English-Speaking Countries Sustainable Development Programme, a • a Strategy of Long-Term Programme Programme That Is Inspired to Develop Long-Term Financing
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Sicily's Ancient Landscapes & Timeless Traditions 2021
YOUR O.A.T. ADVENTURE TRAVEL PLANNING GUIDE® Sicily’s Ancient Landscapes & Timeless Traditions 2021 Small Groups: 8-16 travelers—guaranteed! (average of 13) Overseas Adventure Travel ® The Leader in Personalized Small Group Adventures on the Road Less Traveled 1 Dear Traveler, At last, the world is opening up again for curious travel lovers like you and me. And the O.A.T. Sicily’s Ancient Landscapes & Timeless Traditions itinerary you’ve expressed interest in will be a wonderful way to resume the discoveries that bring us so much joy. You might soon be enjoying standout moments like these: Who doesn’t love to eat in Italy? But Sicilian food, which is heavily influenced by the Arabs who thrived here, is in a league of its own. Sample the local flavors when you visit the Tunisian-inflected town of Mazara del Vallo and share a traditional Sicilian lunch with a local family. As you savor the home-cooked fare, you’ll learn how the city’s identity continues to evolve, and the vital role of the local fishing industry. You’ll also visit a home of a very different sort, one that traveler Carol Bowman described as “a house full of hope.” It’s Casa di Maria, an organization (and Grand Circle Foundation partner) established by a family in Catania to provide a loving home for children who are refugees or victims of neglect and domestic violence. The daughter-in-law of the founders (Sergio and Carmela) will enlighten you about Sicily’s foster care system. And you’ll meet more of the Casa’s extended family, including a young Nigerian woman who literally showed up on Sicily’s shores with nothing and grew up here, and hear her harrowing—but ultimately inspiring—story. -
Macro-Évaluation Et Respect Des Fonds. Réflexion Sur Leur Mise En Œuvre Au Sein Du Gouvernement Du Canada
Macro-évaluation et respect des fonds. Réflexion sur leur mise en œuvre au sein du gouvernement du Canada Robert Nahuet Keywords: Records Appraisal / Évaluation des documents Archival Selection of Government Archives / Sélection des archives gouvernementales Principle of Provenance / Principe de respect des fonds Introduction Le fonds d’archives est une notion fondamentale de l’archivistique qui englobe la production organique et consignée d’une personne ou d’une organisation jouissant d’une certaine autonomie. La production documentaire de cette personne physique ou morale est à l’image de ses activités; elle reflète sa mission et son mandat spécifiques. Le principe de respect des fonds vise, d’une part, à conserver groupés les documents produits par une personne physique ou morale et, d’autre part, quand cela est possible, selon leur ordre originel : ce qui correspond respectivement au premier et au second degré de ce principe. Tant la notion de fonds d’archives que le principe de son respect constituent des fondements de l’archivistique qui ont été établis il y a plus de 150 ans. De nos jours, dans le contexte de l’interaction et de l’interdépendance entre institutions, ces notions sont-elles encore valables et peuvent-elles être mises en œuvre dans le cadre des organisations contemporaines? Par ailleurs, une saine gestion des organisations impose de procéder à une évaluation et à une sélection des masses documentaires produites afin de juguler cette “marée blanche”, mais surtout de retrouver l’information pertinente ainsi que d’identifier et de conserver les archives historiques. À cet égard, nul ne saurait mettre en doute la nécessité de la sélection, mais surtout de l’évaluation qui permettra de séparer le bon grain de l’ivraie1. -
William B. Bailey and Company Fonds 1963.110
Kamloops Museum and Archives William B. Bailey and Company fonds 1963.110 Compiled by Jaimie Fedorak, May 2019 Kamloops Museum and Archives 2019 KAMLOOPS MUSEUM AND ARCHIVES 1963.110 William B. Bailey and Company fonds 1902-1924 Access: Open. Textual 0.09 meters Title: William B. Bailey and Company fonds Dates of Creation: 1902-1924 Physical Description: 9 cm of textual records Administrative History: William B. Bailey and Company was a storage and forwarding agency headquartered in Ashcroft, B.C., which served the Cariboo region. The company was operated by William B. Bailey, who was also business partners with Oliver Harvey in similar enterprises in Ashcroft and Enderby. Scope and Content: Fonds consists of two books of waybills, one Day Book, and one Journal for William B. Bailey and Company. Custodial History: Accession 1963.110 was donated to the Kamloops Museum and Archives on November 9, 1963 by E.J. Maloney, after being found in Ashcroft. 2 KAMLOOPS MUSEUM AND ARCHIVES 1963.110 William B. Bailey and Company fonds 1902-1924 Access: Open. Textual 0.09 meters Notes: Source of supplied title: Title based on contents of fonds. Arrangement: Order that fonds arrived in was maintained by the archivist. Access restrictions: No restrictions on access. The archivist reserves the right to restrict access to any fragile material for preservation purposes. Terms governing use and reproduction: No reproduction permitted without consent of copyright holder. It is the researcher's responsibility to obtain permission for the reproduction of materials for publication or dissemination. Finding aids: File list is available for this collection. -
