Media Coverage Year 2000-2013 the Piloti Files 2000 - 2011
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An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson
An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson A Thesis submitted by: Andre Weiss B. A. 1998 Supervisor: Dr. Gavin Stamp Submitted in fulfilment of the requirements for the Master of Architecture Mackintosh School of Architecture, The University of Glasgow September 1999 ProQuest N um ber: 13833922 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13833922 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Contents List of Illustrations ...................................................................................................... 3 Introduction .................................................................................................................9 1. The Previous Claims of an InfluentialRelationship ............................................18 2. An Exploration of the Individual Backgrounds of Thomson and Schinkel .............................................................................................................38 -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Platform for Success: Final Report of the Scottish Broadcasting Commission
PLATFORM FOR SUCCESS Final report of the Scottish Broadcasting Commission PLATFORM FOR SUCCESS Final report of the Scottish Broadcasting Commission © Crown copyright 2008 ISBN: 978-0-7559-5845-0 The Scottish Government St Andrew’s House Edinburgh EH1 3DG Produced for the Scottish Broadcasting Commission by RR Donnelley B57086 Published by the Scottish Government, September, 2008 Further copies are available from Blackwell's Bookshop 53 South Bridge Edinburgh EH1 1YS Scottish Broadcasting Commission : 01 CONTENTS Foreword 2 Executive Summary 3 Chapter 1 Introduction 13 Chapter 2 Our Vision for Scottish Broadcasting 15 Chapter 3 Serving Audiences and Society 19 Chapter 4 A Network for Scotland 32 Chapter 5 Broadcasting and the Creative Economy 39 Chapter 6 Delivering the Future 51 Annex 56 02 : Scottish Broadcasting Commission FOREWORD In its short existence, the Scottish Broadcasting Commission has triggered a wide-ranging and frequently passionate debate about the future of the industry and the services it provides to audiences in Scotland. We intended from the beginning to make an impact which would lead to action, and there have been some encouraging early results in the form of new commitments from the broadcasters. But this is only a start. In publishing our final report and recommendations, we hope and expect that the debate will become even more visible and audible – with particular focus on the key opportunities and challenges we have identified in broadcasting and the new digital platforms. What has been refreshing is the extent to which both the industry and its audiences are at least as excited about the future as they are critical of some of the weaknesses of the past and present. -
Journal of Irish and Scottish Studies Migrating Minds
Journal of Irish and Scottish Studies Volume 5: Issue 1 Migrating Minds AHRC Centre for Irish and Scottish Studies, University of Aberdeen JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 5, Issue 1 Autumn 2011 Migrating Minds Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative ISSN 1753-2396 Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne Journal of Irish and Scottish Studies General Editor: Cairns Craig Issue Editor: Paul Shanks Associate Editor: Michael Brown Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Ian Campbell Ross, Trinity College, Dublin Graham Walker, Queen’s University, Belfast International Advisory Board: Don Akenson, Queen’s University, Kingston Tom Brooking, University of Otago Keith Dixon, Université Lumière Lyon 2 Marjorie Howes, Boston College H. Gustav Klaus, University of Rostock Peter Kuch, University of Otago Graeme Morton, University of Guelph Brad Patterson, Victoria University, Wellington Matthew Wickman, Brigham Young David Wilson, University of Toronto The Journal of Irish and Scottish Studies is a peer reviewed journal published twice yearly in autumn and spring by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. -
Scotland: BBC Weeks 51 and 52
