DOCSLIB.ORG

FORMATO MÍNIMO* Para La Presentación De Trabajos Titulación

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FORMATO MÍNIMO* Para La Presentación De Trabajos Titulación FACULTAD DE ARTES Y HUMANIDADES CARRERA DE PRODUCCIÓN Y DIRECCIÓN EN ARTES AUDIOVISUALES TEMA: El personaje en las series de televisión como elemento cautivo en el espectador. Caso “La Casa de Papel”. AUTOR (ES): Lavayen Gutiérrez Cristhian Alejandro Trabajo de titulación previo a la obtención del grado de LICENCIADO EN PRODUCCIÓN Y DIRECCIÓN EN ARTES AUDIOVISUALES TUTOR: Lcdo. Bajaña Yude Guido Roberto, Mgs. Guayaquil, Ecuador 18 de septiembre de 2020 FACULTAD DE ARTES Y HUMANIDADES CARRERA DE PRODUCCIÓN Y DIRECCIÓN EN ARTES AUDIOVISUALES CERTIFICACIÓN Certificamos que el presente trabajo de titulación, fue realizado en su totalidad por Lavayen Gutiérrez, Cristhian Alejandro, como requerimiento para la obtención del título de Licenciado en Producción y Dirección en Artes Audiovisuales. TUTOR (A) f. ______________________ Lcdo. Bajaña Yude, Guido Roberto, Mgs. DIRECTOR DE LA CARRERA f. ______________________ Lcda. García Velásquez María Emilia, Mgs. Guayaquil, a los 18 del mes de septiembre del año 2020 FACULTAD DE ARTES Y HUMANIDADES CARRERA DE PRODUCCIÓN Y DIRECCIÓN EN ARTES AUDIOVISUALES DECLARACIÓN DE RESPONSABILIDAD Yo, Lavayen Gutiérrez, Cristhian Alejandro DECLARO QUE: El Trabajo de Titulación, El personaje en las series de televisión como elemento cautivo en el espectador. Caso “La Casa de Papel” previo a la obtención del título de Licenciado en Producción y Dirección en Artes Audiovisuales, ha sido desarrollado respetando derechos intelectuales de terceros conforme las citas que constan en el documento, cuyas fuentes se incorporan en las referencias o bibliografías. Consecuentemente este trabajo es de mi total autoría. En virtud de esta declaración, me responsabilizo del contenido, veracidad y alcance del Trabajo de Titulación referido. Guayaquil, a los 18 del mes de septiembre del año 2020 EL AUTOR (A) f. ______________________________ Lavayen Gutiérrez, Cristhian Alejandro FACULTAD DE ARTES Y HUMANIDADES CARRERA DE PRODUCCIÓN Y DIRECCIÓN EN ARTES AUDIOVISUALES AUTORIZACIÓN Yo, Lavayen Gutiérrez, Cristhian Alejandro Autorizo a la Universidad Católica de Santiago de Guayaquil a la publicación en la biblioteca de la institución del Trabajo de Titulación, El personaje en las series de televisión como elemento cautivo en el espectador. Caso “La Casa de Papel”, cuyo contenido, ideas y criterios son de mi exclusiva responsabilidad y total autoría. Guayaquil, a los 18 del mes de septiembre del año 2020 EL (LA) AUTOR(A): f. ______________________________ Lavayen Gutiérrez, Cristhian Alejandro REPORTE URKUND LICENCIATURA EN PRODUCCIÓN Y DIRECCIÓN EN ARTES AUDIOVISUALES AUTOR: Cristhian Alejandro Lavayen Gutiérrez TÍTULO: El personaje en las series de televisión como elemento cautivo en el espectador. Caso “La Casa de Papel”. INFORME ELABORADO POR: Lcdo. Guido Roberto Bajaña Yude, Mgs. FACULTAD DE ARTES Y HUMANIDADES CARRERA DE PRODUCCIÓN Y DIRECCIÓN EN ARTES AUDIOVISUALES TRIBUNAL DE SUSTENTACIÓN f. _____________________________ DECANO O DIRECTOR DE CARRERA O SU DELEGADO f. _____________________________ COORDINADOR DEL ÁREA O DOCENTE DE LA CARRERA f. _____________________________ OPONENTE VI ÍNDICE ÍNDICE ...............................................................................................................VII RESUMEN ........................................................................................................ XIII ABSTRACT ...................................................................................................... XIV INTRODUCCIÓN ................................................................................................ 2 1. CAPÍTULO I.- Presentación del Objeto de Estudio................................... 4 1.1 Planteamiento del problema................................................................. 4 1.2 Formulación del problema .................................................................... 5 1.3 Objetivo General ................................................................................... 5 1.4 Objetivos Específicos............................................................................ 5 1.5 Justificación y delimitación ................................................................... 6 2. CAPÍTULO II.- Marco Teórico .................................................................... 