Democracy and Capitalism: an Unhappy Marriage?
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Prague & Munich
Prague & Munich combo weekend! A chance to enjoy two of the most beauful, historic and largest beer consuming places on the planet in one weekend! Prague - The golden city, incredible architecture and sights, Charles bridge, Prague castle (the largest in the world), the ancient Jewish quarter, Easter European prices, Starbucks and other western food chains, wild nightlife & Czech Beer (pints for $1). Surely one of the most intriguing cies in the world as well as one of the most excing in Europe, Prague is a trip not to be missed! Munich - The land of lederhosen, pretzels and beer – and Oktoberfest! This famous Bavarian city as all of the culture, history, museums and of course beer to make it one of the world’s greatest cies! Munich’s reputaon for being Europe’s most fun city is well-deserved, as no maRer what season or me of year, there’s always a reason for a celebraon! Country: Prague - Czech Republic (Czechia); Munich - Germany Language Prague - Czech; Munich - German Currency Prague - Czech Koruna; Munich - Euro Typical Cuisine Prague - Pork, beef, dumplings, potatoes, beer hot spiced wine, Absinthe, Czech Beer. Munich - wurst (sausage), Pretzels, krautsalat (sauerkrautsalad), kartoffelsalat (potato salad) schweinshaxe (roasted pork knuckle), schnitzel, hendl (roasted chicken), strudels, schnapps, beer. Old Town Square, Lennon Wall, Wenceslas Square, Jewish Quarter, Astronomical Clock, Charles Bridge, Prague Castle. Must see: Prague - Old Town Square, Lennon Wall, Wenceslas Square, Jewish Quarter, Astronomical Clock, Charles Bridge, Prague Castle.. Munich - Horauhaus, Glockenspiel, English gardens, Beer Gardens DEPARTURE TIMES DEPARTURE CITIES Thursday Florence Florence - 8:00 pm Rome Rome - 5:00 -5:30 pm Fly In - meet in Prague Sunday Return Florence - very late Sunday night Rome - very late Sunday night/ early Monday morning WWW.EUROADVENTURES.COM What’s included Full Package: Transportation Only Package: Fly In Package: - round trip transportaon - round trip transportaon - 2 nights accommodaon in Prague - 1 night accomm. -
Kindred Births and Planetary Recurrences: Seeking the Larger 'Scope' of the Birth Moment
Kindred births and planetary recurrences: Seeking the larger 'scope' of the birth moment A natal chart is pretty well defined by the moment of birth, in which all is captured as a still life, a snapshot of the solar system. Natal astrology is focused on this point in time, but what if we step back to view it in a broader context? When we zoom out from the natal chart and shift our attention to the planets in motion, the birth moment becomes the center of a wider time window. We become aware of planet events, like aspect contacts (perfections), stations and sign ingresses. These events often coincide within a few days, and can be studied in this way, which is the topic of my research. The idea of finding parallels between lives separated by decades or centuries is not a new one, but applying it to the development of a new astrological method seems very much out of the blue. I begin with the question of whether it is possible to discern any parallels between lives with common natal planet patterns. The first problem is how to define these patterns, my choice being to make use of planetary events around the birthdate, and to use a time limit of a week on either side -- what we might call a time-based orb. If astrology is truly about time, this approach gives me hope for a more complete understanding of that truth. In the zodiac, the planetary aspects are based on geometric figures, and they combine to form aspect patterns. -
The Present Study Examines the Reception of Anglo-American Popular Music In
Beatlephiles and Zappists: Rock Fandom in Communist Czechoslovakia in the Context of the Scene in Brno in the 1980s* Jan Blüml Abstract BLÜML, Jan: Beatlephiles and Zappists: Rock Fandom in Communist Czechoslovakia in the Context of the Scene in Brno in the 1980s. The history of rock in Communist Europe has been viewed by a number of domestic and foreign authors as a series of events with a dominant political content, either in the form of a general youth revolt or directly in the spirit of anti-communist opposition. In this regard, the present study extends the current simplifying concept with an emphasis on the reception history, including relevant issues related to the typology of listeners and aesthetics. The primary subject of this paper is the reception of two of the most influential representatives of Anglo-American popular music in Communist Czechoslovakia, these being the Beatles and Frank Zappa. The reception of both artistic subjects is reflected in the specific space of the Brno scene of the 1980s, within the framework of the artist fan clubs which had no parallel any- where else in the country. The study demonstrates the specifics of American and British rock fandom in the given time and space and challenges the long-held narrative about the supremacy of the political functions of rock behind the Iron Curtain. Keywords: The Beatles, Frank Zappa, Czechoslovakia, Communism, rock music, rock fandom, Brno, Moravia, reception history DOI: https://doi.org/10.31577/forhist.2020.14.2.3 he present study examines the reception of Anglo-American popular music in T - riod of late normalization. -
Cambridge Companion Shakespeare on Film