Cultural Collections Digital Preservation Policy
Digital Preservation Policy Version: 1.0 Last Amendment: 22/11/2019 File name: CC_DigitalPreservationPolicy_Final Policy Owner/Sponsor: Debra Hiom Policy Contact: Debra Hiom Prepared By: Digital Archival Management Working Group Approved By: Digital Archival Management Project Board Date Approved: 07/02/2020 Next Review: 2022 Availability: Public University of Bristol’s Cultural Collections Digital Preservation Policy 1. Introduction 1.1 Cultural Collections at the University of Bristol collects and preserves archival materials to support the University and wider communities in accessing and unlocking the potential of these unique collections. Through preserving and providing access to digital collections it aligns with the University’s Strategic Plan, to ‘revamp our digital infrastructure to make it more resilient, scalable, flexible and secure’ meeting the University’s dual ambitions to become a truly civic university and ‘to provide a welcoming, well-maintained and inclusive campus that provides the infrastructure, both physical and digital, that our staff and students need to succeed individually and to flourish as a community’. 1.2 The Digital Preservation Policy covers the Cultural Collections of the University of Bristol, namely the collaboration between the University of Bristol Library Special Collections, and the Theatre Collection. These organisations are planning to co-locate to a Cultural Collections Centre in a New University Library, and a Cultural Collections Transition Board will be set up for this purpose. 1.3 The University recognises that both archive services are increasingly being asked to care for collections which have been digitised or created in digital form which carry a high risk of becoming obsolete, lost, corrupt or unreadable, if not managed and preserved. -
Summary of the Periodic Report on the State of Conservation, 2006
State of Conservation of World Heritage Properties in Europe SECTION II manière parcimonieuse et précise les ressources de la nature. ITALY Les Sassi de Matera et le Parc archéologique et naturel de la civilisation rupestre de la Gravina I Sassi di Matera répondent au critère d’authenticité aussi bien en ce qui concerne la conception que les matériaux Brief description utilisés. Ils sont protégés par la législation de l’Etat italien qui intéresse les centres historiques, par la This is the most outstanding, intact example of a loi spéciale pour les Sassi de Matera et par la loi troglodyte settlement in the Mediterranean region, Régionale pour le parc archéologique et naturel. perfectly adapted to its terrain and ecosystem. The Ces lois interdisent l’exploitation incontrôlée des first inhabited zone dates from the Palaeolithic, sols, la surélévation, la démolition et la while later settlements illustrate a number of reconstruction des bâtiments dans les zones significant stages in human history. Matera is in the protégées ainsi que la transformation du tissu southern region of Basilicata. urbain. Des sanctions administratives et pénales ont été prévues pour tout sujet qui devrait enfreindre la loi selon la normative de l'Etat italien. 1. Introduction La gestion est confiée à la Ville de Matera munie Year(s) of Inscription 1993 d'un bureau expressément créé pour les Sassi. Agency responsible for site management D'importantes associations de protection exercent leurs activités dans la ville de Matera, comme par • Municipality of Matera exemple la Scaletta qui s'occupe des Sassi et des Sassi Office Eglises rupestres ou encore, la Lega ambiente via Aldo Moro (Ligue pour l'Environnement) qui protège les sites 75100 Matera naturels. -
Pragmatic Audiovisual Preservation
http://doi.org/10.7207/twr20-10 Pragmatic Audiovisual Preservation Ashley Blewer DPC Technology Watch Report October 2020 © Digital Preservation Coalition 2020 and Ashley Blewer 2020 ISSN: 2048-7916 DOI: http://doi.org/10.7207/twr20-10 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without prior permission in writing from the publisher. The moral rights of the author have been asserted. First published in Great Britain in 2020 by the Digital Preservation Coalition. Pragmatic Audiovisual Preservation Foreword The Digital Preservation Coalition (DPC) is an advocate and catalyst for digital preservation, ensuring our members can deliver resilient long-term access to digital content and services. It is a not-for- profit membership organization whose primary objective is to raise awareness of the importance of the preservation of digital material and the