The Hilltop 5-8-1999
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Ja Rule Always on Time Mp3, Flac, Wma
Ja Rule Always On Time mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Always On Time Country: South Africa Released: 2002 Style: Pop Rap, RnB/Swing MP3 version RAR size: 1238 mb FLAC version RAR size: 1511 mb WMA version RAR size: 1249 mb Rating: 4.2 Votes: 366 Other Formats: DMF ASF MP4 AA AU FLAC AAC Tracklist Hide Credits Always On Time (Radio Edit) 1 4:05 Featuring – Ashanti Always On Time (Explicit Album Version) 2 4:06 Featuring – Ashanti 3 Always On Time (Instrumental) 4:05 Always On Time Video 4:11 Featuring – AshantiFilm Director – Dave Myers Companies, etc. Copyright (c) – Universal Music Phonographic Copyright (p) – Island Def Jam Music Group Copyright (c) – Island Def Jam Music Group Credits Producer – Irv Gotti Notes ℗ 2002 South Africa © Universal Music ℗ 2001 The Island Def Jam Music Group © 2001 The Island Def Jam Music Group Barcode and Other Identifiers Barcode: 6001210343837 Other versions Category Artist Title (Format) Label Category Country Year Ja Rule Ja Rule Feat. Ashanti - Def Jam 588 946-2 Feat. Always On Time (CD, 588 946-2 UK 2002 Recordings Ashanti Single, Enh) Ja Rule Ja Rule Feat. Ashanti - Def Jam 588 946-4 Feat. Always On Time (Cass, 588 946-4 UK 2002 Recordings Ashanti Single) Ja Rule Ja Rule Feat. Ashanti - Def Jam 588 946-1 Feat. 588 946-1 UK 2002 Always On Time (12") Recordings Ashanti Ja Rule Ja Rule Feat. Ashanti - Def Jam AGENTDJ1 Feat. Always On Time (12", AGENTDJ1 Europe 2002 Recordings Ashanti Promo) Def Jam Ja Rule Ja Rule Feat. -
Kool Keith, Can I Touch Your Butt Girl? [Kool Keith] Clayborne Family
Kool Keith, Can I Touch Your Butt Girl? [Kool Keith] Clayborne Family [Chorus] Can I touch ya butt girl? Can I squeeze ya butt girl? Can I feel ya butt girl? Can I touch it? Can I touch ya butt girl? Can I squeeze ya butt girl? Can I feel ya butt girl? [Kool Keith] Honey with the gloss white diamonds, frosty lips Movin with hypnotic sips Movin the packer, I'm in the ride, leanin to the side Turnin up the Bar-Kays Firecracker, the parking lot macker Maxi, Stacy, women sport the Stay Free Like Prince all the panties hit the floor in one room in Paisley With Naughty By Nature, stippin Stoli Peach on the rocks with Vinnie, Treach and KayGee Volume up, the club is open, nothin closin at 3 V.I.P. comes reserved, with Ronnie B Are you blind out there, can Ronnie see? The power of the Miramax picture Hold up girl, wait a minute, players don't rush Hold the cards, please, I'ma get wit'cha Ladies ready for departure, show ID let me card ya I see the T-backs through your slacks I like it jiggly a little larger [Chorus] [uncredited rapper] In the club I enter the room In the ladies room where the flows [?] soon Heartbeats cold sweats, game and jets Let's 5000, let's jet No hon, I just came, I ain't done She owes me cash, she paid up one Next chick, nitpick, dip necks Lick we jacko man took his shit We in the club, you slip we serve Back in the club gettin clipped nuttin heard Two-steppin, game lethal weapon Chicks I'm checkin every second Blood hit slide as you outsiders want what [?] No outsiders, we all riders We party hard, doin the club Gettin no love from sharin the bub [Chorus] [uncredited rapper] Yo what'chu gonna do now (what?) It's all messed up now (tell 'em) The club rushed up, crunked up now Chickens all fucked up on Bacardi now The spot blown up, yo they wanna go nuts It can go now, yeah We out of control, we out of your mold We broke it, 10 years ago (10 years) We start to roll, I can go 50/50 (ooh) Aiyyo you out of your goal (that's right) You out of your reach, we comin now it's the beast (peace) Big and brolic, we pass the chronic (yeah) Freaks jump on it.. -
May July June August