7 2.1. Series de televisión ............................................................................... 7 2.2. Creación de personajes ...................................................................... 12 2.3. Guion ................................................................................................... 18 2.4. Identidad social ................................................................................... 22 2.5. Nuevas perspectivas de las series de televisión en las industrias culturales ....................................................................................................... 26 3. CAPÍTULO III.- Diseño de la Investigación.............................................. 30 3.1. Planteamiento de la Metodología....................................................... 30 3.2. Población y muestra ........................................................................... 30 3.3. Instrumentos de investigación ............................................................ 31 VII 4. CAPÍTULO IV.- Análisis de resultados .................................................... 32 4.1. La construcción de personajes en la serie “La Casa de Papel” según sus espectadores y encuesta ....................................................................... 32 4.2. La construcción de personajes según los expertos .......................... 54 4.3. Los personajes adictivos de la serie “La Casa de Papel” según su audiencia. ...................................................................................................... 76 CONCLUSIONES Y RECOMENDACIONES .................................................. 92 REFERENCIAS ................................................................................................ 95 ANEXOS ......................................................................................................... 101 Entrevistas a expertos ................................................................................ 101 Luis Moya................................................................................................. 101 Jerónimo Rivera ...................................................................................... 107 Jorge Ulloa............................................................................................... 113 Orlando Herrera....................................................................................... 117 Indira Páez............................................................................................... 120 Cristian Cortez ......................................................................................... 122 Andrés Salgado ....................................................................................... 128 Andrés Massuh........................................................................................ 133 Claudia Sánchez ..................................................................................... 140 Said Chamie ............................................................................................ 147 VIII ÍNDICE DE TABLAS Tabla 1. Contrariedades en los personajes de la serie “La Casa de Papel”. 62 Tabla 2. Tensiones generadas a lo largo de diversos capítulos en la serie. 67 Tabla 3. Lista de muertes en la serie como giros dramáticos........................ 68 Tabla 4. Comparativo de características de personajes homosexuales en “La Casa de Papel” y series locales....................................................................... 72 Tabla 5. Lista de los personajes favoritos de la serie según Focus Group... 76 Tabla 6. El espectador de la serie y su personaje favorito según Focus Group. ........................................................................................................................... 77 Tabla 7. Identificación con los personajes favoritos de la serie ..................... 79 Tabla 8. El personaje de Nairobi y sus aportes en la realidad de los espectadores..................................................................................................... 81 Tabla 9 El personaje de El Profesor y sus aportes en la realidad de los espectadores..................................................................................................... 82 Tabla 10. El personaje de Berlín y sus aportes en la realidad de los espectadores..................................................................................................... 82 Tabla 11. Lista de materias impartidas por El Profesor según Focus Group 86 Tabla 12. Lista de personajes sustitutos en la muerte de Nairobi ................. 88 Tabla 13. Tiempo invertido en el visionado de la serie. ................................. 89 IX ÍNDICE DE GRÁFICOS Ilustración 1. Reporte de series de TV con mayor número de capítulos consumidos por espectadores (TV TIME, 2018). ........................................... 28 Ilustración 2. Sexo de los espectadores de la serie “La Casa de Papel”. ..... 33 Ilustración 3. Edad de los espectadores de la serie. ...................................... 33 Ilustración 4. Ciudad de residencia de los espectadores de la serie............. 34 Ilustración 5. Rol de los espectadores de la serie. ......................................... 34 Ilustración 6. Carrera universitaria