attendant strategic, cultural and technological issues. It supports its members through knowledge exchange, capacity building, assurance, advocacy and partnership. The DPC’s vision is to make our digital memory accessible tomorrow. The DPC Technology Watch Reports identify, delineate, monitor and address topics that have a major bearing on ensuring our collected digital memory will be for the future. They provide an advanced introduction in order to support those charged with ensuring a robust digital memory, and they are of general interest to a wide and international audience with interests in computing, information management, collections management and technology. The reports are commissioned after consultation among DPC members about shared priorities and challenges; they are commissioned from experts; and they are thoroughly scrutinized by peers before being released. -
GV ISTRUZIONI ITA.Qxp
Viaggio in Italia LIVELLO Il gioco propone due livelli distinti, A2 e B1. L’insegnante deciderà quale utilizzare in funzione del livello della sua classe. È possibile identificare il livello dal numero delle stelline presente sul dorso delle carte colorate: livello A2 una stellina, livello B1 due stelline. L’uso di un livello non esclude l’uso dell’altro, è perciò possibile mescolare tutte le carte, rendendo il gioco più accessibile agli studenti più deboli e più interessante per gli studenti che hanno già raggiunto un buon livello linguistico. OBIETTIVI LINGUISTICI • Arricchire il bagaglio lessicale dello studente • Favorire l’uso corretto delle strutture grammaticali: gli articoli definiti e indefiniti, gli aggettivi, alcuni verbi di alta frequenza, la forma interrogativa e negativa, i numeri fino a 100, ecc. • Familiarizzare lo studente con la civiltà italiana • Promuovere l’apprendimento di espressioni idiomatiche molto frequenti MATERIALE • Un dado con i lati colorati (un lato giallo, uno blu, uno arancione, uno viola, uno rosso, uno verde) • Un dado con i numeri • Un cartellone da gioco che rappresenta una cartina dell’Italia, con 100 caselle numerate (35 caselle fotografiche – 51 caselle di colore giallo – 14 caselle di colore rosso che rimandano alle regole di percorso) • 132 carte (divise in 6 mazzi con il dorso colorato: 22 carte per colore) GIOCATORI Gioco di squadra o individuale: • 1 conduttore del gioco (insegnante o studente) e giocatori che si suddividono in due o più squadre oppure partecipano individualmente. 2 REGOLE DEL GIOCO Chi conduce il gioco dispone davanti a sé tutto il materiale, compresi i 6 mazzi di carte (l’insegnante potrà scegliere il livello più adatto alla classe, mettendo da parte le carte del livello non desiderato o utilizzando le carte di entrambi i livelli). -
Matera (Basilicata, Southern Italy): a European Model of Reuse, Sustainability and Resilience
Advances in Economics and Business 4(1): 26-36, 2016 http://www.hrpub.org DOI: 10.13189/aeb.2016.040104 Matera (Basilicata, Southern Italy): A European Model of Reuse, Sustainability and Resilience Marcello Bernardo*, Francesco De Pascale Department of Languages and Educational Sciences, University of Calabria, Italy Copyright © 2016 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract Europe is facing a severe crisis: old certainties you could see, from above, a white church. It was Santa are crumbling and traditional ways of working are showing Maria de Idris, and it looked like as if it was stuck into the signs of profound weakness. The first challenge, perhaps the ground. These inverted cones, these funnels, are locally most important, is to manage an advanced economy to known as “Sassi” [litt: “stones”]. Their shape reminded me generate not only economic value, but also social justice and of what, while at school, we imagined Dante's Inferno environmental quality. The second major issue is to promote might have looked like. The narrow space between the the adoption by civil society and institutions of an “ethos” facades and the slope accommodated roads, which serve as within which citizens could plan, produce and co-create their basements for those who come out from the top floor cities, cultivating a new and more rich democratic awareness. houses, and as roofs for those below. Looking up, I could Thirdly, it is about creating a climate of openness that finally see the whole of Matera as a slanting wall. -
Matera: Tales of a City” Project: an Original Multiplatform Guide on Mobile Devices