19861986 MAY JUNE 1. Greatest Love Of All…Whitney Houston 1. On My Own…Patti LaBelle & Michael McDonald 2. Addicted To Love…Robert Palmer 2. Live To Tell…Madonna 3. West End Girls…Pet Shop Boys 3. Crush On You…The Jets 4. Why Can’t This Be Love…Van Halen 4. I Can’t Wait…Nu Shooz 5. What Have You Done For Me Lately…Janet Jackson 5. All I Need Is A Miracle…Mike + The Mechanics 6. If You Leave…Orchestral Manoeuvres In The Dark 6. A Different Corner…George Michael 7. Harlem Shuffle…Rolling Stones 7. Nothin’ At All…Heart 8. Your Love…The Outfield 8. I Wanna Be A Cowboy…Boys Don’t Cry 9. Take Me Home…Phil Collins 9. Vienna Calling…Falco 10. Something About You…Level 42 10. Rain On The Scarecrow…John Cougar Mellencamp 11. Bad Boy…Miami Sound Machine 11. One Hit (To The Body)…The Rolling Stones 12. Is It Love…Mr. Mister 12. The Love Parade…The Dream Academy 13. Be Good To Yourself…Journey 13. Out Of Mind Out Of Sight…Models 14. Move Away…Culture Club 14. The Finest…The S.O.S. Band 15. American Storm…Bob Seger 15. I Must Be Dreaming…Giuffria 16. Never As Good As The First Time…Sade' 16. Headed For The Future…Neil Diamond 17. Rough Boy…ZZ Top 17. Listen Like Thieves…INXS 18. Tomorrow Doesn’t Matter Tonight…Starship 18. Don Quichotte…Magazine 60 19. Mothers Talk…Tears For Fears 19. Living On Video…Trans-X 20. All The Things She Said…Simple Minds 20. -
UNIVERSAL MUSIC • Rihanna – Rihanna 777 Tour… 7Countires7days7shows DVD • Jay Sean – Neon • Jessica Sanchez
Rihanna – Rihanna 777 Tour… 7countires7days7shows DVD Jay Sean – Neon Jessica Sanchez – Me, You & The Music New Releases From Classics And Jazz Inside!!! And more… UNI13-20 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final The Following titles will move to I Code effective FRIDAY, APRIL 12, 2013 Artist Title Catalog UPC Price Code New Number (Current) Price Code GN'R LIES GEFMD24198 720642419823 N I GAYE MARVIN WHAT'S GOING 4400640222 044006402222 N I ON(REMASTERED URIAH HEEP DEMONS & WIZARDS 8122972 042281229725 N I SOUNDTRACK A NIGHT AT THE DRSSD50033 600445003323 SP I ROXBURY ROTH, ASHER ASLEEP IN THE BREAD B001281202 602527018355 SP I AISLE MELLENCAMP AMERICAN FOOL B000418902 602498801376 N I JOHN (COUGAR) MANOWAR LOUDER THAN HELL GEFSD24925 720642492529 SP I MALMSTEEN TRILOGY 8310732 042283107328 N I YNGWIE CRAZY FROG PRESENTS MORE CRAZY B000714902 602517018839 N I HITS ONYX BACDAFUCUP 3145234472 731452344724 N I MALMSTEEN RISING FORCE 8253242 042282532428 N I YNGWIE YOUNG NEIL OLD WAYS 0694907052 606949070526 N I MELLENCAMP SCARECROW B000451202 602498812396 N I JOHN (COUGAR) REDMAN DARE IZ A DARKSIDE 3145238462 731452384621 N I 3 DOORS DOWN ANOTHER 700 MILES B000160302 602498612477 AW I (LIVE) BON JOVI JON BLAZE OF GLORY 8464732 042284647328 N I MENDES GREATEST HITS CD3258 075021325821 N I SERGIO RICHIE LIONEL DANCING ON THE 4400383002 044003830028 N I CEILING (RE BIRDMAN FAST MONEY B000422002 602498801918 SP I SOUNDTRACK XANADU‐REMASTERED -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wUl be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Ifowell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 TELEVISUAL REPRESENTATION, SCHIZOPHRENIC EXPERIENCE, AND APOCALYPTICISM IN LATE TWENTIETH-CENTURY DRAMA AND THEATRE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Roger Dee Freeman, B.A., M.A. -
August 30, 2000 Issue 1