Load more

Recommended publications
  • Money Heist” Secara Daring
    PELATIHAN PELAKSANAAN TEORI KEPEMIMPINAN DARI FILM “MONEY HEIST” SECARA DARING Wendra Hartono, Charly Hongdiyanto, Felicia Bela Kurniawan, dan Anastasia Filiana Ismawati Fakultas Manajemen dan Bisnis, Universitas Ciputra Surabaya [email protected] Abstrak Di era pandemic COVID-19 ini, banyak sekali orang menghabiskan waktu dengan belajar dan bekerja dirumah, yang dikenal dengan istilah study from home atau work from home. Kegiatan Pengabdian Masyarakat dapat dilaksanakan secara daring semakin menujukkan pola trend yang semakin meningkat selama wabah ini, misalnya kegiatan pelatihan teori kepemimpinan dari film Money Heist. Pelatihan Teori Kepemimpinan ini mengajak peserta untuk berdiskusi tentang karakter tokoh yang bernama “Tokyo” dan “Berlin”, yang bertujuan untuk mengevaluasi dan menarik sebuah kesimpulan tentang teori kepemimpinan yang lebih cocok atau layak untuk digunakan selama kegiatan berlangsung. Metode pelaksanaan kegiatan pengabdian masyarakat ini dilaksanakan dalam beberapa tahap seperti perencanaan, persiapan, pengkoordinasian, pelaksanaan dan pengevaluasian. Kesimpulan dari kegiatan pengabdian masyarakat ini adalah peserta memperoleh wawasan tentang teori kepemimpinan dan bentuk pelaksanaan nya dalam film dan kehidupan sehari-hari. Abstract In this COVID-19 pandemic era, most people spend a lot of time on learning and working at home as known with a term of study from home or working from home. Social responsibility activity can be implemented online has shown a significant up-trend during this era, for instance this social responsibility activity training leadership theory from Money Heist movie. This activity asked participant to discuss and merge about the leadership characteristic of Berlin and Tokyo during the learning session. This activity has an aim is to evaluate and conclude the leadership theory which is more suitable used for this incident in this movie.
    [Show full text]
  • Karaoke Catalog Updated On: 25/10/2018 Sing Online on Entire Catalog
    Karaoke catalog Updated on: 25/10/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Before He Cheats - Carrie Underwood Wannabe - Spice Girls Sweet Caroline - Neil Diamond Zombie - The Cranberries I Will Survive - Gloria Gaynor Don't Stop Believing - Journey Dancing Queen - ABBA Sweet Child O'Mine - Guns N' Roses Perfect - Ed Sheeran Piano Man - Billy Joel Amarillo By Morning - George Strait Bohemian Rhapsody - Queen Africa - Toto Always On My Mind - Willie Nelson Uptown Funk - Bruno Mars Black Velvet - Alannah Myles Me And Bobby McGee - Janis Joplin Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Santeria - Sublime Take Me Home, Country Roads - John Denver Killing Me Softly - The Fugees Someone Like You - Adele Folsom Prison Blues - Johnny Cash Valerie - Amy Winehouse Livin' On A Prayer - Bon Jovi Can't Help Falling In Love - Elvis Presley Wagon Wheel - Darius Rucker New York, New York - Frank Sinatra Girl Crush - Little Big Town House Of The Rising Sun - The Animals What A Wonderful World - Louis Armstrong Summer Nights - Grease Jackson - Johnny Cash Jolene - Dolly Parton Crazy - Patsy Cline Let It Go - Idina Menzel (Sittin' On) The Dock Of The Bay - Otis Redding My Girl - The Temptations All Of Me - John Legend I Wanna Dance With Somebody - Whitney Houston Ring Of Fire - Johnny Cash Turn The Page - Bob Seger Neon Moon - Brooks & Dunn My Way - Frank Sinatra These Boots Are Made For Walkin' - Nancy Sinatra Strawberry Wine - Deana Carter I Want It That Way - Backstreet
    [Show full text]
  • Songs by Artist