BBC WEEKS 51 & 52, 18 - 31 December 2010 Programme Information, Television & Radio BBC Scotland Press Office bbc.co.uk/pressoffice bbc.co.uk/iplayer THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEKS 51 & 52 _____________________________________________________________________________________________________ MONDAY 20 DECEMBER The Crash, Prog 1/1 NEW BBC Radio Scotland TUESDAY 21 DECEMBER River City TV HIGHLIGHT BBC One Scotland WEDNESDAY 22 DECEMBER How to Make the Perfect Cake, Prog 1/1 NEW BBC Radio Scotland THURSDAY 23 DECEMBER Pioneers, Prog 1/5 NEW BBC Radio Scotland Scotland on Song …with Barbara Dickson and Billy Connolly, NEW BBC Radio Scotland FRIDAY 24 DECEMBER Christmas Celebration, Prog 1/1 NEW BBC One Scotland Brian Taylor’s Christmas Lunch, Prog 1/1 NEW BBC Radio Scotland Watchnight Service, Prog 1/1 NEW BBC Radio Scotland A Christmas of Hope, Prog 1/1 NEW BBC Radio Scotland SATURDAY 25 DECEMBER Stark Talk Christmas Special with Fran Healy, Prog 1/1 NEW BBC Radio Scotland On the Road with Amy MacDonald, Prog 1/1 NEW BBC Radio Scotland Stan Laurel’s Glasgow, Prog 1/1 NEW BBC Radio Scotland Christmas Classics, Prog 1/1 NEW BBC Radio Scotland SUNDAY 26 DECEMBER The Pope in Scotland, Prog 1/1 NEW BBC One Scotland MONDAY 27 DECEMBER Best of Gary:Tank Commander TV HIGHLIGHT BBC One Scotland The Hebridean Trail, Prog 1/1 NEW BBC Two Scotland When Standing Stones, Prog 1/1 NEW BBC Radio Scotland Another Country Legends with Ricky Ross, Prog 1/1 NEW BBC Radio Scotland TUESDAY 28 DECEMBER River City TV HIGHLIGHT -
Greek Thomson Revival
49 Alexander Thomson Greek Revival? above An unapologetic intervention could soon be bedfellow to Thomson’s masterpiece GLASGOw’s decaying architectural legacy has long been waiting for appropriate benefactors to pull up. Now Alexander “Greek” Thomson has long after a wait of near half a century, those prayers look to have been answered for the former Caledonia Road been overshadowed by the cult of Church. Hot on the heels of the Egyptian Halls and St Vincent Street Church, this forelorn relic of bygone glory Mackintosh, however with a recent hat is to be pulled belatedly into the 21st century. Riding the crest of Glasgow’s commercial prosperity Thomson was able to channel the city’s trade wealth into trick of proposals, that may change. totems of architectural grandeur by drawing upon diverse influences from synomonous Greek homages to haunting burned out skeleton. Despite the international from a central location and intact interiors. Mark Baines Egyptian, Romanesque, Persian and Indian influences. significance of Thomson and being structurally sound, explains the decision: “The depths of connection The Church, at the time keen to assert its influence and this shell has been closed off to visitors since 1965 and Thomson had with the Gorbals are clear, he was an elder identity, provided a rich architectural seam for Thomson hints only obliquely at past grandeur. Reduced to a of the church, worshipped there, built a lot of tenements to sow, landing him a string of commissions that included romantic ruin the church carries all sorts of memories as between Eglinton St and Caledonia Rd and is buried in St Vincent Street Church and Queen’s Park Church one of the few surviving 19th century buildings in the the nearby Southern Necropolis. -
The Films of Murray Grigor for IOT
Atelier e.B + PAnel Present steel uPon the swArd the Films of Murray Grigor for IOT. II 9/10 & 30 MAy 12 rose street GlAsGow FilM theAtre Glasgow G3 6rB saturday 9 May: CumbernAuld hit & The demarCo diMension (edited by rob Kennedy) sunday 10 May: steel uPon the swArd & E.P. SculPtor saturday 30 May: Mackintosh T& he FAll And rise oF Mackintosh Murray Grigor is an independent Scottish filmmaker, writer and exhibition curator. Winning international acclaim for his ongoing contribution to the arts spanning over 40 years, The Inventors of Tradition II presents a series of three double bills in partnership with Glasgow Film Theatre that celebrate his work. The selected films highlight Grigor’s interest in Scottish artistic life and bring focus to the complex connections between architecture, creative practice and cultural identity prevalent in his pioneering works. steel uPon the swArd Saturday 9 May 2015 Saturday 30 May 2015 3pm PrOGrAMMe 3pm Cinema 2 Cinema 2 Sunday 10 May 2015 CuMBernAuld HIT (edited by Rob Kennedy) MACKIntosh 3pm Sponsored by Cumbernauld Development Corporation, Cinema 2 Mackintosh (1968), Murray Grigor’s first independent and Cumbernauld Hit (1977) is an original take on ‘promotional’ seminal film won five international awards, helping to re- films produced for Scotland’s New Towns during the STeel uPOn THe Sward establish the reputation of the architect and designer, now 1970s. Footage selected from Grigor’s original feature, by From the 1970s Grigor made art and architecture a celebrated world-wide as one of the most creative figures artist Rob Kennedy, creates a new work that is at once a focus of his filmmaking. -