tirije Volume 50 August 30, 2000 Issue 1 Democratic Gore/ Welcome, Freshmen! ( See^Kbe ifiletcr's Lieberman ticket must-have Guide to debuts in Nashville Survival at TSU Tennessee State University Pages 8-9 Page 6 IS^ectsure Stz^dent Opirtion. and Sentiment 3 President replaced due to post-election grades Peek backs away from SGA office, stipulation limelight "\ am a broken soldier, my spirit is broken" -Peek By Hillary S. Condon Community View Editor President-elect Marc Anthony Peek will not be allowed to PHOTO BY JOHN ]. CARROLL COURTESY OF CHRISTOPHER BERRY take an official student government office at Tennessee State (Left) Marc Anthony Peek last winter, as a soldier for the TIME IS NOW STUDENT University. He came close last spring, when he was elected as presi MOVEMENT. (Right) Christopher Berry, who will soon be inaugurated as president of dent of the Student Government Association. the Student Government Association for 2000-01. However, at the end of the spring semester, his grades pre vented him from passing posi-certificalion requirements, and now, runner-up Christopher Berry w/Jl take the helm. Berr}^ ready for actiofi^ sets ^ Many say he was elected because of his outspoken attitude and representation of TSU's stipulation of settlement, but Peek said he was backing down from the attention he has garnered as an activist inauguration date for Aug. 3^ in the past as well as his elected office. "I am a broken soldier," he said. "My spirit is broken." \y Henderson Hill HI "I want people who are interested m He also said that he finds it difficult to be seen on campus 'Community View Writer being SGA president to come and talk to me"' because of his mistakes, and feels the pressure every time he is more," Berry said. -
Musical Explorers Is Made Available to a Nationwide Audience Through Carnegie Hall’S Weill Music Institute
Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 WEILL MUSIC INSTITUTE Joanna Massey, Director, School Programs Amy Mereson, Assistant Director, Elementary School Programs Rigdzin Pema Collins, Coordinator, Elementary School Programs Tom Werring, Administrative Assistant, School Programs ADDITIONAL CONTRIBUTERS Michael Daves Qian Yi Alsarah Nahid Abunama-Elgadi Etienne Charles Teni Apelian Yeraz Markarian Anaïs Tekerian Reph Starr Patty Dukes Shanna Lesniak Savannah Music Festival PUBLISHING AND CREATIVE SERVICES Carol Ann Cheung, Senior Editor Eric Lubarsky, Senior Editor Raphael Davison, Senior Graphic Designer ILLUSTRATIONS Sophie Hogarth AUDIO PRODUCTION Jeff Cook Weill Music Institute at Carnegie Hall 881 Seventh Avenue | New York, NY 10019 Phone: 212-903-9670 | Fax: 212-903-0758 [email protected] carnegiehall.org/MusicalExplorers Musical Explorers is made available to a nationwide audience through Carnegie Hall’s Weill Music Institute. Lead funding for Musical Explorers has been provided by Ralph W. and Leona Kern. Major funding for Musical Explorers has been provided by the E.H.A. Foundation and The Walt Disney Company. © Additional support has been provided by the Ella Fitzgerald Charitable Foundation, The Lanie & Ethel Foundation, and -
Press Kit 2012
Celebrating 110 years of Greenwich Village Hospitality PRESS KIT 2012 Media Contact: Stephanie Teuwen I Stephanie Miller | Amy Weisinger Teuwen One Image PR [email protected] I [email protected] | [email protected] Tel: 212.244.0622 Mobile ST: 917.974.6205 I Mobile SM: 917.859.0352 Celebrating 110 years of Greenwich Village Hospitality Marking its 110th anniversary this year, the Washington Square Hotel occupies a unique place in Greenwich Village’s history. Located at Waverly and MacDougal Streets, just off the Northwest corner of Washington Square Park, it is the sole survivor from the city’s golden age of hôtellerie in the lower 5th Avenue vicinity. The 100% smoke-free property features 152 guest rooms, an intimate lobby, 24-hour front desk service, fitness room, lobby bar and complimentary continental breakfast at the highly acclaimed North Square Restaurant & Lounge. Free Wi-Fi™ is available throughout the hotel. A Haven for Writers, Artists and Visitors for More than a Century The Washington Square hotel was built in 1902 as a residential hotel named the Hotel Earle after its first owner, Earl S. L’Amoureux. The hotel occupied a single, eight-story, red brick building on Waverly Place, in the heart of affluent Greenwich Village, now an historic landmark district. In 1903, L’Amoureux sold the hotel to Frederick D. Fricke. Fricke, in 1908, built an identical, connecting building to create a grand apartment hotel, complete with reading rooms, restaurant, and banquet facilities. Four years later he added a ninth floor and, in 1917 he built an adjoining three story building, bringing the hotel to MacDougal Street, at the northwest corner of picturesque Washington Square. -
