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Danskhetens Landskap Landskap, Återuppbyggnad Och Nationell Identitet I Dansk Efterkrigsfilm Andreas Marklund
© Scandia 2014 http://www.tidskriftenscandia.se ANDREAS MARKLUND 39 Danskhetens landskap Landskap, återuppbyggnad och nationell identitet i dansk efterkrigsfilm Andreas Marklund Den 2 januari 1950 hade filmen De røde heste galapremiär på Fønix-biografen i Odense. Skådespelare och annat filmfolk trängdes med lokala dignitärer och utsända journalister från riks- och landsortspressen. Att Danmarks största filmbolag Aktieselskabet Atelieret (ASA) premiärvisade sina produk- tioner utanför huvudstaden hörde inte till vanligheterna, men De røde heste baserades på en roman av Morten Korch: en lokal bestseller-författare som sedan debuten 1898 hade publicerat över hundra romaner och novellsam- lingar.1 Korch var något av en bygdens hjälte, och när Köpenhamnsbaserade Politiken rapporterade från filmfesten var det inte utan ironiska undertoner: ”Den populære mand præsiderede selv som en landsdelsfader i sin loge i det smukke teater, hyldet af alt folket.”2 Inte desto mindre var tidningens utsände imponerad av själva filmproduktionen, och reportaget avrundades med en förutsägelse om ”at De røde heste er sikre vindere på filmens folkelige traverbane”.3 Det var en prognos som skulle visa sig träffsäker. ASA:s nya storpro- duktion blev nämligen inte bara en vinnare, utan med sina 2,4 miljoner sålda biljetter räknas De røde heste som den mest sedda danska biofilmen någonsin.4 Den imponerande säljsiffran blir ännu mer hisnande om man samtidigt beaktar att Danmarks dåvarande befolkningsmängd utgjordes av cirka 4,2 miljoner invånare.5 I pressen fick filmen -
Aktuell Litteratur Nya Skrifter Från Nordicom
Aktuell litteratur Nya skrifter från Nordicom Media Trends 2006 in Denmark, Finland, Iceland, Norway and Sweden. Radio, TV and Internet Eva Harrie (ed.), Nordicom, 2006, 188 p., ISBN 91-89471-40-7, (Nordic Media Trends; 8),ISSN 1401-0410. Media Trends 2006 offers a broad picture of the radio, TV and Internet landscape in the Nordic countries. Commentaries examine developments country by country, while detailed comparative Nordic statistics present each media with respect to structure, ownership, economy, content and penetration/reach and consumption. Moreover, the publication includes analyses and overviews of media regulation and policies for the three media sectors with a Nordic comparative focus. Includes following articles: Part 1. Radio, TV and Internet in the Nordic countries: Denmark (Julie Haagen), Finland (Tuomo Sauri), Iceland (Rag- nar Karlsson), Norway (Liv Mari Bakke & Nina Bjørnstad), Sweden (Eva Harrie), and Radio & TV regulation and policies. Internet regulation and policies (Terje Flisen). Part 2 Statistics: Radio, TV, Internet, and Demographic & Economic data. Radio, TV and Internet in the Nordic Countries. Meeting the Challenges of New Media Technology Ulla Carlsson (ed.), Nordicom, 2006, 109 p., ISBN 91-89471-41-5, (Nordic Media Trends; 9), ISSN 1401-0410. Radio, TV & Internet in the Nordic Countries. Meeting the Challenges of New Media Technology brings together a number of scholars from differ- ent Nordic countries to shed light upon issues of vital importance that arise when dealing with television, radio and Internet in the Nordic media landscape; such as convergence, Internet and the public sphere, public ser- vice broadcasting in the new media landscape, Nordic radio digital devel- opment and the media policy of the European Union. -
Laila (1929) Hippfest Commission: Thursday 21 March 2019
