this time face masks and social distancing are required. President’s Message I will gather enough enthusiasm to work on the OBC webpage. Rick Baldwin and Brian Gray have both volunteered to assist in updating the website after the new theme is installed. I will train both to make these updates to the Posts and sidebars. I have contacted Miquel Ruiz, FOHBC Virtual Museum website designer to assist me in these updates.
    [Show full text]
  • 1455189355674.Pdf
    THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS
    [Show full text]
  • Fascinology in the Society and Literature of the British Isles
    Fascinology in the Society and Literature of the British Isles Milagros Torrado Cespón 2011 Universidade de Santiago de Compostela Milagros Torrado Cespón Tese dirixida polo Doutor Fernando Alonso Romero Catedrático de Universidade ISBN 978-84-9887-798-4 (Edición digital PDF) Fascinology in the Society and Literature of the British Isles Milagros Torrado Cespón 2011 Universidade de Santiago de Compostela A doutoranda, Visto e prace do director de tese Milagros Torrado Cespón Doutor Fernando Alonso Romero Acknowledgments In Galicia: Dr. Fernando Alonso Romero, Dr. María Castroviejo Bolíbar, Dr. Cristina Mourón Figueroa, Dr. Luis Rábade Iglesias, José María Costa Lago, Lourdes Cespón Saborido, Lucía Cespón Saborido, Nati Triñanes Cespón, José Manuel Triñanes Romero, Brais Triñanes Triñanes, Ainoa Triñanes Triñanes, Dolores Rodríguez Costa, Jesús Brandón Sánchez, Alberto Piñeiro, Manuel Pose Carracedo, Cecilia Fernández Santomé and Aitor Vázquez Brandón In the Isle of Man: The Centre for Manx Studies, Dr. Peter Davey, Dr Philippa Tomlinson, Dr. Harold Mytum, Dr Fenella Bazin, Dr. Catriona Mackie, Gill Wilson, The Manx Museum, The Manx National Heritage, Wendy Thirkettle, Paul Speller, Jackie Turley, Breesha Maddrew, Kevin Rothwell , Paul Weatherall and Claus Flegel, In England: The British Museum, Museum of London, Geraldine Doyle, Angie Worby and Tom Shoemaker In Scotland: Bill Lockhart In Wales: Tim Gordon and Gwynneth Trace In Ireland: Oisín McGann Thank you all Fascinology in the Society and Literature of the British Isles Milagros Torrado
    [Show full text]
  • Curiosities of Glassmaking‖ Presents an Array of Unusual Objects Made of Glass That Date from Antiquity to the Present Day
    The result of months of digging into the Museum’s vast collections, ―Curiosities of Glassmaking‖ presents an array of unusual objects made of glass that date from antiquity to the present day. Sometimes peculiar, often mysterious, and generally inspired, the selections are arranged in categories and by types in a manner that is purposefully inconsistent with displays elsewhere in the Museum. Instead of documenting the chronological development of glass over the centuries, this exhibition mixes different periods, as well as various types and functions of glass. Ancient and contemporary glass may be united by a shared theme and glasses that are unrelated to each other may be shown together in a new context. Visitors are invited to observe the many unique properties of glass, such as how it is formed in nature, how it mimics other materials, how it may be used to deflect evil, how it serves medical and scientific and household purposes, and how it may portray the natural world. The title of the exhibition refers to a popular 19th-century manual, Curiosities of Glass Making. Published in London in 1849 by the well- known glassmaker Apsley Pellatt, it revealed many secrets of ancient and modern glassmaking to an enthusiastic public. Although glass has been employed for everyday things throughout most of its history, it has also always been recognized as possessing arcane aspects. Medieval and Renaissance encyclopedias—such as the 13th- century De Proprietatibus Rerum (On the properties of things) by Bartholomaeus Anglicus or Giambattista della Porta’s Magiae Naturalis (Natural magic), first published in 1558—recorded many special uses for glass, such as clearing eyes and kidneys, smoothing skin, counterfeiting gemstones, creating artificial fire, and effecting the spontaneous generation of animals.
