All Zodiac Killer Letters
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Artist Reveals the Multifaceted King of Torts “To Admirers, He Was a Tireless Fighter for the Little People
www.plaintiffmagazine.com NOVEMBER 2009 Artist reveals the multifaceted King of Torts “To admirers, he was a tireless fighter for the little people. To detractors, he was a shameless self-promoter.” BY TREVOR GORING idea had been distilling in my mind for many years, and I was Editor’s note: The 62nd Annual convinced that Mel would cer Melvin Belli Seminar was held this past tainly approve of anything to do July 24 in San Francisco. To mark the with distilling, I embarked upon occasion, international artist and author the necessary research. Family Trevor Goring exhibited two portraits of members, friends and colleagues Melvin Belli. Here, he shares reminis were most helpful in providing cences and thoughts on the iconic figure background and context, culmi (for more information on the Belli Society: nating in a marvelous visit with www.bellisociety.org). Mel’s son Caesar to visit his mother Joy, in her Palm Springs New York City, July 1995. The home, a treasure trove of Belli O.J. Simpson trial is dominating the memorabilia. media. I have just finished installing Eventually I decided on paint an exhibition of my Images of Justice ing two portraits and completed paintings and prints at the Associa them in my Montreal studio in tion of Trial Lawyers of America time to unveil the largest one at (ATLA). Next to my booth is a med the Belli Society meeting being ical-legal consulting firm represented held that year in Toronto. Two by a stunningly beautiful, petite portraits because Mel was noth blonde. Within minutes a sprightly, ing if not complex and multifac dynamic, silver-haired octogenarian eted, and I knew there were suavely presents himself and his con those who saw him as Melvin Bel siderable entourage to my attractive licose and those who favored the neighbor and asks her out to lunch. -
A Report on the Litigation Lobby
CENTER FOR LEGAL POLICY AT THE MANHATTAN INSTITUTE C L P STREET NW A REPORT ON THE LITIGATION LOBBY 2010 A Message from the Director merica’s litigation-friendly legal system continues to im- law is, for the most part, crafted by state judges rather than en- A pose a heavy burden on our economy. The annual direct acted by state legislatures, these efforts have centered on ensuring cost of American tort litigation—excluding much securities liti- a friendly judiciary, whether appointed or elected. gation, punitive damages, and the multibillion-dollar settlement With business groups now fighting back against Trial Lawyers, reached between the tobacco companies and the states in 1998— Inc.’s longtime grip on state judiciaries, the litigation lobby has exceeds $250 billion, almost 2 percent of gross domestic prod- turned its attention to state legislatures, where it is not only block- uct.1 The indirect costs of excessive litigiousness (for example, the ing tort reforms but working to expand its portfolio of litigation unnecessary tests and procedures characterizing the practice of opportunities. Among other things, state legislators are authoriz- “defensive” medicine, or the loss of the fruits of research never ing new kinds of lawsuits, raising damage caps, and giving private undertaken on account of the risk of abusive lawsuits) are prob- lawyers authority to sue on behalf of the state. ably much greater than the direct costs themselves.2 Of course, the growth in federal regulation and law has made Of course, tort litigation does do some good, and it does deter it necessary for Trial Lawyers, Inc. -
Dangerous Desire
Dangerous Desire CONNOR ZICKGRAF We see Robert Graysmith sitting at the kitchen table; his black note- book—full of leads on the mysterious Zodiac killer—is sprawled open on the wooden surface. A handwriting clue from a movie poster has brought Graysmith to a Mr. Vaughn’s doorstep. With a keenness, an earnestness that matches the ominous rainy night outside, Graysmith starts questioning Vaughn, hoping to gain new insight into the troubling murders. But in an instant, Vaughn’s words wipe the eager anticipation off Graysmith’s rain- soaked face: “Rick didn’t draw any movie posters, Mr. Graysmith. I do the posters myself. That’s my handwriting.” A sudden dread fills the poorly lit room as the implications of Robert Graysmith’s previous declaration resounds in our heads: “The handwriting is the closest we’ve ever come to a match [to the killer].” The heavy rain pound- ing against the kitchen windows echoes the nervous beats of our hearts and cuts chillingly through the silence. Robert, with stiff, cautious movements, attempts to slip out the door to the safety of his car, parked just outside. But just as he’s about to depart, the creepily calm Vaughn—emotionless and unre- vealing—softly suggests they take a look into the basement, where he prom- ises to dig up film records to aid the investigation. Now, on the edges of our seats and utterly terrified, we silently urge Robert not to heed this request, realizing the basement must be another link to the serial killer. Silent protest gets us nowhere, though, and so we witness Robert’s hesitant nod and creaky descent into the dusty, dank, dark basement. -