Laila (1929) HippFest Commission: Thursday 21 March 2019 Performing live: Marit Fält and Rona Wilkie George Schnéevoigt was born in Copenhagen in 1893. His Danish father was a musician and his Finnish mother was a photographer. He lived with her in Berlin for much of childhood, before returning to Denmark as a young man to become a filmmaker. As a director at the Nordisk studio, he directed several films, but he also worked as a cinematographer, most notably on some beautiful films by Carl Th. Dreyer (you can see one film they made together, The Parson’s Widow, at Hippfest on Saturday 23 March 2019). It was when working as a cinematographer on a film called The People of the Wilds (1928), a melodrama set in the Sami community in northern Norway, that he was struck by the inspiration for his Laila (1929). With the help of Norwegian producer Helge Lunde, Schnéevoigt was able to make Laila, an adaptation of a popular novel about the Sami people by author J. A. Friis. At the time, the indigenous Sami people, who lived in Norway, Sweden, Finland and Russia, were the targets of a certain amount of racial prejudice – traces of which you can see in the finished films. Nevertheless, Friis’s novel took a slightly more sympathetic view, and had proved a big success. It had first been written as individual stories under the title From Finnmark: Descriptions, but Friis added more chapters to create a cohesive novel named Lajla, using the adventures of a young woman to tie the story together. -
Pladeselskabet Philips I Danmark
Pladeselskabet Philips i Danmark En oversigt over Philips’ 78 rpm udgivelser i P 55000 og B 56000-serierne Den første udgivelse og den første kunstner knyttet til selskabet. © samlet af René Aagaard 2017 PDF Created with deskPDF PDF Writer - Trial :: http://www.docudesk.com Philips udgav flere populære serier i Danmark, men to står ud som særligt interessante, da de bestod af originale danske optagelser. Mens andre serier var udgivelser af amerikanske eller engelske optagelser. Denne diskografi er et forsøg på, at samle en komplet oversigt over alle de 78-indspilninger, som Philips udsendte i Danmark i de to serier: P 55000 og B 56000, som indeholdt originale danske optagelser. Den første serie havde til start en klar, blå etiket, men der findes en række ”nuancer” og senere blev de næsten sorte og til sidst – for nogles vedkommende – helt sorte. End del plader udkom ved genoptryk, med begge typer etiketter. Man kan gætte hvad ”P” står for: Philips? Populær? Serien var i hvert fald med alle de populære kunstnere, hvor B-serien var lidt mere ”seriøs” med bl.a. Svend Asmussen. Og hvad står så ”B” for? Black label? Pludselig kommer der et ex fra Q-serien, som passer ind i P-serien. Q 55027, hvor der ikke findes en P-udgave. Q-serien ligger ellers fra 55700 og op. Og der er en B 55xxx udgave (Mogens Wieth) og P 56xxx udgaver, som det er svært at forklare. Pludselig optræder der en række plader med P 56xxx (fra 56132 og ca. frem til 56146), som åbenlyst hører hjemme i B-serien. -
Danish Jazz Discography 1900-1944
DANISH JAZZ DISCOGRAPHY 1900-1944 INTRODUCTION & DISCOGRAPHICAL CRITERIA A jazz discography has to be based on a rather broad view of recordings which may fall under this category. As a consequence, some of the recordings included in this present update are not considered to be jazz by all readers. On the other hand, there may exist recordings which some readers think should be included – but which are not. The definitive selection is extremely difficult to make. The present version is not faultless (edited by Leif Bjerborg, Peder Hansen, Erik Raben / [email protected]). Since previous attempts (Børge J. C. Møller 1945 and Erik Wiedemann 1982) to set up a Danish National Jazz Discography covering the early period (the 78'-rpm era) up to around 1950, a more or less familiar picture of Danish jazz recordings has established itself via micro- groove and CD reissues. As of today (2018), however, the data/internet age has strongly facilitated research possibilities and also regional/international storing as well as the exchanging of information. In addition, during the latest three decades, many new particulars have come to light via archive donations and private collections. While having a rather adequate picture as to the extent of recordings to be included, it is quite another matter as to data details. Over the years, recording company ledgers have been lost and original info is consequently no longer available. First, this publication will, therefore, concentrate on establishing a firm overview of fresh title additions. Next step will be to research/add personnels/recording details. The present work is based on Møller/Wiedemann’s pioneering efforts; yet, with this new edition, and to considerably expand on the subject, the following criteria of contents have also qualified for inclusion.