The Anchor, Volume 117.06: September 24, 2003
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88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, History Commons, and the Music Commons Recommended Citation anderson, Benjamin Park, "Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement" (2005). Dissertations, Theses, and Masters Projects. Paper 1539626478. https://dx.doi.org/doi:10.21220/s2-9ab3-4z88 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. BLUE NOTES AND BROWN SKIN Five African-American Jazzmen and the Music they Produced in Regard to the American Civil Rights Movement. A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Benjamin Park Anderson 2005 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts imin Park Anderson Approved by the Committee, May 2005 Dr. Arthur Knight, Chair Ids McGovern . Lewis Porter, Rutgers University, outside reader ii TABLE OF CONTENTS Page Acknowledgements iv List of Illustrations V List of Musical Examples vi Abstract vii Introduction 2 Chapter I. -
Lossless 6341 Songs, 16.5 Days, 142.93 GB
lossless 6341 songs, 16.5 days, 142.93 GB Artist Album # Items Total Time The 77s All Fall Down 92 1:12:25 Drowning With Land in Sight 12 55:13 Echos O' Faith 16 1:19:58 More Miserable Than You'll Ever Be 11 43:40 Ping Pong Over The Abyss 15 1:06:40 Pray Naked 12 56:07 Seventy Sevens 17 1:16:39 Sticks and Stones 14 1:12:57 Tom Tom Blues 10 48:30 AD Compact Favorites 10 43:30 Add One Cubit A Thursday Night In The D-Amp. 12 56:26 Aerosmith Big Ones 15 1:13:32 Just Push Play 12 50:48 The Other Side 5 21:02 Permanent Vacation 12 51:43 Alanis Morissette Feast On Scraps 9 40:56 Jagged Little Pill 13 57:31 Under Rug Swept 11 50:28 The Alarm Standards 15 1:04:37 Alison Krauss A Hundred Miles Or More: A Collection 16 1:07:37 Alison Krauss & Union Station Live 36 1:56:39 All Star United All Star United 10 43:09 The Allies Long Way From Paradise 13 53:01 The Altar Boys The Collection 15 1:01:01 Amy Grant Behind The Eyes 12 49:34 Greatest Hits | 1986-2004 23 1:37:48 Home For Christmas 12 42:39 Anne Sofie von Otter Meets Elvis Costello For The Stars 18 1:03:40 Barenaked Ladies Barenaked For The Holidays 20 46:22 Disc One: All Their Greatest Hits (1991-2001) 19 1:13:31 Maroon 12 52:07 Bash 'N The Code Big Mouth 10 41:50 The Beach Boys Good Vibrations: Thirty Years Of The Beach Boys 142 6:22:29 The Beatles Free as a Bird 4 13:38 Bebo Norman Myself When I Am Real 12 49:17 Ten Thousand Days 12 54:57 Béla Fleck Perpetual Motion 20 57:42 Béla Fleck & The Flecktones Left Of Cool 15 1:16:30 Ben Folds Rockin' The Suburbs 12 48:49 Ben Folds Five Ben Folds Five -
The Impact of Technology on the Role and Function of the Bass in Jazz
The Impact of Technology on the Role and Function of the Bass in Jazz Peter Dowdall Thesis submitted for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide February 2012 TABLE OF CONTENTS Title Page ..................................................................................................................... i Table of Contents ........................................................................................................ ii List of Figures.............................................................................................................. iii Abstract........................................................................................................................ vii Declaration................................................................................................................... viii Acknowledgments........................................................................................................ ix Introduction. Project Summary, Literature Review, Theoretical Framework, Chapter Outline...................................................................................... 1 Chapter 1. The Bass and the Early Mechanical Roots of Jazz (1915-1930)............... 14 Chapter 2. The Bass, Technology and the Development of the Rhythm Section (1930-1945).................................................................... 45 Chapter 3. The Spoils of War and the Jazz Bass: Tape Recorders and Editing (1945-1960).............................................................................................. -
GSAS Submission Aaslid.Pdf
Interaction, Collaboration, and Improvisation in the Intersection of Jazz and Poetry Vilde Aaslid Trondheim, Norway Bachelor of Arts, University of Washington, 2002 Master of Arts, University of Washington, 2005 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia May, 2014 ii ABSTRACT Interaction, Collaboration, and Improvisation in the Intersection of Jazz and Poetry By Vilde Aaslid In the simultaneous performance of poetry and jazz, artists bring the interactivity of jazz to texted music. This dissertation examines jazz poetry intersection as musicopoetic object and cultural practice. In improvisation, I argue, jazz poetry performance asserts an affinity between music and poetry—a bond based on sound and syntax rather than semantics. Jazz poetry intersection pushes at the boundaries of the music’s generic boundaries, and the performances often challenge barriers to artistic mobility that have emerged from discourses of genre, race, and cultural hierarchy. Four chapters put the overarching themes in dialogue with specific cases. In chapters on Charles Mingus and Vijay Iyer, I consider how two jazz composers structure the combination of music and word in improvisatory contexts. I examine the gendered politics of language in jazz in a chapter on Black Arts poet Jayne Cortez, reading her performances as a black feminist revision of the role of jazz singer. In the final chapter I survey the relationship between poetry and jazz in New York City between 2012 and 2014, situating the form within the jazz scene and the broader cultural landscape of the city. -
Ron Carter Esperanza Spalding
DE GUI ft DED Y GI OL DF DA BLIN HOLI Spalding James Carter Stanley Clarke Esperanza Ron CarterRon Wynton Marsalis Trombone Shorty Trombone Joey DeFrancesco Joey And 93 Top Albums 93 Top And PLUS £3.50 £3.50 .K. U M O C 2012 . beat N W ecember O D D DOWNBEAT 77TH ANNUAL READERS POLL WINNERS // DIANA KRALL // RON CARTER // ESPERANZA SpALDING // WYNTON MARSALIS DECEMBER 2012 DECEMBER 2012 VOLUME 79 – NuMBER 12 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Highway 61 Revisited: the Tangled Roots of American Jazz, Blues, Rock, & Country Music
Highway 61 Revisited: The Tangled Roots of American Jazz, Blues, Rock, & Country Music Gene Santoro OXFORD UNIVERSITY PRESS Highway 61 Revisited Also by Gene Santoro Dancing in Your Head (1994) Stir It Up (1997) Myself When I Am Real (2000) Highway 61 Revisited The Tangled Roots of American Jazz, Blues, Rock, & Country Music Gene Santoro 1 2004 1 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Taipei Tokyo Toronto Copyright © 2004 by Gene Santoro Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Santoro, Gene. Highway 61 revisited : the tangled roots of American jazz, blues, rock, and country music / by Gene Santoro. p. cm. ISBN 0–19–515481–1 1. Popular music—United States—History and criticism. 2. Jazz—History and criticism. I. Title. ML3477 .S21 2004 781.64'0973—dc22 2003024872 Book design and typesetting: Jack Donner, BookType 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper Contents Introduction 1 I. Avatars 1 Louis Armstrong 7 2 Woody Guthrie 17 II. The Postwar Jazz Era 3 Mary Lou Williams 33 4 Max Roach 37 5 Sonny Rollins 49 6 Chet Baker 64 7 Miles Davis 68 8 Herbie Hancock 80 III.