68 Virtual Archaeology Review “Matera: tales of a city” project: an original multiplatform guide on mobile devices Eva Pietroni CNR Institute of Technologies Applied to Cultural Heritage, Italy Abstract Matera città Narrata is a project coordinated by CNR ITABC and financed by the Agency of Tourist Promotion of Basilicata region, aimed at the creation of a digital platform able to support the public before and during the visit of Matera (World Heritage since 1993), providing cultural contents by multiple communicative formats and access possibilities. The main components of the project are: 1) the web site, accessible in remote and adapted also from smartphone, 2) cultural contents and applications for mobile devices (old style mobile phone, smartphone, iPad) with different operative systems. Every user can reach cultural contents in a simple way, choosing the communicative format he prefers and supported by the technology he owns. In this paper we'll describe, more in detail, the applications developed. Keywords : MULTIMEDIA GUIDE, MOBILE TECHNOLOGIES, MULTIPLATFORM SYSTEM, STORYTELLING, USABILITY, INCLUSIVITY, 3D RECONSTRUCTIONS. Resumen Matera città Narrata es un proyecto coordinado por el CNR ITABC y financiado por la Agencia de Promoción Turística de la región de Basilicata, dirigido a la creación de una plataforma digital capaz de guiar al público antes y durante la visita a la ciudad de Matera (Patrimonio de la Humanidad desde 1993), proporcionando contenidos culturales en múltiples formatos de comunicación y posibilidades de acceso. Los componentes principales del proyecto son el primer lugar el sitio web, accesible y adaptado también a smartphone, y, en segundo término los contenidos culturales y las aplicaciones para dispositivos móviles (teléfono móvil convencional, smartphone, iPad) con diferentes sistemas operativos. -
Digital Preservation, Fall 2018 University of Maryland College of Information Studies, LBSC 784
LBSC 784 Digital Preservation Fall 2018 1 Digital Preservation, Fall 2018 University of Maryland College of Information Studies, LBSC 784 Instructor: Trevor Owens ([email protected]) Office Hours: I am available after class, or by appointment (in-person or online) Location: Susquehanna Hall Rm. 1101 (SQH 1101) Time: Thursdays, 6:00–8:45 p.m. Website: http://dighist.org License: This work is licensed CC-BY Course Description This course focuses on issues and practices regarding digitization of analog materials and preservation of digital materials, both digitized and born digital. Course Goals This course will acquaint students with best practices in digital preservation. Students will explore current questions and issues that archivists and digital curators are currently confronting, and provide students with an opportunity to embark upon digital preservation planning and policy development with relevant organizations. Learning Outcomes After completing the course, students should be able to: ● Identify and assess standards for digital preservation ● Assess and understand digital preservation policies and organizational structures to determine readiness for digital preservation projects ● Evaluate digital preservation strategies, methods, and tools and decide what may be appropriate for particular content types and user communities ● Locate resources for keeping up with rapid developments, standards, and tools for digital preservation ● Communicate with a variety of stakeholders about technical, social and policy issues related to digital preservation Materials The textbook for this course is The Theory and Craft of Digital Preservation. You can access a PDF copy of the text through ELMS. Beyond this, there are a range of course readings. Most readings are openly available on the web. -
Respect Des Fonds D'archives: Theory and Application Danielle K.L
Western University From the SelectedWorks of Danielle K.L. Lee-Muma March 8, 2012 Respect des fonds d'archives: Theory and Application Danielle K.L. Lee-Muma, University of Western Ontario Available at: https://works.bepress.com/daniellemuma/2/ Lee-Muma 1 Danielle Lee-Muma 8 March 2012. Respect des fonds d’archive: Theory and Application In order to examine the principle of respect des fonds d’archive (henceforth referred to as respect des fonds) and its application, this paper will examine the principle, its history and reason for becoming a dominant principle, and what its aspects mean: interpreting original order as an internal arrangement, and discussing external arrangement in the principle of provenance. Case studies (both real world examples and hypothetical examples based on real fonds and archives) will be used to discuss how the twin principles of respect des fonds, original order and provenance can be put into practice. The case studies will also be used to discuss what problems can arise in the application of respect des fonds. The French Ministry of the Interior passed the decree of respect des fonds in 1841, and created a commission of administrative historians to oversee their departmental archivists (Bartlett 110). The men of the commission explained their reasoning for the implementation of respect des fonds as “le classement par fonds n'empêche pas d'obtenir tous les résultats qu'on espère d'un ordre plus élevé” (Bartlett 111). This sentiment translates roughly as “the classification by fonds does not impede the results hoped for in a higher order,” meaning that the application of respect des fonds would make it possible to preserve evidence, even in the face of novice archivists. -
Reuso Matera – Patrimonio in Divenire
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