Recent Acquisitions & Special Offers
RECENT ACQUISITIONS & SPECIAL OFFERS October 21, 2014 The Lawbook Exchange, Ltd. Recent Acquisitions and Special Offers 21 October 2014 Precursor to the Law School Yearbook Produced at the End of the American Civil War 1. [Albany Law School]. [Hopkins, Marshall]. [Autograph Album with Tipped-in Portrait Photographs]. Albany, 1865-1866. 75 leaves, content on both sides, about 150 1-1/4" x 1" paper- print photographs. Octavo (8" x 5"). Calf, blind rules to boards, "Autographs" gilt-stamped to front board, blind-stamped to rear, all edges gilt. Some rubbing to extremities, hinges partially cracked, boards (and text block) slightly bowed, internally fresh. $1,000. * The first three portraits are of Ira Harris, Amasa Parker and Amos Dean, the founders and faculty of Albany Law School. Each photo is accompanied by an autograph, the signer's hometown and his political and religious affiliation. Most have a motto or inspirational message, some are in Latin. The verso of the final leaf is devoted to the (self-identified) compiler of this book: Marshall Hopkins of Lewiston, NY, who also signed the front free endpaper. His entry is dated December 12, 1865. "A Useful and Convenient Book" on Sheriffs 2. Atkinson, George [1809-1891]. A Practical Treatise on Sheriff Law: Containing the New Writs Under The New Imprisonment for Debt Bill; Also, Interpleader Act, Reform Act, Coroner's Act, &c., With Returns, Bills of Sale, Bonds of Indemnity, &c. &c. &c. London : William Crofts, 1839. xviii, 498 pp. Octavo (9" x 6"). Recent period-style paper-covered boards, printed paper title label, endpapers renewed. -
MELVIN BELLI a Candid Conversation with the Embattled, Outspoken Attorney Who Defended Jack Ruby
Playboy : June 1965 PLAYBOY INTERVIEW: MELVIN BELLI a candid conversation with the embattled, outspoken attorney who defended jack ruby "The mad genius of the San Francisco ing from $100,000 to a record-setting owners and spent $150,000 restoring to bar" . "a court jester" . "a publicity- S675,000. He has also pioneered the such turn-of-the-century elegance that mad pettifogger" . "the S. Hurok use of "demonstrative evidence" before it has been formally designated State of the legal profession"—these are juries—graphic, and sometimes grisly, Landmark Number 408 by the Califor- among the kinder things .said about San courtroom displays of artificial limits, au- nia Historical Association. The local San Francisco attorney Melvin Mouron Belli topsy photographs, skeletons, manne- Francisco Gray Line tours include a (pronounced "bell-eye"). That he is un- quins. X rays. witnesses on stretchers— glimpse from the street through the pic- questionably among the greatest living inspiring William Prosser, former dean ture window of his ornate office, where trial lawyers, however, is conceded even of the Cniversity of California Law Belli himself may be seen at his vintage by Belli's legion of enemies, including no School, to call hiM "a Hollywood pro- desk consulting with clients and col- a spectacular Victorian n r.- few as formidable in stature as the A►neri- ducer," and his trials "epics of the super- leagues amid ► ran Bar Association, the American Medi- colossal." So potent is the Belli image, lenge of heavy crystal chandeliers, velvet cal Association. mast major insurance however, that defendant insurance com- chairs, leather couches, antimacassars, firms, J. -
Gianrico Pierucci's Three-Year Quest to Uncover America's Most
4 | CULTURE Vol. 170, Issue 6 | Nov. 4 - Nov. 18, 2020 Vol. 170, Issue 6 | Nov. 4 - Nov. 18, 2020 The Impossible Puzzle: Gianrico Pierucci’s Th ree-Year Quest to Uncover America’s Most Notorious Serial Killer By Kaiyo Funaki The Zodiac Killer terrorized Northern California in [email protected] the late 1960s, murdering at least five people and severely injuring two others. For three years, Gianrico Pierucci was tasked with the He frequently tormented SFPD and local newspapers most daunting job any homicide inspector could come with his cryptic letters and ciphers, citing his intimate knowl- across–catching the Zodiac Killer. edge of the crime scene and willingness to commit more The 57-year old City College administration of justice acts of violence should the newspapers refuse to publish professor and alumni of the college joined the SFPD in his letters. 1987, working his way up the ranks across three decades He signed off each letter with his signature crosshair- of public service. like symbol, a haunting emblem that only added to the Gianrico Pierucci reminisces his tenure as a homicide His promotion to homicide inspector in 2007 eventu- Zodiac’s notoriety. inspector. San Francisco, CA. Oct. 25, 2020. Photo by Melvin Wong/The Guardsman. ally led to an expansion of responsibilities, and by 2013, In 1969, he murdered taxi driver Paul Stine in the he had inherited over 200 unsolved cases as part of the Presidio Heights district of San Francisco and claimed cold case unit. responsibility for his crime by sending the San Francisco of legitimacy, never once took a possible lead for granted. -