Won't Make Hundreds of Millions of Dollars While Their Employees Are Below the Poverty Line
won't make hundreds of millions of dollars while their employees are below the poverty line. Hillary said "We are going to take things away from you for the common good." Goddess bless her. We need stations like WTPG to show the masses what we liberals Dlan to do to helD this countw. Jeff Coryell 44118 The progressive community in Columbus is vibrant and growing. More and more Ohioans are seeing through the empty right wing spin and coming around to the common-sense progressive agenda. They need a radio station that respects their point of view! ~oan Fluharty 43068 Sara Richman 01940 Progressive Talk Radio sserves an imponant for the public to hear another side of the issues. Talk radio is "lopsidedly" one sided and as we know, this is extremely dangerous in a democracy. Boston lost their Progressive Talk Radio and I feel as if I lost a friend. Out of habit, when I turn to the station in the car or in the kitchen, I get annoying rumba music. I wish a petition could be started to have another Boston station broadcast Progressive Talk. I khank you, Sara Richman Karl lKav 143232 IProqressive radio is imDonant in Central Ohio because someone has to tell They are more than willing to patronize any advenisers to the channel. arilyn eerman Franken and Schultz have reg Iavis 1230 since it started in Columbus in September 2004. On average, we e listened to AM1230 for eight to ten hours a day (my wife listens to it a 1230, as have many of our friends and acquaintances. -
The Rise of Talk Radio and Its Impact on Politics and Public Policy
Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox. -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
Murder?" in Custody of CPD Amistad Hugh A
Vol. 10, No. 10 The People Paper July 26—August 7, 2003 ADJarrell Communications inc. All rights Reserved 500 Reviles the Black Policy racket, Tke Economic engine of tke Black community of yesterday Once upon a time in the Black com- Black America." Policy Kings. munity, the men and woman owned the For all of the prosperity associated Nathan Thompson, spent ten years businesses, today it is owned by other with this historic migration of Black peo- documenting, interviewing, writing and ethnics for the most part. ple to the Bronzeville neighborhood, its researching the era during the 1930s and Once upon a time in the Black com- legacy is deeply rooted in Policy, the 40s. "There was a National Brotherhood munity was an economic engine in the 'numbers game' known today as the Illi- of Policy Kings that permeated nearly Black community, that financed the little nois State Lottery, but the Lottery is not every Black community in America." league baseball games to the major Ne- financing the community as it was during Explains Thompson. "Then known as the gro League. that time of the Numbers racket of Pol- nation's Black Belts. Chicago's Bron- The economic engine behind it all was icy zeville neighborhood was the "Policy the policy racket. In the 1930s, Time r The African American businessmen Capital of the World." Magazine dubbed Chicago's Bronzeville who founded and controlled this game In Kings, it sends the readers on a jour neighborhood the "Business Capital of for half a century, however, were called (Continued on page 6) Murder?" in Custody of CPD Amistad Hugh A.