Quaint Highlanders and the Mythic North: the Representation Of
Quaint Highlanders Over the course of the nineteenth and early twentieth Scotland’s myths and the cultural formations which carried centuries, the period covered here, Scotland underwent them are complex. great social, economic and cultural change. It was a time and the Mythic North: when painting came to be accorded tremendous significance, THE MYTH OF SCOTLAND both as a record of humanity’s highest achievements and as The term myth, in this context, is taken to mean a widely The Representation of a vehicle for the expression of elemental truths. In Britain accepted interpretative traditional story embodying in the nineteenth century the middle classes assigned great fundamental beliefs. Every country has its myths. They arise Scotland in Nineteenth significance to the art they bought in increasing quantities; via judicious appropriations from the popular history of the indeed, painting became their preferred instrument for country and function as a contemporary force endorsing the promotion of their vision of a prosperous modern belief or conduct in the present. They explain and interpret Century Painting society. Art was valued insofar as it expressed their highest the world as it is found, and both assert values and extol aspirations and deepest convictions, and it was a crucial identity. Here, in addition, the concept embodies something instrument in the task of moulding a society of people of the overtones of the moral teaching of a parable. who shared these values regardless of their class, gender or John Morrison wealth. If nineteenth- and early twentieth-century painting A myth is a highly selective memory of the past used to functioned to corroborate the narratives people used to stimulate collective purpose in the present. -
RICHARD MURPHY of Its Time and of Its Place « Blog
Home page Blog Libro Lithospedia blog Pietre d'Italia english version 22 maggio 2013 News RICHARD MURPHY Of its time and of its place RICHARD MURPHY Of its time and of its place Lectio Magistralis Giovedì 30 maggio 2013 alle ore 21.00 Museo di Castelvecchio di Verona Sala Boggian Giovedì 30 maggio 2013 alle ore 21.00, presso il Museo di Castelvecchio di Verona, Sala Boggian, si terrà la Lectio Magistralis dell’architetto scozzese Richard Murphy dal titolo OF ITS TIME AND OF ITS PLACE L’evento è organizzato da Veronafiere nell’ambito delle attività culturali della 48° Marmomacc in collaborazione con il Comune di Verona, Direzione Musei d’Arte e Monumenti e l’Ordine degli Architetti, Pianificatori, Paesaggisti e Conservatori della Provincia di Verona. Appassionato conoscitore della grande tradizione architettonica inglese otto-novecentesca, Richard Murphy ha esteso il suo interesse all’opera di Carlo Scarpa. Lungo questo percorso ha costruito un legame fruttuoso con il Museo di Castelvecchio mediante una ricerca sull’opera del maestro veneziano, approfondendone pragmaticamente gli aspetti costruttivi e in particolare rilevando l’intervento nel castello scaligero. Contemporaneamente, la sua ventennale attività di architetto ha prodotto un interessante repertorio di lavori nei quali sono state indagate le relazioni tra luogo e storia, ed esplorate le potenzialità dei materiali con particolare sensibilità per l’uso della pietra. La Lectio Magistralis sarà preceduta dagli interventi di saluto del Comune di Verona, di Veronafiere, dell’Ordine degli Architetti di Verona, e introdotta da Alba Di Lieto della Direzione del Museo di Castelvecchio che parlerà del sodalizio culturale tra l’Istituzione veronese e l’architetto scozzese. -
The Films of Murray Grigor for IOT