This page intentionally left blank Film adaptations of Shakespeare’s plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare’s plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives:as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare’s women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong cov- erage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided. Russell Jackson is Reader in Shakespeare Studies and Deputy Director of the Shakespeare Institute, University of Birmingham. He has worked as a textual adviser on several feature films including Shakespeare in Love and Kenneth Branagh’s Henry V, Much Ado About Nothing, Hamlet and Love’s Labour’s Lost. He is co-editor of Shakespeare: An Illustrated Stage History (1996) and two volumes in the Players of Shakespeare series. He has also edited Oscar Wilde’s plays. THE CAMBRIDGE COMPANION TO SHAKESPEARE ON FILM CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Old English The Cambridge Companion to William Literature Faulkner edited by Malcolm Godden and Michael edited by Philip M. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Downloaded License
international journal of taiwan studies 3 (2020) 343-361 brill.com/ijts Review Essay ∵ Review of the Exhibition Oppression and Overcoming: Social Movements in Post-War Taiwan, National Museum of Taiwan History, 28 May 2019–17 May 2020 Susan Shih Chang Department of Communications and New Media, National University of Singapore, Singapore [email protected] Jeremy Huai-Che Chiang Department of Politics and International Studies, University of Cambridge, Cambridge, United Kingdom [email protected] Abstract This review article looks at “Oppression and Overcoming: Social Movements in Post- War Taiwan” (2019.5.28–2020.5.17), an exhibition at the National Museum of Taiwan History (nthm) through approaches of museum studies and social movement studies, and aims to understand its implication for doing Taiwan Studies. This review con- cludes that “Oppression and Overcoming” is significant as a novel museological prac- tice by being part of a continuation of social movements, which transformed the mu- seum to a space for civil participation and dialogue. This allows the exhibition to become a window for both citizens and foreigners to understand and realize Taiwan’s vibrant democracy and civil society. In addition, this review suggests that future © SUSAN SHIH CHANG AND JEREMY HUAI-CHE CHIANG, 2020 | doi:10.1163/24688800-00302009 This is an open access article distributed under the terms of the CC-BY 4.0Downloaded license. from Brill.com09/24/2021 07:47:53AM via free access <UN> 344 Chang and Chiang exhibitions on social movements could demonstrate the possibility to position Taiwan in a global context to better connect with other countries in the Asian region. -
Post-It Note Protests Photos by Laurel Chor Photos by Laurel Hong Kong’S Lennon Walls Offer Bright Messages of Resistance Against Beijing’S Tightening Grip
LIFE & ARTS Post-it note protests Photos by Laurel Chor Photos by Laurel Hong Kong’s Lennon Walls offer bright messages of resistance against Beijing’s tightening grip LAUREL CHOR Contributing writer ll over Hong Kong, a colorful form of peaceful protest has A been blossoming. People have been writing their thoughts, demands and encouragement onto Post-it notes, and sticking them onto walls in public spaces, creating an eye-catching and instantly recognizable mosaic. They’ve bloomed on walls of footbridges and pedestrian tunnels, and on the sides of government buildings and highway pillars, with some torn down as quickly as they flowered, and others having lasted since early June. These temporary installations are called Lennon Walls, taking their name from the graffiti-covered, peace- themed wall in Prague first painted with a picture of the late musician John Lennon in 1980. The first Hong Kong Lennon Wall appeared on the sides of the legislature in 2014, during the pro-democracy Umbrella Movement, when major streets were occupied in the heart of the city for 79 days. Five years later, they have again become a powerful symbol in the former British colony, which has been rocked by almost two months of increasingly Ms. Ho (first name withheld), 14, said she was putting violent demonstrations. up a made-up character representing “dirty cops” The protests were sparked by a on the outskirts of the wall in Tai Po. “I want people proposed bill that would allow anyone to know that the cops are like this, that they don’t care about people, and don’t help people, and hit us.” in Hong Kong to be extradited back to mainland China, while the police 54 Nikkei Asian Review Aug. -
Chapter 6 Hong Kong
CHAPTER 6 HONG KONG Key Findings • The Hong Kong government’s proposal of a bill that would allow for extraditions to mainland China sparked the territory’s worst political crisis since its 1997 handover to the Mainland from the United Kingdom. China’s encroachment on Hong Kong’s auton- omy and its suppression of prodemocracy voices in recent years have fueled opposition, with many protesters now seeing the current demonstrations as Hong Kong’s last stand to preserve its freedoms. Protesters voiced five demands: (1) formal with- drawal of the bill; (2) establishing an independent inquiry into police brutality; (3) removing the designation of the protests as “riots;” (4) releasing all those arrested during the movement; and (5) instituting universal suffrage. • After unprecedented protests against the extradition bill, Hong Kong Chief Executive Carrie Lam suspended the measure in June 2019, dealing a blow to Beijing which had backed the legislation and crippling her political agenda. Her promise in September to formally withdraw the bill came after months of protests and escalation by the Hong Kong police seeking to quell demonstrations. The Hong Kong police used increasingly aggressive tactics against protesters, resulting in calls for an independent inquiry into police abuses. • Despite millions of demonstrators—spanning ages, religions, and professions—taking to the streets in largely peaceful pro- test, the Lam Administration continues to align itself with Bei- jing and only conceded to one of the five protester demands. In an attempt to conflate the bolder actions of a few with the largely peaceful protests, Chinese officials have compared the movement to “terrorism” and a “color revolution,” and have im- plicitly threatened to deploy its security forces from outside Hong Kong to suppress the demonstrations. -