    [Show full text]
  • FICTION2017 Fiction for Readers of All Ages That Inspires, Informs, and Entertains
    FALL FICTION 2017 Fiction for readers of all ages that inspires, informs, and entertains. Find us online at northstareditions.com, fluxnow.com, or jollyfishpress.com. Contents Fall Releases .............................................................................................................................. 2 Recent Releases ................................................................................................................12 Complete Backlist �������������������������������������������������������������������������������������������������������������14 Digital-Only Backlist ��������������������������������������������������������������������������������������������������������40 Index ............................................................................................................................................45 Ordering Information .................................................................Inside back cover Let's keep in touch! Sign up for our email updates at northstareditions.com. Now you can read and review our titles before they’re published. fluxnow.com facebook.com/FluxBooks twitter.com/fluxbooks Sign up for NetGalley today! jollyfishpress.com www.netgalley.com facebook.com/JollyFishPress twitter.com/JollyFishPress SHINING A LIGHT ON LGBTQIA FICTION Page 16 Page 32 Page 15 Page 20 SIMONE ELKELES MAGGIE STIEFVATER PAGE 19 PAGE 34 BIG NAMES, BEST SELLERS FROM FLUX Welcome Home by Eric Smith NEW FOR FALL! Welcome Home collects a number of adoption-themed fictional short stories and brings them
    [Show full text]
  • Chinese and European Ivory Puzzle Balls Amelia Carolina Sparavigna
    Chinese and European Ivory Puzzle Balls Amelia Carolina Sparavigna To cite this version: Amelia Carolina Sparavigna. Chinese and European Ivory Puzzle Balls. 2018. hal-01825008 HAL Id: hal-01825008 https://hal.archives-ouvertes.fr/hal-01825008 Preprint submitted on 27 Jun 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Zenodo, June 23, 2018 Chinese and European Ivory Puzzle Balls Amelia Carolina Sparavigna Politecnico di Torino, Italy Abstract: This article discusses some objects made of ivory, consisting of nested spheres which can rotate freely inside each other. These objects are known as the “Chinese puzzle balls” and became quite popular in Europe during the 19th century. The methods used by the artists to create them in the carved ivory can be considered as the real "puzzle" of the balls. Actually, Europe had its production of puzzle balls too. During the 16th and 17th centuries, “contrefait balls”, or “contrefait Kugeln”, were carved in ivory with the geometry of a sphere or of a Platonic solid, frequently of a dodecahedron. They were items for the Cabinets of Curiosities, the rooms of wonder that had their roots in the culture of the Renaissance Courts.
    [Show full text]
  • Relating Fukaya Categories Using Combinatorics, Operads, and Nonlinear Elliptic Pdes Nathaniel Bottman
    Research statement: Relating Fukaya categories using combinatorics, operads, and nonlinear elliptic PDEs Nathaniel Bottman 1 Introduction I work in the field of symplectic geometry, which is concerned with 2n-dimensional manifolds M equipped with an area measure !, and with the n-dimensional submanifolds on which ! vanishes, called Lagrangians. Symplectic geometry originated with classical mechanics: the phase space of a Hamiltonian system is a symplectic manifold, and if there exist n independent commuting conserved quantities, then the level sets are Lagrangians. Many symplectic concepts can be formulated as Lagrangians: for instance, a smooth map ':(M; !M ) ! (N; !N ) intertwines the symplectic structures if and only if its graph Γ' is La- grangian. This led Alan Weinstein to declare [Wei] that Everything is a Lagrangian submanifold! In the same article, Weinstein defined the symplectic \category", whose objects are symplectic manifolds, where the morphisms from M to N are the Lagrangians in M − ×N. During the 30 years hence, it has transpired that Lagrangians connect symplectic geometry with algebraic geometry and low-dimensional topology. On the other hand, symplectic geometry has been revolutionized by the use of pseudoholomor- phic curves, beginning with Floer and Gromov's seminal work [Fl, Gr] leading to the Floer co- ∗ homology HF (L1;L2), which is an enhanced intersection theory of the Lagrangians L1;L2 ⊂ M. One major success is the construction of the Fukaya (A1)-category Fuk(M) [FuOhOhOn, Se2], which is an invariant of the symplectic manifold M that encodes the Lagrangians and the Floer co- homology groups. The Fukaya category has been a major focus of study over the past two decades, in particular because of the homological mirror symmetry conjecture, a deep connection be- tween symplectic and algebraic geometry which was initiated by Kontsevich [Ko] and refined by many other since.