ZODIAC Final Prodnotes
1 PRODUCTION NOTES “… I shall no longer announce to anyone when I commit my murders, they shall look like routine robberies, killings of anger and a few fake accidents, etc…” Letter 7 - November 9, 1969 It is the ultimate cold case. The rampage of a madman who has never been caught; the elusive cipher slayer who gripped the nation in fear, America’s very own Jack the Ripper. He publicly claimed 13 victims, then more, two dozen more. Police pinned him with seven, five dead. The true body count may never be known. One thing is certain: That count includes the living. Based on the true story of a serial killer who terrified the San Francisco Bay Area and taunted authorities in four jurisdictions with his ciphers and letters for decades, “Zodiac” is a thriller from David Fincher, director of “Se7en” and “Fight Club.” Hunting down the hunter would become an obsession for four men, an obsession that would turn them into ghosts of their former selves, their lives built and destroyed by the killer’s endless trail of clues. Of the four, Robert Graysmith (Jake Gyllenhaal) was the wild card. A shy editorial cartoonist, Graysmith didn’t have the cache and expertise of his seasoned and cynical colleague Paul Avery (Robert Downey Jr.), the San Francisco Chronicle’s star crime reporter. He didn’t have Avery’s connections with San Francisco Police Department’s celebrated and ambitious Homicide 2 Inspector David Toschi (Mark Ruffalo) and his low-key, meticulous partner Inspector William Armstrong (Anthony Edwards). What he did have was a crucial insight no one anticipated. -
Playboy Magazine Collection an Inventory
1 Playboy Magazine Collection An Inventory Creator: Hefner, Hugh (1926-2017) Title: Playboy Magazine Collection Dates: 1955-1994 Abstract: This collection consists of issues of Playboy and OUI magazines ranging from December 1955-June 2018. Playboy is unique among other erotic magazines of its time for its role as a purveyor of culture through political commentary, literature, and interviews with prominent activists, politicians, authors, and artists. The bulk of the collection dates from the 1960s-1970s and includes articles and interviews related to political debates such as the Cold War, Communism, Vietnam, the Civil Rights Movement, second-wave feminism, LGBTQ rights, and the depiction and consumption of the body. Researchers studying American Culture in the 1960s/70s, Gender & Sexuality, History of Advertising, and History of Photography will find this material of particular interest. Extent: 15 boxes, 6.25 linear feet Language: English Repository: Drew University Library, Madison NJ Biographical and History Note: Hugh Hefner, (April 9, 1926 – September 27, 2017), the founder and editor-in-chief of Playboy magazine, was known as a free speech activist, philanthropist, and proponent of sexual freedom. He founded Playboy magazine in 1953 with $1,000 seed money provided by his mother, Grace Hefner, a devout Methodist. The magazine quickly became known for its subversive visual, literary, and political content. Playboy is unique among other erotic magazines of the same time period for its role as a purveyor of culture through political commentary, literature, and interviews with prominent activists, politicians, authors, and artists. As a lifestyle magazine, Playboy curated and commodified the image of the modern bachelor of leisure. -
72Nd Annual Melvin M. Belli Society Seminar
72nd Annual Melvin M. Belli Society Seminar HILTON BAYFRONT HOTEL Indigo A & B San Diego, California July 26, 2019 Melvin M. Belli, Sr. a WORD OF THANKS July 29, 1907- July 9, 1996 Thank you to all of our speakers and presenters who have offered their expertise, talent and energy in furthering the vision of the Melvin M. Belli Mel Belli was born into a pioneer family in Sonora, Tuolumne County, the heart of Society. California's Gold Rush region. His father, Caesar Belli, was born in Eureka, Nevada and was a prominent banker in California's Mother Lode region. His grandmother, Anna Thank you to our sponsors, High Impact, Injury Board, Halpern Group and Mouron, was California's first woman druggist. Henri Mouron was a professor of languages at St Augustine's College and headmaster of the Young Ladies Seminar of St. Filevine for their special expertise and for providing much appreciated Mary's of the Pacific, one of the first schools in California. refreshments and lunch. Mel Belli attended elementary schools in Sonora and Stockton, California, before Special thank you to our Executive Director, Diane Gober. Diane goes above attending the University of California and Boalt Hall School of Law, Berkeley where he received his LLB in 1933. His first job after graduation was posing as a hobo for the and beyond to make certain that no detail goes unnoticed. Diane’s hard Works Progress Administration and riding on the railroad to observe the Depression's work has ensured that the 72nd Annual Melvin M. Belli Society Seminar and impact on the USA vagrant population. -