Modern Languages Videos Use the Find
Modern Languages Videos Use the Find function to search this list Alpine Fire Director: Fredi M. Murer with Thomas Nock, Johanna Lier, Dorothea Moritz, Rolf Illig. 1986, 115 minutes, Romani with English subtitles. Surrounded by the beauty of the Swiss Alps, a family lives in sparse isolation from society. This is the story of a deaf-mute son and his sister who tries to teach him and tame his bad temper. Both are frustrated and going through adolescence without the usual emotional support of the parents. And so they turn to each other with hauntingly strange and tragic events. LLC Library CALL NO. MLFR 002 Castle: The Story of Its Construction – with book. With book. David MaCaulay. 1983, 60 minutes, English. LLC Library CALL NO. MLGP 029 Cathedral: The Story of Its Construction – with book. David MaCaulay: 1985, 60 minutes, English. LLC Library CALL NO. MLGP 030 Divine Renewal of Ise Shrine, The 198?, 60 minutes. Describes the ceremonies and rituals associated with the 60th reconstruction, moving, and dedication of the Grand Shrine of Ise in October, 1973. JCU Library CALL NO. BL2224.6.D58 Program 03&04 Program 03 Caravans of Gold. Program 04 Kings and Cities. LLC Library CALL NO. MLAF 002 Videos about Africa Cultural Comparisons La France, la Mauritania, et la Côte d’Ivoire LLC Library CALL NO. MLAF 007 Program 01&02 Program 01 Different But Equal. Program 02 Mastering a Continent. LLC Library CALL NO. MLAF 001 Program 05&06 Program 05 The Bible and the Gun. Program 06 This Magnificent African Cake. LLC Library CALL NO. -
Committee on Global Thought / Columb
UPTOWN PEOPLE’S ASSEMBLY: FACING THE RAGING PANDEMICS June 12, 2020 / 4pm Session Host: Committee on Global Thought / Columbia University Featured Speaker: Vishakha Desai, Chair of the Committee on Global Thought, Principal Investigator of the Politics of Visual Arts Project. Betti-Sue Hertz, Director and Chief Curator, Wallach Art Gallery Vishakha Desai: Thank you very much, Vivian (Vivian Kurutz, Harlem Wellness Center). Listening to Sweet Honey in the Rock reminds me of some 40 years ago when I had invited them to sing at the Boston Museum of Fine Arts to work on an African American exhibition, and so it brings it all back. And the phrase itself, “We're the ones we've been waiting for,” also reminds me of the wonderful phrase by Gandhi, which is to say, to see the change in the world, you are the face that you have to see. So thank you again. I am Vishakha Desai with Columbia University's Committee on Global Thought and it is my pleasure. And Andrew, if we can start the slides, please. (Begin showing PowerPoint) Thank you. We are going to go from something very personal, something we feel in our body, as Vivian talked about - the body that also is about our mind. This is really to take us out from our body to the world, our mind to the world, especially looking at art. When I first was invited by the Wallach Art Gallery, I of course immediately thought of trying to do something with arts. And part of the reason for doing that is also because I've been thinking about art, partly as an art historian, partly as a museum person, partly as a dancer, but also because I have been working on this research project on politics of visual arts in a changing world for the Committee on Global Thought at Columbia. -
“They Don't Understand the Fear We Have”
HUMAN “They Don’t Understand RIGHTS the Fear We Have” WATCH How China’s Long Reach of Repression Undermines Academic Freedom at Australia’s Universities “They Don’t Understand the Fear We Have” How China’s Long Reach of Repression Undermines Academic Freedom at Australia’s Universities Copyright © 2021 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 978-1-62313-916-2 Cover design by Rafael Jimenez Human Rights Watch defends the rights of people worldwide. We scrupulously investigate abuses, expose the facts widely, and pressure those with power to respect rights and secure justice. Human Rights Watch is an independent, international organization that works as part of a vibrant movement to uphold human dignity and advance the cause of human rights for all. Human Rights Watch is an international organization with staff in more than 40 countries, and offices in Amsterdam, Beirut, Berlin, Brussels, Chicago, Geneva, Goma, Johannesburg, London, Los Angeles, Moscow, Nairobi, New York, Paris, San Francisco, Sydney, Tokyo, Toronto, Tunis, Washington DC, and Zurich. For more information, please visit our website: http://www.hrw.org JUNE 2021 ISBN: 978-1-62313-916-2 “They Don’t Understand the Fear We Have” How China’s Long Reach of Repression Undermines Academic Freedom at Australia’s Universities Glossary .............................................................................................................................. i Summary ..........................................................................................................................