    [Show full text]
  • The Squint Moon and the Witch Ball OPEN ACCESS M V Berry RECEIVED 29 January 2015 H H Wills Physics Laboratory, Tyndall Avenue, Bristol BS8 1TL, UK
    New J. Phys. 17 (2015) 060201 doi:10.1088/1367-2630/17/6/060201 GUEST EDITORIAL The squint Moon and the witch ball OPEN ACCESS M V Berry RECEIVED 29 January 2015 H H Wills Physics Laboratory, Tyndall Avenue, Bristol BS8 1TL, UK REVISED E-mail: [email protected] 11 May 2015 Keywords: geometrical optics, projections, imaging, illusions ACCEPTED FOR PUBLICATION 11 May 2015 PUBLISHED 29 June 2015 Abstract A witch ball is a reflecting sphere of glass. Looking into the disk that it subtends, the whole sky can be Content from this work seen at one glance. This feature can be exploited to see and photograph the squint Moon illusion, in may be used under the terms of the Creative which the direction normal to the illuminated face of the Moon—its ‘attitude vector’—does not Commons Attribution 3.0 licence. appear to point towards the Sun. The images of the Sun and Moon in the disk, the geodesic connecting Any further distribution of them, the Moon’s attitude, and the squint angle (distinct from the tilt), can be calculated and this work must maintain fi attribution to the simulated, for all celestial con gurations and viewing inclinations. The Moon direction antipodal to author(s) and the title of the Sun, corresponding to full Moon, is a singularity of the attitude vector field, with index +1. The the work, journal citation and DOI. main features of the witch ball images also occur in other ways of imaging the squint Moon. 1. Introduction Reflecting glass spheres have interesting optical properties [1].
    [Show full text]
  • !2012 Anne Keefe ALL RIGHTS RESERVED
    !2012 Anne Keefe ALL RIGHTS RESERVED WORDIMAGE: LYRIC EKPHRASIS AND SUBJECTIVITY IN THE TWENTY-FIRST CENTURY by ANNE KEEFE A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program of Literatures in English written under the direction of Mark Doty and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey May, 2012 ABSTRACT OF THE DISSERTATION Wordimage: Lyric Ekphrasis and Subjectivity in the Twenty-First Century By Anne Keefe Dissertation Director: Mark Doty My dissertation challenges how we conceptualize the relationship between verbal and visual within the ekphrastic encounter. Beginning with the modernist lyrics of H.D. and Marianne Moore and extending to the contemporary poetry of Natasha Tretheway, Sharon Dolin, Siri Hustvedt, Mark Doty, and Mei-mei Berssenbrugge, I argue that the voice, form, and content of the ekphrastic lyric is a productive site for understanding the poetics of aesthetic politics. Dominant theories of ekphrasis such as the rivalry between the sister arts and models of confrontation between poet and painter foreclose on the possibilities of the mode as a political space in which the differences between word and image allow poets to engage in new ways with the solitary, embodied, and viewing lyric voice. While feminist and conceptual poetics have privileged the fragmented, multi-vocal poem as the most political form for negotiating subjectivity, my focus on more humanist lyrics engaging fixed forms and lyric selves illuminates an aesthetic for the 21st century in which modern problems connecting vision and identity such as the gaze, the loss of aura, the uncanny double, and viewer passivity, become transformed into opportunities for rethinking subjectivity and desire.
    [Show full text]