    TOTALLY TWISTED KARAOKE Songs by Artist 37 SONGS ADDED IN SEP 2021 Title Title (HED) PLANET EARTH 2 CHAINZ, DRAKE & QUAVO (DUET) BARTENDER BIGGER THAN YOU (EXPLICIT) 10 YEARS 2 CHAINZ, KENDRICK LAMAR, A$AP, ROCKY & BEAUTIFUL DRAKE THROUGH THE IRIS FUCKIN PROBLEMS (EXPLICIT) WASTELAND 2 EVISA 10,000 MANIACS OH LA LA LA BECAUSE THE NIGHT 2 LIVE CREW CANDY EVERYBODY WANTS ME SO HORNY LIKE THE WEATHER WE WANT SOME PUSSY MORE THAN THIS 2 PAC THESE ARE THE DAYS CALIFORNIA LOVE (ORIGINAL VERSION) TROUBLE ME CHANGES 10CC DEAR MAMA DREADLOCK HOLIDAY HOW DO U WANT IT I'M NOT IN LOVE I GET AROUND RUBBER BULLETS SO MANY TEARS THINGS WE DO FOR LOVE, THE UNTIL THE END OF TIME (RADIO VERSION) WALL STREET SHUFFLE 2 PAC & ELTON JOHN 112 GHETTO GOSPEL DANCE WITH ME (RADIO VERSION) 2 PAC & EMINEM PEACHES AND CREAM ONE DAY AT A TIME PEACHES AND CREAM (RADIO VERSION) 2 PAC & ERIC WILLIAMS (DUET) 112 & LUDACRIS DO FOR LOVE HOT & WET 2 PAC, DR DRE & ROGER TROUTMAN (DUET) 12 GAUGE CALIFORNIA LOVE DUNKIE BUTT CALIFORNIA LOVE (REMIX) 12 STONES 2 PISTOLS & RAY J CRASH YOU KNOW ME FAR AWAY 2 UNLIMITED WAY I FEEL NO LIMITS WE ARE ONE 20 FINGERS 1910 FRUITGUM CO SHORT 1, 2, 3 RED LIGHT 21 SAVAGE, OFFSET, METRO BOOMIN & TRAVIS SIMON SAYS SCOTT (DUET) 1975, THE GHOSTFACE KILLERS (EXPLICIT) SOUND, THE 21ST CENTURY GIRLS TOOTIMETOOTIMETOOTIME 21ST CENTURY GIRLS 1999 MAN UNITED SQUAD 220 KID X BILLEN TED REMIX LIFT IT HIGH (ALL ABOUT BELIEF) WELLERMAN (SEA SHANTY) 2 24KGOLDN & IANN DIOR (DUET) WHERE MY GIRLS AT MOOD (EXPLICIT) 2 BROTHERS ON 4TH 2AM CLUB COME TAKE MY HAND
    [Show full text]
  • → Madrid: an Extraordinary Setting
    On the show you can see it flying past the Cuat- → ELITE (ÉLITE) → VELVET ests in the 1920s and 30s. Today we are reminded → I’M ALIVE (ESTOY VIVO) → A BRIEF HISTORY OF OUR TV SERIES → Madrid: ro Torres Business Area and the Círculo de Bellas of its importance by a plaque on the building, found Artes, till it reaches Plaza del Callao (4) -Madrid’s Most scenes featuring the students of the pres- In 1958 Spain depicted on the show, Las Galerías in Plaza del Rey, that was once its headquarters. Sebas’ bar El Vuelo, where we often see Márquez, From the 1960s onwards, TVE was characterized by An Extraordinary answer to Times Square- where they drop the “man- tigious secondary school Las Encinas are filmed in Velvet is a top haute couture retailer located at Known as the Casa de las Siete Chimeneas, it now his daughter, Vargas’ wife and El Enlace, is actual- its production of big budget, movie-style TV series na”. Callao is the busiest square in Spain and the towns dotted around Madrid’s mountains and sub- number 34 in Gran Vía avenue (17). If you visit this houses the Ministry of Culture. On the show, Teatro ly the restaurant Airport Tavern (30), whose decor by big industry names. One example is Fortunata Setting third-busiest in Europe: every year 113 million peo- urbs: the reservoir where Omar and Ander meet up is location now, you’ll find a Zara store stands in its Lara (23) - which offers a dramatised tour that re- has an aeroplane theme: aircraft controls, a black and Jacinta (Fortunata y Jacinta, 1980), an adapta- ple glance up at its digital screens, the same ones Los Arroyos de El Escorial, the greengrocer’s where place.
    [Show full text]
  • Star Channels, August 29
    AUGUST 29 - SEPTEMBER 4, 2021 staradvertiser.com MAMA DRAMA While the cast fi gure out their uncomfortable love triangles, we get to watch from a much more comfortable distance when Season 2 of I Love a Mama’s Boy. The show follows couples navigating the relationship between the “boys” and their mothers who just can’t let go. Premiering Sunday, Aug. 29, on TLC. CAMERA & LIGHTING FOR BEGINNERS Learn how to properly set up, light and shoot in the second of three courses taught by ¶Ōlelo’s in-house experts. To sign up, visit olelo.org/training olelo.org Video Production | Camera, Audio & Lighting | Video Editing $75 per class | Just $50 per class if you commit to and complete all 3 classes 590255_TrainingAds_2021_2in_F.indd 2 4/30/21 4:17 PM ON THE COVER | I LOVE A MAMA’S BOY Mommy dearest TLC launches Season 2 relationship — not always accompanied by room relationship, but it didn’t work out that smothering mothers; something the Season way. of “I Love a Mama’s Boy” 2 trailer does a great job of showing. Complete Trying to help in that department, mommy with awkward professions of mother-son love, dearest accompanied Kim to the lingerie sour looks from partners, mothers feeding store to pick out something special for Matt. By Rachel Jones their sons scrambled eggs and mothers insist- Needless to say, shortly thereafter, Matt and TV Media ing on being “honeymoon buddies,” even view- Kim moved out of Kelly’s house and into their ers will want to tell these moms to butt out.