Atelier e.B + PAnel Present steel uPon the swArd the Films of Murray Grigor for IOT. II 9/10 & 30 MAy 12 rose street GlAsGow FilM theAtre Glasgow G3 6rB saturday 9 May: CumbernAuld hit & The demarCo diMension (edited by rob Kennedy) sunday 10 May: steel uPon the swArd & E.P. SculPtor saturday 30 May: Mackintosh T& he FAll And rise oF Mackintosh Murray Grigor is an independent Scottish filmmaker, writer and exhibition curator. Winning international acclaim for his ongoing contribution to the arts spanning over 40 years, The Inventors of Tradition II presents a series of three double bills in partnership with Glasgow Film Theatre that celebrate his work. The selected films highlight Grigor’s interest in Scottish artistic life and bring focus to the complex connections between architecture, creative practice and cultural identity prevalent in his pioneering works. steel uPon the swArd Saturday 9 May 2015 Saturday 30 May 2015 3pm proGraMMe 3pm Cinema 2 Cinema 2 Sunday 10 May 2015 CuMbernauld HIT (edited by Rob Kennedy) MaCkInToSH 3pm Sponsored by Cumbernauld Development Corporation, Cinema 2 Mackintosh (1968), Murray Grigor’s first independent and Cumbernauld Hit (1977) is an original take on ‘promotional’ seminal film won five international awards, helping to re- films produced for Scotland’s New Towns during the STeel upon THe SWard establish the reputation of the architect and designer, now 1970s. Footage selected from Grigor’s original feature, by From the 1970s Grigor made art and architecture a celebrated world-wide as one of the most creative figures artist Rob Kennedy, creates a new work that is at once a focus of his filmmaking. -
HOLMWOOD HOUSE 61-63 Netherlee Road
ENGLISH- SPEAKING Glasgow’s Iconic Buildings: UNION HOLMWOOD HOUSE 61-63 Netherlee Road SUMMARY: Holmwood is a large house, built in what was the village of Cathcart that today has become part of the city of Glasgow. It is the finest and most elaborate house designed by Alexander ‘Greek’ Thomson. It is also rare in retaining much of its original interior decoration, and being open to the public. Holmwood was originally constructed for James Couper, a paper manufacturer in 1857-1858. Couper owned the Millholm paper mill in the valley of the River Cart immediately below the villa. Thomson used a Classical Greek style which he adapted to fit in with Scottish taste in the 1800s. Many rooms are richly decorated in wood, plaster and marble. Thomson’s original room decoration, based on themes from the classical world, is being uncovered after being painted over by previous owners. Holmwood is considered to be very influential by architectural historians, because the design was published in Villa and Cottage Architecture in 1868 and may have influenced Frank Lloyd Wright and other architects. Holmwood was bought by the National Trust for Scotland in 1994 and was restored by Page \ Park Architects in 1997-1998. THINK ABOUT: FIND OUT MORE: • Alexander Thomson is one of Glasgow’s most Historic Environment Scotland website, Holmwood famous architects. Find out about Alexander List Description, http://portal.historicenvironment. scot/designation/LB33944 Thomson and how he earned the nickname ‘Greek’ Thomson. The National Trust for Scotland website, http://www.nts.org.uk/Property/ Both Thomson, and another famous Glasgow Holmwood, • Holmwood/ architect Charles Rennie Mackintosh have very distinctive styles. -
Egyptian Halls PR Draft
SCOTTISH CIVIC TRUST PRESS RELEASE May 2021 Contact: Erin Burke, [email protected] Calls to restore Glasgow’s at-risk Egyptian Halls Conservation experts fighting for the future of a Glasgow architectural masterpiece have announced the establishment of a charity to take forward discussions about restoration. The A-listed Egyptian Halls are a work of artistic genius by one of Scotland’s greatest architects, and are of great importance to Glasgow’s urban fabric. However, the future of the building is uncertain - Egyptian Halls has been lying empty for decades and was recently shortlisted as one of Europe’s ‘fourteen most endangered buildings’ by Europa Nostra, a pan-European heritage organisation. A new charity is being set up with the hopes of working alongside key stakeholders to find a solution for the building. The Egyptian Halls SCIO will be composed of experienced developers, architects and conservation experts, and will be led by the Scottish Civic Trust. The Scottish Civic Trust is the national body for Scotland’s civic movement and counts among its responsibilities the conservation of older buildings of distinction, where commercial interests are unable to lead. Since its inception in 1967, the Civic Trust has taken dynamic action in high-profile heritage projects, having successfully campaigned for the restoration of Edinburgh’s New Town and supported the revitalisation of New Lanark. The restoration of Egyptian Halls will enrich the city and provide an appropriately high-quality welcome to visitors and Glaswegians alike entering Glasgow’s historic city centre from Glasgow Central Station. The Egyptian Halls SCIO aims to restore, develop and safeguard the building so that it can be used, shared and enjoyed by future generations.