Visions of Power: Violence, the Law, and the Post-9/11 Genre Film by Fareed Ismail Ben-Youssef a Dissertation Submitted in Parti
Visions of Power: Violence, the Law, and the Post-9/11 Genre Film By Fareed Ismail Ben-Youssef A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Miryam B. Sas, Chair Professor David J. Cohen Professor Anton Kaes Professor D.A. Miller Summer 2017 1 Abstract Visions of Power: Violence, the Law, and the Post-9/11 Genre Film by Fareed Ismail Ben-Youssef Doctor of Philosophy in Film and Media University of California, Berkeley Professor Miryam B. Sas, Chair My dissertation, Visions of Power, uncovers specific moments where key Hollywood genre films blur the line between perpetrators of violence and its victims, disrupting a post-9/11 public discourse shaped by Manichean divisions. Discordant notes in these films provoke productive estrangement and challenge us to think historically, to see the resonances between this cultural moment and past traumatized moments in US history. The study thereby advances our understanding of American and international politics through its exploration of the narrative production of discourses around a state of emergency and the effects of this storytelling in creating a space of vaguely defined enemies where the parameters of the battlefield are obscured. Recent speeches by US presidents—as when George W. Bush commenced the War on Terror by citing the wanted posters of Old West, or when Barack Obama compared ISIS to the Joker—show how genre modes hold sway in executive discourse. I probe the cross-sections, slippages, and conflicts that exist within the ongoing dialogue between Hollywood entertainment and political discourse in the creation of competing visions of power to frame genre as a contested critical site—one of equal interest to politicians and to critically inclined filmmakers. -
Failing to Move Forward: Journalism, Media, and Affect in David Fincher's Nicholas Orlando University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2018 Failing to Move Forward: Journalism, Media, and Affect in David Fincher's Nicholas Orlando University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation Orlando, Nicholas, "Failing to Move Forward: Journalism, Media, and Affect in David Fincher's" (2018). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/7208 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Failing to Move Forward: Journalism, Media, and Affect in David Fincher’s Zodiac by Nicholas Orlando A thesis submitted in partial fulfillment of the requirements of the degrees of Master of Arts in Humanities Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Amy Rust, Ph.D. Scott Ferguson, Ph.D. Todd Jurgess, Ph.D. Dan Belgrad, Ph.D. Date of Approval: March 20. 2018 Keywords: Failure, Virtual, Indexicality, Mediation, Procedure, Mastery Copyright © 2018, Nicholas Orlando ACKNOWLEDGMENTS First, I would like to thank Amy, whose unwavering patience and confidence in my work helped me excel farther with this project than I thought I would. Without her, not only would this project not have come to life, but I also would not have ventured into graduate school in the first place. -
Avenger Zodiac Crime Signature and Mos Update 2014
Black Dahlia Avenger/Zodiac M.O. Crime Signature Comparisons M.O. Avenger Zodiac 1. Serial Killer X X 2. Created his own marketing/public relations campaign along with X X inventing and providing press with a “pseudonym” for them to use in headlining his crimes and his “reign of terror.” (“Black Dahlia Avenger” and “Zodiac.”) 3. Contacted and taunted press by telephone after crimes. X X 4. Contacted and taunted police by telephone after crimes. X X 5. Used press as his instrument to terrorize public promising, X X “There will be more” 6. Drew crude picture of knife dripping blood and X X mailed the drawing to press 7. Brought pre-cut lengths of clothesline and used them to X X bind and tie his victims during crimes. 8. Mailed more than a dozen notes and sent to police X X and press feigning illiteracy, using misspelled words and disguised his handwriting. 9. Mailed “Cut-and-Paste” notes to press and police. X X 10. Mailed typewritten letter describing his actions to police X X 11. Placed excessive postage and multiple stamps on the X X taunting notes he mailed to press/police 12, Addressed press mailings, “To the Editor” X X 13, Mailings sent on specific “anniversary dates” related to crimes. X X 14, Packaged and mailed personal items belonging to his X X murdered victims to the press to prove he was the killer. 15. Told victims and press he was “Going to Mexico.” X X 16. Used both a knife and a gun(s) in his separate crimes.