    [Show full text]
  • Global Money Heist Live Online Launch Session and Material Distribution
    NOVEMBER 7TH // 28TH 2020 Students participating in the Money Heist Social Movement Challenge will learn from two top IE University professors: one from the world of storytelling, and the other from the world of data and analytics. We are living in the age of attention. Every organization, company, brand and even social movement is actively competing across the landscape of online content for our awareness, attention and purchasing power. Attention is everything. It’s what drives consumer behavior. It has the ability to launch a brand into the stratosphere of the global economy. But when done poorly, it can destroy a reputation overnight. What drives our 3 attention and our interest? Independently, storytelling and data and analytics have limited reach in today’s world of intense competition for our attention. If executed well, storytelling can be incredibly effective and engaging—but if the message doesn’t reach the right audience at the right time through the right chan- nel, it can go unnoticed. Data analytics has the power to reach the target audience at the intended moment, but if the message is not engaging, people won’t notice or pay attention to it. When combined effectively, CHALLENGE THE MONEY HEIST both mediums are incredibly effective in reaching the masses and in- fluencing social change and consumer behavior. Money Heist (La Casa de Papel) became a global phenomenon when it was launched to Netflix’s audience of over 130 million subscribers in over 190 countries. Netflix combined its powerful data-marketing techniques with the gripping plot, intriguing characters and radical use of symbolism in the series.
    [Show full text]
  • Release of the Fourth Season of Money Heist: Analysis of Its Social Audience on Twitter Durin Lockdown in Spain
    information Article Release of the Fourth Season of Money Heist: Analysis of Its Social Audience on Twitter durin Lockdown in Spain Carmen Cristófol Rodríguez 1 , Paula Meliveo Nogués 2 and Francisco Javier Cristòfol 3,* 1 Faculty of Business and Communication, International University of La Rioja, 26006 Logroño, Spain; [email protected] 2 Department of Audiovisual Communication and Advertising, University Malaga, 29013 Malaga, Spain; [email protected] 3 Department of Market Research and Quantitative Methods, ESIC, Business and Marketing School, 28223 Pozuelo de Alarcón (Madrid), Spain * Correspondence: [email protected]; Tel.: +34-606-83-77-78 Received: 8 November 2020; Accepted: 8 December 2020; Published: 11 December 2020 Abstract: Nowadays we are witnessing a significant change in content consumption. This, together with the global health situation, has caused some behaviors to accelerate. This research focuses on the specific case of the lockdown in Spain and the coincidence with the launch of the fourth season of Money Heist compared to the launch of season three. Starting with a review of the theoretical framework, in which the related concepts of coronavirus, television, and Video on Demand (VOD) platforms are presented, the importance of transmedia communication is also introduced. The methodological aspect is developed through content analysis and in-depth interviews. The tool used on the first methodology has been Twlets. With regard to the sources, the specific bibliography of the audiovisual sector, the official profile of the series on Twitter and personal interviews with professionals from the communication department of the production company, Vancouver Media, and from the series directing were taken into account.
    [Show full text]
  • Identification with the Characters of La Casa De Papel Spanish Series
    IAFOR Journal of Arts & Humanities Volume 8 – Issue 1 – 2021 Netflix and Crime: Identification with the Characters of La Casa de Papel Spanish Series Afnan Qutub King Abdulaziz University Saudi Arabia Dina Marie King Abdulaziz University Saudi Arabia Samar Meer King Abdulaziz University Saudi Arabia Amira Alkurdi King Abdulaziz University Saudi Arabia 5 IAFOR Journal of Arts & Humanities Volume 8 – Issue 1 – 2021 Abstract This study examines the Netflix Spanish series La Casa de Papel as a pragmatic example of a series that addresses questions of criminal justification. In this qualitative study, in-depth interviews were conducted with 17 Saudi participants. The findings suggest that the Saudi viewers justified the characters’ crimes influenced by fundamental attribution error. Viewers’ identification with the characters could be seen in their empathy with the robbery team and their desire for threatening characters to die. Viewers also stated that they did not want the criminals to be caught. In fact, viewers felt sad and emotional when the characters were shot or caught. Participants ranked the Professor, Tokyo, Berlin, and Nairobi as the most liked characters. Conversely, the least liked characters were Arturo Román and Sierra because they threatened the success of the robbery. Finally, participants accepted the banker joining the team, while they opposed detective Lisbon joining it. Keywords: identification, La Casa de Papel, money heist, Netflix, Saudi Arabia, Spanish series 6 IAFOR Journal of Arts & Humanities Volume 8 – Issue 1 – 2021 La Casa de Papel is a Spanish series originally produced by Netflix. The police series, also known as The Professor and Money Heist, has been highly rated at 8.8 out of 10 by 34,438 viewers (González Rosero, 2019).
    [Show full text]
  • Viewers' Attribution of Criminal Acts in La Casa De Papel Series
    Viewers’ Attribution of Criminal Acts in La Casa De Papel Series Presented on Netflix Digital Entertainment Platform Afnan Qutub, King Abdulaziz University, Saudi Arabia The Asian Conference on Media, Communication & Film 2020 Official Conference Proceedings Abstract In the last two years, there has been a huge investment in entertainment by the Saudi Government. In 2018, Netflix was launched in Saudi Arabia and soon become popular. This study examines Saudi viewers’ perceptions of the Netflix Spanish series La Casa de Papel because this series went viral. The study focuses on Saudi viewers’ motivation for watching the series and their justification of criminal behaviors. A sample of 400 Saudi students from the age range 18–35 answered the survey. The results indicated a significant correlation between viewing time, empathy with characters, and external attribution of criminal behaviors. The Robin Hood pattern of robbery implied in the series was acceptable to 62% of the sample. The role of the Professor as the mastermind of the operation was attributed to the necessity of having an outsider to assist the gang members by 85% of the respondents. Keywords: Binge-Watching, La Casa De Papel, Saudi Arabia, Attribution, Netflix, Crime iafor The International Academic Forum www.iafor.org Introduction Netflix is an American entertainment company founded by Reed Hastings and Marc Randolph in 1997, originally specializing in the sale and rental of integrated DVDs (Jenner 2014). In 2013, the company became a producer of movies and TV programs, beginning with the first series of House of Cards. In 2014, Netflix offered a huge online library of films and TV shows, including original content produced by Netflix, in many countries including the United Kingdom, Denmark, Finland, North and South America, the Netherlands, and the Caribbean (Jenner, 2014).
    [Show full text]
  • Karaoke Catalog Updated On: 18/10/2018 Sing Online on Entire Catalog
    Karaoke catalog Updated on: 18/10/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Before He Cheats - Carrie Underwood Me And Bobby McGee - Janis Joplin Sweet Caroline - Neil Diamond Dancing Queen - ABBA At Last - Etta James Don't Stop Believing - Journey Zombie - The Cranberries Amarillo By Morning - George Strait Perfect - Ed Sheeran Piano Man - Billy Joel Santeria - Sublime Bohemian Rhapsody - Queen Africa - Toto Sweet Child O'Mine - Guns N' Roses Uptown Funk - Bruno Mars Black Velvet - Alannah Myles New York, New York - Frank Sinatra Friends In Low Places - Garth Brooks Wagon Wheel - Darius Rucker Someone Like You - Adele Folsom Prison Blues - Johnny Cash Valerie - Amy Winehouse I Will Survive - Gloria Gaynor Take Me Home, Country Roads - John Denver Killing Me Softly - The Fugees Always On My Mind - Willie Nelson Can't Help Falling In Love - Elvis Presley Fly Me To The Moon - Frank Sinatra Jolene - Dolly Parton Girl Crush - Little Big Town All Of Me - John Legend Livin' On A Prayer - Bon Jovi Summer Nights - Grease Let It Go - Idina Menzel I Wanna Dance With Somebody - Whitney Houston My Girl - The Temptations Jackson - Johnny Cash What A Wonderful World - Louis Armstrong Crazy - Patsy Cline House Of The Rising Sun - The Animals Love Shack - The B-52's My Way - Frank Sinatra Wannabe - Spice Girls Your Man - Josh Turner Ring Of Fire - Johnny Cash Turn The Page - Bob Seger (Sittin' On) The Dock Of The Bay - Otis Redding I Want It That Way - Backstreet Boys These Boots Are Made For Walkin'
    [Show full text]